She clung to him. "Do you love me, my Basil?"

"How queer your voice sounds. Are you frightened?"

"No--no, indeed."

"Dear, you're not telling me----"

"It's nothing. Just a--a notion. There won't be so much of it next

time. And still less the next time. And soon I'll be quite

accustomed."

"Yes, I'm sure there's not the least danger," said he, wholly

misunderstanding.

*XXI*

One afternoon she was reading in the hammock on the balcony before the

upper sitting-room windows--the sitting room she shared with Helen and

Winchie. She heard some one in the room, glanced up--Richard was before

her. "Glad to find you alone," said he. "Do you realize it's several

weeks since we've exchanged so much as a single word in private?"

"Something wrong at the shop?"

"No. I came especially to talk with you. How'd you like to go away for

a week or so--to the sea or the mountains? We might take that trip

through the Great Lakes."

"I'll see."

"You've been working very hard down at the shop. And by the way, you've

caused an amazing improvement in Basil's work. He doesn't make those

stupid mistakes any more. He used to make them every day. Yes--you've

worked hard--and well."

She had no pleasure in these incredible compliments from Richard the

difficult to please in chemistry. It was too disquieting to have him

thus watchful and interested.

"Let's start at once," he proposed.

"Oh, I couldn't do that. I hesitate to leave here--when everything's at

its best. In the fall--or next winter----"

"I see you don't want to go--with me."

His tone compelled her to look at him. His eyes--grave, searching--were

fixed upon her. Instinct suddenly warned her of danger--what danger or

where she could not see, but the warning was imperative. "Indeed I do,"

protested she, with a deceptive show of interest, though her skin burned

as her fundamental and incurable honesty cried shame upon her--as it

always did when she, compelled by her circumstances, could not avoid the

lie direct. "But," she went on, "you can't expect a woman, with a

household like this on her mind, to drop everything and fly at a few

hours' notice."

He reflected, nodded. "That's true. Though, really, the servants are

so experienced they'd go on just as well. My dear old aunt was

thorough."

There was a little bitterness of hurt vanity in her smile of recognition

at this ancient notion of Richard's about her part in that household.

She felt that the _tete-a-tete_ had already lasted too long. "Was

Winchie in there?" she asked.

"I didn't see him," replied Dick.

She moved toward the nearest sitting-room window.

"What's the matter?" he cried, irritated. "Where are you going?"

"After Winchie. I haven't thought of him for an hour. Helen's away--at

the Foster picnic----"

"The boy's all right. Sit down here and----"

But she was gone. She did not slacken her speed until she was safely

clear of him. This new development of his threatened to become an

annoyance, thought she; however, it couldn't last much longer; she would

continue to keep out of his way; the laboratory would take hold of him

and she would be once more forgotten and free. Meanwhile, she would

avoid him.

And soon he did become once more absorbed, and resumed his accustomed

shadowy place in her life--seen yet not seen, heard yet not heard,

present yet absent; neither liked nor disliked, but unknown and

unheeded--the place of many and many a husband in a marriage that seems

happy and successful to the very servants in the household, to the

husband and wife themselves. One evening he abruptly left the table.

She saw, but did not note, his departure. When supper was over and she

and Helen and Basil strolled into the sitting room, Basil took advantage

of Helen's being apart to say to Courtney, "What's wrong with him?"

"I'm sure I don't know," replied she. "Nothing, I guess."

"Didn't you notice? He was staring furiously at you, and left in a

rage."

She shrugged her shoulders. That night she was in one of her reckless

moods, was nervous, excited, with eyes the more brilliant for the

circles round them. Richard appeared in the farthest of the long open

windows. He frowned at Basil, said sharply to his wife, "Courtney, I'd

like to speak to you out here a moment."

"It's chilly there," objected she. "Come in." And she went toward the

piano.

Dick entered. His long aristocratic face was stern and his eyes glowed

somberly. "Then let's go into the library," said he, in a tone so

positive that from him it sounded like a command.

She hesitated, reflectively caressing one slim tapering arm. "Very

well," said she, and passed into the hall, he standing formally aside at

the doorway. In the library, she faced him with eyes half closed and

chin thrust up and a little out. "Well?" she inquired.

As he looked at his sweet frivolous little child of a wife, his manner

softened toward that of one rebuking a child's trespass. "I want you to

go upstairs and wrap up your shoulders--or change your dress."

