A MEETING AT THE STATION
Le Menil had written: "I leave tomorrow evening at seven o'clock. Meet
me at the station."
She had gone to meet him. She saw him in long coat and cape, precise and
calm, in front of the hotel stages. He said only:
"Ah, you have come."
"But, my friend, you called me."
He did not confess that he had written in the absurd hope that she would
love him again and that the rest would be forgotten, or that she would
say to him: "It was only a trial of your love."
If she had said so he would have believed her, however.
Astonished because she did not speak, he said, dryly:
"What have you to say to me? It is not for me to speak, but for you.
I have no explanations to give you. I have not to justify a betrayal."
"My friend, do not be cruel, do not be ungrateful. This is what I had to
say to you. And I must repeat that I leave you with the sadness of a
real friend."
"Is that all? Go and say this to the other man. It will interest him
more than it interests me."
"You called me, and I came; do not make me regret it."
"I am sorry to have disturbed you. You could doubtless find a better
employment for your time. I will not detain you. Rejoin him, since you
are longing to do so."
At the thought that his unhappy words expressed a moment of eternal human
pain, and that tragedy had illustrated many similar griefs, she felt all
the sadness and irony of the situation, which a curl of her lips
betrayed. He thought she was laughing.
"Do not laugh; listen to me. The other day, at the hotel, I wanted to
kill you. I came so near doing it that now I know what I escaped.
I will not do it. You may rest secure. What would be the use? As I
wish to keep up appearances, I shall call on you in Paris. It will
grieve me to learn that you can not receive me. I shall see your
husband, I shall see your father also. It will be to say good-by to
them, as I intend to go on a long voyage. Farewell, Madame!"
At the moment when he turned his back to her, Therese saw Miss Bell and
Prince Albertinelli coming out of the freight-station toward her. The
Prince was very handsome. Vivian was walking by his side with the
lightness of chaste joy.
"Oh, darling, what a pleasant surprise to find you here! The Prince, and
I have seen, at the customhouse, the new bell, which has just come."
"Ah, the bell has come?"
"It is here, darling, the Ghiberti bell. I saw it in its wooden cage.
It did not ring, because it was a prisoner. But it will have a campanile
in my Fiesole house.
"When it feels the air of Florence, it will be happy to let its silvery
voice be heard. Visited by the doves, it will ring for all our joys and
all our sufferings. It will ring for you, for me, for the Prince, for
good Madame Marmet, for Monsieur Choulette, for all our friends."
"Dear, bells never ring for real joys and for real sufferings. Bells are
honest functionaries, who know only official sentiments."
"Oh, darling, you are much mistaken. Bells know the secrets of souls;
they know everything. But I am very glad to find you here. I know, my
love, why you came to the station. Your maid betrayed you. She told me
you were waiting for a pink gown which was delayed in coming and that you
were very impatient. But do not let that trouble you. You are always
beautiful, my love."
She made Madame Martin enter her wagon.
"Come, quick, darling; Monsieur Jacques Dechartre dines at the house to-
night, and I should not like to make him wait."
And while they were driving through the silence of the night, through the
pathways full of the fresh perfume of wildflowers, she said:
"Do you see over there, darling, the black distaffs of the Fates, the
cypresses of the cemetery? It is there I wish to sleep."
But Therese thought anxiously: "They saw him. Did they recognize him? I
think not. The place was dark, and had only little blinding lights. Did
she know him? I do not recall whether she saw him at my house last
year."
What made her anxious was a sly smile on the Prince's face.
"Darling, do you wish a place near me in that rustic cemetery? Shall we
rest side by side under a little earth and a great deal of sky? But I do
wrong to extend to you an invitation which you can not accept. It will
not be permitted to you to sleep your eternal sleep at the foot of the
hill of Fiesole, my love. You must rest in Paris, in a handsome tomb, by
the side of Count Martin-Belleme."
"Why? Do you think, dear, that the wife must be united to her husband
even after death?"
"Certainly she must, darling. Marriage is for time and for eternity.
Do you not know the history of a young pair who loved each other in the
province of Auvergne? They died almost at the same time, and were placed
in two tombs separated by a road. But every night a sweetbrier bush
threw from one tomb to the other its flowery branches. The two coffins
had to be buried together."
When they had passed the Badia, they saw a procession coming up the side
of the hill. The wind blew on the candles borne in gilded wooden
candlesticks. The girls of the societies, dressed in white and blue,
carried painted banners. Then came a little St. John, blond, curly-
haired, nude, under a lamb's fleece which showed his arms and shoulders;
and a St. Mary Magdalene, seven years old, crowned only with her waving
golden hair. The people of Fiesole followed. Countess Martin recognized
Choulette among them. With a candle in one hand, a book in the other,
and blue spectacles on the end of his nose, he was singing. His unkempt
beard moved up and down with the rhythm of the song. In the harshness of
light and shade that worked in his face, he had an air that suggested a
solitary monk capable of accomplishing a century of penance.
