CHAPTER I.

ORATORY

SACRED AND SECULAR:

OR, THE

Extemporaneous Speaker,

WITH

SKETCHES OF THE MOST EMINENT SPEAKERS OF ALL AGES

BY WILLIAM PITTENGER,

Author of “Daring and Suffering.”

_INTRODUCTION BY HON. JOHN A. BINGHAM_,

AND

_APPENDIX_

CONTAINING A “CHAIRMAN’S GUIDE” FOR CONDUCTING PUBLIC MEETINGS ACCORDING

TO THE BEST PARLIAMENTARY MODELS.

New York:

SAMUEL R. WELLS, PUBLISHER, 389 BROADWAY.

1869.

Entered according to Act of Congress, in the year 1868,

By SAMUEL R. WELLS.

In the Clerk’s Office of the District Court of the United States, for

the Southern District of New York.

EDWARD O. JENKINS,

PRINTER AND STEREOTYPER,

20 North William Street.

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PREFACE.

When we first began to speak in public, we felt the need of a manual

that would point out the hindrances likely to be met with, and serve as

a guide to self-improvement. Such help would have prevented many

difficult and painful experiences, and have rendered our progress in the

delightful art of coining thought into words more easy and rapid. In the

following pages we give the result of thought and observations in this

field, and trust it will benefit those who are now in the position we

were then.

We have freely availed ourself of the labor of others, and would

especially acknowledge the valuable assistance derived from the writings

of Bautain, Stevens and Holyoake. Yet the following work, with whatever

merit or demerit it may possess, is original in both thought and

arrangement.

We have treated general preparation with more than ordinary fullness,

for although often neglected, it is the necessary basis upon which all

special preparation rests.

As the numerous varieties of speech differ in comparatively few

particulars, we have treated one of the most common—that of preaching—in

detail, with only such brief notices of other forms as will direct the

student in applying general principles to the branch of oratory that

engages his attention.

We are not vain enough to believe that the modes of culture and

preparation pointed out in the following pages are invariably the best,

but they are such as we have found useful, and to the thoughtful mind

may suggest others still more valuable.

CONTENTS.

PREFACE.—Objects of the Work stated 3

INTRODUCTION—By Hon. JOHN A. BINGHAM, Member of Congress 7

=PART I.=—_GENERAL PREPARATIONS._

CHAPTER I.

THE WRITTEN AND EXTEMPORE DISCOURSE COMPARED—Illustrative Examples 13

CHAPTER II.

PREREQUISITES—Intellectual Competency; Strength of Body; Command of

Language; Courage; Firmness; Self-reliance 18

CHAPTER III.

BASIS OF SPEECH—Thought and Emotion; Heart Cultivation; Earnestness 27

CHAPTER IV.

ACQUIREMENTS—General Knowledge; of Bible; of Theology; of Men;

Method by which such Knowledge may be obtained 35

CHAPTER V.

CULTIVATION—Imagination; Language; Voice; Gesture; Confidence;

References to Distinguished Orators and Writers. 42

=PART II.=—_A SERMON._

CHAPTER I.

THE FOUNDATION FOR A PREACHER—Subject; Object; Text; Hints to Young

Preachers 69

CHAPTER II.

THE PLAN—Gathering Thought; Arranging; Committing; Practical

Suggestions; Use of Notes 80

CHAPTER III.

PRELIMINARIES FOR PREACHING—Fear; Vigor; Opening Exercises;

Requisites for a Successful Discourse 96

CHAPTER IV.

THE DIVISIONS—Introduction, Difficulties in Opening; Discussion,

Simplicity and Directness; Conclusion 104

CHAPTER V.

AFTER CONSIDERATIONS—Success; Rest; Improvement; Practical

Suggestions 115

=PART III.=—_SECULAR ORATORY._

CHAPTER I.

INSTRUCTIVE ADDRESS—Fields of Oratory; Oral Teaching; Lecturing 123

CHAPTER II.

MISCELLANEOUS ADDRESS—Deliberative; Legal; Popular; Controversial;

the Statesman; the Lawyer; the Lecturer; the Orator 127

=PART IV.=

EMINENT SPEAKERS DESCRIBED—St. Augustine; Luther; Lord Chatham;

William Pitt; Edmund Burke; Mirabeau; Patrick Henry; George

Whitefield; John Wesley; Sidney Smith; F. W. Robertson; Henry

Clay; Henry B. Bascom; John Summerfield; C. H. Spurgeon; Henry

Ward Beecher; Anna E. Dickinson; John A. Bingham; William E.

Gladstone; Matthew Simpson; Wendell Phillips; John P. Durbin;

Newman Hall, and others 133

=APPENDIX.=

THE CHAIRMAN’S GUIDE—How to Organize and Conduct Public Meetings

and Debating Clubs in Parliamentary style 199

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INTRODUCTORY LETTER.

REV. WM. PITTENGER: CADIZ, O., _19th Nov., 1867_.

DEAR SIR,—I thank you for calling my attention to your forthcoming work

on Extemporaneous Speaking. Unwritten speech is, in my judgment, the

more efficient method of public speaking, because it is the natural

method. The written essay, says an eminent critic of antiquity, “is not

a speech, unless you choose to call epistles speeches.” A cultivated

man, fully possessed of all the facts which relate to the subject of

which he would speak, who cannot clearly express himself without first

memorizing word for word his written preparation, can scarcely be called

a public speaker, whatever may be his capacity as a writer or reader.

The speaker who clothes his thoughts at the moment of utterance, and in

the presence of his hearers, will illustrate by his speech the admirable

saying of Seneca: “Fit words better than fine ones.”

It is not my purpose to enter upon any inquiry touching the gifts,

culture and practice necessary to make a powerful and successful

speaker. It is conceded that in the art of public speaking, as in all

other arts, there is no excellence without great labor. Neither is it

the intent of the writer to suggest the possibility of speaking

efficiently without the careful culture of voice and manner, of

intellect and heart, an exact knowledge of the subject, and a careful

arrangement, with or without writing, of all the facts and statements

involved in the discussion. Lord Brougham has said that a speech written

before delivery is regarded as something almost ridiculous; may we not

add, that a speech made without previous reflection or an accurate

knowledge of the subject, would be regarded as a mere tinkling cymbal. I

intend no depreciation of the elaborate written essay read for the

instruction or amusement of an assembly; but claim that the essay, read,

or recited from memory, is not speech, nor can it supply the place of

natural effective speech. The essay delivered is but the echo of the

dead past, the speech is the utterance of the living present. The

delivery of the essay is the formal act of memory, the delivery of the

unwritten speech the living act of intellect and heart. The difference

between the two is known and felt of all men. To all this it may be

answered that the ancient speakers, whose fame still survives, carefully

elaborated their speeches before delivery. The fact is admitted with the

further statement, that many of the speeches of the ancient orators

never were delivered at all. Five of the seven orations of Cicero

against Verres were never spoken, neither was the second Philippic

against Mark Antony, nor the reported defence of Milo. We admit that the

ancient speakers wrote much and practised much, and we would commend

their example, in all, save a formal recital of written preparations.

There is nothing in all that has come to us concerning ancient oratory,

which by any means proves that to be effective in speech, what is to be

said should be first written and memorized; there is much that shows,

that to enable one to express his own thoughts clearly and forcibly,

reflection, culture and practice are essential.

Lord Brougham, remarking on the habit of writing speeches, says: “That a

speech written before delivery is something anomalous, and a speech

intended to have been spoken is a kind of byword for something laughable

in itself, as describing an incongruous existence.” This distinguished

man, in his careful consideration of this subject, says: “We can hardly

assign any limits to the effects of great practise in giving a power of

extempore composition,” and notices that it is recorded of Demosthenes,

that when, upon some rare occasions, he trusted to the feeling of the

hour, and spoke off-hand, “his eloquence was more spirited and bold, and

he seemed sometimes to speak from a supernatural impulse.” If this be

true of the great Athenian who notoriously would not, if he could avoid

it, trust to the inspiration of the moment, and who for want of a

prepared speech, we are told by Æschines, failed before Philip,—might it

not be inferred that one practised in speaking, would utter his thoughts

with more spirit and power when not restrained by a written preparation

and fettered by its formal recital?

Did not Fox often, in the Parliament, achieve the highest results of

speech without previous written preparation; and is it not a fact never

to be questioned, that the wonderful speech of Webster, in reply to

Hayne, was unwritten?

In his admirable lecture on Eloquence, Mr. Emerson says: “Eloquence that

so astonishes, is only the exaggeration of a talent that is universal.

All men are competitors in this art. * * A man of this talent finds

himself cold in private company, and proves himself a heavy companion;

but give him a commanding occasion, and the inspiration of a great

multitude, and he surprises us by new and unlooked for powers.” * *

Indeed, there is in this lecture of Mr. Emerson, in few words, much to

sustain your theory. He says, “the word eloquence strictly means

out-speaking; the main power, sentiment—the essential fact is heat, the

heat which comes of sincerity. Speak what you know and believe, and are

personally answerable for. This goes by weight and measure, like

everything else in the universe. A man to be eloquent must have faith in

his subject, and must have accurate knowledge of that subject. * * The

author of power—he is the great man who always makes a divine

impression, a sentiment more powerful in the heart than love of country,

and gives perceptions and feelings far beyond the limits of thought.

Eloquence is the power to translate a truth into a language perfectly

intelligible to the person to whom you speak. Such a practical

conversion of truth, written in God’s language, is one of the most

beautiful weapons forged in the shop of the Divine Artificer. God and

Nature are altogether sincere, and art should be as sincere.” How can

sincerity be fully attained in the great art of public speech, if every

word to be uttered must be previously written down in the closet, and

memorized and recited? Was not Lord Brougham right in saying a speech

written before delivery is inconsistent with the inspiration of the

moment, and the feelings under which the orator is always supposed to

speak? What feelings? The felt-conviction of the truth of what he has to

say. What inspiration? The inspiration which, at the moment, clothes and

expresses the honest thought in appropriate words.

Surely the living voice, rightly cultivated, and rightly employed, is a

power in the world, and to condemn you for calling attention to what you

believe to the most efficient method of human speech, would be one of

those decisions of ignorant arrogance which it costs no labor and needs

no intellect to pronounce.

Is not the man who well and truthfully speaks his own thoughts, as

Shakspeare and Bacon wrote, in some sense their peer? Is not the mere

reciter of their words, but their shadow?

It is said of Plato, that he poured forth the flood of his eloquence as

by inspiration, and that, had the Father of the gods spoken in Greek, he

would have used none other language than Plato’s; and yet this master of

language takes pains, in reporting the apology of Socrates on trial for

his life, to represent him as saying that it would not become him to

speak “studied terms and expressions, but only the truth expressed in

the plainest language.” I quote the words of Socrates as given by Plato:

“Among the false statements which my accusers made, there was one at

which I especially marveled, namely when they warned you to take care

not to be led astray by me, inasmuch as I was a powerful speaker. It did

appear to me supremely audacious in them to make such an assertion,

Which must immediately afterwards be disproved by the fact; for you will

see that I have no skill in speaking, unless they call a man a powerful

speaker because he says what is true. If they mean this, I certainly

must allow that I am a speaker of a very different kind from them; for

they, as I have said, have not spoken a word of truth; from me you shall

hear the whole truth; and that not clothed in ornate sentences with

studied terms and expressions; you will have from me plain facts

expressed in the plainest language. Indeed, Athenians, it would ill

become me at my age to come before you with a studied discourse like a

boy. And there is one thing, O Athenians, which I must beg and entreat

of you: if I use, in my defense, the same terms which I have been

accustomed to use in the market-place and in the shops where most of you

have heard me talking, do not wonder at that, nor take offence. For this

is the fact, I now enter a court of justice for the first time, though I

am more than seventy years old; I am, therefore, altogether strange to

the kind of language used here; and therefore excuse me, as if I really

were a stranger, if I speak to you in that tone and in that manner in

which I have been brought up. I ask you a thing which is, I think,

reasonable, that you take no account of the manner of my address to

you—it might be better, it might be worse, perhaps—but to consider this,

to attend to this, whether I say what is right or not, for that is the

virtue of the judge, as to speak truly is the virtue of the advocate.”

No matter if the speech be not clothed in ornate sentences with studied

terms, it is the virtue of the judge to consider whether the speech is

right, as to speak truly is the virtue of the advocate.

It is only, it seems to me, when men speak wisely, truly and naturally,

that the full significance of Quintillian’s words can be realized: “May

I perish, if the all-powerful Creator of nature and the Architect of

this world has impressed man with any character which so eminently

distinguishes him as the faculty of speech.” Let him who would use this

faculty effectively, and attain to that great power which rules the

minds of men, and moves the passions and affections of the soul, see to

it, that he speaks what he knows and believes, plainly and directly from

the heart to the heart.

Very truly your friend,

JOHN A. BINGHAM.

PART I.

GENERAL PREPARATION.

CHAPTER I.

THE WRITTEN AND EXTEMPORE DISCOURSE COMPARED.

The special object of the following pages is to show the manner and

requirements of extempore preaching. But as this differs from other

methods of speech in its objects rather than in its external qualities,

many of the thoughts we present will apply as well to the bar and forum

as to the sacred desk.

There is need that this subject should be enforced, particularly on the

ministry. A growing desire is manifested to give up plain, direct

speech, and indulge in the ease and certainty of written sermons. Young

men find themselves in places where it requires unwearied exertion to

sustain their reputation, and satisfy the demands of a cultivated

audience. They begin to fear that their spoken sermons may be deficient

in polish and style, and at last they write. The people nearly always

protest against the innovation, but to no purpose, for having convinced

himself that he is right, the minister treats their murmurs as the

effect of vulgar prejudice, and as a frequent result, his usefulness is

permanently impaired.

This evil cannot be diminished by denouncing those who engage in it, for

the supposed necessity they labor under is stronger than any other

consideration. But it may be lessened by showing that there is a better

way, and making it plain. Such will be our endeavor.

