CHAPTER XVII.

COLONEL BOB WAITS FOR HIS MESSAGE.

Ablaze with light is the palatial mansion of the millionaire operator.

Sweet strains of music float out upon the misty moonlight, and are lost

in dying cadence upon the waters of the great lake, that gently lap the

pebbly shore so near the stately pile.

All that wealth can do to beautify and adorn the house has been done

with a liberal hand. In these days of magic all one has to do is to

press the golden button, and master minds accomplish the rest.

The parlors look like fairy bowers. Green plants and rare exotics are

everywhere, and the taste with which they are placed reflects credit

on the decorator artist. Among these scenes wander many of Chicago’s

gallant sons and fair daughters.

Dorothy as the hostess is as lovely a vision as the eye of man ever

beheld, and her father looks the wealthy merchant prince to perfection,

though perhaps one might see an uneasy gleam in his eyes at times, and

he glances toward the door frequently, as though expecting someone of

more than ordinary importance.

The gay reception is in full swing when Aleck and Wycherley arrive.

Both are of course in evening dress, for the ex-actor under the

circumstances has wisely invested the loan made by his companion. As

the future possible partner of the great Samson Cereal, he must make

a creditable _entree_ into society. Besides, a dress suit is a good

nucleus for a loan at “my uncle’s” on a rainy day.

Once inside they make their way to where Miss Dorothy, assisted by a

lady friend, receives, and meet a hearty welcome from both herself and

her father. If Aleck was far gone before, his case is hopeless now,

for the young woman presents such a picture of feminine beauty that

he is even awed to think of his boldness in daring to aspire to win

her. Still, deep down in his heart, he secretly exults to remember that

less than twenty-four hours previous he held all this loveliness in his

arms. Aleck is quiet, a thorough gentleman always, and for reasons of

his own he keeps near Mr. Cereal. Knowing the secret of the other, he

feels that he has a deep interest there.

As to Wycherley, he makes himself right at home, and being introduced

moves among the guests with charming freedom. An old traveler of his

stamp can adapt himself to either terminus of “society,” and under

other circumstances, should fortune throw him among a herd of tramps,

or into a camp of darkies, he would be found the jolliest fellow of

them all, telling tough yarns, singing songs, and picking the banjo. A

wonderfully versatile chap is this same Wycherley. To see him now, as

he saunters gracefully about, one would believe him a representative

of Chicago’s highest circles, and much curiosity is aroused as to who

he may be. His bearing, his name, both are very _distingué_, and many

speculations are indulged in as to whether he is from Boston or New

York.

“Ah! Aleck, my _dear_ boy, this is living. Just think what fortune has

done for me in a short twenty-four hours. I believe I’m on the highroad

to success. There are many lovely girls here, and backed by substantial

dads, but I shall not commit myself. I can’t quite forget the black

eyes of the Spanish cigar girl at the Fair, who made such a sieve of

my heart that it would do for a housewife’s use. But this is very

pleasant, dear boy, exceedingly so. I fancy our host looks careworn.”

“I’ve seen that all along. It may be anxiety about the coming of his

son John, who, as you may have noticed, has not yet shown up.”

“Yes, and it may be with reference to that momentous telegram he was

expecting,” declares Wycherley, who has not forgotten.

“Have you seen anything of the Turk?”

“Jove! you didn’t expect him here--no, you’re joking; but I have met

someone I know. What did I tell you about his ability to get there?”

“I’m in a fog, Claude.”

“Well, look down the room--just bowing over the hand of Miss Dorothy--I

never dreamed _he_ was a society man.”

“Bless me! Why, it’s Rocket!”

“Bob Rocket, dead sure. Listen, the old gentleman introduces him to

the banker’s wife--she who sparkles with a fortune of diamonds worth a

king’s ransom. What does he say?”

“Mrs. Bondclipper, allow me to introduce an old friend of mine, Colonel

Robert Rocket of Colorado. I met him on a Western trip years ago, when

he was in the Legislature. Our Western men are coming to the front, you

know, and I believe the colonel represents some of these great mines

you hear so much about in the papers.”

