I then said,--“Do you ever, sir, hear from her mother?”

“No,” cried he, “nor write to her. I drive her quite from my mind. If

I meet with one of her letters, I burn it instantly. I have burnt all I

can find. I never speak of her, and I desire never to hear of her more.

I drive her, as I said, wholly from my mind.”

Yet, wholly to change this discourse, I gave him a history of the

Bristol milk-woman, and told him the tales I had heard of her writing

so wonderfully, though she had read nothing but Young and Milton “though

those,” I continued, “could never possibly, I should think, be the first

authors with anybody. Would children understand them? and grown people

who have not read are children in literature.”

“Doubtless,” said he; “but there is nothing so little comprehended among

mankind as what is genius. They give to it all, when it can be but a

part. Genius is nothing more than knowing the use of tools--but there

must be tools for it to use: a man who has spent all his life in this

room will give a very poor account of what is contained in the next.”

“Certainly, sir; yet there is such a thing as invention. Shakspeare

could never have seen a Caliban.”

“No; but he had seen a man, and knew, therefore, how to vary him to a

monster. A man who would draw a monstrous cow, must first know what a

cow commonly is; or how can he tell that to give her an ass's head or an

elephant's tusk will make her monstrous. Suppose you show me a man

who is a very expert carpenter; another will say he was born to be a

carpenter--but what if he had never seen any wood? Let two men, one with

genius, the other with none, look at an overturned waggon; he who has

no genius, will think of the waggon only as he sees it, overturned,

and walk on; he who has genius, will paint it to himself before it was

overturned--standing still, and moving on, and heavy loaded, and empty;

but both must see the waggon, to think of it at all.”

He then animated, and talked on, upon this milk-woman, upon a once as

famous shoemaker, and upon our immortal Shakspeare, with as much fire,

spirit, wit, and truth of criticism and judgment, as ever yet I have

heard him. How delightfully bright are his faculties, though the poor

and infirm machine that contains them seems alarmingly giving way.

Yet, all brilliant as he was, I saw him growing worse, and offered to

go, which, for the first time I ever remember, he did not oppose; but,

most kindly pressing both my hands,--

“Be not,” he said, in a voice of even tenderness, “be not longer in

coming again for my letting you go now.”

I assured him I would be the sooner, and was running off, but he called

me back, in a solemn voice, and, in a manner the most energetic, said,--

“Remember me in your prayers!”

I longed to ask him to remember me, but did not dare. I gave him

my promise, and, very heavily indeed, I left him. Great, good, and

excellent that he is, how short a time will he be our boast! Ah, my dear

Susy, I see he is going! This winter will never conduct him to a more

genial season here! Elsewhere, who shall hope a fairer? I wish I had bid

him pray for me, but it seemed to me presumptuous.

The Diary and Letters of Madame D'Arblay — Volume 1 · 第 165 / 284 题