The two extremes of speech are, the discourse which is written and read

verbatim, and that in which both words and thoughts are left to the

impulse of the moment. Between these there are many intermediate grades.

The latter may be excluded from the classification altogether, for no

wise man will adopt it except in some unforeseen emergency. True

extemporization relates to the words alone, and leaves full room for the

complete preparation of thought. Between this and the manuscript

discourse there are various compromises which seek to combine the

advantages of both. These, for the sake of convenience, may be called

the recited, composite, premeditated and sketched discourses.

It is useless to deny that the method of writing in full and reading,

possesses many and great advantages. It secures time for the

consideration of every thought. If the mind fags, the writer can pause

until it is rested and begin again; and in this way all the ideas and

expressions that occur for several days can be concentrated into one

sermon. Then it can be revised, and the language improved to an

indefinite extent, and the sermon, in its completeness, laid away for

future use.

But there are great disadvantages. Such a sermon may, by solidity of

thought, and brilliancy of expression, command approval, but it will

seldom move and sway the people. The very idea that all has been written

out, and is merely read, will tend powerfully to neutralize its effects.

We may remonstrate against this if we will, and declare that our sermons

should be judged by their substance, but this does not abate the

preference of our auditors. They will retort, with truth, that they can

read even better sermons at home, and dwell on them at their leisure.

What they want in preaching is the living sympathy and guidance of the

preacher; his soul burning and glowing, and thus lighting up other

souls; his eye beaming on theirs; his clear, far-seeing mind, excited by

the magnetism of truth, and appealing to their hearts with an

earnestness that will take no denial. This fills the popular ideal of

preaching, and no elaboration, no word music will atone for the want of

it. Men of great genius may succeed otherwise, but the mass of speakers

cannot.

The plan of memorizing and reciting sermons would seem, upon a

superficial view, to secure the advantages of reading without its

defects. But another and formidable class of disadvantages come into

being. Very few men can declaim well. For one who can speak from memory

with ease and naturalness, twenty can pour forth their ideas in the

words of the moment with energy and effect. A few have mastered the

difficult art, and won enduring laurels in this way, but their number is

too small to encourage others to imitation.

This practice also imposes a heavy burden on the mind. To write and

commit two or three sermons in a week, is a task that only those who are

strong in mental and physical health can perform with impunity, and even

then it requires too much time; for no matter how perfect a minister’s

sermons may be, unless he fulfills other duties, he cannot be wholly

successful. Most preachers who memorize, inevitably neglect pastoral

work because they have not time for it. And another effect follows that

is, if possible, still worse. Instead of growing daily in knowledge by

diligent study, the mind is kept on the tread-wheel task of writing and

committing sermons, and thus permanently dwarfed. A young man may take a

higher rank at first by memorizing, than otherwise, but he will not

retain it long, for the knowledge others accumulate while he is conning

his discourses, will soon place them above him.

The practice of committing brilliant passages to be recited with the

eyes withdrawn from the paper, or thrown into the current of

unpremeditated discourse, we have termed the composite manner. It is

open to all the objections urged against the last method, and a most

formidable one in addition—the difficulty of making these sudden flashes

fit into their proper places, and of preventing them from destroying the

unity of the whole discourse. They differ so widely from the rest of the

composition, that the audience are apt to see the artifice and despise

it. A skillful man may join them properly, but even then his own

attention, and that of the audience will, probably, be so closely fixed

upon them that the main design of the sermon will pass out of sight.

These three varieties are much alike, and may be called branches of the

word-preparation method. In them, words are carefully chosen, and form

the groundwork of discourse. The next three are based on thought.

The premeditated discourse comes nearest to the word method. It was the

medium of the wonderful eloquence of the late Bishop Bascom. In it the

ideas are first arranged, and then each thought pondered until it

resolves itself into words, which are mostly recalled in the moment of

speech. Men who speak thus usually have great command of language and

much fixity of impression. Those who receive ideas readily, and lose

them again as easily, could not adopt this method, for words previously

arranged could not be recalled in the same order, unless they had been

fixed by the pen. There is little objection to this mode of preparation

in the case of those who are adapted to it, provided they do not carry

it so far as to feel burdened or confused. No words should be left in

charge of the memory, and no conscious effort made to recall particular

expressions.

Stevens, in his admirable book called “Preaching Required by the Times,”

advises ministers, when revolving and arranging their ideas, not to let

them run into words. We can see no ill effect in this, provided the

result is a natural one. All the words must be retained easily in the

memory, and not sought for if they do not spontaneously present

themselves in the act of speech. President Lincoln, who was a most

effective off-hand speaker, said, that he owed his skill in this art to

the early practice of reducing every thought he entertained to the

plainest and simplest words. Then when he desired to enunciate an idea

he had no difficulty in giving it a form that even a child could

understand.

The sketched discourse approaches very closely to the purely extempore

method, and only differs from it in writing the whole matter in full,

with no care for style, simply to practice in the art of expression, and

to test our mastery of the plan arranged. In it there is no intention of

memorizing, or of using the same words again, except so far as the ideas

in their simplest form may suggest them. This is only doing on paper

what, in the last method, was done mentally. It may be of great

advantage to those who have had but a limited experience, and cannot so

clearly grasp their ideas in the domain of pure thought as to be sure

that they are fully adapted to the purposes of their sermons.

But at the slow rate of writing in the common hand, this requires too

much time. If a person have mastered Phonography, or Tachygraphy, a

valuable improvement of the former, more easily acquired and retained in

practice, he may write a sermon in little more than the time it will

take to preach it, if he only work at full speed and do not stay for the

niceties of style. Then the defects in the arrangement or material, that

before escaped his attention, will be brought to light. We can judge a

sermon more impartially when it is placed outside of the mind, than if

it were only mentally reviewed, and we still have time to correct

whatever may be amiss.

But the great method of which the two former are mere branches, and

which in fact underlies every other, is that of pure extemporization. In

this there is a firm, compact road of previously prepared thought

leading directly to the object aimed at. When thus speaking, we always

feel on solid ground, and each moment have the proper, selected idea,

seeking expression, and clothing itself in the needed words. All men

talk thus, and we cannot but regard it as the highest form of oratory.

When we have obtained complete mastery of expression, and the ability to

so arrange facts and ideas, that at the fitting moment they will resolve

themselves into words, the high problem of eloquence is in a great

measure solved.

CHAPTER II.

PREREQUISITES—INTELLECTUAL COMPETENCY—STRENGTH OF BODY—COMMAND OF

LANGUAGE—COURAGE—FIRMNESS.

Almost every speaker has at some time longed to obtain the golden power

of eloquence. It always insures to its fortunate possessor a strong

influence in the affairs of men. It is needed in the promotion of every

reform, and is the only means by which the minds of a community can be

at once moved in a new direction. When employed in the service of error

and injustice it is like a fallen archangel’s power for evil. But its

highest and purest sphere is in the promulgation of revealed truth. It

there brings the word of God into living contact with the souls of men,

and by it molds them into a higher life. It is sublime to be a co-worker

with God, and thus assist him in peopling heaven.

Only the method of eloquence can be taught. Its refined and ethereal

substance lies beyond the reach of all art. No preacher can be truly

eloquent without the baptism of the Holy Spirit, and even the excited

passion and burning enthusiasm which are the human sources of this

quality, can be acquired by no formularies. But they may be developed

and properly directed where a capability for them exists. In this

respect there is the widest difference of talent. Some men never can

attain the wondrous power of swaying their fellow-beings. Others are

born orators. The latter class is small, and it is never safe to

conclude that we belong to it until the fact has been incontestably

proved. Neither is the class of incapables very large. The great mass of

men lie between the extremes. Their talents do not make them great in

spite of themselves; but if they make the proper effort, and are favored

by circumstances, they may become effective, and even eloquent speakers.

To these it is of great importance to have the right road pointed out,

along which they may travel, and by earnest toil gain the desired end.

There is no “royal road” to eloquence, but here, as elsewhere,

application and study will produce their proper effects. Yet certain

prerequisites must be received from God himself, without which all

cultivation will be vain as the attempt to fertilize the sands of the

seashore.

The first quality to which we will refer, is intellectual competency. By

this, we mean a strength of intellect that can grasp an idea, and form a

complete image of it; one who is not able to think out a subject in its

leading features, cannot speak on it, and if the deficiency be general,

he is unfitted to speak in public at all. We would not assert that none

but men of commanding intelligence can profitably address their

fellow-beings. It is not even necessary that the orator should be above

the average of mental power possessed by his audience. Franklin was

entranced by the preaching of Whitefield, though in grasp and compass of

mind almost infinitely his superior. A man of comparative dullness may,

by brooding over a particular subject, so master it, that the greatest

intellect will listen to him with reverence and profit. The great German

poet, Goethe, said that he met few men from whom he did not learn

something valuable. But no man ought to address the people unless he can

clearly comprehend the nature of his subject, mark out its limitations,

understand its relations to other subjects, and so arrange and simplify

it as to convey these ideas to his hearers. The Christian minister has

to deal with a great variety of topics, and requires mind enough to

grasp not one only, but many subjects.

It is hard to determine just how much mental power is required to secure

a moderate degree of success as an orator. No precise rules can be given

on this point, and if they could, egotism would prevent each from

applying them to himself however correctly he might gauge his neighbor.

The presumptuous would do well to remember that oratory is the highest

of all arts, and to measure themselves with becoming humility; perhaps

the following questions may aid in self-examination. Can you grasp an

idea firmly? can you follow its ramifications, perceive its shades of

meaning, and render it familiar in all its bearings? Can you analyze it

clearly, so that each separate part will be understood by itself, and

then again link these together and make each serve as a stepping-stone

to the comprehension of that which follows? If you can do this with a

single subject, you have the mental power to speak on that subject; if

on all, or many of the subjects of the Christian religion, vast and

varied as they are, you can preach. No deficiency of intellectual power

or originality need dishearten you.

The fact of the close and mutual influence of body and mind is beyond

dispute, although their connection is a subject of deep mystery. When we

see how much the faculties of reason and imagination—nay, even of hope,

love, and faith—are affected by bodily conditions, we can only exclaim

with the Psalmist, “I am fearfully and wonderfully made.” Especially is

this mutual dependence forced upon the attention of the extempore

speaker. In every effort he feels the subtle effect of physical causes,

and often under the pressure of disease, strives in vain to realize the

grand but intangible thoughts that float through his brain. The body is

the instrument of the mind in its communication with the outward world,

and even if the most sublime and glorious conceptions existed within,

they would be powerless if the bodily organs were unequal to the task of

expressing them.

A dumb man cannot be an orator, no matter how richly endowed; and all

other bodily defects will be felt as hindrances even if they fall short

of the deprivation of an organ of sense. The preacher needs to be a

completely developed man physically, as well as mentally, though he may

succeed in spite of many disadvantages. Feeble health will always

detract from his power. The mind may for a time rise superior to it, but

a crushing recoil will follow. This takes place when the ill-health is

not extreme; but when it fetters the ability of expression, and prevents

the manifestation of living power, the barrier is absolute. Many

ministers utterly fail, because they forget that eloquence is the

offspring of health; others, perhaps, still more unfortunate have

battled against disease and bodily infirmity for years, and yet have

been doomed to feel, amid their brightest aspirations, that a power

beyond their control was conquering them. It is terrible to sit

helpless, and see a cloud stealing over the brightness of genius, and

shading the whole future of life. Yet this has been the experience of

thousands. We remember an impressive illustration of this in the case of

one who possessed the richest endowments. He was almost unequaled as a

pulpit orator, yet, in the middle of life, saw his powers of usefulness

withdrawn, and his fame fading—only because his body could not bear the

strain he unwisely put upon it.

In view of the many facts of this kind, it would be well for the man who

aspires to eminence in the fields of eloquence, to examine himself, and

see if he have the needed physical strength. With some the incapacity is

no doubt total. How many ministers have had their light turned into

darkness by a diseased throat, a cerebral affection, or a nervous

disorder? But the majority of men only need care and obedience to the

laws of life to bring their bodies up to the standard of efficiency. In

youth, at least, there is nothing so easily improved as health. By the

golden rule of temperance in all things—in voice and thought, as well as

food and drink—nearly all may render the body adequate to the

manifestation of mind.

To an orator, the power of readily clothing his thoughts in words is

indispensable. Language is the dress of ideas—the means by which they

are communicated to others. The thoughts that arise in our minds resolve

themselves into words as naturally as the clouds do into falling

showers. We use words to some degree in our most secret meditations, and

whenever the latter become clear and well defined they fall into

language without conscious effort. To cause them to do this with

precision and certainty is one of the problems of extempore speech. The

thought is prepared in advance, but is to be coined into words at the

moment. If the faculty of language is weak this cannot be done without

such hesitation and embarrassment as greatly to diminish the effect; but

if strong, a tide of words will be poured forth without apparent effort.

Even in common conversation, a wide difference in point of fluency may

be observed. In fact, it was this which gave Gall the first hint that

led to the establishment of Phrenology.

No doubt this faculty may be greatly cultivated and improved, but when

its original strength is very small, it can not, probably, be made

available for ready and powerful speech. There are persons whose voices

seem to have no defect, who cannot learn to sing; others, with eyes

perfectly organized, are unable to distinguish between colors. The power

of language may be equally deficient in an otherwise well-constituted

mind. We once knew a man who could not find the words necessary to make

the most common statement without long and embarrassed pauses. He forgot

the names of his nearest neighbors; and, when telling a story, required

perpetual prompting wherever names occurred, and would often hesitate

until some every-day term was suggested to him. No cultivation would

have made him a speaker. He had as much education as his neighbors

around, and was not remarkably dull. He was simply an almost wordless

man. Many persons suffer in the same manner, though but few to the same

degree.

