ACT IV

_A few weeks later. The new music room in the Palace of Mantua. Windows

on both sides admitting a view of the lake, so that the hall looks like

a galley surrounded by water. Outside, morning: the lake, the sky, and

the lines of poplars on the banks, are all made of various textures of

luminous blue. From the gardens below, bay trees raise their flowering

branches against the windows. In every window an antique statue: the

Mantuan Muse, the Mantuan Apollo, etc. In the walls between the windows

are framed panels representing allegorical triumphs: those nearest the

spectator are the triumphs of Chastity and of Fortitude. At the end of

the room, steps and a balustrade, with a harpsichord and double basses

on a dais. The roof of the room is blue and gold; a deep blue ground,

constellated with a gold labyrinth in relief. Round the cornice, blue

and gold also, the inscription_: "RECTAS PETO," _and the name_

Ferdinandus Mantuae Dux.

_The_ PRINCESS HIPPOLYTA _of Mirandola, cousin to the_ DUKE; _and_

DIEGO. HIPPOLYTA _is very young, but with the strength and grace, and

the candour, rather of a beautiful boy than of a woman. She is

dazzlingly fair; and her hair, arranged in waves like an antique

amazon's, is stiff and lustrous, as if made of threads of gold. The

brows are wide and straight, like a man's; the glance fearless, but

virginal and almost childlike_. HIPPOLYTA _is dressed in black and gold,

particoloured, like Mantegna's Duchess. An old man, in scholar's gown,

the_ Princess's Greek Tutor, _has just introduced_ DIEGO _and retired_.

DIEGO

The Duke your cousin's greeting and service, illustrious damsel. His

Highness bids me ask how you are rested after your journey hither.

PRINCESS

Tell my cousin, good Signor Diego, that I am touched at his concern for

me. And tell him, such is the virtuous air of his abode, that a whole

night's rest sufficed to right me from the fatigue of two hours' journey

in a litter; for I am new to that exercise, being accustomed to follow

my poor father's hounds and falcons only on horseback. You shall thank

the Duke my cousin for his civility. (PRINCESS _laughs_.)

DIEGO

(_bowing, and keeping his eyes on the_ PRINCESS _as he speaks_)

His Highness wished to make his fair cousin smile. He has told me often

how your illustrious father, the late Lord of Mirandola, brought his

only daughter up in such a wise as scarcely to lack a son, with manly

disciplines of mind and body; and that he named you fittingly after

Hippolyta, who was Queen of the Amazons, virgins unlike their vain and

weakly sex.

PRINCESS

She was; and wife of Theseus. But it seems that the poets care but

little for the like of her; they tell us nothing of her, compared with

her poor predecessor, Cretan Ariadne, she who had given Theseus the clue

of the labyrinth. Methinks that maze must have been mazier than this

blue and gold one overhead. What say you, Signor Diego?

DIEGO (_who has started slightly_)

Ariadne? Was she the predecessor of Hippolyta? I did not know it. I am

but a poor scholar, Madam; knowing the names and stories of gods and

heroes only from songs and masques. The Duke should have selected some

fitter messenger to hold converse with his fair learned cousin.

PRINCESS (_gravely_)

Speak not like that, Signor Diego. You may not be a scholar, as you say;

but surely you are a philosopher. Nay, conceive my meaning: the fame of

your virtuous equanimity has spread further than from this city to my

small dominions. Your precocious wisdom--for you seem younger than I,

and youths do not delight in being very wise--your moderation in the use

of sudden greatness, your magnanimous treatment of enemies and

detractors; and the manner in which, disdainful of all personal

advantage, you have surrounded the Duke my cousin with wisest

counsellors and men expert in office--such are the results men seek from

the study of philosophy.

DIEGO

(_at first astonished, then amused, a little sadly_)

You are mistaken, noble maiden. 'Tis not philosophy to refrain from

things that do not tempt one. Riches or power are useless to me. As for

the rest, you are mistaken also. The Duke is wise and valiant, and

chooses therefore wise and valiant counsellors.

