LAST YEARS.
More and more Miss Edgeworth's life revolved round home and friends. "In
this world, in which I have lived nearly three-quarters of a century, I
have found nothing one-quarter so well worth living for as old friends,"
she said. In her person old age was seen in its most attractive form.
Her lively interests remained undimmed. At seventy she even set herself
to learn a new language, Spanish, while her impulsiveness never became
extinct, though she playfully hoped that, provided she lived so long,
she might perhaps at eighty arrive at years of discretion. It was in
1835 that Mr. Ticknor, the American historian of Spanish literature,
visited Edgeworthstown. He has recorded in his journal a pleasing and
vivid picture of his visit. He describes Miss Edgeworth as small, short
and spare, with frank and kind manners, always looking straight into the
face of those she spoke to with a pair of mild, deep gray eyes. Her
kindness and vivacity instantly put her visitors at ease. Mr. Ticknor
was also impressed with the harmony that existed in a family composed of
the most heterogeneous relationships. What struck him about Miss
Edgeworth herself was her uncommon quickness of perception, her
fertility of allusion, and the great resources of fact which a
remarkable memory supplied to her. He likens her conversation to that of
her own Lady Davenant. Mr. Ticknor observed that though she would talk
freely about herself and her works, she never introduced the subject,
and never seemed glad to continue it. Indeed, though he watched
carefully for it, he could not detect either any of the mystification or
the vanity of authorship. He was struck with her good nature and desire
to defend everybody, even Lady Morgan, as far as she could, though never
so far as to be unreasonable.
"In her intercourse with her family she was quite delightful, referring
constantly to Mrs. Edgeworth, who seems to be the authority in all
matters of fact, and most kindly repeating jokes to her infirm aunt,
Mrs. Sneyd, who cannot hear them, and who seems to have for her the most
unbounded affection and admiration."
The dispersion of so many members of her family imposed much
letter-writing on Miss Edgeworth, for all turned to her graphic pen for
news of the dear old home. And, as before when she was away, those she
left behind had to share in her pleasures, or they would be but sorry
pleasures to her. Death, as well as marriages, had thinned the family
ranks. Tenacious and warm in her affections as she was, Miss Edgeworth
never took a morbid view concerning those who were gone. Everything
morbid was foreign to her nature.
There is something mournful, yet pleasingly painful, in the sense
of the ideal presence of the long-loved dead. Those images people
and fill the mind with unselfish thoughts, and with the salutary
feeling of responsibility and constant desire to be and to act in
this world as the superior friend would have wished and approved.
And there were so many still left to love, young and old. "Who would not
like to live to be old if they could be so happy in friends as I am?"
The enthusiastic affection in her peculiar family relations, which she
kept unimpaired, cannot be better shown than by quoting one of the
countless letters she wrote concerning those dear to her:--
EDGEWORTHSTOWN, NOV. 1, 1838.
MY DEAR MR. AND MRS. TICKNOR:
I know so well your kind feelings towards all this family, that I
am sure you will be pleased with the intelligence which I am going
to communicate to you.
My sister Honora is going to be happily married to a person every
way suited to her (and that is saying a great deal), as you who
most kindly and justly appreciated her will readily join with me in
thinking. The gentleman's name, Captain Beaufort, R. N., perhaps
you may be acquainted with, as he is in a public situation, and not
unknown to literary and scientific fame. He is a naval officer. (I
hope you like this officer's name?) He made some years ago a survey
of the coast of Caramania, and wrote a small volume on that survey,
which has obtained for him a good reputation. He has been for some
years Hydrographer Royal.... In one word, he is a person publicly
esteemed; and privately he is beloved and esteemed by all who know
him best. He is and has been well known to us ever since the
present Mrs. Edgeworth's marriage with my father. Captain Beaufort
is Mrs. Edgeworth's youngest brother. As Mrs. E. is Honora's
_step_mother, you see that he is no relation whatever to Honora.
But the nearness of the connection has given us all the best means
of knowing him thoroughly. He was my dear father's most beloved
pupil and friend; by pupil I only mean that his being so much
younger made him look up to my father with reverence, and learn
from him in science and literature with delight. Thus has he been
long connected with all I love. He has been a widower two years. He
has three sons and four daughters.... The youngest daughter, Emily,
is a delightful child. Captain Beaufort lives in London, 11
Gloucester place; has a very comfortable house, and sufficient
fortune for all their moderate wishes. Honora's fortune, which is
ample, will give them affluence.
My dear Mrs. Ticknor, I know you particularly liked Honora, and
that you will be interested in hearing all these particulars,
though it seems impertinent to detail them across the Atlantic to
one who will, I fear, never see any one of the persons I have
mentioned. Yet affections such as yours keep warm very long and at
a great distance.
I feel that I have got into a snug little corner in both your
hearts, and that you will excuse a great deal from me; therefore I
go on without scruple drawing upon your sympathy, and you will not
protest my draft.
You saw how devoted Honora was to her aunt, Mrs. Mary Sneyd, whom
you liked so much; and you will easily imagine what a struggle
there has been in Honora's mind before she could consent to a
marriage with even such a man as Captain Beaufort, when it must
separate her from her aunt. Captain Beaufort himself felt this so
much that he never would have pressed it. He once thought that she
might be prevailed upon to accompany them to London and to live
with them. But Mrs. Mary Sneyd could not bear to leave Mrs.
Edgeworth, and this place which she has made her heart's home. She
decided Captain Beaufort and her niece to make her happy by
completing their union, and letting her feel that she did not
prevent the felicity of the two persons she loves best now in the
world. She remains with us.
The marriage is to take place next Tuesday or Thursday, and my Aunt
Mary will go to the church with her niece and give her away. I must
tell you a little characteristic trait of this aunt, the least
selfish of all human beings. She has been practicing getting up
early in the morning, which she has not done for two years--has
never got up for breakfast. But she has trained herself to rising
at the hour at which she must rise on the wedding-day, and has
walked up and down her own room the distance she must walk up and
down the aisle of the church, to insure her being accustomed to
the exertion and able to accomplish it easily. This she did for a
long time without our knowing it, till Honora found it out. Mrs.
Mary Sneyd is quite well and in excellent spirits.
A younger sister of mine, Lucy, of whom you have heard us speak as
an invalid, who was at Clifton with that dear Sophy whom we have
lost, is now recovered, and has returned home to take Honora's
place with her Aunt Mary; and Aunt Mary likes to have her, and Lucy
feels this a great motive to her to overcome a number of nervous
feelings, which formed part of her illness. A regular course of
occupations and duties, and feeling herself essential to the
happiness and the holding together of a family she so loves, will
be the best strengthening medicine for her. She arrived at home
last night. My sister Fanny and her husband, Lestock Wilson, are
with us. My sister has much improved in health; she is now able to
walk without pain, and bore her long journey and voyage here
wonderfully. I have always regretted, and always shall regret, that
this sister Fanny of mine had not the pleasure of becoming
acquainted with you. You really must revisit England. My sister
Harriet Butler, and Mr. Butler, and the three little dear Foxes,
are all around me at this instant. Barry Fox, their father, will be
with us in a few days, and Captain Beaufort returns from London on
Monday. You see what a large and happy family we are!!!
Do I not give you some proof, my dear Mr. and Mrs. Ticknor, of my
affection in writing to you at this moment? and if I write without
much sense or connection you will not be surprised.
My head is really upside down, and my feelings so divided between
joy and sorrow--joy for Honora's happiness, but sorrow for the
parting that must be!
It will all settle down under the hand of strong necessity and of
lenient time. My sisters Fanny and Harriet will stay with us some
weeks after the marriage; this will be a great comfort.
Mr. Butler will perform the happy, awful ceremony. How people who
do not love can ever dare to marry, to approach the altar to
pronounce that solemn vow, I cannot conceive.
My thoughts are so engrossed by this subject that I absolutely
cannot tell you of anything else. You must tell me of everything
that interests you, else I shall not forgive myself for my egotism.
I am most sincerely and affectionately, my dear Mrs. Ticknor, with
affectionate remembrances to your engaging daughter, not forgetting
your little darling,
Yours most sincerely,
MARIA EDGEWORTH.
Mention Lockhart's _Memoirs of Scott_, of which my head and heart
were full before this present all-engrossing subject overcame me.
I shall be quite rational again, I am sure, by the time your answer
reaches me, so pray do not treat me as quite a hopeless person to
write rationally to.
Mrs. Edgeworth desires me to send you her very affectionate
remembrances.
I believe, I am almost sure, that I wrote to you, my dear Mr.
Ticknor, some months ago while you were on the Continent, to thank
you for the present you sent me, through Mr. Norton's means, of an
American edition of my works. I thought it beautifully printed and
bound, and the engravings excellent, particularly that for _Helen_,
and the vignette for _Helen_, which we have not in the English
edition. I have another American copy of this edition, and I have
left yours for life with my brother Francis and my Spanish sister
Rosa, who live in a little cottage near Windsor, and have not
money to indulge themselves in the luxury of books. I hope you will
not be angry with me for so doing; no, I think you will be glad
that I made your present give me the greatest possible sum of
pleasure. Take into account the pride I felt in saying, _Mr.
Ticknor sent me these books_.
I am ashamed to see that I have come so far in a second sheet, and
in spite of all the wonderings at what can Maria _be about_?
_Sense in my next._
In answer to a letter from Mr. Ticknor, describing to her his library,
in which the only picture was one of Sir Walter Scott, Miss Edgeworth
wrote a reply, of which a portion has been published, but which contains
besides an able parallel, or rather contrast, between Washington and
Napoleon, worthy of preservation for its own sake, and as a testimony to
her unimpaired powers:--
TRIM, NOV. 19TH, 1840.
"Who talks of '_Boston_' in a voice so sweet?" Who wishes to see me
there? and to show me their home, their family, their country? I
have been there--at Boston! "Yes, and in Mr. and Mrs. Ticknor's
happy, beautiful home." I have been up "the slope of the Boston
hillside," have seen "the fifty acres of public park" in all its
verdure, with "its rich and venerable trees," its graveled
promenade surrounding it, with those noble rows of venerable elms
on either side. I have gone up the hillside and the steps profusely
decked with luxuriant creepers; I have walked into Mr. and Mrs.