But the mere fact that a man is slow of speech is no bar even to the

highest eminence as an orator. The proper test of the power of this

faculty is in common conversation. There one feels perfectly at ease,

and deals with matters he understands. If he have but a moderate share

of fluency, he will have no difficulty in conveying his ideas. But if he

does experience such difficulty, it shows a radical defect which art can

never remove. But we should not be discouraged if it is hard to find

appropriate words when speaking on unfamiliar subjects, for we cannot

have words to express ideas before possessing the ideas themselves!

Those who are deficient in language, but have strong powers of thought,

are almost the only persons who really find relief in writing and

reading their sermons. If they have time to wait, the right word may

come to them, or they can search through dictionaries for it; but in the

hurry of speech there is no such leisure for selection. They have some

excuse for writing, though it will still be questionable whether it

would not be better for them to dash ahead with the loss of some

precision, or if this cannot be done, abandon altogether a profession

for which they are so obviously unfitted.

A man must have a degree of courage to place himself within reach of any

danger, and remain there. If he be destitute of it, he will resign the

hope of victory rather than encounter the perils by which it may be won.

It is needed in extempore speaking as well as in any species of physical

danger, for the perils to be encountered are not less terrible. To some

sensitive minds these even amount to a species of martyrdom. They go to

the desk trembling in every limb, and would feel wonderfully relieved if

they could exchange their position for the tented field, where the

warfare would be of the body only, and not of the spirit. Some of the

greatest orators have never been able to entirely overcome this feeling,

although they may have been free from the fear of failure.

But it is difficult to be perfectly assured even against failure. “There

is nothing so fitful as eloquence,” says the Abbe Bautain, who was well

qualified to judge. The practiced and prepared orator does not often

dread losing command of words altogether, and being obliged to close

before the proper time, but fears that his rich and glowing conceptions

may fade, and his high ideal be unattained.

Mere boldness does not suffice to protect a speaker from these dangers.

Of what avail is a man’s courage if his brain be clouded and his tongue

paralyzed? He cannot brave the consequences, for the power of ridicule

is too keen for any armor—at least when it comes in such a concentrated

volume as falls on the head of the unfortunate speaker who can not

finish what he has begun. At such a time the boaster’s fate is worst of

all; for, while others are pitied, he is crushed beneath the scorn and

triumph of his audience. There is no positive guard against failure.

Public speaking is a modern battle, in which the most skillful warrior

may be stricken down by a random bullet—the bravest slain by a coward!

What then is the benefit of courage? We have placed it in the list of

essential qualities, and believe the orator cannot succeed without it.

It does not operate by rendering failure impossible, or even materially

reducing the risk, but by enabling us to endure all danger and press on.

Bonaparte said that most generals failed in one point—they delayed to

attack when it became necessary to fight a great battle. The issue was

so uncertain—so far beyond the reach of human wisdom—that they hesitated

and deliberated until the favorable moment had passed forever. In war

this timid policy courts destruction, by permitting the adversary to

choose his own time to strike. The same principle governs in other

affairs. The risk must be taken. A man of courage derives new lessons

from his failures, and makes them the introduction to future triumphs.

Especially in the field of oratory is there no possibility of success,

if this indomitable, persevering spirit be wanting. Many persons of

excellent talents have been condemned to perpetual silence, because they

would not endure the perils of speech. Men who have instructed the world

by their pens, and in the privacy of the social circle have charmed

their friends by the magic of their conversation, have never spoken in

public because they shrunk from the inevitable hazard. There is no

difficulty in determining whether we possess this quality or not. Let

the trial be made, and if we do not abandon our posts and incur disgrace

rather than speak, we have all the boldness that is needed.

The quality of firmness in oratory is sometimes undervalued. While

steady, persevering industry, working toward a definite end, is known to

be essential in everything else, in this field genius is often supposed

to be sufficient. There never was a greater mistake. Nature does lay the

foundation broad and deep for some men, but they must build diligently

upon it to make their gifts availing. The way to eminence, even for the

favored few, is long and hard, requiring deep thought and earnest

striving, and without a strong purpose fixed in the very beginning, and

firmly adhered to through years of labor, there is slight chance of

success. A few persons have risen to eminence without appearing to pay

the price for it, but such exceptions are more apparent than real. There

are times of great excitement, when some one before unknown is able to

speak so as to fix the eyes of the nation upon himself, but unless he

has been previously prepared, and continues to put forth resolute

effort, his success is but transitory.

The career of Patrick Henry is adduced as an instance of success without

labor. He had little education in the schools, but learned much from

Nature herself. His observation was tireless. It is said, that when he

kept a country store, he would sit and question his customers by the

hour, causing them to display their various dispositions. He was thus

learning to play upon the human heart, and as this was only one

manifestation of a ruling passion, it doubtless took a hundred other

forms. When on those long hunting excursions in the beautiful valley of

Virginia, how many deep and ineffaceable impressions must have been made

on his mind. He had a peerless genius, yet all we can learn of him leads

us to believe that he cultivated it to the utmost, at least as applied

to oratory.

The familiar examples of Demosthenes and Cicero are not solitary ones.

All who have acquired the power of effective speech have toiled long and

patiently. The poor, weak waverer can never be an orator in the highest

sense of the term, however he may, on special occasions, flash into

momentary brilliancy. And as the minister of the Gospel must cultivate

the most difficult field of eloquence, we advise no one to attempt

preaching who is not conscious of a strong, unchangeable purpose—a

purpose that will bear delay, discouragement and weary waiting.

Of course, the nature of all the results obtained through our firmness

will depend on the direction of our efforts. If personal ambition, or

pecuniary profit be the object toward which we bend our energies, the

grand and holy character of the Christian ministry will be lost sight

of. But let our aim be unselfish, and our success will be pure and

noble.

To him who has a mind to conceive, a body with strength to execute,

language to coin the mass of thoughts into words, courage to bear the

scrutiny of a thousand eyes, and firmness that will endure the toil of

preparation—to him the upward pathway is clear. He may not win great

fame, but he will be able to present the truth in its native beauty, and

make his words fall with weight and power on the hearts of men.

CHAPTER III.

BASIS OF SPEECH—THOUGHT AND EMOTION—HEART CULTIVATION.

Thought and emotion are two prime elements in the manifestations of

mind. All the products of mental action, unless it be the mysterious

power of will, are divided between them, and by them, through various

means of expression, we reach and influence the outward world.

Thought springs from the intellect, and acts upon the facts received

from every source, retaining, arranging and modifying them at will.

Feeling is the mind’s response to all these, and comprises fear, love,

hope, faith, hatred and all the sentiments and emotions that are

described under the general name of “the heart.” Speech is founded on

these two elements, which meet and mingle in every human production,

though seldom in the same proportion. The speaker who has greatest

mastery of one, is often most deficient in the other. But if so, the

whole range of eloquence is not open to him. He is only a half-developed

orator, and his usefulness will be very much narrowed.

A man of deep thought but sluggish emotion, may enchain the attention of

an assembly by the novel and far-reaching views he presents and the

ability with which he unfolds them, but the whole discourse will be dull

and lifeless. He will find it very difficult to move his hearers to

action. They may assent to every word he utters, and yet continue in

their own course. Every minister’s experience furnishes proof that it is

not enough to convince, or it would be very easy to convert the world.

At times it is right to use the sword of intellect alone. In

controversy, for example, a solid basis of reasoning must be laid before

anything else can be done. But it is not always enough. Men are led as

often by their sentiments and intuitions as by their judgments, and we

are allowed to use all lawful means to win them. Even the pure light of

truth is not always to be discovered through the intellect alone. A mere

feeling of what is right, or just, or true, often leads, in an instant,

to a conviction that all subsequent reasoning can only strengthen. The

ideal orator, therefore, is one who, even in argument, can show the

truth, and then, by a flash of heavenly sympathy, change our cold assent

into fervent conviction.

On the other hand, a man of predominant feeling may make us weep, but as

we see no reason for it, we resist the emotion to the extent of our

power. If we yield, a reaction follows, and we go away ashamed of what

we cannot justify. Of this class were some of the early Methodist

preachers—the weeping prophets, as they were termed. Their tears, and

the feeling with which they spoke, were often irresistible, and by the

mere force of sympathy, men who had very little intellectual power were

able to sway the passions of an audience at will. But had it not been

for some of their brethren, who were men of thought as well as

emotion—men who had clear heads to organize and combine, as well as

tears to shed, the effect of their labor would have been evanescent as

the emotions they excited.

Continuity is a highly important quality of thought. All men think; they

cannot help it, for the mind is ever active. But with most these

thoughts are but random flashes—illuminated pictures—that arise for a

moment, and then vanish to give place to others. Powerful thinking

consists in holding these scattered images together in a chain, and

making them run uninterruptedly from one point to another. There is no

man who does not at times catch glimpses of far-reaching, profound

thoughts; but before he can combine them into harmony and place them in

their proper relation to other thoughts, they disappear, and he may

search long before he will find them again. All persons see the beauties

of natural scenery, but it is only the poet who can reproduce the

scattered elements and combine them into a harmonious description. Only

the true thinker can gather the fragments of thought that flash through

the mind, and give them form and consistency. This power is

indispensable to the speaker. He must give, not a mere gallery of

pictures, however beautiful they may be, but a succession of thoughts,

naturally connected, by which the mind advances step by step through the

discourse, without jar or interruption. We will endeavor to give some

directions for the acquisition of this power, as far as may be necessary

in extempore speaking. The capability of thought must indeed be

possessed or all cultivation will be vain; but if the mind have any

native vigor, it can learn to think consecutively and methodically, even

as the unskilled but perfectly organized hand may be taught to carve

beautiful and complicated forms.

As a general rule, men can be more easily moved by appeals made to their

feelings than to their reason, and find the most masterly dissertation

cold and lifeless unless relieved by some touches of humanity and

passion. A man who does not possess true feeling cannot so counterfeit

it as to reach the hearts of others, but he may, in a great measure,

transform his own nature and acquire it. The most essential

qualification for a religious teacher is a deep personal religious

experience. One who has never passed through the mystic, mingled sorrow

and joy of penitence and the agony of remorse—has never watched with

straining eyes for the dawning light of salvation, and at last been

enabled to say, “Abba, Father!” such a one cannot preach the gospel with

power and success. His speech may glitter with all the flowers of

rhetoric and the form of words be complete, but the vast power of the

earnest soul sympathizing with all the lips utter, will be absent.

Without genuine experience, our preaching will be apt to fall into that

loose generalization which can do no good. For it is only when we plant

our feet on living realities—those we have tested and know to be sure,

and deal in particular, specified facts, that we are able to pierce

through all the folds of ignorance and self-love, and awaken an echo of

the conscience within.

As a mere form of knowledge, the experience of God’s dealings with the

awakened soul is more valuable than any other lore. But its great

advantage to the preacher is not the increase of knowledge. It produces

a tide of emotion that can never sleep until the judgment day. It

connects the Cross and the divine Sufferer with cords of living sympathy

that always thrill to the very centre of our being. Conversion

invariably deepens and intensifies the emotions of our nature; and if

the speaker has passed through a strongly marked change he will have the

power of imparting his impressions to others, and of giving to his

descriptions the inimitable charm of reality. If his religious

experience accords with the Bible, he can speak from his own heart with

almost irresistible force. This was the secret of the power wielded by

Luther, Wesley, Whitefield and others who have shaken the world. Thus

prepared, John Bunyan wrote the most wonderful book of any age—recorded

the world’s experience in religion, and made the cold, dead realms of

allegory flash with life. He laid the spell of his genius on all alike,

and the child prattles of the burdened pilgrim with the giants in his

way, while the old man is cheered by the light that streams down from

the high hill on which the city is built. The reason of his power is

simply that he wrote his own spiritual experience in the language of

truth. He had stood at the bar of Vanity Fair, had fought with the

fiends, and groped his way through the Valley of the Shadow of Death.

From the depths of his own heart, torn by internal conflict, or healed

and made happy by a heavenly anointing, he drew the images that glow

with all the color of life in his marvelous book.

Love is the mightiest of all forces, and Jesus was revealed to draw unto

himself the love of the universe. Let the minister learn of him, and he

will be able to speak as he never spoke before. He will strike the

key-note of that song whose solemn music has rolled down through the

centuries, and will wax louder and clearer until time shall be no more.

The story of the Cross, with all that depends upon it, forms principal

part of the Christian orator’s theme. But he has other duties. His work

is broad as human life. He stands by the bed of sickness; he weeps with

the mourners when the last flutter of life is stilled, and strives to

lift their eyes to the victor over death; he warns the impenitent of

coming woe. It is his to deal with the highest and holiest emotions of

the heart. And how can he touch these delicate chords gently, but

firmly—not shrinking from the infliction of necessary pain, yet never

causing a tear to flow “in the mere wantonness of grief”—unless he has

passed through sorrow’s deep waters? He must have unfeigned sympathy for

all, and be able to express it plainly and tenderly.

This power, both of feeling and expression, may be greatly increased by

exercise. If the preacher will enter the abodes of rich and poor alike,

and take a friendly interest in their hopes and fears, their joys and

sorrows, he will find his heart drawn out toward them, and when he

addresses them in public, it will be with far more intense anxiety for

their good than if they were strangers. It will be comparatively easy

for him to throw his heart into all he says.

There are two methods of cultivating genuine emotion that we would

cordially recommend to all desirous of swaying the hearts of the people.

