I felt momentarily ill. Which was foolish.

For what is he to me or I to him! But he had stirred a confusion of

thoughts in my mind. I saw the face of another man--a strong face,

even when flushed with drink--I saw that face with tears on it, working

convulsively. And directly behind me stood the woman. There she was, and

there, with her, was I myself. I felt the strange, rushing drama of

life whirling about me. I suddenly knew that every man is entangled in

it--and every woman.... Oh, God, why does she have to be so beautiful!

And so terribly alone!

The porter was opening the door of number nineteen, just across the

hall. Sir Robert was still at my door, swearing to himself.

“Number nineteen this side,” the porter was saying. “That number

sixteen.”

So Sir Robert came heavily along the hall and entered the opposite room.

We, the woman and I, heard the porter set down his hand baggage. We

heard him order hot water. We heard the door close and the porter rustle

away in his robe and his soft Chinese shoes and go off down the stairs.

Then, hardly knowing what I was about, I reached for the knob. But she

came swiftly across the floor and caught it ahead of me, holding the

door shut. Our hands touched. She looked very lovely, and very tired. My

eyes wandered aimlessly over the kimono she wore, of gray crepe silk. It

was embroidered from neck to hem in a wistaria pattern of the same soft

gray color. I never saw such exquisite embroidery.

“Don't go out there,” she said, low but very positive.

“But,” I whispered lamely, “but--but--”

“The other door,” she said.

So we went back and moved that cursed bureau again. It was even more of

a task this time, as we had to be careful about making any noise.

Again I lingered in our common doorway.

“Do you know that man?” I asked, in the guarded tones we were both

employing now.

“No,” she replied simply, “but it is quite evident that you do.”

Still I lingered. And she did not drive me out. She quietly busied

herself rearranging the innumerable little articles on the bureau. She

was very natural and unconscious about it. There was no hint in her

manner that she was aware of the curious interest I felt in all those

intimate little accessories of her life. Though I find myself wondering

if my crudely concealed masculine emotions are not an open book to her,

even so soon. The perceptions of women are finer than ours. I have read

that in the psychology books, and I believe it. They feel more deeply

and see farther. And it is when they feel most deeply and see farthest

that they do and say the inconsequential little things that puzzle us

so.

She had the bureau arranged to her taste now, and moved slowly over

toward the round table with the bent iron legs. There were a few books

on this table--a little red “Guide to Peking,” Murray's “Japan,” Dyer

Ball's “Things Chinese.”--her shopping bag, her wrist watch propped up

to serve as a clock, and the inevitable ash-tray advertising a Japanese

whisky.

Still I lingered there, half in her room, half in mine. She did not

look at me. She hesitated at the table and fingered that absurdly vulgar

little ash-tray. For the life of me I could not divine what she was

thinking or what she wished me to do. I had meant to go straight into my

own room and close the door. But I had done nothing of the sort.

It came to me that perhaps she was ready to have me pick up the

shattered mood of my musical enthusiasm and carry it forward. Perhaps

she would respond to it now. But I could not reconstruct that mood. In a

desperate sort of way I was trying from moment to moment to do

precisely that, and failing. For across my menial vision was floating,

tantalizingly vague, the flushed desperate face of Crocker, as I had

last seen him, at the Yokohama station. If this girl only knew it, we

have a common interest that binds us a million times closer than the

mere gift we both have.

I see I have called her a girl. She seemed so to me at that moment,

standing there by the crooked-legged table, slim of body, softly,

appealingly feminine in her outlines. I found myself thinking how lonely

she must be, and what terrors must lurk ambushed in the byways of her

thoughts, particularly at night. I fell to wondering about the man who

had brought her out here and left her. Where was he? Did he leave her

any money? Not a great deal, surely, or she would not be living in this

shabby place. And yet, sad as she is, _she does not know what I know!_

I am sure of that. She did not see Crocker's face, there at the Yokohama

station. She does not dream that he is scouring the Coast for her from

Mukden to Singapore--that in his heart, where pity should be, there is

outraged pride, and the exhausting bewilderment of a man who has only a

code where he should have been taught a philosophy--and murder.

This world is hard on women. Perhaps because we men run it.

I slowly drew my foot back across the sill, moving into my own room. I

hesitated again, and rested a trembling hand against the door frame.

It broke my heart to look at her, yet I could not keep from it. I

wanted to help her. I wanted to _do_ something. I even thought wildly of

marching straight over to that crooked-legged iron table and taking her

two hands solidly in mine and saying--“I know who you are, my dear, and

I can imagine something of what you are suffering. I know from a glimpse

of you that not one of the men who will be so quick to cast stones at

you is fit to touch the hem of your skirt. I know, too, that no man

can so much as befriend you, without plunging you into a deeper hell

of suspicion and torment than the hell you are in now. But I am your

friend, and all I ask of you is the opportunity to prove it!”

Anthony the Absolute · 第 20 / 111 题