She glanced down. The bodice did not cover the upper curve of her

bosom, had no straps across the shoulders or on the arms. In the back,

it dipped almost to the waist line. She looked at him with a quizzical

expression. "I'm quite warm enough, thanks."

"You understand me," said he, more severely.

She gazed straight into his eyes before answering. "Yes, I do. But I

prefer to pretend not to."

"I've spoken to you about my wishes in this matter before. Do you know

what made me notice your--your nakedness? Pardon me for putting it that

way, but I see I must speak plainly."

Her face expressed faint, contemptuous indifference. "I cannot talk with

you. Your ideas of women ought to be buried in the grave with your

grandfather. I do not dictate the cut of your clothes. You will not

dictate mine." And she moved toward the door.

He put himself between. "I saw Gallatin looking at you with an

expression--" He made a gesture of rage--a quiet gesture but

significant. "I don't blame him. It's your fault. You've no right to

tease a man who can be nothing to you. I speak frankly because----"

"Gallatin has seen thousands of women in just such dress as this,"

interrupted she. It enraged her to hear her lover's feelings for her,

in which flesh was mere medium between spirit and spirit, thus leveled

to the carnality of his own passion. "You," she continued icily, "read

your own poisonous, provincial primness and--and vulgarity into his

look, no doubt."

"You are an innocent, pure-minded woman, Courtney," said Richard, with

more gentleness. "You follow a fashion, thinking of it only as a

fashion. I assure you, that sort of fashion is devised in Paris by

cocottes for the one purpose. If you knew men better, you'd appreciate

it."

She appreciated the penetration of this remark, puncturing the

pretentious haughtiness of her protest. She was surprised at his

reasoning so shrewdly about a matter she would not have suspected him of

having given a thought. But she must not let him interfere in her

personal affairs. "Whatever its origin," said she, "it's the

conventional fashion for women. I shall continue to wear it." And she

looked into his eyes pleasantly. Now, it struck her as amusing, the

anger of this alien, about the exhibition to others of what he regarded

as his own private and personal treasure. Just one stage removed from

the harem, such an idea as his. "And," she went on, aloud, "if your

satrapship commands me to wear a veil over my face and muffle my figure

in a loose black bag, I shall make the same reply. You can't realize

it, but the old-fashioned ideal of good, pure woman was really something

to be handled with tongs and disinfected."

"You're talking of things you, being a good woman, know nothing about."

"At any rate I know a mind that ought to be quarantined--when I smell

it." And she made a wry face and started to leave the room. When she

had got as far as the threshold, he cried, "Courtney!" and his tone told

her that he had caught sight of the reverse view of her costume--the

unimpeded display of slender dimpled shoulders and straight smooth back

almost to the waist line. She pretended not to hear, went on to the

sitting room. Yielding altogether now to the imp of the perverse, she

displaced Helen at the piano and sang the maddest, most melting love

songs she knew. Basil tried to keep to the far part of the room; but

gradually the enchantment compelled. Forgetting Richard--though he had

seen him glowering and fuming from the darkness of the veranda--he

leaned upon the end of the grand piano. His eyes were down, but his

burning face and his trembling fingers as he raised or lowered his

cigarette proclaimed how the deep passionate notes of her voice were

vibrating through him.

It was somewhat later than usual when she went upstairs. As she pressed

the button just inside her bedroom door and the light came on--a soft

pale violet light that seemed to permeate rather than to shine--she saw

Richard in the window. His back was toward her and he was smoking so

that the odor and the smoke would not come into the room. He threw the

cigarette over the balcony rail and turned. The instant she looked at

him, little as she knew of his character or noted his moods she saw she

had gone too far. But she held a calm, undaunted front. "How you

frightened me," said she, in a tone that had no fright in it. "I'm

horribly tired. I must stop eating desserts. They wear one out." She

stifled a yawn, took the small diamond sunburst from the front of her

waist and laid it on the bureau. She seemed all but unconscious of his

presence; in reality, by way of the bureau mirror, she was watching him

as a duelist an adversary. "I shall fall asleep before I can get into

bed."

"I shall detain you only a moment." His grave, exaggerated politeness

did not decrease her inward agitation. "I simply wish to tell you," he

went on, "that, as you seem determined to persist in your own mistaken

way, I shall be compelled to ask Gallatin to stay away from the house in

the evenings."