The first is prayer. We need not enlarge on its general benefits, but

will notice its effect on sacred oratory. The man who often addresses

God in prayer is in the very best school of eloquence. It brings us

close to Him, and in the awful light of His purity, we more clearly see

anything that is bad in our hearts and strive to cast it out. As we pray

for others, and spread their needs before him, we cannot fail to be

inspired with a stronger desire for their welfare. Then, too, religion

becomes something more than a mere form of words, and our hearts burn

with a stronger flame. We speak now of prayer as it should be—a warm,

pure, fervent outpouring of the heart to God. This is more difficult in

the public congregation, for then many disturbing elements are brought

to bear on the person praying. The listening people are apt to be in the

preacher’s thoughts, and prevent him from enjoying simple and direct

communion with heaven. It is the prayer “when none but God is nigh,”

that will stir his heart to its profoundest depths and put his mind in

the right frame for delivering his sermons. Let any one pray earnestly

for help from above all the time his sermons are in course of

preparation, and he will be surprised to find how much of the coldness

and deadness supposed to belong to this species of composition will be

swept away, and how beautifully over all will be spread the vivid charm

of real experience. Yet we must not restrict our prayers to this time,

for God may not meet us in loving friendship if we only approach him

when we have a favor to ask. To reap the full benefit of prayer, it

should be a habit woven into our life, and continued on every occasion.

This will rebuke sinful ambition and moderate that sensitiveness which

has reference to the opinions of our fellow-beings. Thus armed, the

preacher will come as the messenger of God, rather than the caterer to

men’s fancies. And from the mere operation of natural causes, he will

speak with a boldness and earnestness that will draw the hearts of men

as the magnet does the steel.

But prayer is far more than the means of cultivating emotion. There is a

direct influence that comes from God to man. The power of the Holy

Spirit is no fable. A heavenly anointing is sent down—an unction that

gives sweetness and power even to the most commonplace words. It is not

bestowed unasked, for God desires that we should feel the need of His

high gifts before they are granted. But when humbly implored, there is

often breathed an influence from above, mighty to sustain the faithful

minister in his task. What an encouraging but awful thought! God himself

stands by us in the time of our weakness and gives us His strength. If

the minister would always go to the pulpit with this assurance, he would

not fear the mass of upturned faces, but calmly view them with a heart

stayed on the Master whose work he has to do.

The Spirit’s presence will not in the least absolve us from the need of

complete preparation. In nothing is it more true that God helps those

who help themselves. All that we contend for is such an influence as

will cause the words uttered to penetrate the souls of those for whom

they were spoken, remove the fear of man from the preacher’s heart, and

make him bold in speaking the truth. It may be that clearer knowledge

will be given, and the most fitting selection of words suggested, but

this can only be hoped for after all preparation is made. God does not

duplicate his work, and that which he gives man faculties to discover,

he will not afterward bring to him by an express revelation.

The second method of imparting unction and feeling to the coldness of

thought, is by meditating on the great truths and promises of

Christianity. This subject is well treated in Baxter’s “Saint’s Rest,”

though not with reference to the wants of the orator. The power of

long-continued and earnest meditation varies in different persons, but

all can acquire it to some degree. It may be defined as a method of

transporting ones-self from a sense of the present reality to an ideal

situation—reaching and experiencing the feelings that would naturally

arise in that situation. Thus we may experience some of the pleasures of

heaven and the society of the blest. We may walk the plains of Galilee

with the Lord and behold his wondrous love there manifested, almost as

if we mingled with the throng who hung on his gracious words; we may

turn to the time of our own conversion, and recall the passage from

despair to conscious life; or look forward to the day of our death, and

think of its mingled sorrow and triumph. It is a kind of waking dream by

which the mind is filled with one idea to the exclusion of all others.

And when we select some high object of contemplation and return often to

it, we acquire a susceptibility of strong and fervent emotion on that

subject which it requires only a word to arouse. An illustration of this

is often found in the case of an inventor or discoverer who has dwelt on

one subject until his whole mind is filled with it, and he cannot hear

it mentioned without the deepest feeling. However cold and listless he

may be on other subjects, touch but the sacred one of his fancy, and his

sparkling eye and animated voice tell how deeply you have roused the

whole man. What an advantage it must be to the extempore speaker, with

whom everything depends on feeling, to have all the cardinal facts he

proclaims surrounded by fountains of holy emotion, continually supplied

from the spring of meditation, and ready to flow copiously at the

slightest touch! Such trains of thought may be carried on in moments too

often given to idleness, and thus, not only will a mighty power be added

to our pulpit ministrations, but our whole life ennobled and enriched.

It has been conjectured that Milton’s mind, while composing “Paradise

Lost,” existed in the state of a sublime waking dream, in which the

forms of heaven and hell, chaos and creation, all mingled in one

glorious vision. Something of this nature, though not necessarily

continuous, must take place in the mental history of every true and

powerful Christian minister.

CHAPTER IV.

ACQUIREMENTS.—KNOWLEDGE, GENERAL—OF BIBLE, OF THEOLOGY, OF MEN.

Thought is the workman of the mind, and requires materials upon which to

labor. We are such creatures of experience that we cannot go far beyond

a foundation of fact, or weave long trains of pure imagination. In the

wildest fiction the mind can only combine and rearrange what was

previously known. This necessity rests with added weight upon the

preacher. He cannot invent his materials in the sense the poet can, but

must confine himself to the statement of unadulterated truth.

Fortunately, he has no narrow field to explore, for all knowledge is

related to his themes. He has to speak of God, by whom everything

exists, and whose glory shines through all the works of his hand. The

truths he utters apply to the whole circle of life and its duties, yet

are so familiar and so often neglected, that he needs all his power to

make them touch the popular heart. There is no science that may not at

times be made available for illustrating or enforcing the word of God.

The want of extended knowledge will be more severely felt by an

extempore preacher, than by one who reads or recites. The latter has

time for selection, and may take the parts of a subject with which he is

familiar and pass over all others. But the former will find this very

dangerous. Extemporizing should be free and unfettered. The speaker must

be able to see his own way, and make it clear to his hearers. If he is

always anxious to avoid dangerous obstructions and steer around them, he

will lose that free flow of ideas in which much of the beauty of

unstudied speech consists. Let the man, therefore, who looks to the

preacher’s vocation, lay the foundation broad and deep in a complete

education, not only in that of the schools, for the knowledge they teach

is very defective, but let him know all the facts that hinge on common

life; the processes of the different pursuits and trades; the subjects

that most occupy the human mind; the arts and sciences in their wide

departments. We have no hesitation in affirming that preaching ought to

be more scientific than it often is; that is, when the preacher deals

with the phenomena of nature, he should speak of them in their true

form, as revealed by science, and not indulge in loose generalities or

popular misstatements. If he master these and all other branches of

knowledge, he will have at hand a fund of illustration that will never

grow old, and instead of being under the necessity of turning over books

of sermons, and hunting out figures of speech that have done duty for

generations, he will be supplied from nature’s great volume with those

that are ever fresh and new. They will be redolent of the morning dew,

the sparkle of sunlight, the life of humanity, rather than the must of

books.

This knowledge constitutes only the rough material of thought. It is the

dust out of which the body is to be formed, and into which the breath of

life is to be breathed. The power of thinking comes from no accumulated

intellectual stores, but springs from the living energy of the soul

within. It is above all dead brute force, and fills a world of its own.

But we would lay the foundation of success in oratory by giving the mind

food, and providing for it a general acquaintance with the universe.

This may be superficial, for it is not given to man to be profound in

everything, but it will suffice to keep the preacher within the bounds

of truth, when, for a time, he leaves his own province.

But within that province, and on all topics he undertakes to discuss,

his knowledge should not be superficial. He must here hold out no false

light to lure mankind, but must speak because he knows the truth, and

feels that others ought to know it. He will then speak—and in his own

department he has the right to speak—“not as the Scribes and Pharisees,

but as one having authority.”

To this end the preacher must study the Bible most thoroughly. It is the

book from which he obtains his subjects, and the most powerful arguments

by which they are enforced. He must meditate on it by day and night with

earnest, loving zeal. There is not much profit in merely reading it

through once or twice a year. Read it prayerfully. Study the sense.

Strive to make it a living book. Realize the scenes it describes, the

events it records, and the deep mysteries it unfolds. There is no study

that will increase oratorical power more rapidly than the investigation

of the Holy Scriptures. They are the best models of eloquence, the

exhaustless armory from which the preacher draws his weapons. To be

“mighty in the Scriptures” is one of the highest recommendations he can

have; and, on the other hand, ignorance of the book it will be his life

labor to expound, is unpardonable, and will expose him to merited

contempt.

Many books will be needed in forming a critical, living comprehension of

the Bible. The student should become familiar with the present aspect of

Palestine and the manners and customs of former ages. Judicious

commentaries will help him to penetrate through the covering which

thoughtlessness and familiarity have woven over the sacred page, down to

its vital meaning. Ancient history and Bible dictionaries will make

plain many obscure passages. But above all, the Holy Spirit throws a

flood of light over the whole book, and makes its dark places shine with

the radiance of truth. Get this first, in a living baptism, and all else

will be easy.

A knowledge of Theology is essential. It comes not with the same

authority as the Word, for it is only man’s interpretation of what God

has revealed, and no one has a right to bind others by the rule of his

own weak judgment. Yet we cannot despise assistance even here. He would

be very foolish who would insist on ignoring the light of science and

the accumulated lore of ages, that he might discover all truth for

himself. Life is so short and man’s intellect so slow, that an

individual standing alone would never get beyond the state of a savage.

We can weigh the evidence of truth in an hour that has taken years or

ages to discover. There is no way but to accept the aid of others even

in the matters that relate to God and our own souls, and use it to build

up a complete system of knowledge, being careful not to surrender our

independence of thought, nor do violence to our conscience.

The knowledge of what men have thought and done in the field of

revelation is indispensable. Without some degree of it no man is

prepared for the sacred office. It need not all be attained before

beginning to preach, but should be a constant aim. The preacher should

always be a diligent student. He will never reach the end. Even when his

head is whitening for the grave he will find the book of God an

unexhausted mine, and the interest of newly-discovered truth will impart

such charm and vigor to his discourses that they will never grow old.

Theology is a vast science, embracing all others—an infinite field where

man may exert all his powers, and never cease for want of new realms to

explore.

The preacher labors in the field of humanity, and aims to better the

present and future condition of mankind. He needs to understand his

ground, as well as the instruments of his labor. It is through him that

divine truth reaches the hearts of the multitude. Unless he can cause

the people to think new thoughts, and be ruled by new motives, wisdom

and learning and brilliancy are all in vain. A knowledge of the heart,

and of the best methods of reaching it, are of first importance. No

matter if the preacher speaks a truth; unless that particular truth has

an adaptation to the present wants of those whom he addresses, it will

be, in a great measure, unfruitful. The love of God, the story of the

Cross, with many other things revealed in the Bible, are suited to all

ages and all men. But the consolations intended for a time of sorrow

would fall strangely on the ear of a bridal party. Exhortations to

repentance would be lost upon a congregation of sincere Christians.

Different shades of experience need to be met by appropriate

instruction; and the minister who does not watch all changing

circumstances, and carefully adapt his words to them, will fail of the

highest usefulness. It may be objected that, in large assemblies, the

presentation of any truth will benefit some person, and that all cannot

be reached at once. This is partly true; but the attentive minister will

find currents of thought moving in his congregation from day to day, and

will be surprised to see how often the people are thinking about the

same objects. At one time, the minds of many will be tinged with

unbelief; at another, spiritualism will have its votaries; and again,

genuine, earnest searching for the truth will be apparent. He, who so

thoroughly knows the heart that he can detect the signs of these

changes, has the advantage possessed by a general who is acquainted with

all the plans of his antagonist. A close observer once said that a

certain minister would never be a revivalist, because he did not seem to

understand the movements of the Spirit. There was truth in his judgment,

although the deficiency was rather in understanding human nature. That

preacher who can look over his congregation as he speaks, and discern

something of the state of their hearts, can strike directly to the mark,

while the strength of another might be wasted.

A general knowledge of the motives by which men are governed will also

be of service. We must employ proper arguments when we seek to influence

our hearers, for truth may be so presented as to repel rather than

attract. We should know how to appeal to self-interest, for most follow

what they believe to be its dictates. We should be able to excite their

love and sympathy; in short, we ought to ascertain what motive is

powerful enough to move them, and employ it. This quick and accurate

knowledge of the heart is especially valuable to the man who preaches

without notes. Looking into the eyes of the congregation, he will see

their passing thoughts and emotions often indicated with great

precision. He will thus know when it is best to dwell on any particular

argument, and can press it home, or leave it, before the audience is

wearied. He will, all the time, have the advantage of seeing his way

distinctly, instead of stumbling along like a blind man who is conscious

of no obstacle until brought into contact with it. To reap this profit,

he must be able to read the expressions and changes that the heart

throws over the countenance—visible signs of its own state.

The proper way to obtain a practical knowledge of men is to mingle with

and study them. A preacher has great opportunities for this. He need not

fear to lower his dignity or impair his influence by a free and easy

intercourse with all classes. The people have acute perceptions, and

will give him credit for all that is good in him; and he has no right to

demand more. Indeed, if he have not native goodness and intelligence

enough to retain the confidence of his people in the closest social

intercourse, the sooner he relinquishes his office the better for all

concerned. It is no excuse to say that he cannot spare time from his

studies; for no labor will more surely bring a return of added power and

eloquence than the study of his flock around their own hearths. The best

books are only transcripts of the human heart, and here he can study the

original in all its freshness.

But merely to mingle with the people will not fully cultivate this

critical knowledge of character, unless it is made a particular study. A

good way of doing this is to write down our first thoughts and

impressions of persons we come in contact with, and test our correctness

by subsequent experience. We thus discover the source of our errors, and

avoid them in future, and, at the same time, form a habit of observation

which, if continued for years, will increase the acuteness of our

perceptions until we are able to read men at the first glance.

