I bowed coldly.

Sir Robert began smiling--an old man's smile. I started down the stairs,

but he kept at my side.

We went on to the outer door together without a word, and waited while

the boy called rickshaws for us. I looked at Sir Robert. He was still

smiling.

“Let me congratulate you,” he said then, rather dryly. And his left

eyelid drooped in what was grotesquely like a wink. “You have the

distinction, I believe, of being quite the most practical man in the

world. You will go far.”

Thank God, the rickshaw is the most unsociable of vehicles. Each of us

stepped into his own and rolled away through a dim street bordered by

rows of gay paper lanterns, which were lighted now.

As my rickshaw turned the corner, we nearly collided head on with

another one. By the light of the lanterns I made out its occupant--the

fat vaudeville manager from Cincinnati.

He waved a cheerful hand at me as we passed.

“Number Nine?” he called.

“Number Nine,” I replied. I felt depressed and ashamed; but he took it

very easily.

I have, however, confirmed a conclusion tonight, so the experience has

its value. I shall push on to China, where the ancient music may still

be caught in its pure form, uncorrupted and unconfused by the modern

touch. For my purposes, time spent in Japan would be wasted. And I shall

hurry past the treaty ports to Peking. The treaty ports, they tell me,

are not really Chinese at all. For that matter, how could they be?

_Grand Hotel, Yokohama, March 30th, Early Afternoon._

|CROCKER has not yet appeared. I borrowed his key from the office, just

before lunch, and looked in his room. His bed had not been, slept

in. There is certainly no indirection about Crocker, no introspective

uncertainty; he meets life as it presents itself, roughly and squarely.

On the whole, I find I like him much better than I expected. He is

really a companionable chap. He is not so eager to tell his troubles as

I had thought he would be. In fact, barring that one moment on the ship,

he has not even referred to them; and I myself drew that out by telling

him he was drinking too much.

Sir Robert came over and sat with me just now in the dining-room while I

finished my lunch. I cut the meal as short as I could. He was distinctly

affable. He asked point-blank where I am going, and I had to tell. It

seems that he is bound for Peking also, _via_ Shanghai and Nanking.

Fortunately, he announced his route before asking about mine. I decided

on the spot to go around by the Korean and Chinese Imperial Railways,

through Fusan, Mukden, and Shanhaikwan.

However, he perhaps did me a service by telling me of a pleasant little

French hotel at Peking, on the Italian _glacis_, whatever that is. The

big hotel in the Legation Quarter, he says, is rather expensive and at

this time of year will be swarming with tourists. The little _Hôtel

de Chine_, on the other hand, is frequented only by queer types of the

Coast, and is really very cheap.

“The _cuisine_,” said Sir Robert, “is atrocious. But, being French,

they serve excellent coffee, which does for breakfast and one can, in a

pinch, put together a fair luncheon there. For dinner, the _Wagon-lits_,

of course. Above all, make no experiments with the cellar of the _Hôtel

de Chine_. They will show you an imposing wine-card. Shun it!”

I merely bowed at this. It was no use telling Sir Robert that I should

certainly not know one alleged vintage from another.

There is one difficulty. Sir Robert himself, affecting a taste for the

quaint, will be stopping at our less pretentious hostelry; again, with

my eyes closed at night, I shall see that bad old face with the one

drooping eyelid; again that loose voice will sound in my ears. But then,

I shall be very busy.

Some one is knocking at my door. Crocker is calling.

Midnight--Still the 30th.

|CROCKER was in the worst shape I have seen him in so far. His eyes

were red. And when he dropped on my couch, the first thing he did was

to stretch out his right hand and watch it critically. It was decidedly

unsteady.

“Ring up a boy, old chap, will you?” he said. I did so. He ordered a

quart bottle of whisky and a half-dozen bottles of _Tan San_.

“Steady my nerves,” he observed, half to himself. “It's that dam'

_saké_. Gets to me like absinthe.” He chuckled. “I must have a quart of

the stuff in me. Some night, my boy!”

Curiously, a few drinks of the whisky did seem to steady his nerves.

After a while he came over to the table, sat down opposite me, and

lighted a cigar. We talked for an hour or two--until I finally explained

that I really had to get at my work. Then he returned to the sofa,

stretched out comfortably, with the whisky and an ash-tray on a chair

beside him, and watched me, with only an occasional good-natured

interruption.

He seemed greatly interested in my method of musical notation. Of

course, the ordinary staff of five lines would not serve me at all,

since I find it necessary to indicate intervals much closer ===than the

usual half-step. I use large sheets of paper, ruled from top to bottom

with fine lines, every sixteenth line being heavier. Thus I can record

intervals as fine as the sixteenth of a tone. In fact, as I told

Crocker, and as Rameau and von Stumbostel both recognize, _I have

actually done so!_ I undoubtedly possess the most delicate aural

perception of any scientist that has ever investigated the so-called

primitive music. My ears are to me what the eyes of the great astronomer

are to him. This is why all my contemporaries, particularly the great

von Stumbostel, are following my present inquiry with such extraordinary

interest.

It was six o'clock before I finished noting down the songs and _koto_

melodies from my records of the preceding evening. Crocker sipped

continuously at his whisky and _Tan San_--to my surprise, without the

slightest apparent ill effect. Perhaps he grew a little mellower, a

little more human, as the phrase runs, but that was all. When my work

was done, I drew a chair to the sofa, put my feet up, and encouraged him

to talk.

At a little after seven he went to his room to dress for dinner.

I scrubbed some of the ink off my fingers and slipped into my

dinner-jacket, then knocked at his door.

As we descended the wide stairs, I observed that Crocker was walking

down very rigidly, placing his foot squarely in the middle of each step.

On the landing he paused, and turned to me with a slight smile.

“Am I acting all right?” he asked.

“Perfectly. Why?”

“My boy,”--he lowered his voice,--“I'm drunk as a lord. But I reckon I

can get away with it. Come along.”

He really handled himself surprisingly well. I am not an expert, of

course, in the various psychological reactions from drink. I should have

said he was a little over-stimulated, nothing more. He kept away from

the bar, and at the table in the big dining-room drank very little--only

a cocktail and a light wine with the roast. And he discussed this with

me at the start, finally deciding that it would not be wise for him to

stop abruptly.

All went well until the dessert. There was quite a choice of items on

the bill. I ordered vanilla ice cream. I distinctly heard him order the

same. I recall wondering a little, at the moment; for surely vanilla

ice cream was not the most desirable addition to the various substances

already on his alcohol-poisoned stomach.

When the waiter set the dish before him, he astonished me with a sudden

outburst of anger.

“Good God!” he cried, quite loud, “am I to be treated like this! Has

nobody any regard for my feelings!”

Anthony the Absolute · 第 7 / 111 题