PRINCESS (_impetuously_)

You are eloquent, Signor Diego, even as you are wise! But your words do

not deceive me. Ambition lurks in every one; and power intoxicates all

save those who have schooled themselves to use it as a means to virtue.

DIEGO

The thought had never struck me; but men have told me what you tell me

now.

PRINCESS

Even Antiquity, which surpasses us so vastly in all manner of wisdom and

heroism, can boast of very few like you. The noblest souls have grown

tyrannical and rapacious and foolhardy in sudden elevation. Remember

Alcibiades, the beloved pupil of the wisest of all mortals. Signor

Diego, you may have read but little; but you have meditated to much

profit, and must have wrestled like some great athlete with all that

baser self which the divine Plato has told us how to master.

DIEGO (_shaking his head_)

Alas, Madam, your words make me ashamed, and yet they make me smile,

being so far of the mark! I have wrestled with nothing; followed only my

soul's blind impulses.

PRINCESS (_gravely_)

It must be, then, dear Signor Diego, as the Pythagoreans held: the

discipline of music is virtuous for the soul. There is a power in

numbered and measured sound very akin to wisdom; mysterious and

excellent; as indeed the Ancients fabled in the tales of Orpheus and

Amphion, musicians and great sages and legislators of states. I have

long desired your conversation, admirable Diego.

DIEGO (_with secret contempt_)

Noble maiden, such words exceed my poor unscholarly appreciation. The

antique worthies whom you name are for me merely figures in tapestries

and frescoes, quaint greybeards in laurel wreaths and helmets; and I can

scarcely tell whether the Ladies Fortitude and Rhetoric with whom they

hold converse, are real daughters of kings, or mere Arts and Virtues.

But the Duke, a learned and judicious prince, will set due store by his

youthful cousin's learning. As for me, simpleton and ignoramus that I

am, all I see is that Princess Hippolyta is very beautiful and very

young.

PRINCESS

(_sighing a little, but with great simplicity_)

I know it. I am young, and perhaps crude; although I study hard to learn

the rules of wisdom. You, Diego, seem to know them without study.

DIEGO

I know somewhat of the world and of men, gracious Princess, but that can

scarce be called knowing wisdom. Say rather knowing blindness, envy,

cruelty, endless nameless folly in others and oneself. But why should

you seek to be wise? you who are fair, young, a princess, and betrothed

from your cradle to a great prince? Be beautiful, be young, be what you

are, a woman.

Diego _has said this last word with emphasis, but the_ Princess _has not

noticed the sarcasm in his voice_.

PRINCESS (_shaking her head_)

That is not my lot. I was destined, as you said, to be the wife of a

great prince; and my dear father trained me to fill that office.

DIEGO

Well, and to be beautiful, young, radiant; to be a woman; is not that

the office of a wife?

PRINCESS

I have not much experience. But my father told me, and I have gathered

from books, that in the wives of princes, such gifts are often thrown

away; that other women, supplying them, seem to supply them better. Look

at my cousin's mother. I can remember her still beautiful, young, and

most tenderly loving. Yet the Duke, my uncle, disdained her, and all she

got was loneliness and heartbreak. An honourable woman, a princess,

cannot compete with those who study to please and to please only. She

must either submit to being ousted from her husband's love, or soar

above it into other regions.

DIEGO (_interested_)

Other regions?

PRINCESS

Higher ones. She must be fit to be her husband's help, and to nurse his

sons to valour and wisdom.

DIEGO

I see. The Prince must know that besides all the knights that he summons

to battle, and all the wise men whom he hears in council, there is

another knight, in rather lighter armour and quicker tired, another

counsellor, less experienced and of less steady temper, ready for use.

Is this great gain?

PRINCESS

It is strange that being a man, you should conceive of women from----

DIEGO

From a man's standpoint?

PRINCESS

Nay; methinks a woman's. For I observe that women, when they wish to

help men, think first of all of some transparent masquerade, donning

men's clothes, at all events in metaphor, in order to be near their

lovers when not wanted.

DIEGO (_hastily_)

Donning men's clothes? A masquerade? I fail to follow your meaning,

gracious maiden.