But most valuable of all means for attaining this power, is a thorough,

practical acquaintance with Phrenology. Much ridicule has been thrown on

this science by traveling imposters, who have practiced

character-reading, together with witchcraft and fortune-telling—just as

astronomy and astrology were once joined. But such associations are not

more necessary than that sometimes supposed to exist between geology and

unbelief. Phrenology is a branch of the inductive sciences, established

and tested by observation and experiment. Its two cardinal principles

are: First, that the brain is the organ of mind; second, that different

mental functions are performed by different parts of the brain. The

latter is no more unreasonable than to suppose that the different bodily

actions, walking, lifting, eating, smelling, etc., are performed by

different parts of the body. The first proposition is admitted by all;

and if the second is allowed to be reasonable, it then becomes easy to

determine whether the correspondence of faculty and organ in any case is

sufficiently proved. The poets, Whittier and Bryant, Horace Greeley and

the eminent educator, Horace Mann, all professed to derive great

advantage from the study. Henry Ward Beecher, who stands among the first

of living orators, attributes all his power “in making sermons _fit_” to

the early and constant study of Phrenology. It is an instructive fact,

that although the different organs were discovered singly and at long

intervals, yet when the contributions of many laborers have been brought

together, the result is a most beautiful and perfect mental

philosophy—contrasting with the warring systems of metaphysics as the

clear sunlight does with clouds and night. We give it as a deliberate

opinion that it is better for the preacher to remain ignorant of any one

of the natural sciences or learned languages, than to neglect that study

which unfolds the laws of mind and teaches us to understand our fellow

men.

CHAPTER V.

CULTIVATION—IMAGINATION—LANGUAGE—GESTURE—CONFIDENCE.

The ability to convey our thoughts to others may be very greatly

increased by culture. The vastest accumulations of learning will not be

useful to the world unless there is an available channel by which they

may be transmitted. We will consider a few of the elements that make a

man ready in communicating his ideas.

Imagination is often thought to be unnecessary to the sacred orator; but

if he resign to the poet and novelist that faculty that deals with

beauty in all its forms, the lovers of beauty will be apt to desert the

churches and seek gratification where it can be found. Imagination, in

its legitimate sphere, is as necessary as the power of reasoning, or the

sentiment of devotion. It deals with truth as well as fiction, and gives

to its possessor the creative, life-breathing spirit of poetry. Listen

to the description of any piece of natural scenery by a person of

imagination and another destitute of it. They may describe with equal

truthfulness, and even allude to the same objects; but one will give a

dry catalogue of facts, on which the mind cannot fix without painful

effort, while the other gives a picture that fills us with delight. The

same difference is apparent in the commonest things. In relating a story

or enforcing an argument, the man who has this rare and wonderful power

will make his words glow with life, and arrest our attention.

It has been said of Henry Ward Beecher, who possesses so strong an

imagination, that the people would listen with wonder if he were only

describing the way a potato grew. This is literally true. He would see

in it a thousand beauties no one else had thought of, and paint the

picture with a force and accuracy that would command attention. His own

conceptions are exceedingly clear, and while his knowledge is great, his

imagination enables him to concentrate everything into a clear and vivid

description.

Even the Bible, which is the preacher’s great example, is pre-eminently

a book of imagination. Nowhere is there loftier or more beautiful

imagery employed, or truth wrought into more exquisite forms. A few

short and simple words paint pictures that the world looks upon with

astonishment from age to age. The first chapters of Genesis contain as

much poetry as Paradise Lost; in fact, it is the poetry of these

chapters interpreted by a mighty mind that illuminates the most sublime

imaginative poem in the language of man. Job and Isaiah are without

rivals in the mighty imagination that “bodies forth the forms of things

unknown.” Even the New Testament, which we usually consider as a plain

narrative, sparkles with true poetry. Where will we find a more graceful

thought than that of our Saviour’s: “Consider the lilies of the field,

how they grow; they toil not, neither do they spin; yet I say unto you,

that Solomon in all his glory was not arrayed like one of these.” The

Book of Revelation is full of glorious and awful figures addressed to

the imagination.

With such sanctions, the preacher need not fear to employ all of this

faculty that God has given him. Many of his subjects are in the remote

past, and can only be brought near enough to the people to awaken their

interest by one who can view them as present. There is no possibility of

novelty in our themes. Times are altered since Paul was accused as a

setter-forth of strange doctrines. Men have listened to the same stories

all their lives. Yet if the preacher can make the sublime scenes of the

Bible live in his own mind, he can describe them with the vivacity of an

eye-witness. All have noticed the interest excited in the midst of a dry

sermon by a simple story. The reason is, that the preacher was, at

first, dealing with abstractions—mere words, and nothing more—but when

he came to the story his heart and imagination took hold on it. The same

interest may be excited in any part of a sermon if the speaker can but

throw his own soul into it, and see what he describes.

The account of the storming of Lookout Mountain, as given by Bishop

Simpson, was a fine illustration of this. The incident is perfectly

familiar, and in describing it he used simple words, without the false

brilliancy that sometimes passes for eloquence. There was no particular

charm in his manner, but his imagination grasped the magnificent

achievement, and it stood out in all its fullness before the eyes of the

audience. They saw the old flag disappear in the cloud, and the long

lines of blue wind up the mountain until they were hidden in the same

obscurity; heard the thunder that man’s artillery made boom out of the

bosom of the cloud; then saw the flag emerge from the mist and heard the

cheer of victory ringing down from the sky. The effect upon the audience

was overwhelming, and irrepressible tears streamed from the eyes of all.

Such glory may be thrown around the teaching of the Bible, and every

word be true; and the audience will enjoy it more than if they were

actually carried back to the olden time and witnessed its wondrous

scenes with their own eyes; for they will have—what so many feel the

want of when gazing on memorable scenes—some one to interpret their

feelings and give them living sympathy.

While illustrations and comparisons flow principally from the reasoning

faculties, they derive their beauty from imagination. Without its

influence they may explain and simplify, but have no power to interest

the hearer or elevate the tenor of the discourse. Beecher excels in this

as in so many other things, and while his similes may take hold of the

most common things, they are always highly imaginative and appropriate.

How may imagination be cultivated? It is said that “poets are born, not

made;” but the foundation of every other faculty is in nature, while all

are useless unless improved and applied. It, too, will increase in power

by use. Imagination is the faculty that forms complete images from the

detached materials furnished by the senses. It takes from all sources,

and mixes and mingles until a perfect picture is formed. Now, the proper

way of cultivating it is by forming just such pictures. Let the preacher

throw on the canvas of the mind every part of his sermon that is capable

of sensible representation. It is not enough to have all the facts, but

he must cast them into the very shape he wishes them to take. A great

part of every sermon may thus be made pictorial, and be far more easily

remembered, and more effectively delivered. Even in doctrinal sermons,

use may be made of this principle, by forming clear mental images of the

illustrations, which are mostly from material objects. When Henry Bascom

was asked how he succeeded in preaching so well, he said that it was by

painting everything vividly in his mind, and then speaking of it as he

saw it before him. He was a man of unbounded imagination, and perhaps

allowed it too much influence in his discourses; but his example is most

instructive to that large number who have not enough to prevent their

sermons from being dim and dry.

But the preacher must use this faculty with great care, for it is an

edged tool. He deals in sacred things, and while he may approach the

burning bush where the Lord is, he must go with naked feet and softest

tread. Above all, truth and propriety may never be violated. That

imaginative preacher who pictured to his hearers the bustle of a railway

station, the rush of the train, the crowding of friends around to

welcome the passengers, and conspicuous among them, the gray-haired

father of the prodigal son, hurrying with tottering steps to the edge of

the platform, and there grasping the returning penitent by the hand, may

have produced a vivid picture, but his sermon scarcely tended to

edification!

This faculty may also be cultivated by reading and pondering the works

of those who have it in a high degree of perfection. The time devoted to

the study of the great poets is not lost. They give richness and tone to

the speaker’s mind, introduce him into scenes of ideal beauty, and

furnish him with many a striking thought and glowing image to be woven

into his future discourses.

Many of the sciences give as full scope to imagination in its best

workings as the fields of poesy. Astronomy and geology stand pre-eminent

in this particular. Everything about them is great. They deal with

immense periods of time, immeasurable magnitudes and sublimest

histories. Hugh Miller’s “Vision of Creation” is as replete with

imagination as a play of Shakespeare, and his other works sparkle with

the same radiant spirit. Each science requires the formation of mental

images, and thus approaches the domain of poetry. The dryness of

mathematical and scientific study is a pure myth. A philosopher once

said that poetry and the higher branches of science depended on the same

powers of mind. He was right. The poet is a creator who forms new worlds

of his own, and “gives to airy nothing a local habitation and a name.”

He pictures the idea that arises in his brain in all the vividness of

outward form. The man of science is required to do the same thing, with

the advantage, perhaps, of a few scattered hints. The geologist may have

a few broken bones, a withered leaf, and some fragments of rock, from

which to bring before him the true “forest primeval,” through which

roamed gigantic animals, and dragons more unsightly than ever figured in

Grecian mythology. The astronomer has the half dozen phenomena he can

observe with his telescope from which to conceive the physical

appearance of distant worlds. In every science the same need for

imagination in its high, truthful function exists, and the same

opportunity is afforded for its cultivation.

An eminent elocutionist once advised his class to employ all pauses in

mentally painting the idea conveyed in the coming sentence. By this

means, he said, the expression of the voice would be made deeper and

truer. If this is so important in reciting the words of others, how much

more should we observe it when improvising sentences as well as

modulations.

Our conceptions may remain vague and intangible while within the mind,

but they can only reach others by taking the definite form of language.

It by no means follows that a man who has important ideas and deep

emotions, will be able to communicate them; but if he have a moderate

endowment of language it may be so cultivated as to answer all his

requirements. We have no doubt that diligent and long-continued practice

in the methods indicated below will enable the vast majority of men to

express their thoughts with clearness and fluency.

There are certain laws in every language, made binding by custom, which

cannot be transgressed without exposing the transgressor to ridicule.

These constitute grammar, and must be thoroughly learned. If a man has

been under the influence of good models in speech from childhood,

correctness will be a matter almost of instinct; but the reverse of this

is usually the case.

At the present day, there is little difficulty in learning to write in

accordance with the rules of composition; and when the power has been

attained, we have a standard by which to judge our spoken words. But it

is not enough for the extempore speaker to be able, by long effort, to

reduce his sentences to correctness. That should be the first and

spontaneous form in which they present themselves. He has no time to

think of right or wrong constructions, and the only safe way is to make

the right so habitual that the wrong will not once be thought of. In

other words, we must not only be able to express ourselves correctly by

tongue and pen, but the very current of thought which is flowing

ceaselessly through our brain, and which is usually clothed in unspoken

words, must be in accordance with the laws of language. When we have

attained the power of precise and accurate thinking, we will have no

difficulty in avoiding the ridiculous blunders sometimes supposed to be

inseparable from extemporaneous speech.

Correct pronunciation is also of great importance. Usage has the same

authority here as in the collocation of words, and has assigned to each

one its proper sound, which no speaker can mistake without being exposed

to misconception and damaging criticism. A deficient knowledge of

pronunciation is apt to produce another and extremely hurtful effect.

The mental effort necessary to determine between two different sounds

that may be suggested, is liable to divert the mind from the subject it

is engaged upon, and thus occasion embarrassment and hesitation. That

accuracy in the use of words, which is the charm of spoken no less than

written composition, may also be impaired; for if two or more terms for

one object flash into the speaker’s mind, only one of which he is

confident of his ability to pronounce, he will be strongly tempted to

use that one, even if it be the least suitable. He ought to know how to

pronounce all common words, and be so familiar with the right sound and

accent, that no other will ever enter his mind. Then he will be able to

select the terms that convey his meaning most clearly and strongly.

One blunder in pronunciation should be particularly shunned by every

person of good taste. This is the omission of the sound of “r” in places

where it rightly belongs. It is strange that this shameful perversion of

language should be popular in certain circles. It is so easily observed

and corrected that the poor excuse of ignorance is scarcely admissible,

and in general it can be attributed only to silly affectation. This

sound is as musical as most others, and the attempt to improve the

melody of our speech by its omission is on a par with the efforts of our

great-grandmothers to improve their beauty by affixing patches to their

cheeks and noses.

Fluency and accuracy in the use of words are two qualities that have

often been confounded, but are really distinct. They are of equal

importance to the speaker, while the writer has most need of the latter.

All words have separate and well-defined meanings. They are not the

product of a day, but have been building up through long ages. By

strange turns, and with many a curious history, have they glided into

the significations they now bear; but each one has become imbedded in

the minds of the people as the representative of a certain idea. No two

words are precisely alike. They are delicate paints that, to the

untutored eye, may seem of one color, but each of which has its own

place in the picture created by the hand of genius, that can be supplied

by no other. Many ways have been suggested to learn these fine shades of

meaning. It is often supposed that the study of the so-called learned

languages—Latin and Greek—is the best and almost only method. This will

certainly give a large amount of information concerning the origin and

formation of words; but it cannot fix their signification at the present

day, for radical changes of meaning often take place. A linguist can use

his knowledge to great advantage; but the man who knows no language but

his own need not consider himself as debarred from the very highest

place as a master of words. He can obtain the same knowledge in a more

condensed and accessible form by the study of a good etymological

dictionary. In general reading, let him mark every word he does not

perfectly understand, and referring to the dictionary, find what it came

from, the meaning of its roots, and its varied significations at the

present day. This will make the word so familiar, that, when he meets it

again, it will seem like an old acquaintance, and he will notice if the

author uses it correctly. He may not be able thus to study every word in

the language, but will be led to think of the meaning of each one he

sees; and from this silent practice will learn the beauty and power of

the English tongue as perfectly as if he were master of the languages of

Greece and Rome. If this habit is long-continued, it will teach him to

use words truly in his very thoughts, and then he cannot mistake even in

the hurry of speech.

Translating from any language, ancient or modern, will have just the

same tendency to teach accurate expression as careful original

composition. In either case, improvement comes from the search for words

that will exactly convey certain ideas, and it matters not what the

source of these latter may be. The use of a good manual of synonyms—a

thesaurus, or storehouse of words—may be of service, by showing all

terms that relate to any object in one view, and allowing us to choose

the most suitable.

