CHAPTER I

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LOVE AND LUCY

by

MAURICE HEWLETT

Author of "The Forest Lovers," "The Life and

Death of Richard Yea and Nay," etc.

New York

Dodd, Mead and Company

1916

Copyright, 1916

by Dodd, Mead and Company, Inc.

_BEATI POSSIDENTES_

CONTENTS

CHAPTER

I ONSLOW SQUARE 1

II A DINNER PARTY 16

III IN THE DRAWING-ROOM 31

IV AFTER-TALK 41

V EROS STEPS IN 53

VI A LEAP OUTWARDS 74

VII PATIENCE AND PSYCHE 84

VIII AGAIN 102

IX SUNDRY ROMANTIC EPISODES 112

X AT A WORLD'S EDGE 121

XI ANTEROS 134

XII MARTLEY THICKET (1) 148

XIII MARTLEY THICKET (2) 162

XIV THE GREAT SCHEME 175

XV JAMES 188

XVI _Amari Aliquid_ 196

XVII THE SHIVERING FIT 209

XVIII THE HARDANGER 227

XIX THE MOON-SPELL 235

XX FAIR WARNING 247

XXI THE DEPARTURE 256

XXII CATASTROPHE 268

XXIII JAMES AND JIMMY 280

XXIV URQUHART'S APOLOGY 292

EPILOGUE: _Quid Plura_? 306

LOVE AND LUCY

CHAPTER I

ONSLOW SQUARE

This is a romantic tale. So romantic is it that I shall be forced to

pry into the coy recesses of the mind in order to exhibit a connected,

reasonable affair, not only of a man and his wife prosperously seated

in the mean of things, _nel mezzo del cammin_ in space as well as

time--for the Macartneys belonged to the middle class, and were well

on to the middle of life themselves--, but of stript, quivering and

winged souls tiptoe within them, tiptoe for flight into diviner spaces

than any seemly bodies can afford them. As you peruse you may find it

difficult to believe that Macartney himself--James Adolphus, that

remarkable solicitor--could have possessed a quivering, winged soul

fit to be stript, and have hidden it so deep. But he did though, and

the inference is that everybody does. As for the lady, that is not so

hard of belief. It very seldom is--with women. They sit so much at

windows, that pretty soon their eyes become windows themselves--out of

which the soul looks darkling, but preening; out of which it sometimes

launches itself into the deep, wooed thereto or not by _aubade_ or

_serena_. But a man, with his vanity haunting him, pulls the blinds

down or shuts the shutters, to have it decently to himself, and his

looking-glass; and you are not to know what storm is enacting deeply

within. Finally, I wish once for all to protest against the fallacy

that piracy, brigandage, pearl-fishery and marooning are confined to

the wilder parts of the habitable globe. Never was a greater, if more

amiable, delusion fostered (to serve his simplicity) by Lord Byron and

others. Because a man wears trousers, shall there be no more cakes and

ale? Because a woman subscribes to the London Institution, desires the

suffrage, or presides at a Committee, does the _bocca baciata perde

ventura_? Believe me, no. There are at least two persons in each of

us, one at least of which can course the starry spaces and inhabit

where the other could hardly breathe for ten minutes. Such is my own

experience, and such was the experience of the Macartney pair--and now

I have done with exordial matter.

The Macartneys had a dinner-party on the twelfth of January. There

were to be twelve people at it, in spite of the promised assistance of

Lancelot at dessert, which Lucy comforted herself by deciding would

only make twelve and a half, not thirteen. She told that to her

husband, who fixed more firmly his eyeglass, and grunted, "I'm not

superstitious, myself." He may not have been, but certainly, Lucy told

herself, he wasn't very good at little jokes. Lancelot, on the other

hand, was very good at them. "Twelve and a half!" he said, lifting one

eyebrow, just like his father. "Why, I'm twelve and a half myself!"

Then he propounded his little joke. "I say, Mamma, on the twelve and

halfth of January--because the evening is exactly half the day--twelve

and a half people have a dinner-party, and one of them _is_ twelve and

a half. Isn't that neat?"

Lucy encouraged her beloved. "It's very neat indeed," she said, and

her grey eyes glowed, or seemed to glow.

