A DRAWING-ROOM DURING A FOG.

The subject was the last Drawing-room, which she had been in town to

keep on Thursday, during the dense fog.

“I assure you, ma'am,” cried she to Mrs. Delany, “it was so dark, there

was no seeing anything, and no knowing any body. And Lady Harcourt could

be of no help to tell me who people were, for when it was light, she

can't see and now it was dark, I could not see myself. So it was in vain

for me to go on in that manner, without knowing which I had spoken to,

and which was waiting for me; so I said to Lady Harcourt, 'We had better

stop, and stand quite still, for I don't know anybody, no more than you

do. But if we stand still, they will all come up in the end, and we must

ask them who they are, and if I have spoken to them yet, or not: for it

is very odd to do it, but what else can we manage?'”

Her accent is a little foreign, and very prettily so; and her emphasis

has that sort of changeability, which gives an interest to everything

she utters. But her language is rather peculiar than foreign.

“'Besides,”' added she, with a very significant look, “'if we go on here

in the dark, maybe I shall push against somebody, or somebody will push

against me--which is the more likely to happen.'”

She then gave an account of some circumstances which attended the

darkness, in a manner not only extremely lively, but mixed, at times,

with an archness and humour that made it very entertaining. She chiefly

addressed herself to Mrs. Delany; and to me, certainly, she would not,

separately, have been so communicative; but she contrived, with great

delicacy, to include me in the little party, by frequently looking at

me, and always with an expression that invited my participation in the

conversation. And, indeed, though I did not join in words, I shared very

openly in the pleasure of her recital.

“Well,” she continued, “so there was standing by me a man that I could

not see in the face; but I saw the twisting of his bow; and I said

to Lady Harcourt, 'I am sure that must be nobody but the Duke of

Dorset.'--'Dear,' she says, 'how can you tell that?'--'Only ask,' said

I; and so it proved he.”

“Yes,” cried the king, “he is pretty well again; he can smile again,

now!”

It seems his features had appeared to be fixed, or stiffened. It is

said, he has been obliged to hold his hand to his mouth, to hide it,

ever since his stroke,--which he refuses to acknowledge was paralytic.

The queen looked as if some comic notion had struck her, and, after

smiling a little while to herself, said, with a sort of innocent

archness, very pleasing,

“To be sure, it is very wrong to laugh at such things,--I know that; but

yet, I could not help thinking, when his mouth was in that way, that it

was very lucky people's happiness did not depend upon his smiles!”

Afterwards, she named other persons, whose behaviour and manners pointed

them out to her, in defiance of obscurity.

“A lady,” said she, “came up to me, that I could not see, so I was

forced to ask who she was; and immediately she burst into a laugh. 'O,'

says I, 'that can be only Mrs. De Rolles!'--and so it proved.”

Methinks, by this trait, she should be a near relation to my Miss

Larolles![195]

The Diary and Letters of Madame D'Arblay — Volume 1 · 第 183 / 284 题