Ticknor's house, as I was desired--have seen the three rooms
opening into one another, have sat in the library, too, and
thought--and thought it all charming. Looking into the country, as
you know the windows all do, I saw down through "the vista of
trees" to the quiet bay and the "beautiful" hills beyond, and I
"watched the glories of the setting sun" lighting up country and
town, "trees, turf and water!"--an Italian sun not more gorgeously
attended than this "New England luminary" setting or rising. I met
Sir Walter Scott in Mr. Ticknor's library with all his benign, calm
expression of countenance, his eye of genius and his mouth of
humor--such as he was before the life of life was gone, such as
genius loved to see him, such as American genius has _given_ him to
American friendship, immortalized in person as in mind. His very
self I see feeling, thinking and about to speak--and to a friend to
whom he loved to speak; and well placed and to his liking he seems
in this congenial library, presiding and sympathizing. But my dear
madam, ten thousand books, "about ten thousand books," do you say
this library contains? My dear Mrs. Ticknor! Then I am afraid you
must have double rows--and that is a plague. But you may ask why do
I conceive you have double rows? Because I cannot conceive how else
the book-cases could hold the ten thousand. Your library is 34 by
22, you say. But to be sure you have not given me the height, and
that height may make out room enough. Pray have it measured for me,
that I may drive this odious notion of _double rows_ out of my
head--"and what a head," you may say, "that must be that could
calculate in such a place and at such a time!" It was not my poor
head, I assure you, my dear Mrs. Ticknor, but Captain Beaufort's
ultra-accurate head. I gave him through Honora the description of
your library, and he (jealous, I am clear, for the magnitude and
number of his own library and volumes) set to work at 22 by
34--and there I leave him--till I have _the height_ to confound him
completely. You see, my dear friends, that you need not again ask
me _to go_ to see you--for I have seen and I know everything about
your home; full as well I know Boston and your home as you know
ours at Edgeworthstown. It is your turn now to come and see us
again. But I am afraid to invite you, lest you should be
disenchanted, and we should lose the delightful gratification we
enjoy in your glamor of friendship. Aunt Mary, however, is really
all you think and saw her, and in her ninety-first year still a
proof as you describe her--and a remarkable proof--of the power of
mind over time, suffering and infirmities; and an example of
Christian virtues making old age lovely and interesting.
Your prayer, that she might have health and strength to enjoy the
gathering of friends round her, has been granted. Honora and her
husband, and Fanny and her husband, have all been with us this
summer for months; and we have enjoyed ourselves as much as your
kind heart could wish. Especially "_that beautiful specimen of a
highly-cultivated gentlewoman_" as you so well called Mrs. E., has
been blest with the sight of all her children round her, all her
living daughters and their husbands, and her grandchildren. Francis
will settle at home and be a good country gentleman and his own
agent--to Mrs. E.'s and all our inexpressible comfort and support,
also for the good of the country, as a resident landlord and
magistrate _much_ needed. As _he_ is at home I can be spared from
the rent-receiving business, etc., and leaving him with his mother,
Aunt Mary and Lucy, I can indulge myself by accepting an
often-urged invitation from my two sisters Fanny and Honora, to
spend some months with them in London. I have chosen to go at this
quiet time of year, as I particularly wish not to encounter the
bustle and dissipation and lionizing of London. For tho' I am such
a minnikin lion now, and so old, literally without teeth or claws,
still there be, that might rattle at the grate to make me get up
and come out and stand up to play tricks for them--and this I am
not able or inclined to do. I am afraid I should growl--I never
could be as good-humored as Sir Walter Scott used to be, when
rattled for and made to "come out and stand on his hind legs," as
he used to describe it, and then go quietly to sleep again.
I shall use my privilege of seventy-two--rising seventy-three--and
shall keep in my comfortable den: I will not go out. "Nobody asked
you, ma'am," to play Lion, may perhaps be said or sung to me, and I
shall not be sorry nor mortified by not being asked to exhibit, but
heartily happy to be with my sisters and their family and family
friends--_all_ for which I go. Knowing my own mind very well, I
speak the mere plain truth. I shall return home to Edgeworthstown
before the London _season_, as it is called, commences, _i.e._, by
the end of March or at the very beginning of April.
This is all I have for the present to tell you of my dear self, or
of our family doings or plannings. You see I depend _enough_ on the
sincerity of your curiosity and sympathy, and I thank you in kind
for all you have been so affectionately good to tell me of
yourselves.
I have been lately reading Thibeaudeau's ten volumes of the History
of Napoleon--_Le Consulat et l'Empire_--immediately after having
read the life of Washington by Sparks, a book which I think I
mentioned to you had been sent to me by an American Jewess of
Philadelphia, Miss Gratz. A most valuable present--a most
interesting work it is. The comparison between the characters,
power, deeds, fortune and fate of Washington and Napoleon
continually pressed on my mind as I read their lives; and
continually I wished that some modern Plutarch with more of
religious, if not more of moral and political knowledge and
philosophy than the ancient times afforded, would draw a
parallel--no, not a _parallel_, for that could not be--but a
comparison between Napoleon and Washington. It would give in the
result a comparison between moral and intellectual power on the
highest scale, and with the fullest display in which they have ever
been seen in two national heroes. The superior, the universal
abilities of Bonaparte, his power of perseverance, of transition of
resource, of comprehensiveness, of adaptation of means to ends, and
all tending to his own aggrandizement, and his appetite for
dominion growing with what it fed upon, have altogether been most
astonishingly displayed in the Frenchman's history of Napoleon. The
integrity, disinterestedness, discretion, persevering adherence to
one great purpose, marking the character and the career of
Washington, are all faithfully portrayed by his American
biographer, and confirmed by state papers and by the testimony of
an independent world. The comparison between what Napoleon and
Washington did living, and left dying, of the fruits and
consequences of their deeds, would surely be a most striking and
useful moral and political lesson on true and false glory, and
further, would afford the strongest illustrations of the difference
in human affairs of what is called the power of fortune and the
influence of _prestige_, and the power of moral character and
virtue. See Napoleon deserted at his utmost need by those his
_prosperous_ bounty gorged. See Napoleon forced to abdicate his
twice-snatched imperial sceptre!--and compare this with your
Washington laying down his dictatorship, his absolute dominion,
_voluntarily_, the moment he had accomplished his great purpose of
making his beloved country, the New World, free and independent.
Then the deep, silent attachment shown to him when he retired from
the army, parted from military power, took leave of public life, is
most touching--quite sublime in its truth and simplicity, in as
strong contrast as possible with all the French acclamations,
inconstancy, frivolity, desertion, treachery, insult, toward their
prostrate idol of an Emperor. I felt while I read, and I feel while
I reflect, how much of the difference between Napoleon and
Washington must be ascribed to the different times, nations,
circumstances in which they were placed. But independent of all
these, the comparison ably and clearly drawn would lie between the
individual characters--between moral and religious power and
influence, and intellectual powers even supported by military glory
and political despotism. The comparison would ultimately lie
between success and merit, and between their transient and durable
effects--their worldly and never-dying consequences.
Forgive me, my dear Mrs. Ticknor, for my having been actually run
away with thus, and forgetting what I was going to say when I
began. I was going to say that I wish Mr. Ticknor would draw the
comparison between these two heroes of false and true
glory--between real patriotism, true and great to the last, and
ambition using patriotism as a mask, and having it struck from his
hand powerless at the last. There is no one more able, better
fitted to draw this than your husband. Channing has said well of
the character of Napoleon as far as he went. But Mr. Ticknor, I
conceive, has wider views, more means of information, and a less
rhetorical style than Channing: and Sparks, having been the
biographer of Washington, might be considered as a party too much
concerned to be quite impartial. I am ashamed to have written so
much that must seem common-place to him. But I will not tear the
pages, as I am tempted to do, because there is a possibility that
when you read them to him it might turn his mind to the
subject--and no matter for the rest.
* * * * *
I do not know whether I was most interested, dear Mrs. Ticknor, in
your picture of your domestic life and happy house and home, or by
the view you gave me of your public festivity and celebration of
your American day of days--your national festival in honor of your
Declaration of Independence.
It was never, I suppose, more joyously, innocently and
advantageously held than on the day you describe so delightfully
with the accuracy of an eye-witness. I think I too have seen all
this, and thank you for showing it to me. It is a picture that will
never leave the memory of my heart. I only wish that we could ever
hope to have in Ireland any occasion or possibility of such happy
and peaceable meetings, with united sympathy and for the keeping
alive a feeling of national patriotism. No such point of union
_can_ be found, alas! in Ireland--no subject upon which sects and
parties could coalesce for one hour, or join in rejoicing or
feeling for their country. Father Mathew, one might have hoped,
considering the good he has effected for all Ireland, and
considering his own unimpeachable character and his real
liberality, admitting all sects and all parties to take his pledge
and share his benevolent efforts, _might_ have formed a central
point round which all might gather. But no such hope! for as I am
_just now assured_, his very Christian charity and liberality are
complained of by his Catholic brethren, priests and laity, who now
begin to abuse him for giving the pledge to PROTESTANTS and say,
"What good our fastings, our temperance, our being of the true
faith, if Father Mathew treats _heretics all as one_, as Catholics
themselves! and would have 'em saved in this world and the next
too?" Then I would not doubt but at the last he'd _turn tail!_ aye,
turn Protestant himself ENTIRELY. I have written so much to Mr.
Ticknor about Father Mathew that I must here stop, or take care
lest I run on with him again. Once set a-running, you see how I go
on. You having encouraged me, and I from having conversed with you
even for a few days, we have so much knowledge of each other's
minds that it is as easy and pleasant to me to write as to speak to
you. I will send you some Irish tales newly published by Mrs. Hall,
which I think you will like, both from their being well-written and
interesting portraitures of Irish life and manners, and from the
conciliating, amiable and truly _feminine_ (not meaning _feeble_)
tone in which they are written.