But none of these methods will very greatly increase our fluency. There

is a difference between merely knowing a term and that easy use long

practice alone can give. Elihu Burritt, with his fifty languages, has

often been surpassed in fluency, force and variety of expression by an

unlettered rustic, because the few words the latter knew were always

ready. This readiness will always increase by use. The blacksmith’s arm,

hardening by the exertion it puts forth, is a trite illustration of the

effect of exercise; and the man who is always applying to ideas and

things the verbal signs by which they are known, will increase the

facility with which he can call them to mind. If he does not employ them

properly, his manner will not improve, and with all his fluency he will

speak incorrectly. But if he speak in accordance with established usage,

his ability will daily increase.

Conversation is an excellent means for this kind of cultivation. We do

not mean a running fire of question and answer, glancing so rapidly back

and forth as to give no time for premeditating or explaining anything,

but real, rational talk—an exchange of ideas, so clearly expressed as to

make them intelligible. The man who deals much in this kind of

conversation can scarcely fail to become a master of the art of

communicating his thoughts in appropriate language. Talk, express your

ideas when you can with propriety, or when you have an idea to express.

Do it in the best way possible. If hard at first, it will become easier,

and thus you will learn eloquence in the best and most pleasing school.

For the common conversational style—that in which man deals with his

fellowman—is the germ of true oratory. It may be amplified and

systematized; but talking bears to eloquence the same relation the soil

does to the tree that springs from its bosom.

But the best thoughts of men are seldom found floating on the sea of

common talk. If we wish to drink the deepest inspiration, our minds must

come often in loving contact with the words of the great and mighty of

every age. There we will find “thought knit close to thought;” and, what

is more to the present purpose, words, in their best acceptance, so

applied as to breathe and live. We can read these passages until their

spirit sinks into our hearts, and their melody rings in our ears like a

song of bliss. If we commit them to memory, it will be a profitable

employment. The words of which they are composed, with the meanings they

bear in their several places, will thus be fixed in our minds, and ready

to drop on our tongues when they are needed. This conning of passages is

not recommended for the purpose of quotation, though they may often be

thus used to good advantage; but to print the individual words of which

they are composed more deeply on the memory.

This may be effected also by committing selections from our own

compositions. What is thus used should be polished, and yet preserve, as

far as possible, the natural form of expression. When this is done to a

moderate extent, it has a tendency to elevate the character of our

extemporaneous efforts by erecting a standard that is our own, and

therefore suited to our tastes and capacities, at the very highest point

we can reach. But if this is made habitual, it will interfere with the

power of spontaneous production, and thus contribute to destroy the

faculty it was designed to cultivate. Ministers who write and commit all

their sermons, are accustomed to read from a mental copy of their

manuscript; and the force of habit binds them more and more closely to

it until they cannot speak otherwise. When such persons are unexpectedly

called upon to make a speech, they do it, not in the simple, easy

language that becomes such an occasion, but by throwing together bits of

previously-committed addresses. They have made what might be an agent of

improvement, the means of so stereotyping their minds that they can only

move in one channel unless time is given them to dig out another.

There is no means of cultivating language that surpasses extempore

speech itself. The only difficulty is to find occasion to speak often

enough. The pioneer Methodist itinerants, who had to preach every day in

the week, enjoyed this mode of cultivation to its full extent; and

whatever may be thought of their other merits, their fluency of speech

is beyond question. But long intervals of preparation bring

counterbalancing advantages at the present time. Let these be improved

in the way indicated hereafter, and the preacher will come to the sacred

desk with a power increased by each effort.

When a thought is clearly understood, it will fall into words as

naturally as a summer cloud, riven by lightning, dissolves into rain. So

easy is it to express an idea, or series of ideas, that have been

completely mastered, that a successful minister once said: “It is a

preacher’s own fault if he ever fails in a sermon. Let him prepare as he

ought, and there is no danger.” The assertion was too sweeping, for

there are sometimes external causes that will prevent full success. Yet

there is no doubt that the continuance of this thorough preparation, in

connection with frequent speaking, will give very great ease of

expression. “The blind, but eloquent” Milburn, says, that he gave four

years of his life—the time spent as chaplain at Washington—to acquire

the power of speaking correctly and easily without the previous use of

the pen, and considered the time exceedingly well spent. His manner is

that most difficult to acquire—the diffuse, sparkling, rhetorical style

so much prized by those who prefer flower to fruit. An earnest, nervous,

and yet elegant style can be acquired by most persons in much less time.

There is another thought that those who complain of deficient language

would do well to ponder. No one can use words well on any subject of

which he is ignorant. The most fluent man, who knows nothing of

astronomy, would find himself at great loss for words if he attempted to

explain the phenomena of the heavenly bodies. Even if he were shown an

orrery, and thus led to comprehend their motions, he would still be

ignorant of the proper terms by which such knowledge is conveyed. If he

attempted to explain what he understood so imperfectly, he would be apt

to hesitate, and finally use words and names incorrectly. As our ideas

become clear and defined, there is an intense hungering for the terms by

which they are expressed; and this hunger will lead to its own supply.

Let us increase our fluency by extending the bounds of our knowledge;

but ask of language nothing more than belongs to its true function—to

furnish means of expression for the ideas we already possess.

The voice, assisted by gesture, forms the immediate link between the

speaker and his audience. Its qualities are of great importance,

although, in some quarters, over-estimated. A good voice, well managed,

gives powerful and vivid expression to thought, but cannot answer as a

substitute for it. Neither is it indispensable. We have known many and

great instances of success against much vocal disadvantage; but this

only proves that its absence may be compensated by other excellencies.

We can never be indifferent to the charm of a well-modulated voice,

bending to every emotion, and responsive to the finest shades of

feeling. It makes ordinary talk so smooth and pleasant as to be

generally acceptable, but can never raise it to greatness. The instances

that are given to prove this, do not seem capable of bearing such an

interpretation. Whitefield is sometimes spoken of as an instance of what

can be accomplished by masterly elocution; but he was a man of fervent,

if not profound thought. His emotion was overpowering, and his voice,

with all its melody, was only an instrument for its expression. Let a

bad or indifferent man have Whitefield’s voice and manner in

completeness, and he would be but a disgusting declaimer. It is soul

that must speak through the voice to other souls, and only thus can the

mighty effects of eloquence be produced.

We do not think there is much virtue in the merely mechanical training

of the voice. To teach the pupil just what note on the scale he must

strike to express a particular emotion, how much of an inflection must

be used to indicate sudden joy or sorrow, and how many notes down the

scale mark a complete suspension of sense, is absurd. Speech can never

be set to music.

But from this let it not be inferred that the cultivation of the voice

is useless. It is the instrument for the expression of thought, and the

more perfect it can be made the better it is fitted for its high office.

It would be well for the preacher to spend some time every day for years

in vocal training, for there is nothing more susceptible of improvement

than the voice. The passion excited during animated speech will demand

almost every note and key within its compass, and unless it has been

previously trained on these, it may fail. To prepare in this way by

exploring the range of the voice, and testing all its capabilities, has

in it nothing mechanical or slavish. It is only like putting a musical

instrument in tune before beginning to play.

Nothing contributes so much to give ability to manage the voice as the

separation of words into the simple elements of sound, and continued

practice in the enunciation of these. They can be best learned from the

short-hand system of tachygraphy or phonography, or from the phonetic

print. In these we find sound resolved into its elements, which are but

few in number, and on which we can practice until every difficulty in

enunciation is overcome. If there is a fault in our articulation, we

will find just where it is, and can bring all our practice directly to

its remedy. When we are able to give clearly each one of the separate

sounds of the language—not many over forty in number—we can easily

follow them into all their combinations, and are thus master of the

first great excellency in speaking—good articulation. Nor is this all.

We can then practice on the same elements, at different degrees of

elevation on the musical scale, until we can strike every one in full

round distinctness at each point, from the shrillest note used in speech

to the deepest bass. Then the whole field of oratory is open before us.

But there is still another advantage: if our strength of voice be not so

great as we would wish, we can take the same sounds, and by practicing

upon them with a gradually-increasing effort, attain all the force our

organs are capable of, and even increase their power to a degree that

would be incredible, were it not so often proved by actual experiment.

When engaged in these practices, we will notice a distinction between

the vowel sounds—that while some of them may be prolonged indefinitely,

others are made at a single impulse. Following out these ideas, we will

increase the rapidity of the second until they can be struck with all

the suddenness of the report of a pistol, and one after another so

rapidly that the ear can scarcely catch the distinction between them.

This will enable us to avoid drawling, and help us to speak with

rapidity when we desire it, without falling into indistinctness. We next

learn to prolong the other vowels, and thus to make them carry the

sounds of words to the greatest distance. The full, deliberate

enunciation of a word is audible much further than the most violent

shout. The passenger calling to the ferryman across the river does not

say OVER in one single violent impulse, or, if he does, he is not heard,

but o-o-ver; and even if his tone is gentle, the hills ring again, and

the ferryman is aroused. Let this principle be brought into use in

public speaking, and soon no hall will be too large for the compass of

the voice.

The different extensions of sounds, as well as their pitch on the

musical scale, and variations of force in enunciation, constitute the

perspective of the art of oratory, and give it an agreeable variety,

like the mingling of light and shade in a well-executed picture. A dull,

dead uniformity, in which each word is uttered on the same key, with the

same degree of force, and each sound enunciated with the same rapidity,

would be utterly unbearable; while a perpetual variety, reflecting in

each rise and fall, each storm and calm of sound, the living thought

within, is the perfection toward which we must strive.

Little can be done in training the voice beyond these elementary

exercises. The expression in the moment of speech may safely be left to

the impulse of nature. Supply the capability by previous discipline,

then leave passion to clothe itself in the most natural forms. We

believe there is such a connection between the emotions of the mind and

the different tones of voice, that emphasis, inflection and intonation

need not be taught. They will well up from the heart itself. Reading may

require more teaching, for its very nature is artificial; and it behoves

those who read their sermons to study hard to supply the want of emotion

and naturalness by the resources of elocution. But the only effect of

rules upon the speaker, so far as he heeds them at all, is to make him a

cold and lifeless machine. The child that is burnt needs no instruction

to find the right tone to express its pain, so that every one who hears

it knows that it is suffering. It strikes the key-note of joy and every

other emotion with equal certainty. Let nature but have her way,

untrammeled by art, and every feeling that arises will mold the voice to

its will, and every heart will recognize and respond to the sound. We

may in this way miss the so-called “brilliancy” of theatric clap-trap,

but our voices will have that “touch of nature that makes the whole

world kin.”

Something may be done by observing the world closely and thus becoming

more deeply permeated by that atmosphere of sympathy and passion that

wraps all men into one family, and forms a medium of communication

deeper and more wide-spread than any language of earth. It is also

profitable to listen to the great orators who have mastered the

mysteries of speech, not for the purpose of imitating them, but that we

may appreciate better what true excellence is. Yet it is hurtful to

confine our attention too long to one model, for excellence is

many-sided, and if we view only one of its phases, we are apt to fall

into slavish imitation—the greatest of all vices. We avoid this by

looking upon many examples, and making use of them only to elevate our

own ideal. Then, without a conscious effort to reproduce anything we

have heard, we will be urged to greater exertions, and the whole level

of our attainments raised.

There are abundant faults to mar the freedom of nature; and the speaker

who would be truly natural must watch vigilantly for them, and, when

found, exterminate them without mercy. The sing-song tone, the scream,

the lisp, the guttural and tremulous tones, must be weeded out as they

come to the surface; and if the preacher’s own egotism is too great to

see them, or his taste not pure enough, some friend ought to point them

out for him. At the bar, or in political life, the keen shaft of

ridicule destroys such things in those who are not incorrigible; but in

the pulpit they are too often suffered to run riot because the sacred

nature of its themes prohibits ridicule, and causes every one to endure

in silence.

But there is one fault that over-tops all others, and constitutes a

crying sin and an abomination before the Lord. Would that every hearer

who suffers by it had the courage to go to his minister and tell him of

the torture he inflicts. He could not long endure such an overwhelming

fire brought to bear on him. It is what is sometimes designated as the

“solemn or holy tone.” It prevails to an alarming extent. Men who, out

of the pulpit, are varied and lively in their conversation, no sooner

enter it than it seems as if some evil spirit had taken possession of

them and enthroned itself in their voice, which at once sinks into a

measured, or rather measureless drawl, with each word sloping down a

precipice of falling inflections. It conceals ideas as perfectly as ever

Talleyrand did; for surely no idea, even of living light, could

penetrate through such a veil. Men who thus neutralize their talents and

contribute to render religion distasteful, will surely have to answer

for it at the great day of account. Let our style in the pulpit be

simple, earnest and manly. Let each emotion clothe itself in its own

language and tones, and then we will be above all rules, and all censure

too, for we will be under the infallible guidance of nature and the

Spirit of God.

Should we use a conversational tone in speaking? This question has often

been discussed, and although there is a great difference of opinion, yet

it seems to admit of satisfactory answer. The language of conversation

is the language of nature, and therefore it should be the basis of

speech. The same intonations that are used in it should be employed in

every branch of oratory. But the manner of conversation is not always

the same. The man who talks with a friend across a river would not use

the same tones as if he held that friend by the hand. And if a man is

speaking to a number at once, the very need of being heard will cause

him to speak somewhat louder than in addressing a single person. With

this exception, it might be safely laid down as a rule that a speech

should be commenced in the same manner as we would speak to an

individual. But should it be continued in that way? The orotund tone is

calculated to make a deeper impression than a higher key, or a less

degree of force. But there need be no solicitude about its employment.

Begin as a man who is talking to his friends upon an interesting subject

would do, and then, as the interest deepens, throw away all restraint of

voice. Let it follow passion, and it will naturally fall into the way

that will best express that passion. It will deepen into the

thunder-roar when that is needed, and will become soft and pathetic at

the right time.