"It's what we call an omen at school," said Lancelot. "It means--oh,

well, it means lots of things, like you're bound to have it, and it's

bound to be a frightful success, or an utter failure, or something of

that kind." He thought about it. Developments crowded upon him. "I

say, Mamma--" all this was at breakfast, Macartney shrouding himself

in the _Morning Post_:

"Yes, Lancelot?"

"It would be awfully good, awfully ingenious and all that, if one of

the people was _twice_ twelve and a half."

She agreed. "Yes, I should like that. Very likely one of them is."

Lancelot looked extremely serious. "Not Mr. Urquhart?" he said.

"No," said Lucy, "I am sure Mr. Urquhart is older than that. But

there's Margery Dacre. She might do."

Lancelot had his own ideas as to whether women counted or not, in

omens, but was too polite to express them.

"Is she twenty-five, do you think? She's rather thin." Lucy exploded,

and had to kiss the unconscious humourist. "Do you think we grow

fatter as we grow older? Then you must think me immense, because I'm

much more than twenty-five," she said.

Here was a vital matter. It is impossible to do justice to Lancelot's

seriousness, on the edge of truth. "How much more are you, really?"

he asked her, trembling for the answer.

She looked heavenly pretty, with her drawn-back head and merry eyes.

She was a dark-haired woman with a tender smile; but her eyes were

her strong feature--of an intensely blue-grey iris, ringed with

black. Poising to tantalise him, adoring the fun of it, suddenly she

melted, leaned until her cheek touched his, and whispered the dreadful

truth--"_Thirty-one_."

I wish I could do justice to his struggle, politeness tussling with

pity for a fall, but tripping it up, and rising to the proper

lightness of touch. "Are you really thirty-one? Oh, well, that's

nothing." It was gallantly done. She kissed him again, and Lancelot

changed the subject.

"There's Mr. Lingen, isn't there?" he asked, adding, "He's always

here."

"Much more than twenty-five," said his mother, very much aware of Mr.

Lingen's many appearances in Onslow Square. She made one more attempt

at her husband, wishing, as she always did wish, to draw him into the

company. It was not too successful. "Lingen? Oh, a stripling," he said

lightly and rustled the _Morning Post_ like an aspen tree.

"Father always talks as if he was a hundred himself," said Lancelot,

who was not afraid of him. He had to be content with Miss Dacre after

all. The others--the Judge and Lady Bliss, Aunt Mabel and Uncle

Corbet, the Worthingtons, were out of the question. As for Miss

Bacchus--oh, Miss Bacchus was, _at least_, five hundred, said

Lancelot, and wished to add up all the ages to see if they came to a

multiple of twelve and a half.

Meanwhile Mr. Macartney in his leisurely way had risen from the table,

cigar in mouth, had smoothed his hair before the glass on the

chimney-piece, looked at his boots, wriggled his toes in them with

gratifying results, adjusted his coat-collar, collected his letters in

a heap, and left the room. They saw no more of him. Half an hour later

the front door shut upon him. He had gone to his office, or, as he

always said, Chambers.

He was rather bleak, and knew it, reckoning it among his social

assets. Reduced into a sentence, it may be said of Macartney that the

Chief Good in his philosophy was to be, and to seem, successful

without effort. What effort he may have made to conceal occasional

strenuous effort is neither here nor there. The point is that, at

forty-two, he found himself solidly and really successful. The

husband of a very pretty wife, the father of a delightful and healthy

son, the best-dressed solicitor in London, and therefore, you may

fairly say, in the world, with an earned income of some three or four

thousand a year, with money in the funds, two houses, and all the rest

of it, a member of three very old-fashioned, most uncomfortable and

absurdly exclusive clubs--if this is not success, what is? And all got

smoothly, without a crease of the forehead, by means of an eyeglass, a

cold manner and an impassivity which nothing foreign or domestic had

ever disturbed. He had ability too, and great industry, but it was

characteristic of him to reckon these as nothing in the scales against

the eyeglass and the manner. They were his by the grace of God; but

the others, he felt, were his own additions, and of the best. These

sort of investments enabled a man to sleep; they assured one of

completeness of effect. Nevertheless he was a much more acute and

vigorous-minded man than he chose to appear.