* * * * *
I have not yet thanked you enough, I feel, for _Rollo_. Our
children all, and we ourselves, delight in him at play and at work,
and every way, and we wish to see more of him. If there be any more
of him, pray pack him up bag and baggage and send him off by first
steamer, steam-haste. By the by, are you or your children
acquainted with the elephant who in his haste forgot to pack up his
trunk?
If you are not acquainted with him, I shall have the pleasure of
introducing him to you and yours.
Meantime, if you wish to be amused, and with what is new and what
is true, read Mrs. Wilmot's _Memoirs of the Princess Dashkoff_, and
her own residence in Russia. We know enough of the author to
warrant the whole to be true. I do not say that she tells the whole
truth, but that all she does tell is true, and what she does not
tell she was bound in honor and friendship, and by the tacit,
inviolable compact between confidence shown and accepted, never to
reveal, much less to publish. Both in the Princess Dashkoff's own
memoirs (very able and curious) and in Mrs. Wilmot's continuation
(very amusing and new) there are from time to time great gaps, on
coming to which the reader cries _Ha! Ha!_ and feels that he must
skip over. These gaps are never covered over; and when we come even
to dangerous ground we see that we must not turn that way, or hope
to get on in utter darkness and our guide deserting--or, if not
_deserting_, standing stock still, obstinately dumb. These memoirs
are not a book on which history could absolutely be founded, but a
book to which the judicious historian might safely _refer
illustrations_, and even for materials, all which it affords being
sound and solid. Much more, in short, may these memoirs be depended
upon than any or many of the French varnished and vamped-up
_Memoires pour servir a l'Histoire_.
After reading the book I wrote to Mrs. Wilmot, and after homage due
to her talents and her truth, I ventured to express, what I am sure
you will feel if you read the volume, some horror, towards the
close, at the Princess Dashkoff's accepting for herself or her
sister, or for whoever it was, a ball from Orloff, the
murderer--that Orloff who with his own hand strangled his Emperor.
Mrs. Wilmot made me but a lame apology for her dear princess, I
think, and an odd answer for herself. In the first place, she said,
it was so long ago. As if such a murder could be a by-gone tale! or
as if thirty or forty or any number of years could purify or
cleanse a murderer in the eyes and sense of humanity or justice! In
the next place she pleaded that she was so much pleased by Orloff's
angel daughter who stood beside him, and then with his parental
delight in her beauty, simplicity and elegance in the dance.
Mrs. Wilmot was sure I should have felt as she did, and have
forgotten the murderer in the father. But, on the contrary, I am
afraid I should have forgotten the father in the murderer; I fear I
should have seen only "_the vile spot_" which would never _out_ of
that hand! And oh! that horrible knee--I see it pressing on the
body of the breathless Peter; and, through all the music of the
ball-room band, methinks I hear "shrieks of an agonizing king."
Possibly in Russia "murder is lawful made by the excess," and may
be palliated by the impartial historian's observing, "_It was then
necessary that the Emperor should_ CEASE TO BE"--soft synonym for
assassination.
I ought not to leave Mrs. Wilmot and the Princess Dashkoff, however
this may be, with a tragical and unmerited impression on your mind.
I am quite convinced the princess had nothing to do with this
horrid affair, or that our countrywoman never would have gone or
never would have staid with her.
I can also assure you that when you read these memoirs you will be
convinced, as I am, that the Princess Dashkoff was quite pure from
all the Empress Catherine's libertine intrigues (I can use no
softer phrase). This is proved by facts, not words, for no word
does she say on the subject. But the fact is that during Orloff,
the favorite Orloff's reign and his numerous successors, the
Princess Dashkoff was never at court, banished herself on her
travels or at her far-distant _territories_; she over-rated,
idolized Catharine, but was her real friend, not flatterer.
It is scarcely worth telling you, but I will for your diversion
mention that I asked Mrs. Wilmot whether the Princess Dashkoff
evermore went about in the costume, which she described, of a man's
great-coat, with stars and strings over it, at _the ball_, and with
the sentimental old souvenir silk handkerchief about her throat.
Yes. But Mrs. Wilmot would not let me laugh at her friend, and I
liked her all the better. She defended the oddity by the kindness
of the motive. It was not affectation of singularity, but
privilege of originality, that should be allowed to a being so
feeling and so educated by circumstances and so isolated--so let
the ragged handkerchief and the old gloves museumized pass, and
even the old overall of the man's coat on a woman and a
princess--so be it.
But from the time of Cardinal Chigi and his one stump of a
twenty-years-old pen on which he piqued himself, I quite agree with
Cardinal Mazarin[11] that these petty singularities are proofs of a
little mind, instead of an originality of genius.
And now, my dear Mrs. Ticknor, "Bisogna levar l'incommodita"--to
use the parting phrase of a vulgar Italian who feels that she has
made an unconscionable visit: or, as the cockney would say as she
got up to depart from a morning _visitation_, "Time for me to be
going, I think." And if you do not think so, or have not thought so
ten pages ago, you are more indulgent and fonder of me than I had
any right or reason to expect, even after all I have heard _from_
and seen _of_ you.
I promise you that you shall not be so tried again for a
twelvemonth to come, at the least. Give my kind remembrances to
your eldest daughter, who so kindly remembers me, and give a kiss
for me to your youngest, that dear little plaything who cannot
remember me, but whom I shall never forget; nor her father's fond
look at her, when the tear was forgotten as soon as shed.
Ever affectionately, dear Mrs. Ticknor,
Your obliged friend,
MARIA EDGEWORTH.
Turn over, and as the children's fairy-boards say, "you shall see
what you shall see."
N. B.--Among the various scratchifications and scarifications in
this volume, you may remark that there have been reiterated
scratches at Mrs. and Miss Wilmot, and attempts alternately to turn
the lady into _Mrs._ and Miss.
Be it now declared and understood that the lady is not either Mrs.
or Miss Wilmot, but Mrs. Bradford--born _Wilmot_, daughter of a Mr.
and Mrs. Wilmot of Cork--went over to Russia to _better herself_ at
the invitation of the Princess Dashkoff, who had, in a visit to
Ireland, become acquainted with some of her family. What motives
induced her to go to Russia, except the general notion of bettering
her fortune, I cannot tell. But she did better her fortune, for the
princess gave her pearls in strings, and diamonds in necklaces and
rings, and five thousand solid pounds in her pocket, for all which
she had like to have been poisoned before she could clear away with
them out of Russia.
When she came back she married, or was married to, Mr. Bradford, a
clergyman, and now lives in Sussex, England.
Now, in consideration of my having further bored you with all this,
be pleased whenever you see _Mrs._ or _Miss Wilmot_ in the
foregoing pages to read _Mrs. Bradford_, and you will save me
thereby the trouble and danger of scratching Mrs. or Miss Wilmot
into ten or eleven holes.
The visit to London referred to was paid. Part of the time was spent
agreeably visiting friends, seeing sights and reading new books, among
them Darwin's _Voyage in the Beagle_, which delighted Miss Edgeworth.
But the larger portion of her stay was occupied in nursing her sister
Fanny through a weary illness, with the added mental anxiety of knowing
that Mrs. Edgeworth was ill at home. Both invalids, however, happily
recovered, yet Miss Edgeworth was to find an empty chair on her return;
her aunt, Mary Sneyd, had been taken away at the advanced age of ninety.
As often before, she felt the sorrow keenly, but rallied bravely from
its effects for the sake of those who were left and who depended on her
yet more.
During the summer of 1842 Mr. and Mrs. S. C. Hall visited Ireland. They
spent some days at Edgeworthstown, with the avowed purpose of writing of
its occupants, and we have from their pen also a pleasant picture of the
family home-life:--
"The library at Edgeworthstown" (say the writers) "is by no means the
reserved and solitary room that libraries are in general. It is large
and spacious and lofty; well stored with books, and embellished with
those most valuable of all classes of prints--the suggestive; it is also
picturesque, having been added to so as to increase its breadth; the
addition is supported by square pillars, and the beautiful lawn seen
through the windows, embellished and varied by clumps of trees
judiciously planted, imparts much cheerfulness to the exterior. An
oblong table in the centre is a sort of rallying-point for the family,
who group around it, reading, writing or working; while Miss Edgeworth,
only anxious upon one point--that all in the house should do exactly as
they like, without reference to her--sits quietly and abstractedly in
her own peculiar corner on the sofa, her desk--upon which lies Sir
Walter Scott's pen, given to her by him when in Ireland--placed before
her upon a little quaint table, as unassuming as possible. Miss
Edgeworth's abstractedness would puzzle the philosophers: in that same
corner, and upon that table, she has written nearly all that has
enlightened and delighted the world. There she writes as eloquently as
ever, wrapt up to all appearance in her subject, yet knowing, by a sort
of instinct, when she is really wanted in dialogue; and, without laying
down her pen, hardly looking up from her page, she will, by a judicious
sentence wisely and kindly spoken, explain and elucidate in a few words,
so as to clear up any difficulty; or turn the conversation into a new
and more pleasing current. She has the most harmonious way of throwing
in explanations--informing without embarrassing. A very large family
party assemble daily in this charming room, young and old bound alike to
the spot by the strong cords of memory and love. Mr. Francis Edgeworth,
the youngest son of the present Mrs. Edgeworth, and of course Miss
Edgeworth's youngest brother, has a family of little ones who seem to
enjoy the freedom of the library as much as their elders. To set these
little people right if they are wrong; to rise from her table to fetch
them a toy, or even to save a servant a journey; to mount the steps and
find a volume that escapes all eyes but her own, and, having done so, to
find exactly the passage wanted--are hourly employments of this most
unspoiled and admirable woman. She will then resume her pen, and, what
is more extraordinary, hardly seem to have even frayed the thread of her
ideas; her mind is so rightly balanced, everything is so honestly
weighed, that she suffers no inconvenience from what would disturb and
distract an ordinary writer."
Miss Edgeworth wrote of this notice:--
Mrs. Hall has sent to me her last number, in which she gives
Edgeworthstown. All the world here are pleased with it, and so am
I. I like the way in which she has mentioned my father
particularly. There is an evident kindness of heart and care to
avoid everything that could hurt any of our feelings, and at the
same time a warmth of affectionate feeling, unaffectedly expressed,
that we all like in spite of our dislike to that sort of thing.