"How amusing he is!" said Therese. "He is making a spectacle of himself
for himself. He is a great artist."
"Darling, why will you insist that Monsieur Choulette is not a pious man?
Why? There is much joy and much beauty in faith. Poets know this. If
Monsieur Choulette had not faith, he could not write the admirable verses
that he does."
"And you, dear, have you faith?"
"Oh, yes; I believe in God and in the word of Christ."
Now the banners and the white veils had disappeared down the road. But
one could see on the bald cranium of Choulette the flame of the candle
reflected in rays of gold.
Dechartre, however, was waiting alone in the garden. Therese found him
resting on the balcony of the terrace where he had felt the first
sufferings of love. While Miss Bell and the Prince were trying to fix
upon a suitable place for the campanile, Dechartre led his beloved under
the trees.
"You promised me that you would be in the garden when I came. I have
been waiting for you an hour, which seemed eternal. You were not to go
out. Your absence has surprised and grieved me."
She replied vaguely that she had been compelled to go to the station, and
that Miss Bell had brought her back in the wagon.
He begged her pardon for his anxiety, but everything alarmed him. His
happiness made him afraid.
They were already at table when Choulette appeared, with the face of an
antique satyr. A terrible joy shone in his phosphorous eyes. Since his
return from Assisi, he lived only among paupers, drank chianti all day
with girls and artisans to whom he taught the beauty of joy and
innocence, the advent of Jesus Christ, and the imminent abolition of
taxes and military service. At the beginning of the procession he had
gathered vagabonds in the ruins of the Roman theatre, and had delivered
to them in a macaronic language, half French and half Tuscan, a sermon,
which he took pleasure in repeating:
"Kings, senators, and judges have said: 'The life of nations is in us.'
Well, they lie; and they are the coffin saying: 'I am the cradle.'
"The life of nations is in the crops of the fields yellowing under the
eye of the Lord. It is in the vines, and in the smiles and tears with
which the sky bathes the fruits on the trees.
"The life of nations is not in the laws, which were made by the rich and
powerful for the preservation of riches and power.
"The chiefs of kingdoms and of republics have said in their books that
the right of peoples is the right of war, and they have glorified
violence. And they render honors unto conquerors, and they raise in the
public squares statues to the victorious man and horse. But one has not
the right to kill; that is the reason why the just man will not draw from
the urn a number that will send him to the war. The right is not to
pamper the folly and crimes of a prince raised over a kingdom or over a
republic; and that is the reason why the just man will not pay taxes and
will not give money to the publicans. He will enjoy in peace the fruit
of his work, and he will make bread with the wheat that he has sown, and
he will eat the fruits of the trees that he has cut."
"Ah, Monsieur Choulette," said Prince Albertinelli, gravely, "you are
right to take interest in the state of our unfortunate fields, which
taxes exhaust. What fruit can be drawn from a soil taxed to thirty-three
per cent. of its net income? The master and the servants are the prey of
the publicans."
Dechartre and Madame Martin were struck by the unexpected sincerity of
his accent.
He added:
"I like the King. I am sure of my loyalty, but the misfortunes of the
peasants move me."
The truth was, he pursued with obstinacy a single aim: to reestablish the
domain of Casentino that his father, Prince Carlo, an officer of Victor
Emmanuel, had left devoured by usurers. His affected gentleness
concealed his stubbornness. He had only useful vices. It was to become
a great Tuscan landowner that he had dealt in pictures, sold the famous
ceilings of his palace, made love to rich old women, and, finally, sought
the hand of Miss Bell, whom he knew to be skilful at earning money and
practised in the art of housekeeping. He really liked peasants. The
ardent praises of Choulette, which he understood vaguely, awakened this
affection in him. He forgot himself enough to express his mind:
"In a country where master and servants form one family, the fate of the
one depends on that of the others. Taxes despoil us. How good are our
farmers! They are the best men in the world to till the soil."
Madame Martin confessed that she should not have believed it. The
country of Lombardy alone seemed to her to be well cultivated. Tuscany
appeared a beautiful, wild orchard.
The Prince replied, smilingly, that perhaps she would not speak in that
way if she had done him the honor of visiting his farms of Casentino,
although these had suffered from long and ruinous lawsuits. She would
have seen there what an Italian landscape really is.