Her impulse was to smile disdain at the infantile futility of this. And

the smile did come to her lips, and lingered there to mask the feelings

that came surging with the second thought. For she instantly realized

how helpless she was. This man had no part in her life nor she in his;

yet he could impose his will upon her absolutely because he could take

Basil away from her--not merely for the unimportant evenings, but

altogether. He could make it impossible for Basil to remain--could do

it by a mere word to him. And she who fancied she had provided against

every possible contingency had never even thought of this, the most

obvious peril, and the greatest! Faint, she leaned upon the bureau,

spreading her arms so that she seemed to be merely at ease. "But why

tell _me_ about it?" said she to him. "Why didn't you simply say it to

him?" She smiled contemptuously. "And what will he think?"

Dick's calm vanished. "I don't care a damn what he thinks," he cried.

"At least, he'll not be sitting round watching you half dressed."

She drew herself up haughtily. "Good night," said she.

"I was out on the veranda," Dick rushed on. "I saw him. He forgot

Helen--forgot decency--honor--everything--and leaned there, giving

himself up to a debauch. Yes, to a debauch! And _you_ are responsible.

Not he--not at all. You, alone. At least, anger doesn't make me

unjust. And I will say too, you were innocent in the matter--like a

willful child. Good pure women don't appreciate----"

"But _I_ do," interrupted she. "I'm not the imbecile Aunt Eudosia sort

you admire so much."

"I tell you, the man's in love with you," cried Richard.

She all but staggered before the shock.

"Yes, in love with you. That's why he came back here."

As steadily and indifferently as she could contrive she went to the

sofa, seated herself. "Why, you yourself told me he was in love with

Helen."

"I was mistaken. How could he be in love with her, when you're about?

A man always takes to the best-looking woman."

She laughed with friendly conciliating coquetry. "I'm afraid you're

prejudiced."

"I saw it this evening. The way he was listening to those love songs!"

"Are you sure he was thinking of me?"

Richard did not answer.

"Perhaps Helen's equally sure he was thinking of her."

Under cover of the talk she--hardly knowing what she, or he, was

saying--darted this way and that, seeking an escape from the horror

closing in upon her. She felt like a hiding slave, hearing the distant

bay of the bloodhounds. How escape? How throw him off the scent? Was

there only the one way?

"No, he cares nothing about Helen," Richard was saying. And clear and

soft in his voice now was the note she dreaded. "At least, he didn't

this evening. How could he when you were there? Courtney, you simply

can't understand. You're modest and pure minded and innocent----"

"Then it was only this evening?" she interrupted. "I was hoping you had

real reason for flattering me."

"Flattering you!"

"Certainly. Wouldn't it flatter you if I were to tell you Helen was in

love with you? She's in love with somebody, by the way. It must be

you--how could she think of any other man when you were about?"

Dick half smiled.

"And I must begin to tear my hair and foam at the mouth, I suppose,"

continued she. She rose, stamped her foot, in melodramatic imitation of

jealous fury. "Helen shall keep to her room in the evenings! Do you

hear, sir? When I think of the times I've let you take her up to your

study--alone!--under pretense of working! You--with your shirt sleeves

rolled up and your collar open!"

"You silly child!" Dick was amused now.

"But I don't blame Helen. How could she help it--with you leading her

on----"

Dick laughed. "That's very shrewd," said he. "I own up. I guess I was

having a jealous fit. But you'd understand if you could see yourself as

I see you." And he clasped her.

"No--no!" she gasped.

Completely possessed by his mood he was too much the man to have the

power to see that her mood was different. Holding her tightly, he said:

"I do believe you acted that way this evening just to make me jealous.

I admit I seem neglectful. But I love you, just as I always did."

She was struggling to escape as strongly as she dared--more strongly

than her instinct of prudence approved--more strongly than her physical

self desired, for she realized with horror that his mood was hypnotizing

her will.

"Listen, dear," he said. "I've got a confession to make. While I was

raging up and down on the veranda, all sorts of devilish thoughts came

to me--suspicious----"

She ceased struggling.

"I got to thinking how long we've been living apart--and how, every time

I made advances, you seemed to evade----"

She felt herself growing cold. He must have felt it, too, for he

hastened on: "Please, little girl, don't get cross. I didn't _really_

suspect. I'm not so ridiculous. I know a good woman could no more be

false even in thought to her husband--than a nightingale could change

into a snake."

It was pounding, pounding at the walls of her brain that he was on the

very verge of the discovery; that unconsciously he was fighting against

a suspicion which too long-pent passion was thrusting at him ever more

pointedly. Another repulse, another jealous fit, and--five lives

overwhelmed in ruin.