Early in 1843 Miss Edgeworth was taken seriously ill with bilious fever,
from the effects of which she recovered but slowly. In late autumn she
once more went to London to pass the winter with her sister. It was to
be her last visit. She enjoyed it with all the freshness of youth,
sight-seeing and visiting without fatigue, even attending an opening of
Parliament, which she protested had not tired her more than if she had
been eighteen. Her prayer and hope was, as it had been her father's,
that her body might not survive her mind, and that she might leave a
tender and not unpleasing recollection of herself in the hearts of her
friends. Her letters certainly showed no falling-off in power, as is
amply proved by one written during this visit to her Boston friends:--
LONDON, 1 North Audley street,}
Grosvenor square, January 1, 1844.}
MY DEAR FRIENDS MR. AND MRS. TICKNOR:
I cannot begin this new year better, or more to my own heartfelt
satisfaction, than by greeting you with my best wishes for many,
many happy years to you of your domestic felicity and public
estimation--_estimation_ superior to celebrity, you know, Mr.
Ticknor, disdaining _notoriety_, which all low minds run after and
all high minds despise. How I see this every day in this London
world, and _hear_ it from all other worlds--loudly from your New
World across the great Atlantic, where those who make their boast
of independence and equality are struggling and quarreling for
petty preeminence and "vile trash."
I have been here with my sister, Mrs. Wilson, in a peaceful, happy
home these six weeks, and the rattle of Grosvenor square, at the
corner of which her house is, never disturbs the quiet of her
little library, which is at the back of the house, and looks out
upon gardens and trees (such as they are!)....
Among the pleasantest days I have enjoyed in London society, among
friends of old standing and acquaintance of distinguished talents,
I spent two days at my very good old friend Dr. Holland's, where I
heard your name and your letter to your countrymen on Sydney
Smith's memorial spoken of in the highest terms of just estimation!
You know that Dr. Holland is married to Sydney Smith's daughter. I
hope you know Dr. Holland's book, _Medical Notes_, which, though
the title might seem exclusively professional, is full of such
general and profound views of the human mind as well as body, that
it could not but be interesting to you, and would prove to you for
my present purpose that he is a person whose estimation and whose
praise is worthy of you....
I do not know whether you made acquaintance, when you were in
London, with Sydney Smith's brother, Mr. Robert S., or, as he is
strangely cognomened (or nicknamed) Bobus Smith. He is well known
as one of the celebrities of Holland House, where he has been
figuring this half-century. But he no longer figures as a
diner-out, and indeed, I believe from that notoriety he always
seceded. He is now old and blind, but nevertheless has a most
intelligent, energetic countenance, and I should almost say
penetrating eye. When he turns and seems to look at me, I feel as
if he looked into my face, and am glad so to feel, as he encourages
me to open my mind to him by opening his own at once to me. I saw
him for the first time a few evenings ago at Dr. Holland's, and sat
between him and your American ambassador, Mr. Everett. I was much
pleased by their manner towards each other, and by all they said
of the letter of which I spoke. Mr. R. Smith has, in the opinion of
all who know him and his brother, the strongest and highest and
deepest powers of the two; not so much wit, but a more sound,
logical understanding--superior might in the reasoning faculty. If
the two brothers' hands grasped and grappled for mastery, with
elbows set down upon the table, in the fashion in which schoolboys
and others try strength, Robert Smith's hand would be uppermost,
and Sydney must give way, _laughing_ perhaps, and pretending that
he only gave way to fight another day. But independently of victory
or trials of strength, the earnestness for truth of the blind
brother would decide my interest and sympathy in his favor.
Mr. Everett and Mr. R. Smith seemed to me properly to esteem each
other, and to speak with perfect courtesy and discretion upon the
most delicate national questions, on which, in truth, they
liberally agreed more than could have been or was expected by the
bystanders of different parties. Oh, Party Spirit! Party Spirit!
how many follies, how many outrages are committed in thy name, even
in common conversation!
Mr. Everett did me the honor to come to visit us a few mornings
after I had first met him at Dr. Holland's, and sat a good hour
conversing as if we had been long known to each other. It is to me
the most gratifying proof of esteem to be thus let at once into the
real mind, the _sanctum sanctorum_, instead of being kept with
ceremonials and compliments on the steps, in the ante-chamber, or
even in the _salle de reception_, doing _Kotoo_ Chinese or any
other fashion.
We went over vast fields of thought in our short hour, from America
to France, and to England and to Ireland, Washington, Lafayette,
Bonaparte, O'Connell. You may guess it could only be a _vue
d'oiseau_, flying too, but still a pounce down upon a true point
now and then, and agreeing in our general unchangeable view that
moral excellence is essential to make the man really great; that
the highest intellectual superiority that can be given by
Omnipotence to mortal ought not and does not, even in human
opinion, entitle him without moral worth to the character of great.
Mr. Everett tells me that Washington Irving is going to publish
another life of Washington. I fear his workmanship will be too fine
and delicate for the main matter. Boldness, boldness, boldness--and
brevity. Oh, the strength of brevity! Brevity keeps fast hold of
the memory, and more fast hold of the judgment; the whole process,
_en petit compris_, goes in a few words with the verdict to "_long
posterity_," while elegance only charms the taste, accords with the
present fashion of literature, and passes away, gliding gracefully
into "mere oblivion."
Lecture upon brevity well exemplified by present correspondent.
A severe attack of erysipelas laid her low this summer; but if it
weakened her body it did not depress her mental faculties. She writes to
her cousin with all the buoyancy of youth:--
I am right glad to look forward to the hope of seeing you again,
and talking all manner of nonsense and sense, and laughing myself
and making you laugh, as I used to do, though I am six years beyond
the allotted age and have had so many attacks of illness within the
last two years; but I am, as Bess Fitzherbert and poor dear Sophy
used to say, like one of those pith puppets that you knock down in
vain; they always start up the same as ever.... Sir Henry Marsh
managed me with skill, and let me recover slowly, as nature
requires at advanced age. I am obliged to repeat myself, "advanced
age," because really and truly neither my spirits nor my powers of
locomotion and facility of running up and down stairs would put me
in mind of it. I do not find either my love for my friends or my
love of literature in the least failing. I enjoyed, even when
flattest in my bed, hearing Harriet Butler reading to me till
eleven o'clock at night.
Her interest in the current literature was sustained; and though she had
little sympathy with the romantic school of poetry and fiction that had
arisen, her criticisms were both fair and acute. Of the modern French
writers she said:--
All the fashionable French novelists will soon be reduced to
advertising for a _new vice_, instead of, like the Roman Emperor,
simply for a new pleasure. It seems to me with the Parisian
novelists a first principle now that there is no pleasure without
vice, and no vice without pleasure, but that the Old World vices
having been exhausted, they must strain their genius to invent new;
and so they do, in the most wonderful and approved bad manner, if I
may judge from the few specimens I have looked at.
_Henrietta Temple_ she condemns as "trash," "morally proving that who
does wrong should be rewarded with love and fortune." Indeed, so eager
was she over books, so ardently did she still enter into all adventures
and details, that when she was ill her doctor found it needful to
prescribe that her reading must be confined to some old, well-known
work, or else something that should entertain and interest her without
over-exciting her or straining her attention.
During the whole of 1846 the long illness and death of her brother
Francis absorbed all Miss Edgeworth's interest. Next year came the
terrible potato famine. She strained every nerve to help the sufferers;
her time, her thoughts, her purse, her whole strength, were devoted to
the poor. She could hardly feel or think on any other theme; plans to
relieve the distress, petitions for aid, filled her letters. She even
turned her attention once more to writing, in order to get more money
for her starving countrymen. The result was _Orlandino_, a tale for
children, relating the fortunes and reformation of a graceless truant.
It was the last work she published--her literary career thus ending, as
it began, with a tale to give gladness to childhood. She had her reward
in a great pleasure that came to her from America. The children of
Boston, hearing what pains their kind friend in Ireland was taking for
her unhappy compatriots, as a recognition of their love for her and her
writings, organized a subscription. At the end of a few weeks they were
able to send her one hundred and fifty barrels of flour and rice. They
came with the simple address, worth more to her than many phrases: "To
Miss Edgeworth, for her poor."
She was deeply touched and grateful. It touched her also that the
porters, who carried the grain down to the shore, refused to be paid;
and with her own hands she knitted a woolen comforter for each man and
sent them to a friend for distribution. Before they reached their
destination the hands that had worked them were cold, and the beating of
that warm, kind heart stilled forever.
For scarcely was the famine over, and before Miss Edgeworth's over-taxed
strength had time to recoup, another and yet heavier blow was to befall
her. Indeed, many deaths and sorrows as she had known, in some respects
this was the severest that had for some years come upon her. It was
natural to see the old go before her, but not so the young, and when in
1848 her favorite sister Fanny died rather suddenly, Miss Edgeworth felt
that the dearest living object of her love had gone.
The shock did not apparently tell on her health, as she continued to
employ herself with her usual interest and sympathy in all the weal and
woe of her family and many friends, but the life-spring had snapped,
unknown perhaps even to her, certainly unknown to those around her. For
she bore up bravely, cheerfully, and was to all appearances as bright as
ever. Next to doing good, reading was still her greatest pleasure:--
Our pleasures in literature do not, I think, decline with age. Last
1st of January was my eighty-second birthday, and I think that I
had as much enjoyment from books as ever I had in my life.
History gave her particular delight:--
I am surprised to find how much more history interests me now than
when I was young, and how much more I am now interested in the same
events recorded, and their causes and consequences shown, in this
history of the French Revolution, and in all the history of Europe
during the last quarter of a century, than I was when the news came
fresh and fresh in the newspapers. I do not think I had sense
enough to take in the relations and proportions of the events. It
was like moving a magnifying glass over the parts of a beetle, and
not taking in the whole.