But beware of thinking that you must be loud, in order to be impressive.

Nothing is more disgusting than that interminable roar, beginning with a

shout and continuing all through the sermon. It is worse than monotony

itself. The very loudness of voice that, applied at the right place,

would be overpowering, loses all power, and becomes as wearisome as the

ceaseless lashing of ocean waves to the storm-tost mariner. Strive to

have something to say, keep the fires of passion burning in your own

soul, and the voice, which has previously been diligently cultivated,

will not fail in what should be its only office—the bringing of your

thoughts into contact with the souls of others.

Books on oratory properly devote much space to the consideration of

gesture, for the eye needs to be addressed and pleased as well as the

ear. But we doubt whether the marking out of gestures to be imitated is

calculated to do much good. The principal use of training seems to be,

first, to overcome the backwardness that might freeze both speaker and

congregation; and second, to discard awkward and repulsive movements.

The first can be accomplished by a firm resolution, and is worthy of it.

We have all seen most eloquent men who did not move at all, or who moved

very slightly in the course of their address, but never without feeling

that the want of gesticulation detracted just so much from their power.

It is unnatural to speak standing still, and none but a lazy, sick, or

bashful man will do it. Yet many who do not hesitate to make their

voices reverberate to the roof, will fear to move even a finger. Let

this timidity be thrown off. Even an ungraceful gesture is better than

none at all.

But after the first fear has been overcome, and the speaker has learned

to use his hands, he next needs to guard against bad habits. If anything

is truly natural, it will be beautiful; but we are so much corrupted by

early example that it is hard to find what nature is. There is hardly a

public speaker who does not, at some time, fall into habits that are

unsightly or ridiculous. The difference in this respect is, that some

retain all the faults they once get, hanging and accumulating around

them; while others, from the warning of friends or their own

observation, discover their errors, and cast them off.

A good method of testing our own manner, from which we should not be

deterred by prejudice, is by speaking before a mirror. There is reason

for the common ridicule thrown upon this practice, if we recite our

sermons for the purpose of marking the proper points of gesture, and of

noting where to start, and frown, and wave the arm, so as to make the

whole mere acting. But what we advise is to speak before the glass in as

earnest and impassioned a manner as we can command, not for practice on

the subjects we are to discuss, but that we may “see ourselves as others

see us.” In ordinary speaking we can hear our own voice, and thus become

sensible of any audible errors that we may fall into; but we need the

glass to show us how we look, and to make us see any improper movement

that we may have unconsciously contracted. We do not advise the recital

of a sermon before the glass. There is something cold and irreverent in

the very idea. But the same objection does not apply to ordinary

declamation.

By these two processes—pressing out into action under the impulse of

deep feeling, as strongly and freely as possible, and by lopping off

everything that is not graceful and effective, we will soon attain a

good style of gesture. All mechanical imitation, all observance of

artificial rules, and especially all attempts to make the gesture

descriptive, such as pointing toward the object alluded to, placing the

hand on the heart to express emotion, etc., will do more harm than good.

The best gesticulation is entirely unconscious.

Frequently the speed or slowness of the gesture reveals more emotion

than its direction or form. The stroke, when it falls upon a particular

word, aids to make it emphatic, even when there is no observable

connection between the kind of movement made and the sentiment uttered.

Let the mind, intent on its subject, take full possession of the whole

body, as a medium of expression, and every action will correspond with

tone and word, and the soul of the hearer be reached alike through eye

and ear.

We have already spoken of boldness as an indispensable requisite for an

extempore speaker. But more is needed than the courage that leads us to

encounter the perils of speech. Some speakers master their fears

sufficiently to begin, yet continue to experience a nervous dread which

prevents the free use of their faculties. This clinging timidity may

hang around an orator, and impede his flights of eloquence as

effectually as an iron fetter would an eagle on the wing. The speaker

must confide in his own powers, and be willing to trust to their

guidance.

It is not necessary that he should have this confidence previous to

speaking, for it is then very difficult to exercise it, and if

possessed, it may assume the appearance of egotism and boastfulness.

Many a man begins to speak while trembling in every limb, but soon

becomes inspired with his theme and forgets all anxiety. But if his fear

be greater than this, and keep him in perpetual terror, it will destroy

liberty and eloquence. A man under such an influence loses his

self-possession, becomes confused, all interest evaporates from his most

carefully-prepared thoughts, and he finally sits down, convinced that

his effort was a failure, while, perhaps, he had in his brain the

necessary power and material to sway the assembly at will. Such a one

must learn to fear less, or seek a higher support under his trials.

There is no remedy more effectual than to do all our work under the

immediate pressure of duty. If we speak for self-glory, the frowns or

approval of the audience become a matter of vast importance to us, and

if we fail, we are deeply mortified and bewail our foolishness in

exposing ourselves to such risks. On the contrary, if we speak from a

sense of duty, if we hear the cry, “woe is me if I preach not the

Gospel,” sounding in our ears, it is no longer a matter of choice, and

we go forward, even trembling, to obey the imperative command. Our mind

is fixed on our theme, and the applause of the multitude becomes of

small moment to us except as it is the echo of God’s approval. We feel

that we are his workmen, and believe that he will sustain us. Men have

thus been forward in the Christian ministry who would otherwise never

have faced the dangers and exposures of public speaking. They were

driven to it, and therefore threw themselves bravely into it, and often

attained the highest eminence.

A want of proper confidence is one great reason why so many with

superior talents for off-hand speaking seek refuge in their notes. They

try, and fail. Instead of copying the school-boy motto “try, try again,”

and thus reaping the fruition of their hopes, they give up—conclude that

they have no talents for the work, and sink to mediocrity and tameness,

when they might have been brilliant in the field of true oratory.

The possession of confidence while speaking secures respect and

deference. The congregation can pardon timidity at the beginning, for

then their minds are fixed on the speaker, and his shrinking seems to be

but a graceful exhibition of modesty and good sense. But after he has

once begun, their minds are on the subject, and they associate him with

it. If he is dignified, respectful and confident, they listen

attentively, and feel the weight of his words. This is far different

from bluster and bravado, which always injure the cause they advocate,

and produce a feeling of disgust toward the offender. The first seems to

arise from a sense of the dignity of the subject; the second from an

opinion of personal importance—an opinion no speaker has a right to

entertain when before an audience, for, in the very act of speaking to

them, he constitutes them his judges. He may have confidence in his own

power to present the subject faithfully, and he will speak with only the

more force and certainty if he is well assured of that, but he must not

let it be seen that he is thinking of himself, or trying to exhibit his

own genius.

A speaker needs confidence that he may avail himself of the suggestions

of the moment. Some of the best thoughts he will ever have, will be out

of the line of his preparation, and will occur at a moment when there is

no time for him to weigh them. He must reject them immediately or begin

to follow, not knowing whither they lead, and this not in thought alone,

but in audible words, with the risk that they may bring him into some

ridiculous absurdity. He cannot even stop to glance ahead, for the least

hesitation will break the spell he may have woven around his hearers,

while if he rejects the self-offered idea, he may lose a genuine

inspiration. A quick searching glance, that will allow no time for his

own feelings or those of his hearers to cool, is all that he can give,

and it is necessary in that time to decide whether to reject the

thought, or follow it with the same assurance as if the end were clearly

in view. It requires some boldness to do this, and yet every speaker

knows that his very highest efforts—thoughts that have moved his hearers

like leaves before the wind—have been of this character.

It also requires some confidence to begin a sentence, even when the idea

is plain, without knowing how it is to be framed or where it will end.

This difficulty is experienced very often in speech even by those who

are most fluent. A man may learn to cast sentences very rapidly, yet it

will take some time for them to pass through his mind, and when he has

finished one, the next idea may not have fully condensed itself into

words. To begin, then, with this uncertainty and go on without letting

the people see any hesitation, demands a good deal of confidence in

one’s power of commanding words and forming sentences. Yet a bold and

confident speaker feels no uneasiness on such occasions. Sometimes he

will prolong a pause while he is thinking of the word he wants, and

hazardous as this appears, it is really safe, for the mind is so active

when in the complete possession of its powers that, if necessary, as it

seldom is, something extraneous can easily be thrown in, that will fill

up the time until the right term and the right construction are found.

This necessary confidence can be cultivated by striving to exercise it,

and by assuming its appearance where the reality is not. Let a person

make up his mind that he will become an extempore speaker, and patiently

endure all failures and mistakes that follow, and he will thus avoid the

wavering and shrinking, and questioning in his own mind that otherwise

distress him and paralyze his powers. If he fail, he will be stimulated

to a stronger and more protracted effort. If he succeed, that will be an

argument upon which to base future confidence, and thus, whatever is the

result, he is forwarded on his course.

And in regard to the difficulty of sentence-casting, he will make his

way through so many perplexities of that kind, that the only danger will

be that of becoming careless, and constructing too many sentences

without unity or polish. He will acquire by long experience so much

knowledge of the working of his own thoughts, as to be able to tell at a

glance what he ought to reject, and what accept, of the unbidden ideas

that present themselves. He will be ready to seize every new thought,

even if it be outside of his preparation, and, if worthy, give it

instant expression; and if not, dismiss it at once and continue

unchecked along his intended route.

There is only one direction that we can give for the acquisition of the

confidence that is respectful and self-assured, and yet not forward nor

obtrusive. Be fully persuaded as to what is best for you, and make up

your mind to take the risks as well as the advantages of extempore

speaking. Then persevere until all obstacles are overcome.

We have thus glanced at a few of the more important acquired qualities

necessary for public speaking. These do not cover the whole field, for

to speak aright requires all the faculties of the mind in the highest

state of cultivation. There is no mental power that may not contribute

to the orator’s success. The whole limits of possible education are

comprised in two great branches: the one relating to the reception, and

the other to the communication of knowledge. The perfect combination of

these is the ideal of excellence—an ideal so high that it can only be

aspired to. All knowledge is of value to the orator. He may not have

occasion to use it directly in his speeches, but it will always be at

hand to select from, and give his views additional breadth and scope. If

his materials are few he must take, not what is best, but what he has.

If a wide extent of knowledge is open before him, the chances are that

he will find exactly what is needed for his purpose.

The improvement of the power to communicate knowledge is, if possible,

still more important. A great part of the value even of a diamond

depends upon its setting and polish, and the richest and most glowing

thoughts may fail to reach the heart or charm the intellect, unless they

are cast into the proper form, and given external beauty.

Let the man, then, who would speak well not fear to know too much. He

cannot be great at once. He must build for future years. If he wish a

sudden and local celebrity that will never increase, but molder away,

even in his own lifetime, he could, perhaps, attain it in another way.

He might learn a few of the externals of elocution, and then, with great

care, or by the free use of the material of others, prepare some

finely-worded discourses, and read or recite them as often as he can

find a new audience. It is true that by this means his success will

probably not be as great as he would wish, but he can be sure that what

he achieves will be sufficiently evanescent. He will not grow up to the

measure of greatness, but become daily more dwarfed and stereotyped in

intellect. But on the other hand, let him “intermeddle with all

knowledge,” and make his means of communicating what he thus gathers as

perfect as possible, and then talk to the people out of the fullness of

his treasures, and if no sudden and empty acclaim should greet him, he

will be weighty and influential from the first, and each year that

passes will bring him added power. The aim of the sacred orator should

be the full and harmonious development of all the faculties that God has

given him, and their consecration to his great work.

PART II.

A SERMON.

CHAPTER I.

THE FOUNDATION—SUBJECT—OBJECT—TEXT.

We have thus far discussed the subject of preliminary training, and have

endeavored to show what natural qualities the preacher must possess, and

how these can be improved by diligent cultivation. The importance of a

wide scope of knowledge, and especially of that which bears upon

oratory; of understanding and having some command of the powers of

language; of having a personal experience of Christ’s pardoning love,

and a heart filled with desire for the salvation of our fellow men; of

believing that God has called us to the work of the ministry; has

already been pointed out. When a man finds himself in possession of

these, and is still a diligent student, growing daily in grace, he is

prepared to preach the Gospel in “demonstration of the spirit and of

power.” He is then ready to consider the methods by which all his gifts

and acquirements may be made available, and wielded with mightiest

effect in the service of his Master.

Some of the directions given in this and succeeding chapters are of

universal application, while others are to be regarded only as

suggestions, to be modified and changed according to individual taste,

or particular circumstances.

A plan is necessary to every sermon. A rude mass of brick, lumber,

mortar and iron, thrown together as the materials chance to be

furnished, does not constitute a house, and is worthless until each is

built into its appropriate place, in obedience to some intelligent

design. A sermon must be constructed in a similar manner. It may contain

much that is good, or useful, or striking, and be replete with sparkling

imagery, and full of ideas that will command the attention of the

audience, and yet completely fail. The only safe method is to have a

well-defined plan marked out from beginning to end, and to work

according to it.

It is always better to have this plan previously constructed. Sometimes

when we speak on a subject we have often thought over, its whole outline

will flash upon us in a moment, and we will speak as well as if we had

employed months in preparation. But such cases are rare exceptions. The

man who attempts, on the spur of the moment, to arrange his facts, draw

his inferences, and enforce his opinions, will find the task very

difficult, even if his memory promptly furnishes all the necessary

materials.

Every discourse, of whatever character, should have a subject and an

object. A sermon requires a text also, and these three constitute the

foundation upon which it is built. We will consider them separately.

A good plan cannot be constructed without an object in view. Why is it

that at a particular time a congregation assembles, and sits silent

while a man addresses them? What is his motive in standing up before

them and asking their attention? Many of the people may have been drawn

together by the lightest influences, but the minister, at least, should

be actuated by a noble purpose. If he has a clear aim before him, it

will tend powerfully to give unity and consistency to his discourse, and

prevent him from falling into endless digressions. It will bind all

detached parts together, and infuse a common life through the whole

mass. We cannot be too careful in the selection of such a ruling object,

for it will affect the whole superstructure.