She lay quiet in his arms.

In those next few days she was whimsical, capricious, fantastic.

Richard, once more wholly the man of science, was as unconscious as

mountain peak of storms in the valleys far below. Basil and the others,

but particularly Basil, watched her with a kind of dread. "I need a

change--in fact, I must have it," she announced at the supper table.

"Helen, let's go to Chicago and shop. The things in Wenona are hideous

this spring."

"I need a change too," Richard startled them all by saying, "I'll go

with you--and Helen can take care of the house and Basil--and Winchie,

if you'll leave him."

"I don't want to be left!" cried Winchie. "You wouldn't leave _me_,

mamma?"

Courtney did not hear. She was looking at Richard as if his words

jarred upon her savagely, goaded her to the verge of outburst. She had

been feeling toward her husband as she would have felt toward an

inanimate object which had bruised her when she by accident stumbled

heavily against it. She did not seek the source of this feeling, or let

it disclose itself to her. She simply felt so; and when he spoke of

going, it seemed as unthinkable that she should let him go as that she

should leave Winchie behind. When she had herself in hand, she said:

"This is a shopping trip. No men wanted or allowed."

"Not even _me_, mamma?" pleaded Winchie.

"Except you," said she.

And the two women and Winchie went the following day, to spend a busy

fortnight in the Chicago shops buying for all three and for the house.

As Courtney had limited means and exacting taste, the labor of shopping

was hard and tedious, especially in those vast modern stores. For there

the satisfaction of having everything under one roof is balanced by the

vexation of the search for the needle of just what one wants and can

afford through the mountainous haystack of what one does not want or

cannot afford. The toil almost prostrated the two women--and poor

Winchie who had to drag along since there was no one at the hotel to

whom Courtney would trust him. But she felt more than repaid, not so

much by her purchases, though she was on the whole content with them, as

by the complete change in her point of view.

The atmosphere of the city is wholly different from that of such a place

as Wenona. In Wenonas, the individual is important; the sky seems near,

and its awful problems of the eternal verities--life and death, right

and wrong--thrust at every one every moment of day and night. In a

city, the sky yields to brick and stone; men see each other, not the

universe; the eternal verities seem eternal bores, and life, of the day,

of the hour, tempts with its--"Since you are mere maggot in rotten

cheese--tiny maggot, one of billions--tremendous cheese--since you are

to die to-morrow and decay and be forgotten--since you can fret and

fritter all your years away over life and death, over right and wrong,

without getting a hair's width nearer solving them--why not perk

up--amuse yourself--do as little harm as is consistent with getting what

you need, and have all the fun there is going? Don't take yourself

solemnly!" The city's egotism is showy, but shallow; the country's,

hidden but profound.

Viewed from Chicago, all the beauty, all the possibilities of happiness

in her life in that lovely place on the shore of Wenona Lake stood out

as in the landscape of a master painter; and all that fretted and shamed

her and shot her joys with black thread of foreboding seemed the work of

her own tainted imagination. "I'm harming no one," she now argued.

"I'm free--Richard freed me when he made me realize I was to him not a

wife but simply a carnal incident. And I am helping to make life there

peaceful and even happy. The trouble with me is I'm still under the

blight of my early training--a training in how to die, not in how to

live. True, I do lead a double life. But how few human beings do not

lead double lives of one kind or another? And where am I worse than

thousands who long but have not courage or chance? Isn't it better to

live in deceit with a man one loves than to live in deceit with a man

one loathes?" If she and Basil were found out, they would be classed

with the rest of the vulgar intriguers. But that did not make them thus

low; it was not their fault that the world saw only coarseness for the

same sort of reason that a man in green spectacles saw everything green.

She came back as much improved in mental health as in dress--and

certainly the new clothes were a triumph. Also, her sense of

self-respect seemed to be restored--"and whether I'm right in my way of

looking at things or am deceiving myself, I'm certainly much the better

for feeling I'm right."

They brought part of the spoils of the city with them, but most of it

came by freight a week after their return. Courtney and Helen were

almost as excited as Winchie--and Winchie was quite beside himself--when

the great packing cases and crates were opened, and the treasures of

dresses and underclothes and "stunning" hats and fascinating shoes and

slippers and parasols and blouses, and the furniture and pictures came

into view from endless wrappings of paper and bagging and excelsior, of

boxes round and square, boxes small and large, boxes fancy and plain.