Macaulay's history charmed her, and in all her first enthusiasm she
wrote a long letter about it to her old friend, Sir Henry Holland. He
showed it to Macaulay, who was so struck with its discrimination and
ability that he begged to be allowed to keep it. Among all the incidents
connected with the publication of his book, nothing, it is said,
pleased Macaulay more than the gratification he had contrived to give
Miss Edgeworth as a small return for the enjoyment which, during more
than forty years, he had derived from her writings:--
TRIM, April 2nd, 1849.
MY DEAR DR. HOLLAND:
I have just finished Macaulay's two volumes of the _History of
England_ with the same feeling that you expressed--regret at coming
to the end, and longing for another volume--the most uncommon
feeling, I suppose, that readers of two thick octavo volumes of the
history of England and of times so well known, or whose story has
been so often written, ever experienced. In truth, in the whole
course of reading or hearing it read I was sorry to stop and glad
to go on. It bears peculiarly well that severe test of being read
aloud; it never wearies the ear by the long resounding line, but
keeps the attention alive by the energy shown. It is the perfection
of style so varied, and yet the same in fitness, in propriety, in
perspicuity, in grace, in dignity and eloquence, and, whenever
naturally called forth, in that just indignation which makes the
historian as well as the poet. If Voltaire says true that "the
style is the man," what a man must Macaulay be! But the man is in
fact as much more than the style, as the matter is more than the
manner. It is astonishing with what ease Macaulay wields, manages,
arranges his vast materials collected far and near, and knows their
value and proportions so as to give the utmost strength and force
and light and life to the whole, and sustains the whole. Such new
lights are thrown upon historic facts and historic characters that
the old appear new, and that which had been dull becomes bright
and entertaining and interesting. Exceedingly interesting he has
made history by the happy use and aid of biography and anecdote. A
word brings the individual before us, and shows not only his
character, but the character of the times, and at once illustrates
or condemns to everlasting fame. Macaulay has proved by example how
false Madame de Stael's principle was that biography and
biographical anecdotes were altogether inadmissible in
history--below the dignity or breaking the proportion or unity, I
suppose she thought. But whatever might be her reasons, she gave
this opinion to Dumont, who told it to me. Much good it did her!
How much more interesting historical _precis_ in painting or in
writing, which is painting in word, are made by the introduction of
portraits of celebrated individuals! Either as actors or even as
spectators, the bold figures live, and merely by their life further
the action and impress the sense of truth and reality. I have
pleasure, my dear Dr. Holland, in pointing out to you, warm as it
first comes, the admiration which this work has raised to this
height in my mind. I know this will give you sympathetic pleasure.
And now, my good friend, in return I require from you prompt and
entire belief in an assertion which I am about to make, which may
appear to you at first incredible. But try-try; at all events the
effort will give you occasion to determine a question which
perhaps, excellent metaphysician as you have shown yourself, you
never settled whether you can or cannot believe at will.
That which I require you to believe [the figure of a hand pointing
right appears here] is that all the admiration I have expressed of
Macaulay's work is quite uninfluenced by the self-satisfaction,
vanity, pride, surprise, delight, I had in finding my own name in a
note!!!!!
Be assured, believe it or not as you may or can, that neither my
vanity nor my gratitude weighed with my judgment in the slightest
degree in the opinion I formed, or in that warmth with which it was
poured out. In fact, I had formed my opinion, and expressed it with
no less warmth to my friends round me, reading the book to me,
before I came to that note; moreover, there was a mixture of shame
and twinge of pain with the pleasure, the pride I felt in having a
line in his immortal history given to _me_, when the historian
makes no mention of Sir Walter Scott throughout the work, even in
places where it seems impossible that genius could resist paying
the becoming tribute which genius owes and loves to pay to genius.
I cannot conceive how this could be. I cannot bring myself to
imagine that the words Tory or Whig, or Dissenter or Churchman, or
feeling of party or natural spirit, could bias such a man as
Macaulay. Perhaps he reserves himself for the forty-five, and I
hope in heaven it is so, and that you will tell me I am very
impetuous and prematurely impertinent. Meanwhile, be so good to
make my grateful and deeply-felt thanks to the great author for the
honor which he has done me. When I was in London some years ago,
and when I had the pleasure of meeting Mr. Macaulay, I took the
liberty of expressing a wish that he would visit Ireland, and that
if he did we might have the honor of seeing him at our house. I am
very glad to find that the Battle of the Boyne will bring him here.
He must have now so many invitations from those who have the
highest inducement to offer, that I hardly dare to repeat my
request. But will you, my dear friends, do whatever you can with
propriety for us, and say how much Mrs. Edgeworth and myself and
our whole family would be gratified by his giving us even a call on
his way to some better place, and even an hour of his conversation.
I am now at Trim with my sister and dear brother. Trim and its
ruins, and the tower, and where kings and generals and poets have
been, would perhaps, he may think, be worth his seeing. Dean Butler
and my sister feel as I do how many claims Mr. Macaulay must have
upon his time in his visit to Ireland; but they desire me to say
that if anything should bring him into this neighborhood, they
should think themselves highly honored by receiving him. I am sure
he would be interested by Mr. Butler's conversation and remarks on
various parts of Macaulay's history, and _I_ should exceedingly
like to hear it commented and discussed. Little _i_ must come in,
you see, at every close. You will observe that, in speaking of
Macaulay's work, I have spoken only of the style, the only point of
which I could presume to think my opinion could be of any value. Of
the great attributes, of the essential qualities of the historian,
accuracy, fidelity, impartiality, I could not, even if I thought
myself qualified to judge, attempt to speak in this letter.
But I am sensible that I have neither the knowledge nor the
strength, much less the coolness of judgment, necessary to make
opinion valuable on such subjects. I could easily give my own
opinion, but--of no use. The less I am inclined to speak when I do
not know, the more I am anxious to hear; and most delightful and
profitable would it be to me to hear the great historian himself
speak on many points which I hear discussed by my learned brother,
Dean Butler, and others (on Clarendon's character, etc., etc.,
etc.) We have not yet seen any of the public reviews of Macaulay's
history. No doubt the stinging, little, ephemeral insects will come
out in swarms to buzz and fly-blow in the sunshine. The warmer, the
brighter, the thicker the swarm will be to prick. I hope you will
read this unconscionable lengthy letter when you are in your
carriage, rolling about from patient to patient, and be patient
yourself then, my dear doctor. You are always so very good and
kind to me that I encroach. I seldom write such long epistles. As
the most impudent beggar-woman in our town says to Mrs. E., "Ma'am,
your ladyship, I never beg from any one so much as your ladyship;
troth, never from any but you." ...
Give my most kind and affectionate remembrances to Mrs. Holland and
your daughters and sons, and
Believe me most garrulously and sincerely yours,
MARIA EDGEWORTH.
This letter, so characteristic in its humility and generous admiration,
shows no sign of old age or impaired faculties, neither is there any
trace of this in one of the last she ever wrote, addressed to her sister
Harriet:--
I am heartily obliged and delighted by your being such a goose and
Richard such a gander, as to be frightened out of your wits at my
going up the ladder to take off the top of the clock! Know, then,
that I am quite worthy of that most unmerited definition of man, "A
creature that looks before and after." Before I _let on_ to anybody
my doubts of my own capability of reaching the nail on which to
hang the top, I called Shaw, and made her stand at the foot of the
ladder while I went up, and found I could no more reach the nail
than I could reach the moon, Exit Shaw!
Prudence of M. E., Act 2: Summoned Cassidy, and informed him that I
was to wind up the clock, and that he was promoted to take off the
top for me; and then up I went and wound the clock, and wound it as
I had done before you was born, as there is nothing easier, only to
see that it is not going to _maintain_ at the very instant, which
is plainly to be noted by the position of the maintaining pin on
the little outer wheel relative to the first deep tooth. You see I
am not quite a nincompoop. I send my lines:--
"Ireland, with all thy faults, thy follies too,
I love thee still: still with a candid eye must view
Thy wit too quick, still blundering into sense;
Thy reckless humor; sad improvidence;
And even what sober judges follies call--
I, looking at the heart, forget them all."
MARIA E., May, 1849.
Miss Edgeworth had been staying with Mr. and Mrs. Butler in the spring.
When taking leave she was unusually agitated and depressed, but said as
she went away: "At Whitsuntide I shall return." On the very day before
she was to redeem this promise, she drove out in apparent good health,
when a sudden feeling of weakness overcame her and made her return to
the house. Severe pains in the region of the heart set in, and after a
few hours' illness Maria Edgeworth died--died as she had fondly wished,
at home, in the arms of her stepmother. Yet another of her wishes was
granted: she had spared her friends the anguish of seeing her suffer
from protracted illness. May 22d, 1849, she rose from the banquet of
life, where, in her own words, she had been a happy guest.
* * * * *
In her latter years Miss Edgeworth had been asked to furnish prefaces
of a biographical character to her novels. She refused, saying she had
nothing personal to tell. "As a woman, my life, wholly domestic, cannot
afford anything interesting to the public; I am like the 'needy
knife-grinder'--I have no story to tell."
Was she right? or is not the story of so loving and lovable a life worth
telling?
MESSRS. ROBERTS BROTHERS' PUBLICATIONS.
Famous Women Series.
GEORGE ELIOT.
BY MATHILDE BLIND.
One vol. 16mo. Cloth. Price, $1.00.
"Messrs. Roberts Brothers begin a series of Biographies of Famous Women
with a life of George Eliot, by Mathilde Blind. The idea of the series
is an excellent one, and the reputation of its publishers is a guarantee
for its adequate execution. This book contains about three hundred pages
in open type, and not only collects and condenses the main facts that
are known in regard to the history of George Eliot, but supplies other
material from personal research. It is agreeably written, and with a
good idea of proportion in a memoir of its size. The critical study of
its subject's works, which is made in the order of their appearance, is
particularly well done. In fact, good taste and good judgment pervade
the memoir throughout."--_Saturday Evening Gazette._
"Miss Blind's little book is written with admirable good taste and
judgment, and with notable self-restraint. It does not weary the reader
with critical discursiveness, nor with attempts to search out high-flown
meanings and recondite oracles in the plain 'yea' and 'nay' of life. It
is a graceful and unpretentious little biography, and tells all that
need be told concerning one of the greatest writers of the time. It is a
deeply interesting if not fascinating woman whom Miss Blind presents,"
says the New York _Tribune_.