"I take a great deal of care of my domain. I was coming from it to-night
when I had the double pleasure of finding at the station Miss Bell, who
had gone there to find her Ghiberti bell, and you, Madame, who were
talking with a friend from Paris."
He had the idea that it would be disagreeable to her to hear him speak of
that meeting. He looked around the table, and saw the expression of
anxious surprise which Dechartre could not restrain. He insisted:
"Forgive, Madame, in a rustic, a certain pretension to knowing something
about the world. In the man who was talking to you I recognized a
Parisian, because he had an English air; and while he affected stiffness,
he showed perfect ease and particular vivacity."
"Oh," said Therese, negligently, "I have not seen him for a long time.
I was much surprised to meet him at Florence at the moment of his
departure."
She looked at Dechartre, who affected not to listen.
"I know that gentleman," said Miss Bell. "It is Monsieur Le Menil. I
dined with him twice at Madame Martin's, and he talked to me very well.
He said he liked football; that he introduced the game in France, and
that now football is quite the fashion. He also related to me his
hunting adventures. He likes animals. I have observed that hunters like
animals. I assure you, darling, that Monsieur Le Menil talks admirably
about hares. He knows their habits. He said to me it was a pleasure to
look at them dancing in the moonlight on the plains. He assured me that
they were very intelligent, and that he had seen an old hare, pursued by
dogs, force another hare to get out of the trail so as to deceive the
hunters. Darling, did Monsieur Le Menil ever talk to you about hares?"
Therese replied she did not know, and that she thought hunters were
tiresome.
Miss Bell exclaimed. She did not think M. Le Menil was ever tiresome
when talking of the hares that danced in the moonlight on the plains and
among the vines. She would like to raise a hare, like Phanion.
"Darling, you do not know Phanion. Oh, I am sure that Monsieur Dechartre
knows her. She was beautiful, and dear to poets. She lived in the
Island of Cos, beside a dell which, covered with lemon-trees, descended
to the blue sea. And they say that she looked at the blue waves.
I related Phanion's history to Monsieur Le Menil, and he was very glad to
hear it. She had received from some hunter a little hare with long ears.
She held it on her knees and fed it on spring flowers. It loved Phanion
and forgot its mother. It died before having eaten too many flowers.
Phanion lamented over its loss. She buried it in the lemon-grove, in a
grave which she could see from her bed. And the shade of the little hare
was consoled by the songs of the poets."
The good Madame Marmet said that M. Le Menil pleased by his elegant and
discreet manners, which young men no longer practise. She would have
liked to see him. She wanted him to do something for her.
"Or, rather, for my nephew," she said. "He is a captain in the
artillery, and his chiefs like him. His colonel was for a long time
under orders of Monsieur Le Menil's uncle, General La Briche.
If Monsieur Le Menil would ask his uncle to write to Colonel Faure in
favor of my nephew I should be grateful to him. My nephew is not a
stranger to Monsieur Le Menil. They met last year at the masked ball
which Captain de Lassay gave at the hotel at Caen."
Madame Marmet cast down her eyes and added:
"The invited guests, naturally, were not society women. But it is said
some of them were very pretty. They came from Paris. My nephew, who
gave these details to me, was dressed as a coachman. Monsieur Le Menil
was dressed as a Hussar of Death, and he had much success."
Miss Bell said that she was sorry not to have known that M. Le Menil was
in Florence. Certainly, she should have invited him to come to Fiesole.
Dechartre remained sombre and distant during the rest of the dinner: and
when, at the moment of leaving, Therese extended her hand to him, she
felt that he avoided pressing it in his.
ETEXT EDITOR'S BOOKMARKS:
A woman is frank when she does not lie uselessly
Disappointed her to escape the danger she had feared
Does not wish one to treat it with either timidity or brutality
He knew now the divine malady of love
I do not desire your friendship
I have known things which I know no more
I wished to spoil our past
Impatient at praise which was not destined for himself
Incapable of conceiving that one might talk without an object
Jealous without having the right to be jealous
Lovers never separate kindly
Magnificent air of those beggars of whom small towns are proud
Nobody troubled himself about that originality
One who first thought of pasting a canvas on a panel
Simple people who doubt neither themselves nor others
Superior men sometimes lack cleverness
The door of one's room opens on the infinite
The one whom you will love and who will love you will harm you
The past is the only human reality--Everything that is, is past
There are many grand and strong things which you do not feel
They are the coffin saying: 'I am the cradle'
To be beautiful, must a woman have that thin form
Trying to make Therese admire what she did not know
Unfortunate creature who is the plaything of life
What will be the use of having tormented ourselves in this world
Women do not always confess it, but it is always their fault
You must take me with my own soul!