Everything, with not an exception, looked better than it had in the shop

when it was bought. "You are a wonderful shopper, Courtney. These

things seem as if they were made especially for us," Helen asserted.

And Winchie, literally pale with emotion, screamed, "Mamma Courtney,

let's go back and buy some more!"

For several days the agitation continued. Indeed, it was a month or

longer before the last ripples died away, and the normal calm was

restored. Helen had new clothes as well as Courtney--and never had she

looked so lovely. Winchie was the most stylish person of his age in all

that region. The Donaldson children had theretofore been disposed to

feel somewhat superior because they had a real imported French

governess; they now paid court to him and accepted his decisions about

games as reverently as a company of New York men accept the judgments of

any man with millions. And the new furniture and dishes, the new wall

paper, the new cooking utensils, the new contrivances for plants and for

cut flowers, some of which Courtney had had made from her own designs,

were as successful as the clothes. Also, Courtney--and Helen too--had,

through the stimulus of the city, a multitude of new ideas for house and

grounds and gardens. These they proceeded to carry out, Basil assisting

whenever he could get an afternoon away from the laboratory where

Richard had now buried himself, oblivious of her, of them all.

Altogether, May and June of that year made a new high-water mark of

happiness. And when Helen, going to Saint X to visit and display her

finery, returned in a self-complacent state of mind that indicated a

complete cure, a complete restoration of her old-time content, Courtney

felt as if the last cloud had disappeared from her horizon. Again and

again during those tranquil, sparkling days she told herself--and almost

believed--that at last her life was "settled right"--as nearly "right"

as a human life could be.

One night when she had an appointment with Basil she found Helen still

up as she was about to descend and admit him. Helen did not put out her

light until nearly three quarters of an hour after the time. When she

opened the lake-front door no one entered; not a sound. She looked out.

The veranda empty; the lawns dreaming undisturbed in the moonlight; wave

on wave of the heavy perfume of summer's flowers. But not anywhere

Basil. Her trembling ceased; she darted to the edge of the veranda,

everything forgotten but the supreme fact--he was gone. Gone! Why, she

could not doubt; for, from time to time she had seen in his eyes the

suspicion which, unjust though it was, she dared not discuss with him.

Where had he gone? She must know, must know at once.

She gave not a thought to leaving the house--the dangers that made it

impossible for them to meet at his apartment. She sped across the lawn,

along the path through the pale splendor of the east flower garden and

blossoming shrubbery, into the dark wood. And with her sped her old

enemy--the specter dread of losing him--the ghost so easily started from

its unquiet grave. She flitted on until she stood at the edge of the

clearing, with wildly beating heart, looking up at the solitary

building, gloomy in its creeper draperies. There was light from his

bedroom window. She gave a quick gasp of relief. At least he was still

within reach. The phantom beat of icy rains falling, falling ceased to

freeze her heart.

Panting from the tumult of her thoughts rather than from the run, she

knocked on the entrance door--knocked again, loudly--a third time--a

fourth. She was shaking from head to foot. No answer--none. She tried

the door; it yielded. She darted up the stairway, her body now fire and

now ice. He was in his bedroom door, was watching her. As the light

came from behind him she could not immediately see his expression; but

she felt it was dark and angry. She flung herself on his breast--"My

love--my love!" she sobbed.

His arms hung at his sides. He stood rigid.

"Basil! Put your arms round me. I'm cold--and so frightened."

He pushed her away.

She leaned against the door frame sobbing into her hands. Her long

plaits hung one over either shoulder. She looked like a child, a

broken-hearted child. "And you've been pretending to love me!"

"I do love you. That's the worst of it."

"Love!" She turned upon him passionately. "You call _that_--love? No

matter what I did, wouldn't you know I'd done it for our love's sake?

Yes, you know all that's I is yours--every thought--every heart throb."

She was sobbing again, her arm on the door frame, her face against it.

She was thinking how unsympathetic he was, how selfish and cruel--was

asking herself why she did not hate him, cast him out of her life. But

the very suggestion made her heartsick. Cast out him who was her life!

"I didn't mean it," he pleaded. "I was crazed with jealousy."

"Jealousy! Basil--Basil!"

"I can't help it. I'm human."

"But don't you know me? Oh, sweetheart--don't take from me all the

self-respect I've got."

He seated himself, stared doggedly at the floor. There was a long, a

heavy silence which he finally broke. "Courtney," he said, "we're both

going straight to hell." He looked sternly at her. "We've got to get

away from here."