PRINCESS (_simply_)

So I have learned at least from our poets. Angelica, and Bradamante and

Fiordispina, scouring the country after their lovers, who were busy

enough without them. I prefer Penelope, staying at home to save the

lands and goods of Ulysses, and bringing up his son to rescue and avenge

him.

DIEGO (_reassured and indifferent_)

Did Ulysses love Penelope any better for it, Madam? better than poor

besotted Menelaus, after all his injuries, loved Helen back in Sparta?

PRINCESS

That is not the question. A woman born to be a prince's wife and

prince's mother, does her work not for the sake of something greater

than love, whether much or little.

DIEGO

For what then?

PRINCESS

Does a well-bred horse or excellent falcon do its duty to please its

master? No; but because such is its nature. Similarly, methinks, a woman

bred to be a princess works with her husband, for her husband, not for

any reward, but because he and she are of the same breed, and obey the

same instincts.

DIEGO

Ah!----Then happiness, love,--all that a woman craves for?

PRINCESS

Are accidents. Are they not so in the life of a prince? Love he may

snatch; and she, being in woman's fashion not allowed to snatch, may

receive as a gift, or not. But received or snatched, it is not either's

business; not their nature's true fulfilment.

DIEGO

You think so, Lady?

PRINCESS

I am bound to think so. I was born to it and taught it. You know the

Duke, my cousin,--well, I am his bride, not being born his sister.

DIEGO

And you are satisfied? O beautiful Princess, you are of illustrious

lineage and mind, and learned. Your father brought you up on Plutarch

instead of Amadis; you know many things; but there is one, methinks, no

one can know the nature of it until he has it.

PRINCESS

What is that, pray?

DIEGO

A heart. Because you have not got one yet, you make your plans without

it,--a negligible item in your life.

Princess

I am not a child.

DIEGO

But not yet a woman.

PRINCESS (_meditatively_)

You think, then----

DIEGO

I do not _think_; I _know_. And _you_ will know, some day. And then----

PRINCESS

Then I shall suffer. Why, we must all suffer. Say that, having a heart,

a heart for husband or child, means certain grief,--well, does not

riding, walking down your stairs, mean the chance of broken bones? Does

not living mean old age, disease, possible blindness or paralysis, and

quite inevitable aches? If, as you say, I must needs grow a heart, and

if a heart must needs give agony, why, I shall live through heartbreak

as through pain in any other limb.

DIEGO

Yes,--were your heart a limb like all the rest,--but 'tis the very

centre and fountain of all life.

PRINCESS

You think so? 'Tis, methinks, pushing analogy too far, and metaphor.

This necessary organ, diffusing life throughout us, and, as physicians

say, removing with its vigorous floods all that has ceased to live,

replacing it with new and living tissue,--this great literal heart

cannot be the seat of only one small passion.

DIEGO

Yet I have known more women than one die of that small passion's

frustrating.

PRINCESS

But you have known also, I reckon, many a man in whom life, what he had

to live for, was stronger than all love. They say the Duke my cousin's

melancholy sickness was due to love which he had outlived.

DIEGO They say so, Madam.

PRINCESS (_thoughtfully_)

I think it possible, from what I know of him. He was much with my father

when a lad; and I, a child, would listen to their converse, not

understanding its items, but seeming to understand the general drift. My

father often said my cousin was romantic, favoured overmuch his tender

mother, and would suffer greatly, learning to live for valour and for

wisdom.

DIEGO

Think you he has, Madam?

PRINCESS

If 'tis true that occasion has already come.

DIEGO

And--if that occasion came, for the first time or for the second,

perhaps, after your marriage? What would you do, Madam?

PRINCESS

I cannot tell as yet. Help him, I trust, when help could come, by the

sympathy of a soul's strength and serenity. Stand aside, most likely,

waiting to be wanted. Or else----

DIEGO

Or else, illustrious maiden?

PRINCESS

Or else----I know not----perhaps, growing a heart, get some use from it.

DIEGO

Your Highness surely does not mean use it to love with?