"Miss Blind's little biographical study of George Eliot is written with
sympathy and good taste, and is very welcome. It gives us a graphic if
not elaborate sketch of the personality and development of the great
novelist, is particularly full and authentic concerning her earlier
years, tells enough of the leading motives in her work to give the
general reader a lucid idea of the true drift and purpose of her art,
and analyzes carefully her various writings, with no attempt at profound
criticism or fine writing, but with appreciation, insight, and a clear
grasp of those underlying psychological principles which are so closely
interwoven in every production that came from her pen."--_Traveller._
"The lives of few great writers have attracted more curiosity and
speculation than that of George Eliot. Had she only lived earlier in the
century she might easily have become the centre of a mythos. As it is,
many of the anecdotes commonly repeated about her are made up largely of
fable. It is, therefore, well, before it is too late, to reduce the true
story of her career to the lowest terms, and this service has been well
done by the author of the present volume."--_Philadelphia Press._
Sold by all booksellers, or mailed, post-paid, on receipt of price, by
the publishers,
ROBERTS BROTHERS, BOSTON.
_Messrs. Roberts Brothers' Publications._
FAMOUS WOMEN SERIES.
MARY LAMB.
BY ANNE GILCHRIST.
One volume. 16mo. Cloth. Price, $1.00.
"The story of Mary Lamb has long been familiar to the readers of Elia,
but never in its entirety as in the monograph which Mrs. Anne Gilchrist
has just contributed to the Famous Women Series. Darkly hinted at by
Talfourd in his Final Memorials of Charles Lamb, it became better known
as the years went on and that imperfect work was followed by fuller and
franker biographies,--became so well known, in fact, that no one could
recall the memory of Lamb without recalling at the same time the memory
of his sister."--_New York Mail and Express._
"A biography of Mary Lamb must inevitably be also, almost more, a
biography of Charles Lamb, so completely was the life of the sister
encompassed by that of her brother; and it must be allowed that Mrs.
Anne Gilchrist has performed a difficult biographical task with taste
and ability.... The reader is at least likely to lay down the book with
the feeling that if Mary Lamb is not famous she certainly deserves to
be, and that a debt of gratitude is due Mrs. Gilchrist for this
well-considered record of her life."--_Boston Courier._
"Mary Lamb, who was the embodiment of everything that is tenderest in
woman, combined with this a heroism which bore her on for a while
through the terrors of insanity. Think of a highly intellectual woman
struggling year after year with madness, triumphant over it for a
season, and then at last succumbing to it. The saddest lines that ever
were written are those descriptive of this brother and sister just
before Mary, on some return of insanity, was to leave Charles Lamb. 'On
one occasion Mr. Charles Lloyd met them slowly pacing together a little
foot-path in Hoxton Fields, both weeping bitterly, and found, on joining
them, that they were taking their solemn way to the accustomed asylum.'
What pathos is there not here?"--_New York Times._
"This life was worth writing, for all records of weakness conquered, of
pain patiently borne, of success won from difficulty, of cheerfulness in
sorrow and affliction, make the world better. Mrs. Gilchrist's biography
is unaffected and simple. She has told the sweet and melancholy story
with judicious sympathy, showing always the light shining through
darkness."--_Philadelphia Press._
Sold by all Booksellers. Mailed, post-paid, on receipt of the price, by
the Publishers,
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_Messrs. Roberts Brothers' Publications._
FAMOUS WOMEN SERIES.
GEORGE SAND.
BY BERTHA THOMAS.
One volume. 16mo. Cloth. Price, $1.00.
"Miss Thomas has accomplished a difficult task with as much good sense
as good feeling. She presents the main facts of George Sand's life,
extenuating nothing, and setting naught down in malice, but wisely
leaving her readers to form their own conclusions. Everybody knows that
it was not such a life as the women of England and America are
accustomed to live, and as the worst of men are glad to have them
live.... Whatever may be said against it, its result on George Sand was
not what it would have been upon an English or American woman of
genius."--_New York Mail and Express._
"This is a volume of the 'Famous Women Series,' which was begun so well
with George Eliot and Emily Bronte. The book is a review and critical
analysis of George Sand's life and work, by no means a detailed
biography. Amantine Lucile Aurore Dupin, the maiden, or Mme. Dudevant,
the married woman, is forgotten in the renown of the pseudonym George
Sand.
"Altogether, George Sand, with all her excesses and defects, is a
representative woman, one of the names of the nineteenth century. She
was great among the greatest, the friend and compeer of the finest
intellects, and Miss Thomas's essay will be a useful and agreeable
introduction to a more extended study of her life and works."--_Knickerbocker._
"The biography of this famous woman, by Miss Thomas, is the only one in
existence. Those who have awaited it with pleasurable anticipation, but
with some trepidation as to the treatment of the erratic side of her
character, cannot fail to be pleased with the skill by which it is done.
It is the best production on George Sand that has yet been published.
The author modestly refers to it as a sketch, which it undoubtedly is,
but a sketch that gives a just and discriminating analysis of George
Sand's life, tastes, occupations, and of the motives and impulses which
prompted her unconventional actions, that were misunderstood by a narrow
public. The difficulties encountered by the writer in describing this
remarkable character are shown in the first line of the opening chapter,
which says, 'In naming George Sand we name something more exceptional
than even a great genius.' That tells the whole story. Misconstruction,
condemnation, and isolation are the penalties enforced upon the great
leaders in the realm of advanced thought, by the bigoted people of their
time. The thinkers soar beyond the common herd, whose soul-wings are not
strong enough to fly aloft to clearer atmospheres, and consequently they
censure or ridicule what they are powerless to reach. George Sand, even
to a greater extent than her contemporary, George Eliot, was a victim to
ignorant social prejudices, but even the conservative world was forced
to recognize the matchless genius of these two extraordinary women, each
widely different in her character and method of thought and writing....
She has told much that is good which has been untold, and just what will
interest the reader, and no more, in the same easy, entertaining style
that characterizes all of these unpretentious biographies."--_Hartford
Times._
_Sold everywhere. Mailed, post-paid, on receipt of price, by the
publishers,_
ROBERTS BROTHERS, Boston.
_Messrs. Roberts Brothers' Publications._
FAMOUS WOMEN SERIES.
EMILY BRONTE.
BY A. MARY F. ROBINSON.
One vol. 16mo. Cloth. Price, $1.00.
"Miss Robinson has written a fascinating biography.... Emily Bronte is
interesting, not because she wrote 'Wuthering Heights,' but because of
her brave, baffled, human life, so lonely, so full of pain, but with a
great hope shining beyond all the darkness, and a passionate defiance in
bearing more than the burdens that were laid upon her. The story of the
three sisters is infinitely sad, but it is the ennobling sadness that
belongs to large natures cramped and striving for freedom to heroic,
almost desperate, work, with little or no result. The author of this
intensely interesting, sympathetic, and eloquent biography, is a young
lady and a poet, to whom a place is given in a recent anthology of
living English poets, which is supposed to contain only the best poems
of the best writers."--_Boston Daily Advertiser._
"Miss Robinson had many excellent qualifications for the task she has
performed in this little volume, among which may be named, an
enthusiastic interest in her subject and a real sympathy with Emily
Bronte's sad and heroic life. 'To represent her as she was,' says Miss
Robinson, 'would be her noblest and most fitting monument.' ... Emily
Bronte here becomes well known to us and, in one sense, this should be
praise enough for any biography."--_New York Times._
"The biographer who finds such material before him as the lives and
characters of the Bronte family need have no anxiety as to the interest
of his work. Characters not only strong but so uniquely strong, genius
so supreme, misfortunes so overwhelming, set in its scenery so forlornly
picturesque, could not fail to attract all readers, if told even in the
most prosaic language. When we add to this, that Miss Robinson has told
their story _not_ in prosaic language, but with a literary style
exhibiting all the qualities essential to good biography, our readers
will understand that this life of Emily Bronte is not only as
interesting as a novel, but a great deal more interesting than most
novels. As it presents most vividly a general picture of the family,
there seems hardly a reason for giving it Emily's name alone, except
perhaps for the masterly chapters on 'Wuthering Heights,' which the
reader will find a grateful condensation of the best in that powerful
but somewhat forbidding story. We know of no point in the Bronte
history--their genius, their surroundings, their faults, their
happiness, their misery, their love and friendships, their
peculiarities, their power, their gentleness, their patience, their
pride,--which Miss Robinson has not touched upon with conscientiousness
and sympathy."--_The Critic._
"'Emily Bronte' is the second of the 'Famous Women Series,' which
Roberts Brothers, Boston, propose to publish, and of which 'George
Eliot' was the initial volume. Not the least remarkable of a very
remarkable family, the personage whose life is here written, possesses a
peculiar interest to all who are at all familiar with the sad and
singular history of herself and her sister Charlotte. That the author,
Miss A. Mary F. Robinson, has done her work with minute fidelity to
facts as well as affectionate devotion to the subject of her sketch, is
plainly to be seen all through the book."--_Washington Post._
Sold by all Booksellers, or mailed, post-paid, on receipt of price, by
the Publishers,
ROBERTS BROTHERS, BOSTON.
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LATEST NEW PUBLICATIONS.
FIGURES OF THE PAST. From the Leaves of Old Journals. By Josiah Quincy
(Class of 1821, Harvard College). 16mo. Price $1.50
"There are chapters on life in the Academy at Andover, on Harvard Sixty
Years Ago, on Commencement Day in 1821, the year of the author's
graduation, and on visits to and talks with John Adams, with
reminiscences of Lafayette, Judge Story, John Randolph, Jackson and
other eminent persons, and sketches of old Washington and old Boston
society. The kindly pen of the author is never dipped in gall--he
remembers the pleasing aspects of character, and his stories and
anecdotes are told in the best of humor and leave no sting. The book is
of a kind which we are not likely to have again, for the men of Mr.
