ARTISTS. ENGRAVERS. PAGE.

STEEL PLATE.--VIEW OF THE CASTLE FROM THE NORTH, showing the Keep,

and Gate, and Outworks SARGENT. RADCLIFFE.

ENTRANCE TO THE KEEP by an ascent of seventy-two stone steps SARGENT. EVANS. 281

CARISBROOKE CASTLE--The ancient Donjon--partly Saxon--from the “Roman

Mounds” SARGENT. EVANS. 283

THE BARRACKS AND GOVERNOR’S HOUSE, with the Keep, from Mountjoy Tower SARGENT. EVANS. 285

ANCIENT GATE IN THE CASTLE, viewed from the Interior, leading to the steps SARGENT. EVANS. 287

PART OF THE KEEP, known as the Flag-staff Tower, with the Battlement SARGENT. EVANS. 289

PORTRAIT OF HENRY BEAUCHAMP, crowned King of the Isle of Wight, in his

Coronation Robes, from the original by Rous, British Museum HERMAN. 291

NORMAN GATE, from the Interior, with the Original Oaken Door, said to be

500 years old SARGENT. EVANS. 293

THE GOVERNOR’S HOUSE, with part of the Barracks, erected by Queen Elizabeth SARGENT. EVANS. 294

THE GREAT GATE, with Round Prison Towers, Machicolations, and Queen

Elizabeth’s Gate in the foreground. View taken from the road SARGENT. EVANS. 296

THE GARRISON WELL, showing the Great Windlass-Wheel, &c.; with the

Interior of the Building as it now appears SARGENT. EVANS. 297

SIGN-MANUAL OF KING CHARLES I., from the Original MS. British Museum HERMAN. WALMESLEY. 298

“QUEEN ELIZABETH’S TOWER,” with the Outer Gate and Landscape, from the

Keep SARGENT. EVANS. 299

VIEW OF THE APARTMENTS OCCUPIED BY KING CHARLES DURING HIS IMPRISONMENT

IN THE CASTLE, with the Window from which he attempted to

escape--Objects emblematical of his Reign SARGENT. EVANS. 301

EXACT FORM AND APPEARANCE OF THE SAME WINDOW, from which, with his

own hand, the King had sawed through one of the Iron Bars SARGENT. EVANS. 302

GROUND-PLAN OF CARISBROOKE CASTLE, showing all the Buildings and Outworks HERMAN. WALMESLEY. 304

[Illustration]

<g>Netley Abbey.</g>

“Mundus abit, fortis sim, non ero: sim speciosus,

Non ero; sim dives non ero, mundus abit.

Mundus abit, non CHRISTUS abit: cote non abeuntem.”--MOR CATH MARTENE.

ARTISTS. ENGRAVERS. PAGE.

VIEW OF THE SOUTH TRANSEPT OF NETLEY ABBEY,

showing the beauty and richness of its Architecture SARGENT. HINCHLIFFE. 305

IMPRESSION OF THE ABBEY SEAL, with the Wax and

Ribbon attached, from the Original HERMAN. WALMESLEY. 306

THE ABBOT’S SEAL, with its Impression and Inscription HERMAN. WALMESLEY. 307

THE GREAT WEST WINDOW OF THE ABBEY SARGENT. EVANS. 309

THE FOUNTAIN-COURT OF NETLEY ABBEY SARGENT. EVANS. 311

THE CONFESSIONAL, for the Cistercian Brotherhood of the Abbey SARGENT. EVANS. 313

THE SACRISTY OF THE ABBEY, Vaulted, and Lighted by two Windows SARGENT. EVANS. 314

THE CHAPTER-HOUSE OF THE ABBEY SARGENT. EVANS. 316

THE ABBOT’S KITCHEN, with the ancient Fireplace SARGENT. EVANS. 318

THE SOUTH FRONT OF NETLEY ABBEY SARGENT. EVANS. 320

THE BUTTERY-DOOR OF NETLEY ABBEY. Peasants with their Offerings receiving

the Priest’s Benediction SARGENT. EVANS. 321

THE CONFESSIONAL OF NETLEY ABBEY, with Confessor and Penitent SARGENT. EVANS. 323

PALMER, Pilgrim 324

NETLEY BEACH--a Scene on the road to the Sun Inn SARGENT. EVANS. 327

NETLEY CASTLE, lately used as a public House of Entertainment SARGENT. EVANS. 329

PLAN OF NETLEY ABBEY--arrangement of the Buildings HERMAN. 330

[Illustration]

<g>Appendix.</g>

The castles and abbeys of England; Vol. 1 of 2 from the national records, early chronicles, and other standard authors · 第 20 / 50 题