He was a solicitor, it is true, and had once been called an attorney

by a client in a rage; but he could afford to smile at that because he

was quite a peculiar sort of solicitor, by no means everybody's

money. Rather, he was a luxury, an appanage of the great. His office,

which he called "Chambers," as if it was an old house in the country,

was in Cork Street; his clients were landed gentry, bankers, peers and

sons of peers. The superior clergy, too: he handled the affairs of a

Bishop of Lukesboro', and those of no less than three Deans and

Chapters. Tall, dark and trenchant, with a strong nose and chin, and

clouded grey eyes, a handsome man with a fine air of arrogant comfort

on him, he stood well, and you could not but see what good clothes he

wore--to my taste, I confess, a little too good. His legs were a

feature, and great play was made by wits with his trousers. He was

said to have two hundred pairs, and to be aiming at three hundred and

sixty-five. Certainly they had an edge, and must have been kept in

order like razors; but the legend that they were stropped after every

day's use is absurd. They used to say that they would cut paper

easily, and every kind of cheese except Parmesan.

He wore an eyeglass, which, with the wry smile made necessary by its

use, had the marked effect of intimidating his clients and driving

them into indiscretions, admissions and intemperate discourse.

Hypnotised by the unknown terrific of which the glitter of the blank

surface, the writhen and antick smile were such formidable symbols,

they thought that he knew all, and provided that he should by telling

it him. To these engines of mastery he had added a third. He practised

laconics, and carried them to the very breaking point. He had in his

time--I repeat the tale--gone without his breakfast for three days

running rather than say that he preferred his egg poached. His wife

had been preoccupied at the time--it had been just before Lancelot was

born, barely a year after marriage--and had not noticed that he left

cup and platter untouched. She was very penitent afterwards, as he had

intended she should be. The egg was poached--and even so she was

afraid to ask him when the time was ripe to boil it again. It made her

miserable; but he never spoke of it. Of course all that was old

history. She was hardened by this time, but still dreadfully conscious

of his comforts, or possible discomforts.

This was the manner of the man who, you may say, had quizzed, or

mesmerised, Lucy Meade into marriage. She had been scarcely eighteen;

I believe that she was just seventeen and a half when he presented

himself, the second of three pretty, dark-haired and grey-eyed girls,

the slimmest and, as I think, by far the prettiest. The Meades lived

at Drem House, which is practically within Bushey Park. Here the girls

saw much society, for the old Meades were hospitable, and the Mother

Meade, a Scotchwoman, had a great idea of establishing her daughters.

The sons she left to Father Meade and his competent money-bags. Here

then James Adolphus Macartney presented himself, and here sat smiling

bleakly, glaring through his glass, one eyebrow raised to enclose it

safely--and waited for her to give herself away. Swaying beneath that

shining disk, she did it infallibly; and he heard her out at leisure,

and accepted her.

That's poetry of course. Really, it came near to that. He had said to

her at a garden-party, in his easiest, airiest manner, "You can't help

knowing that I am in love with you. Now, don't you think that we

should be a happy couple? I do. What do you say, Lucy? Shall we have a

shot?" He had taken her hand--they were alone under a cedar tree--and

she had not known how to take it away. She was then kissed, and had

lost any opportunity there might have been. That was what really

happened, and as she told her sister Mabel some time afterwards, when

the engagement had been made public and there could be no question of

going back, "You know, Mabel, he seemed to expect it, and I couldn't

help feeling at the time that he was justified." Mabel, tossing her

head up, had protested, "Oh, my dear, nobody knows whether he was

justified but yourself;" and Lucy, "No, of course not." "The

question," Mabel went on, "is whether you encouraged him or not." Lucy

was clear about that: "No, not the least in the world. He--encouraged

himself. I felt that I simply had to do something."

I suspect that that is perfectly true. I am sure that he did just as I

said he always did, and bluffed her into marriage with an eyeglass and

smile awry. Whether or no he bluffed himself into it too, tempted by

the power of his magic apparatus, is precisely the matter which I am

to determine. It may have been so--but anyhow the facts show you how

successful he was in doing what had to be done. _Cosa fatta capo ha_,

as the proverb says. The thing done, whether wisely or not, was

smoothly done. Everything was of a piece with that. He pulled off

whatever he tried for, without any apparent effort. People used to say

that he was like a river, smoothly flowing, very deep, rippling,

constant in mutability, husbanding and guiding his eddies. It's not a

bad figure of him. He liked it himself, and smiled more askew and

peered more blandly when he heard it.