Quincy's generation, those at least who had his social opportunities,
are nearly all gone. These pictures of old social and political
conditions are especially suggestive as reminding us that a single life,
only lately closed, linked us with days, events and men that were a part
of our early history and appear remote because of the multitude of
changes that have transformed society in the interval."--_Boston
Journal._
WHIST, OR BUMBLEPUPPY? By Pembridge. From the Second London Edition.
16mo. Cloth. Price .50
DEFINITION OF BUMBLEPUPPY.--Bumblepuppy is persisting to play whist,
either in utter ignorance of all its known principles, or in defiance of
them, or both.
"'Whist, or Bumblepuppy?' is one of the most entertaining, and at the
same time one of the soundest books on whist ever written. Its drollery
may blind some readers to the value of its advice; no man who knows
anything about whist, however, will fail to read it with interest, and
few will fail to read it with advantage. Upon the ordinary rules of
whist, Pembridge supplies much sensible and thoroughly amusing comment.
The best player in the world may gain from his observations, and a
mediocre player can scarcely find a better counsellor. There is scarcely
an opinion expressed with which we do not coincide."--_London Sunday
Times._
RECOLLECTIONS OF DANTE GABRIEL ROSSETTI. By T. Hall Caine. With
Portrait. One vol. 8vo. Cloth, gilt. Price $3.00
"Mr. Caine's 'Recollections of Rossetti' throws light upon many events
in Rossetti's life over which there hung a veil of mystery.... A book
that must survive."--_London Athenaeum._
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PEARLS OF THE FAITH; or, Islam's Rosary; being the "Ninety-nine
Beautiful Names of Allah." By Edwin Arnold. 16mo. Cloth. Uniform with
"The Light of Asia." Price, $1.00
"Mr. Edwin Arnold has finished his Oriental trilogy. The first part is
'The Light of Asia.' The second part is 'The Indian Song of Songs.' The
trilogy is completed by 'Pearls of the Faith,' in which the poet tells
the beads of a pious Moslem. The Mohammedan has a chaplet of three
strings, each string containing 33 beads, each bead representing one of
the 'Ninety-nine beautiful names of Allah.' These short poems have no
connection; they vary in measure, but are all simple and without a touch
of obscurity. All the legends and instructions inculcate the gentle
virtues that make life lovely--courtesy, humility, hospitality, care for
the poor and the ill, kindness to dumb animals, perfect manners in
social intercourse. Many of the poems are suitable for Christian
Sunday-schools.... The view of Mohammedanism given by these poems is
very pleasant; the precepts for life here are sweet and noble; the
promises for heaven are definite; they appeal directly to the love of
what is known as pleasure in this life, and that must be renounced in
this life, but in the next it may be enjoyed to the uttermost without
evil consequences."--_Boston Daily Advertiser._
ART AND NATURE IN ITALY. By Eugene Benson. 16mo. Cloth. Price, $1.00
"Mr. Benson's long residence in that country has operated to imbue his
mind with the spirit of the region. He treats _con amore_ of its art in
its historical and in its modern aspects, and he presents its scenes of
nature in their most fascinating form. Mr. Benson is not only one of the
most appreciative of students and observers, but he has a rare grace of
manner as well. He writes little of late, but his productions are always
acceptable to cultivated people."--_Saturday Evening Gazette._
"This book is a record of impressions and reflections on art and nature
in Italy. The great beauty and the historic associations of the country
are set forth in very pleasing language by one who fully appreciates
them. He particularly describes those portions of that beautiful land in
which its most distinguished artists have lived, showing how its natural
features, its enchanting scenery, must have had a molding influence upon
their tastes and their works. His estimates of art and artists and his
criticisms are, in the main, just and satisfactory."--_Western Christian
Advocate._
NORSE STORIES, RETOLD FROM THE EDDAS. By Hamilton W. Mabie. 16mo. Cloth.
Price, $1.00
"Is one of the most charming little books for children I have ever seen.
The myths are splendidly told, and every household in America ought to
have a copy of the book."--_Prof. R. B. Anderson._
"The old Norse stories bear being told again and again. Mr. Mabie keeps
their freshness, fascination and simplicity in his new version of them,
and one reads with unabated pleasure of Odin's search for wisdom, of the
wooing of Gerd, and of all the strange adventures of Thor, of the
beautiful Balder, of the wicked Loke and, best of all, of the new earth
that was created after long years of darkness, in which there was no
sun, no moon, no stars, no Asgard, no Hel, no Jotunheim; in which gods,
giants, monsters and men were all dead--the earth upon which the gods
look lovingly, upon which men are industrious and obedient, and know
that the All-Father helps them."--_Boston Daily Advertiser._
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A LITTLE PILGRIM. Reprinted from Macmillan's Magazine. 16mo. Cloth. Red
edges. Price, $.75
"An exquisitely written little sketch is found in that remarkable
production, 'The Little Pilgrim,' which is just now attracting much
attention both in Europe and America. It is highly imaginative in its
scope, representing one of the world-worn and weary pilgrims of our
earthly sphere as entering upon the delights of heaven after death. The
picture of heaven is drawn with the rarest delicacy and refinement, and
is in agreeable contrast in this respect to the material sketch of this
future home furnished in Miss Stuart Phelps's well-remembered 'Gates
Ajar.' The book will be a balm to the heart of many readers who are in
accord with the faith of its author; and to others its reading will
afford rare pleasure from the exceeding beauty and affecting simplicity
of its almost perfect literary style."--_Saturday Evening Gazette._
"The life beyond the grave, when the short life in this world is ended,
is to many a source of dread--to all a mystery. 'A Little Pilgrim' has
apparently solved it, and, indeed, it seems on reading this little book
as if there were a great probability about it. A soft, gentle tone
pervades its every sentence, and one cannot read it without feeling
refreshed and strengthened."--_The Alta California._
THE GREAT EPICS OF MEDIAEVAL GERMANY. An Outline of their Contents and
History. By George Theodore Dippold, Professor at Boston University and
Wellesley College. 16mo. Cloth. Price, $1.50
Professor Francis J. Child, of Harvard College, says: "It is an
excellent account of the chief German heroic poems of the Middle Ages,
accompanied with spirited translations. It is a book which gives both a
brief and popular, and also an accurate, account of this important
section of literature, and will be very welcome here and at other
colleges."
"No student of modern literature, and above all no student who aims to
understand the literary development of Europe in its fullest range, can
leave this rich and ample world of early song unexplored. To all such
Professor Dippold's book will have the value of a trustworthy guide....
It has all the interest of a chapter in the growth of the human mind
into comprehension of the universe and of itself, and it has the
pervading charm of the vast realm of poetry through which it
moves."--_Christian Union._
MY HOUSEHOLD OF PETS. By Theophile Gautier. Translated from the French
by Susan Coolidge. With illustrations by Frank Rogers. 16mo. Cloth.
Price, $1.25
"This little book will interest lovers of animals, and the quaint style
in which M. Gautier tells of the wisdom of his household pets will
please every one. The translator, too, is happy in her work, for she has
succeeded in rendering the text into English without loss of the French
tone, which makes it fascinating. These household pets consisted of
white and black cats, dogs, chameleons, lizards, magpies, and horses,
each of which has a character and story of its own. Illustrations and a
pretty binding add to the attractions of the volume."--_Worcester Spy._
"The ease and elegance of Theophile Gautier's diction is wonderful, and
the translator has preserved the charm of the French author with far
more than the average fidelity. 'My Household of Pets' is a book which
can be read with pleasure by young and old. It is a charming
volume."--_St. Louis Spectator._
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CHRISTIAN HISTORY IN ITS THREE GREAT PERIODS. By JOSEPH HENRY ALLEN,
late lecturer on ecclesiastical history in Harvard University.
SECOND PERIOD. "The Middle Age." Topics.--1. The Ecclesiastical System.
2. Feudal Society. 3. The Work of Hildebrand. 4. The Crusades. 5.
Chivalry. 6. The Religious Orders. 7. Heretics. 8. Scholastic Theology.
9. Religious Art. 10. Dante. 11. The Pagan Revival. Also a new edition
of the
FIRST PERIOD. "Early Christianity." Originally published under the title
of "Fragments of Christian History." The two volumes uniformly bound.
16mo. Price each, $1.25
"Whatever may be said or thought of Professor Joseph Henry Allen's
'Christian History,' which will be completed by the publication of a
third volume, it is the first and foremost work of the kind ever
attempted in this country. Even in our theological schools, the history
of the Church is usually taught on the basis of some foreign manual, of
which Guericke may be mentioned as the most favorable example, although
the book is clumsy and exceedingly narrow-minded. The history of the
Church, written for the use of educated men and women, has never been so
much as attempted in this country. Our theologians have never been
partial to ecclesiastical history, and in most cases they have been
satisfied with accepting the statements of so-called standard
authorities. Professor Allen's two volumes, covering the early Church
and the middle age, are distinctly a new departure, for they rest in
good part on original research.... There can be no reasonable doubt that
in Professor Allen's work we have the most considerable attempt at the
history of the Church ever made in the United States."--_Boston Daily
Advertiser._
THIRD PERIOD. "Modern Phases." (In press.)
A NEW LIFE OF SWEDENBORG. The Life and Mission of Emanuel Swedenborg. By
BENJAMIN WORCESTER. With an Introductory Chapter on Swedenborg's Place
in History, an Appendix giving a complete list of Swedenborg's Writings,
and a fine steel-engraved portrait and facsimile of his handwriting. One
large 12mo volume. Cloth, gilt top. Price, $2.00.
"It is a large 12mo volume of towards five hundred pages, in which the
author has collected, with great care, the leading facts relating to the
Swedish seer, and has woven them into a biography prepared with
scrupulous fidelity, though of course marked by the most reverent
admiration for its subject. Mr. Worcester holds to the reality of the
visions of Swedenborg, and believes the revelations which his works
furnish as the result to be supplementary in the quality of inspiration
to the Bible. The work is not one of the most attractively written
pieces of biography; but its subject is interesting, and there are
characteristics of Swedenborg which, aside from any supernatural
endowment, plainly stamp him as one of the great minds of his time. His
followers, if they are not as large as those of many of the religious
sects of the day, are people of the purest minds and most intelligent
perceptions, without a tendency to credulity or a tinge of fanaticism in
their natures. This book will be welcomed by them as a repository of
much that is valuable in the founder of their religion. It contains a
portrait of Swedenborg. Many extracts from his writings are also given
as incidental to the biography."--_Gazette._
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GEORGE ELIOT. Famous Women Series. By MATHILDE BLIND. One volume, 16mo.