Our purposes should not be too general. It is not enough that we should

wish to do good. Probably no minister ever preaches without that general

desire. But the important question is, “What special good do I hope to

accomplish by this sermon?” When he has decided this, he will then be

prepared to adapt his means to the end proposed, and the whole discourse

will acquire a definiteness and precision that would never otherwise

have belonged to it. The more we sub-divide our objects, the more will

this precision be increased, although there is a limit beyond which it

would be at the expense of other qualities. If we desire the salvation

of souls, it is well, and most powerful sermons have been preached with

that object in view. But if we narrow our immediate aim, and keep in

view only one of the steps by which the soul advances to God, it will

give our discourse a keener edge, and we can plead with those who have

not yet taken that step with more prospect of immediate success, than if

we at once placed the whole journey before them. For example, many

sermons may be preached with “repentance” as the central object, and

this duty enforced by various motives and innumerable arguments. We may

show that it is a duty, that man is lost without it, that Jesus calls

him to it, that God assists, that salvation follows it, etc.

Our objects usually have reference to the action of those who hear us,

and the more fully that action is understood, and the more earnest our

desire to produce it, the greater our persuasive power will be. If we do

not exactly know what we wish to accomplish, there is very little

probability that our audience will interpret our thoughts for us. We

may, it is true, labor to convince the judgment of our hearers, and make

them understand truth more clearly than before, but this is usually

because of the influence thus exerted on their actions.

The objects that should govern our sermons are comparatively few, and

ought to be selected with great care. Much of our success depends on

having the right one of these before us at the right time; for if we aim

at that which is unattainable, we lose our effort. If we preach

sanctification to a congregation of unawakened sinners, no power of

treatment can redeem the sermon from the cardinal defect of

inappropriateness. If we preach against errors which no one of our

hearers entertains, our logic is lost, even if the very errors we battle

against are not suggested. Let us carefully note the state of our

audience, and select for our object that which ought to be accomplished.

There is a difference between the subject of a discourse and its object;

the latter is the motive that impels us to speak, while the former is

what we speak about. It is not uncommon for ministers to have a subject

without any very distinct object. Their engagements require them to

speak, and a subject is a necessity. That which can be treated most

easily is taken, and all the ideas they possess, or can collect about

it, are given forth, and the matter left. Until such persons grow in

earnest, and really desire to accomplish something, they cannot advance

the cause of God.

The object of a sermon is the soul, while the subject is only the body;

or, we may say, the one is the end, and the other the means by which it

is accomplished. After the object is fixed the subject can be chosen to

much better advantage; for instance, if it be our object to lead the

penitent to the Cross, we may select any of the themes connected with

the crucifixion and dying love of Christ; we may show the sinner his

inability to fulfill the requirements of the law, and that he needs an

atoning sacrifice to save him from its penalty; we may show that the

salvation purchased is full and free. Many other branches of the same

great topic will be found suitable for the purpose in view.

This order of selection may sometimes be reversed to good advantage.

When a minister is stationed with a certain congregation, there are many

objects he wishes to accomplish, and often no strong reason for

preferring one in the order of time to another. It will then be well for

him to take that subject which may impress him, and bend his mind toward

an object he can enforce most powerfully through it.

On other occasions there is a particular end to be attained, which is

for the time all-important, and which thus furnishes the proper object.

Nothing then remains but for the preacher to choose a subject through

which he can work to the best advantage.

This is one great advantage the Methodists have in protracted meetings.

An object is always in view, and the congregation expect it to be

pressed home with power. No plea of general instruction will then save a

sermon from being thought worthless, if it does not produce an immediate

result. And even the much calumniated “mourners’ bench” contributes most

powerfully to the same result. There is something proposed which the

congregation can see, and through it judge of the preacher’s success or

failure. An outward act is urged upon the unbelieving portion of the

audience, by which they signify that they yield to the power of the

Gospel; and the very fact of having that before him as an immediate,

though not an ultimate aim, will stimulate the preacher’s zeal, and

cause him to put forth every possible exertion.

After all, the order in which subject and object are selected is not

very material. It is enough that the preacher has a subject that he

understands, and an object that warms his heart and enlists all his

powers. Then he can preach, not as if dealing with abstractions, but as

one who has a living mission to perform.

Every subject we treat should be complete in itself, and rounded off

from everything else. Its boundaries should be run with such precision

as not to include anything but what properly belongs to it. It is a

common but grievous fault to have the same cast of ideas flowing round

every text that may be preached from. There are few things in the

universe that have not some relation to everything else, and if our

topics are not very strictly bounded, we will fall into the vice of

perpetual repetition. Thus, in a book of sermon sketches we have

examined, nearly every one begins by proving that man is a fallen

creature, and needs the helps or is liable to the ills mentioned

afterward. No other thought is introduced until that primal point is

settled. This doctrine is of great importance, and does affect all man’s

relations, but we can sometimes take it for granted, without endangering

the edifice we build upon it, and occasional silence will be far more

impressive than that continual iteration, which may even induce a doubt

of what seems to need so much proof.

Ministers sometime acquire such a stereotyped form of thought and

expression that what they say in one sermon will be sure to recur,

perhaps in a modified form, in all others. This kind of preaching is

intolerable. There is an end to the patience of man. He tires of the

same old ideas, and wishes when a text is taken that it may bring with

it a new sermon. The remedy against this evil is to give each sermon its

own territory, and then guard rigidly against trespass. It is not a

sufficient excuse for the minister who preaches continually in one

place, that what he says has a natural connection with the subject in

hand, but it must have a closer connection with it, than with any other

he may use. By observing this rule, we make each theme the solar centre

around which may cluster a great number of secondary ideas, all of which

naturally belong to it, and are undisturbed by satellites from other

systems.

The subjects from which a preacher may choose are innumerable. The Bible

is an inexhaustible storehouse. Its histories, precepts, prophecies,

promises and threatenings, are almost endless. Then all the duties of

human life, and especially those born of the Christian character; the

best methods of making our way to the end of our journey; the hopes

after which we follow; the dangers that beset our path; the mighty

destinies of time and eternity, are a few of the themes that suggest

themselves, and afford room enough for the loftiest talent, during all

the time that man is allowed to preach on earth. If we would search

carefully for the best subjects, and, when found, isolate them from all

others, we would never need to weary the people by the repetition of

thoughts and ideas.

While, as a rule, we ought to shun controversial points, we should not

be afraid to lay hold of the most important subjects that are revealed

to man. These will always command attention; heaven and hell, judgment,

redemption, faith, the fall, and all those great doctrines upon which

the Christian religion rests, need to be frequently impressed on the

people. It is also profitable to preach serial sermons on great

subjects. The rise of the Jewish nation and economy would afford a fine

field for instruction. The life and work of Jesus Christ would be still

better. This latter series might consist of discourses on His birth,

baptism, temptation, first sermon, His teaching in general, some miracle

as a type of all others, transfiguration, last coming to Jerusalem,

Gethsemane, betrayal and arrest, trial, crucifixion, resurrection,

ascension and second advent. Many other subdivisions might be made. Such

linked sermons, covering a wide scope, instruct the people better than

isolated ones could, and afford equal opportunities for enforcing all

Christian lessons. Yet it would not be well to employ them exclusively,

or even generally, as such a practice would tend to wearisome sameness.

The subject must be well defined. It may be of a general nature, but our

conception of it should be so clear that we always know just what we are

speaking about. This is more necessary in an extempore speech than in a

written one, although the want of it will be felt severely even in the

latter. A strong, vividly defined subject will give unity and life to a

whole discourse, and often leave a permanent impression on the mind. To

aid in securing this, it will be well for the preacher, when he has

chosen a subject, to reduce it to its simplest form, and then by writing

it as a phrase or sentence, stamp it on the mind, and let it ring in

every word that is spoken; that is, let each word aid in carrying out

the great idea, or in leading to the desired object, and be valued only

so far as it does this. Those interminable discourses, that seem to

commence anywhere and end nowhere, may be called sermons by courtesy,

but they are not such in reality. The word “sermon” signifies “a

thrust,” which well expresses the concentrativeness and aggressiveness

that should distinguish it, and which nothing but a well-defined theme

can give. It ought not to glitter with detached beauties, like the

starry heavens, but shine with the single, all-pervading radiance of the

sun.

This unity of theme and treatment is not easily preserved. It is hard to

see in the mind’s eye what we know would please and delight those who

listen, and turn away and leave it, but it is often necessary to

exercise this more than Spartan self-denial, if we would not reduce our

sermons to mere random harangues. Not that illustration should be

discarded, for the whole realm of nature may be pressed into this

service, and a good illustration in the right place is often better than

an argument. But nothing, whatever its nature, should be drawn in,

unless it so perfectly coalesces with the parent idea, that a common

vitality flows through them. If this is the case, the unity will be

unbroken, though even then it often happens that the idea would produce

a better effect in connection with another theme, and should be reserved

for it.

Usage has established the practice of employing a passage of Scripture

as the basis of a sermon. This is of great advantage to the minister,

for it gives the discourse something of divine sanction, and makes it

more than a popular address. Opinion is divided as to whether it is best

to select the text, and arrange the discourse to correspond with it, or

reversing this order, to compose the sermon first, and thus secure the

harmony that arises from having no disturbing idea, and at the last

moment choose a text of Scripture that will fit it as nearly as

possible.

No doubt the comparative advantages of these methods will be to a great

degree determined by the occasions on which they are used. When a

subject is of great importance, and we wish to be precise in explaining

it, we may adopt the latter method, but the former is more generally

useful. There are so many valuable ideas and important suggestions in

the words of Scripture, that we can ill afford to deprive ourselves of

this help. For the Bible, with all its ideas, is common property. No

minister need fear the charge of plagiarism, when he borrows, either in

word or thought from its inspired pages. He is God’s ambassador, with

the Bible for his letter of instruction, and the more freely he avails

himself of it, if it be done skillfully, the better for the authority of

his mission. We may often select a subject that appears dark and

confused, but when we have found a passage of Scripture embracing the

same idea, there may be something in it that will solve every doubt, and

indicate the very thoughts we wish to enforce. For this reason we

believe that under ordinary circumstances, the practice of first

constructing the sermon and only at the last moment before delivery,

tacking on a text, is not the best.

Another reason in favor of previously selecting the text is worth

consideration. The people, who are not supposed to know anything of the

subject, expect, when we read a passage of Scripture, as the foundation

of our remarks, that it will be something more than a mere point of

departure. They anticipate that it will be kept always in view, and

furnish the key-note to the whole sermon. This is but reasonable, and if

disappointed, they will not so well appreciate what is really good in

the discourse. We would not sacrifice unity to a mere rambling

commentary on the words of the text. Let the subject be first in the

mind and bend everything to itself. But let the text be next in

importance, and the whole subject be unfolded with it always in view. It

may be feared that the work of sermonizing will be rendered more

difficult by observing this double guidance, but if a proper text be

chosen—one that, in its literal meaning, will embrace the subject—the

labor will be much lightened.

It is a common fault to take a passage of Scripture consisting of a few

words only, and put our own meaning upon it, without reference to the

intention of the inspired writer who penned it. This borders very

closely on irreverence. If we cannot use God’s words in the sense he

uses them, we had better speak without a text at all, and then our sin

will only be a negative one. The taking of a few words divorced from

their connection, and appending them to a discourse or essay, that has

no relation to their true meaning, is not less a profanation than it

would be to prefix the motto, “Perfect love casteth out fear,” to a

fashionable novel. But when, on the other hand, we take a text that

contains our subject, and expresses it clearly, we are prepared to

compose a sermon to the best advantage. The subject present in our own

mind runs through every part of the discourse, making it a living unity,

instead of a collection of loose and disordered fragments; while the

text, being always kept in view by the hearers as well as by the

speaker, leads all minds in the same direction, and gives divine

sanction to every word that is spoken. It is not without reason that the

people, whose tastes are nearly always right, though they may not be

able to give a philosophical explanation of them, complain of their

preacher when he does not “stick to his text.” It is right that he

should so adhere.

A man of genius may neglect this precaution, and still succeed, as he

would do, by mere intellectual force, were he to adopt any other course.

But ordinary men cannot, with safety, follow the example of Sydney

Smith. His vestry complained that he did not talk about the text he

took, and, that he might the more easily reform, they advised him to

divide his sermons as other preachers did. He promised to comply with

their request, and the next Sabbath began, “We will divide our discourse

this morning into three parts; in the first place we will go _up_ to our

text, in the second we will go _through_ it, and in the third we will go

FROM it.” It was generally allowed that he succeeded best on the last

division, but preachers who have not his genius had better omit it.

These rules in relation to the absolute sway of object, subject and

text, may appear harsh and rigid, but cannot be neglected with impunity.

A true discourse of any kind is the orderly development of some one

thought, with so much clearness, that it may ever afterward live as a

point of light in the memory; other ideas may cluster around it, but one

must reign supreme. If it fails in this particular, nothing else will

redeem it. Brilliancy of thought and illustration will be wasted, as a

sculptor’s art would be on a block of clay.

A man of profound genius once arose to preach before a great assemblage,

and every breath was hushed to listen. He spoke with power, and some of

his passages were full of thrilling eloquence. He poured forth beautiful

images and deep solemn thoughts, with the utmost profusion. Yet when he

took his seat a sense of utter disappointment filled the hearts of all

present. The sermon was confused. No subject could be traced that bound

it together, and made a point of union to which the memory might cling.

Had he not read his text no one could have guessed it. It was a most

impressive warning of the necessity of laying a foundation before

erecting a magnificent structure. Had he adhered to the thoughts

expressed in his text, which was one of the richest in the Scriptures,

his eloquence and power would not have been thrown away.

Oratory Sacred and Secular; Or, The Extemporaneous Speaker With Sketches of the Most Eminent Speakers of All Ages · 第 1 / 6 章