“Well done for Bob! Of course his only object in coming here is to keep

an eye on John. I only hope and pray for my part--I mean Mr. Cereal’s

peace of mind--the exposure doesn’t take place before all this company.”

“It would be needless. We must, if necessary, find some means of

avoiding that.”

“Ah! you don’t know Bob. Just as soon as he gets that telegram, he’ll

make direct for his man, and all Hades couldn’t stop him.”

“Very good. We must watch him, then. Just as soon as a message comes,

if it does arrive, one of us--myself--must see John and inveigle him

out of the room, while you fall in with the colonel and distract his

attention.”

“Count on me to do my best. Both of us are interested now in avoiding a

scene on account of our prospective relations with Samson Cereal. There

now, don’t give up, Aleck. Ah! he comes.”

“Who--the messenger boy?”

“Pshaw! no, it’s John.”

The young man has entered the room. He makes a decidedly striking

appearance, for, although not quite six feet in height, his figure is

that of an athlete. Aleck takes to him on sight.

“What a shame such a young god should have descended to the rôle of a

defaulter,” mutters Wycherley in the Canadian’s ear.

Aleck does not reply. He has the queerest feeling pass over him--a

flush succeeded by a chill. It is hard to believe this fine, frank

looking man can be a fugitive from justice, but strange things happen

in this life, and we grow accustomed to many facts which at first seem

impossible.

Samson Cereal goes to him, his eager hand outstretched, his eye kindled

with emotion. They meet close to where our friends stand.

“My boy, is the past forgiven? I have learned of my wretched mistake,

and stand here ready to tell you how sorry I have been,” is what the

father says in a husky voice.

His hand is taken in a strong clasp.

“Say no more, father. The past is forgotten. Let us never speak of it

again. I have come to-night because Dorothy bade me, God bless her!

Take me to her, sir.”

Then they move off. The expected scene does not materialize, but

speedily it is noised about that Samson Cereal’s son is in the room.

Few of his Chicago acquaintances knew he had a son, and much surprise

ensues; but when John is introduced a little flutter spreads among the

fair buds and those who have been in the market several seasons, such

a flutter as the advent of a new and very desirable catch must always

cause.

Aleck keeps an eye on Colonel Bob.

That remarkable personage seems to be quite amused at the coming of

John. He is accustomed to seeing daring games played by the men whom

he has business with, and there are times when he can admire the nerve

that is needed to carry them through. All the while he keeps one eye

on the door. There is not a moment that he does not expect a message

of some sort, letter or telegram, having left instructions behind for

either coming to his address to be delivered at once.

There are other elements in the game which Aleck has not forgotten, and

he is forcibly reminded of this fact. Standing by himself in a portion

of the rear parlor or music room, while Cereal is proudly introducing

his stalwart son to many of his friends, Aleck is positive he hears a

long-drawn sigh, and then the whispered words:

“God bless him!”

He turns his head.

There is a door near by, a hallway beyond. Someone stands just beyond

this door--a woman, wearing a white apron and a lace cap, a jaunty bit

of feathery material on top of her gray hair. He has had one or two

glimpses of her before, and knows she has been employed in the rear

room assisting the ladies to remove their wraps, a sort of _femme de

chambre_.

Attracted by the words that escaped her lips, Aleck looks more closely

at her face than he has done before. It is changed indeed, but he

suddenly remembers that he talked with this woman not many hours before.

Again he looks--her eyes meet his gaze, and she shrinks back. He

follows her, and just before she can enter the ladies’ dressing room,

calls:

“I wish to see you, Adela.”

At the sound of that name she turns and clasps her hands. Upon her

sad face comes a look so full of entreaty that the young Canadian is

touched.

“Do not mention that name again under this roof, I beg. I admit I am

the wretched woman you talked with, but do not betray me--I pray this

by the memory of the mother you love,” she says feebly.

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