Cloth. Price, $1.00
"The first volume in the 'Famous Women' series just begun by Roberts
Brothers is a life of 'George Eliot,' by Mathilde Blind. It is a clear,
concise and masterly sketch, from a woman's point of view, of the career
and work of the most remarkable figure in current English literature. It
has a peculiar value, in that its author, in its preparation, collected
her material from private and living sources. She had the assistance and
countenance of Mr. Isaac Evans, a brother of George Eliot, from whom she
obtained much valuable information, and a large mass of unpublished
correspondence was placed at her disposal by such friends of the dead
author as C. L. Lewes, W. M. Rosetti and James Thomson. By thus having
her material at first hand, Miss Blind is enabled to correct certain
mistakes which have found place in every memoir of George Eliot until
now published."--_Boston Transcript._
"Miss Blind's little book is written with admirable good taste and
judgment, and with notable self-restraint. It does not weary the reader
with critical discursiveness, nor with attempts to search out high-flown
meanings and recondite oracles in the plain 'yea' and 'nay' of life. It
is a graceful and unpretentious little biography, and tells all that
need be told concerning one of the greatest writers of the time. It is a
deeply interesting, if not fascinating, woman whom Miss Blind presents,"
says the _N. Y. Tribune._
HESTER STANLEY AT ST. MARK'S. By HARRIET PRESCOTT SPOFFORD. With
illustrations. Small 4to. Cloth. Price, $1.25
"For the first time Mrs. Spofford has tried her hand at a juvenile.
'Hester Stanley' is emphatically a girl's book, a story of school-day
life 'at St. Mark's,' which will be read with great interest."
"This book is, we believe, the first attempt that Mrs. Harriet Prescott
Spofford has made to write a story for girls, but it is written with so
delicate a touch and in such a pleasing style that most girl readers who
chance upon it will hope that it may not be the last. It is a story of a
life in a girl's boarding-school, and the young heroine of it comes
almost as near to the ideal of what is winning and womanly as Tom Brown
did to the ideal of frank young manhood. The tone of the book is high
and pure and sweet, and we do not remember a story among the recent
issues of the press which can be placed in the hands of girls with a
stronger assurance that they will be charmed with its teaching and
inspiration."--_Item._
EMILY BRONTE. Famous Women Series. By A. MARY F. ROBINSON. One volume,
16mo. Cloth. Price, $1.00
"Miss Robinson has written a fascinating biography." ... "Emily Bronte
is interesting, not because she wrote 'Wuthering Heights,' but because
of her brave, baffled human life, so lonely, so full of pain, but with a
great hope shining beyond all the darkness, and a passionate defiance in
bearing more than the burdens that were laid upon her. The story of the
three sisters was infinitely sad, but it is the ennobling sadness that
belongs to large natures cramped and striving for freedom to heroic,
almost desperate, work, with little or no result. The author of this
intensely interesting, sympathetic and eloquent biography is a young
lady and a poet, to whom a place is given in a recent anthology of
living English poets, which is supposed to contain only the best poems
of the best writers," says the _Boston Daily Advertiser._
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ROBERTS BROTHERS, Boston.
THE JEAN INGELOW BIRTHDAY BOOK. With red-line border and divisions, 12
illustrations and portrait. 16mo. Cloth, gilt and illuminated. Price,
$1.00
Full calf or morocco, $3.50
"This is a dainty little volume having a selection from Jean Ingelow for
each day of the year. The extracts are of both prose and verse. There
are graceful illustrations for each month suited in subject to the
season. The book will be welcomed by admirers of this writer and must
prove a popular gift-book for the birthday season."--_Chicago Advance._
"We have seen no more tasteful book this year than 'The Jean Ingelow
Birthday Book,' which Messrs. Roberts Brothers publish. It is somewhat
larger in form than are the birthday books with which the public is
familiar, is printed on very fine paper, and has a page with the usual
quotations and the usual blanks, the whole encircled with a carmine line
border, the date of the days of the months being printed in the same
color. The work is illustrated with handsome engravings, and has a
steel-engraved portrait of Jean Ingelow. The binding is a real gem.
Nothing could well be more attractive in the way of cloth ornament than
is its combination of design and color."--_Saturday Evening Gazette._
UNDER THE SUN. By Phil. Robinson, the new English Humorist. With a
Preface by Edwin Arnold, author of "The Light of Asia." 16mo. Cloth.
Price, $1.50
This is a volume of essays, humorous and pathetic, of incidents, scenes,
and objects grouped under the heads: Indian Sketches, The Indian
Seasons, Unnatural History, Idle Hours under the Punkah.
"Under the Sun," by Phil. Robinson, is one of the most delightful of
recent books. The style is fascinating in its strength and
picturesqueness, and there is now and then a delicious quaintness that
recalls Charles Lamb. A volume such as this is rare in our day, when the
art of essay writing is almost lost and forgotten. Freshness, vigor,
humor, pathos, graphic power, a keen love for nature, a gentle love for
animals, and a pleasing originality are among the more charming
characteristics of this work, which may be read again and again with
renewed satisfaction. Its scenes are laid in India, and whether the
author discourses of the elephant, the rhinoceros, some bird that has
attracted his attention, a tree, or a flower; whether he describes an
exciting hunt, or tells a marvellous story; whether he moralizes or
gives free rein to his fancy, he is always brilliant, fascinating,
vivacious and masterly. It is difficult to write of this remarkable book
without superlatives; but it is not too much to insist that it is
impossible to exaggerate its peculiar merits, or to bestow too large a
share of praise upon it. It is not a book for the few, but for the many,
and all will find delight in its perusal."--_Saturday Evening Gazette._
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A CONCISE ENGLISH HISTORY, From the Earliest Period to the Present Time.
By W. M. LUPTON. A readable volume of 400 pages, comprising, in
paragraphs, every important event in the history of England. 12mo.
Cloth. Price, $1.50
"Mr. W. M. Lupton's 'Concise English History' condenses into 332 pages
the substance of the history of England from the invasion of Julius
Caesar down to our own time, and appends an index of 60 pages as a key to
the contents of his admirable little book. It has peculiar merits as a
school-book, and is the skeleton companion to the late J. R. Green's
'History of the English People.'"
"This is a volume that will be found very helpful to the student of
history. It has 400 pages only, and yet every event of importance is to
be found there. The general plan is to present the facts compressed into
the fewest and clearest words. We heartily commend it."--_School
Journal._
AN INLAND VOYAGE. By ROBERT LOUIS STEVENSON, author of "Travels with a
Donkey in the Cevennes." 16mo. Cloth. Price, $1.00
"Those who have read Mr. Stevenson's delightful 'Travels with a Donkey,'
in which he told the story of a unique trip among the mountains of
Southern France, will gladly welcome this bright account of a canoe
voyage through the canals of Belgium, on the Sambre, and down the Oise.
Unlike Captain Macgregor, of 'Rob Roy' fame, Mr. Stevenson does not make
canoeing itself his main theme, but delights in charming bits of
description that, in their close attention to picturesque detail, remind
one of the work of a skilled 'genre' painter. Nor does he hesitate, from
time to time, to diverge altogether from his immediate subject, and to
indulge in a strain of gently humorous reflection that furnishes some of
the pleasantest passages of the book." ... "In a modest and quiet way
Mr. Stevenson's book is one of the very best of the year for summer
reading. The volume has a very neat design for the cover, with a
fanciful picture of the 'Arethusa' and 'Cigarette,' the canoes of the
author and his companion. The versatility which could produce works so
unlike as 'An Inland Voyage' and the 'New Arabian Nights' is somewhat
unusual."--_Good Literature._
LETTERS TO A FRIEND. By the late CONNOP THIRLWALL, D. D., Bishop of St.
David's, and edited by the late Dean Stanley. New and much enlarged
edition. One volume, crown 8vo. Price, $1.50
"One of the most interesting collections of letters in the English
language," says the _St. James' Gazette_.
"Bishop Thirlwall's 'Letters to a Friend' were such delightful reading
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"The letters which he wrote to a lady friend for a period of ten years
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SINNERS AND SAINTS. A Tour across the States and around them, with Three
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"Mr. Robinson is the fortunate possessor of a rich and racy vein of
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RED CLOUD, THE SOLITARY SIOUX. A Story of the Great Prairie. By
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* * * * *
FOOTNOTES:
[1] It was his habit, and that of his family, to drop all mention of the
earlier marriage.
[2] Miss Edgeworth, in her father's Life, states that she was but twelve
years old when she returned to Ireland. The date she gives, however, and
that afterwards given by her stepmother, show that she must have been
sixteen when the removal took place. It can, therefore, have been a mere
_lapsus calami_ on her part, as this eminently sensible woman was
incapable of the silly weakness of concealing her age.
[3] Afterwards changed into _Patronage_.
[4] Afterwards Sir Humphrey Davy.
[5] Miss Edgeworth erroneously, but persistently, speaks of this
publication as the _Journal Britannique_.
[6] A contemporary epigram ran thus:--
"La Genlis se consume en efforts superflus,
La vertu n'en veut pas; le vice n'en veut plus."
[7] Afterwards King Louis Philippe. It was at a Swiss school that he
taught, not at a German university.
[8] John Langan was the steward; in face and figure the prototype of
Thady in _Castle Rackrent_.
[9] It is but fair to add that Bulwer in a note disclaims the excessive
severity and sweeping character of this criticism.
[10] She always refused to have her portrait taken, and all published
so-called portraits of Maria Edgeworth are purely fancy productions.
[11] This anecdote, attributed by Miss Edgeworth to Mazarin, is told by
De Retz, and is to be found in his memoirs.