Small things betray men. Here is one. His signature was invariably in

full: "Yours very truly, James Adolphus Macartney." It was as if he

knew that Adolphus was rather comic opera, but wouldn't stoop to

disguise it. Why bother? He crowded it upon the Bishop, upon the Dean

and Chapter of Mells, upon old Lord Drake. He said, "Why conceal the

fact that my sponsors made a _faux pas_? There it is, and have done

with it. Such things have only to be faced to be seen as nothings.

What! are we reasonable beings?"

Now when Lucy Meade, practically a child for all her sedateness and

serious eyes, married him, two things terrified her on the day. One

was her husband and the other lest her friends should discover it.

They never did, and in time her panic wore off. She fought it in the

watches of the night and in the glare of her lonely days. Not a soul,

not her mother, not even Mabel, knew her secret. James never became

comic to her; she never saw him a figure of fun; but she was able to

treat him as a human being. Lancelot's arrival made all the

difference in the world to that matter as to all her other matters,

for even Lucy herself could not help seeing how absurdly jealous James

was of his offspring. For a time he was thrown clean out of the saddle

and as near falling in his own esteem as ever in life. But he

recovered his balance, and though he never regained his old

ascendency, which had been that of a Ju-ju, he was able to feel

himself, as he said, "Master in his own house," with a very real

reserve of terrorism--if it should be wanted. The great thing,

Macartney thought, was discipline, constant, watchful discipline. A

man must bend everything to that. Women have to learn the virtue of

giving up, as well as of giving. Giving is easy; any woman knows that;

but giving up. Let that be seen as a subtle, a sublimated form of

giving, and the lesson is learned. But practice makes perfect. You

must never relax the rein. He never did. There was all the ingenuity

and patience of a woman about him.

By this time, after twelve years and more of marriage, they were very

good friends; or, why not say, old acquaintances? There are two kinds

of crystallisation in love affairs, with all respect to M. de

Stendhal. One kind hardens the surfaces without any decorative

effect. There are no facets visible, no angles to catch the light. In

the case of the Macartney marriage I suspect this to have been the

only kind--a kind of callosity, protective and numbing. The less they

were thrown together, she found, the better friends they were. At home

they were really no more than neighbours; abroad she was Mrs.

Macartney, and never would dine out without him. She was

old-fashioned; her friends called her a prude. But she was not at all

unhappy. She liked to think of Lancelot, she said, and to be quiet.

And really, as Miss Bacchus (a terrible old woman) once said, Lucy was

so little of a married woman that she was perfectly innocent.

But she was one-and-thirty, and as sweet and pretty a woman as you

would wish to see. She had the tender, dragging smile of a Luini

Madonna; grave, twilight eyes, full of compassionate understanding;

very dark eyebrows, very long lashes, like the fringe of rain over a

moorland landscape. She had a virginal shape, and liked her clothes to

cling about her knees. Long fingers, longish, thin feet. But her

humorous sense was acute and very delightful, and all children loved

her. Such charms as these must have been as obvious to herself as they

were to everybody else. She had a modest little court of her own.

Francis Lingen was almost admittedly in love with her; one of

Macartney's friends. But she accepted her riches soberly, and did not

fret that they must be so hoarded. If, by moments, as she saw herself,

or looked at herself, in the glass, a grain of bitterness surged up in

her throat, that all this fair seeming could not be put out to

usury--! well, she put it to herself very differently, not at all in

words, but in narrowed scrutinising eyes, half-turns of the pretty

head, a sigh and lips pressed together. There had been--nay, there

was--Lancelot, her darling. That was usufruct; but usury was a

different thing. There had never been what you would call, or Miss

Bacchus would certainly call, usury. That, indeed! She would raise her

fine brows, compress her lips, and turn to her bed, then put out the

light. Lying awake very often, she might hear James chain the front

door, trumpet through his nose on the mat, and slowly mount the stairs

to his own room. She thought resolutely of Lancelot pursuing his

panting quests at school, or of her garden in mid-June, or of the

gorse afire on Wycross Common,--and so to sleep.

A long chapter, but you will know the Macartney pair by means of it.

Love and Lucy · 第 1 / 24 章