PRINCESS

Why not? It might be one way of help. And if I saw him struggling with

grief, seeking to live the life and think the thought fit for his

station; why, methinks I could love him. He seems lovable. Only love

could have taught fidelity like yours.

DIEGO

You forget, gracious Princess, that you attributed great power of virtue

to a habit of conduct, which is like the nature of high-bred horses,

needing no spur. But in truth you are right. I am no high-bred creature.

Quite the contrary. Like curs, I love; love, and only love. For curs are

known to love their masters.

PRINCESS

Speak not thus, virtuous Diego. I have indeed talked in magnanimous

fashion, and believed, sincerely, that I felt high resolves. But you

have acted, lived, and done magnanimously. What you have been and are to

the Duke is better schooling for me than all the Lives of Plutarch.

DIEGO.

You could not learn from me, Lady.

PRINCESS

But I would try, Diego.

DIEGO

Be not grasping, Madam. The generous coursers whom your father taught

you to break and harness have their set of virtues. Those of curs are

different. Do not grudge them those. Your noble horses kick them enough,

without even seeing their presence. But I feel I am beyond my depth, not

being philosophical by nature or schooling. And I had forgotten to give

you part of his Highnesses message. Knowing your love of music, and the

attention you have given it, the Duke imagined it might divert you, till

he was at leisure to pay you homage, to make trial of my poor powers.

Will it please you to order the other musicians, Madam?

PRINCESS

Nay, good Diego, humour me in this. I have studied music, and would fain

make trial of accompanying your voice. Have you notes by you?

DIEGO

Here are some, Madam, left for the use of his Highness's band this

evening. Here is the pastoral of Phyllis by Ludovic of the Lute; a hymn

in four parts to the Virgin by Orlandus Lassus; a madrigal by the Pope's

Master, Signor Pierluigi of Praeneste. Ah! Here is a dramatic scene

between Medea and Creusa, rivals in love, by the Florentine Octavio.

Have you knowledge of it, Madam?

PRINCESS

I have sung it with my master for exercise. But, good Diego, find a song

for yourself.

DIEGO

You shall humour me, now, gracious Lady. Think I am your master. I

desire to hear your voice. And who knows? In this small matter I may

really teach you something.

_The_ PRINCESS _sits to the harpsichord_, DIEGO _standing beside her on

the dais. They sing, the_ PRINCESS _taking the treble_, DIEGO _the

contralto part. The_ PRINCESS _enters first--with a full-toned voice

clear and high, singing very carefully_. DIEGO _follows, singing in a

whisper. His voice is a little husky, and here and there broken, but

ineffably delicious and penetrating, and, as he sings, becomes, without

quitting the whisper, dominating and disquieting. The_ PRINCESS _plays a

wrong chord, and breaks off suddenly._

DIEGO

(_having finished a cadence, rudely_)

What is it, Madam?

PRINCESS

I know not. I have lost my place----I----I feel bewildered. When your

voice rose up against mine, Diego, I lost my head. And--I do not know

how to express it--when our voices met in that held dissonance, it

seemed as if you hurt me----horribly.

DIEGO

(_smiling, with hypocritical apology_)

Forgive me, Madam. I sang too loud, perhaps. We theatre singers are apt

to strain things. I trust some day to hear you sing alone. You have a

lovely voice: more like a boy's than like a maiden's still.

PRINCESS

And yours----'tis strange that at your age we should reverse the

parts,--yours, though deeper than mine, is like a woman's.

DIEGO (_laughing_)

I have grown a heart, Madam; 'tis an organ grows quicker where the breed

is mixed and lowly, no nobler limbs retarding its development by theirs.

PRINCESS

Speak not thus, excellent Diego. Why cause me pain by disrespectful

treatment of a person--your own admirable self--whom I respect? You have

experience, Diego, and shall teach me many things, for I desire

learning.

_The_ Princess _takes his hand in both hers, very kindly and simply_.

Diego, _disengaging his, bows very ceremoniously_.

DIEGO

Shall I teach you to sing as I do, gracious Madam?

PRINCESS (_after a moment_)

I think not, Diego.

Limbo, and Other Essays; To which is now added Ariadne in Mantua · 第 4 / 5 章