She saw the resolve in his eyes, trembled, grew still. Then she

remonstrated gently, "You'd forbid me to treat Winchie so, if I wanted

to."

He continued to look straight and stern at her. "Either you go with me

or I go alone."

Her knees grew weak. The room swam before her eyes. The big wave in

the picture on the opposite wall swelled, lowered, seemed swooping down

on her. "Oh, no--you wouldn't do that," she murmured. "No--you

couldn't do that."

"I'll leave in the morning, unless you say you'll leave with me the day

after."

She watched him, relentless and utterly inconsiderate, and her anger

rose. "You've no right to go!" she cried.

"I must," he replied. "Do you mean to say you'll let me leave without

you?"

"Yes--if you'd do it," replied she. "But you wouldn't. You'd not leave

me to bear the whole burden alone. You'd not be a coward."

His florid face became crimson. He fought for self-control, gave up the

hopeless struggle, flung himself down beside her. "I can't go--I

can't," he cried. "But--how can I stay? It's dragging us down--down."

He was almost weeping. "Courtney, you must see it's dragging us down."

For the first time she had the sense of strength in herself greater than

his, of weakness in him. She caressed his fair hair tenderly. "It's

only a mood, dearest--only a mood. It'll pass--and we'll help each

other, and be strong. We'll look forward to the end of this. For, in a

few years Winchie'll be off to school. Then--I shall be free to make my

own life. I'll go away to visit--stay on and on--and gradually----"

"You must promise you will not live with him."

"I will do my best. But--I must protect Winchie--and us."

He grew red, then pale, was silent for a time. Then he said

irritatedly, weakly, "But don't you see what a position it puts _me_

in!"

"And me?" She said it very quietly, with a certain restrained pathos.

But he sat glum and moody, thinking of his own plight.

He roused himself. "All right," he cried, in a tone of contempt--for

himself and for her. He embraced her with a kind of insolent

familiarity. "Then I'll stay. If I went, I'd only come sneaking back.

I'm no longer a man. I'm a slave to you." And he held her at arms

length and eyed her with an expression that told her he was making

inventory of her charms.

"Please don't talk that way," she begged, offended and wounded by that

expression in his eyes more than she dared admit to herself. "I know

you don't mean it. I know you--love. I know----"

"Love--let's only talk of love," he interrupted.

She fell to wondering whether, when they were together in the dark, his

unseen eyes had this look--and why it made his words and his caresses

seem so different from the words and caresses of the darkness. She had

never thought of it before; she hated to learn it then--just then; but

she could not push away the monstrous truth that love and lust have the

same vocabulary, the same gestures, the same tones, differ only in their

eyes.

"What are you thinking about so solemnly?" he asked.

"I wasn't thinking solemnly," she protested with a hastily forced smile.

"I was simply remembering how rarely we've been together alone--really

alone--except in the dark, for a long long time."

"It's good to be able to see you," said he, and she felt like hiding in

shame from his eyes. "You streamer of flame that's burning up my soul."

Her lips echoed his laugh. "What nonsense," she said.

"It's the truth," declared he. "But--burn on! I can't live without

it."

The smile left her lips--it had not been in her eyes. "If I thought

you----"

He stopped her mouth with a kiss. "Only love!" he commanded. "No

thought."

"That's right," she cried eagerly. "No thought! Just feeling--just

love. We must not think. It's the cause of our unhappiness."

And she tried to be as good as her word. "I do love him, and he loves

me," she rebuked herself. "I'm unstrung--hysterical--full of crazy

fancies. I mustn't--_mustn't_--fret at his way of loving. I must always

think, 'What would become of me if I lost him?'" And she pretended to

be in his mood; for the sake of a passion that had been, she simulated a

passion that was not.

*XXII*

Masculine moral struggle is usually noisier than feminine--unless the

woman is seeking to impress some man, before yielding of her own free

will what she wishes him to fancy his superior charm and force and

subtlety are conquering. Thus, woman being by nature freer from the

footless kinds of hypocrisy than man, it was only in the regular order

that while Courtney quietly accepted the situation and conformed to it,

Basil should accept it with much moral bluster. He accused now his own

wickedness, now the wickedness of destiny, and again woman's sinful

charms. Still, the masculine conscience no less than the feminine is

bred to be an ultimately accommodating chaperon; and Basil's conscience

would soon have gone to sleep had it not been kept awake and feverish by

a contrasting presence. That contrast was Helen's virginal beauty and

virginal purity--both of which fascinated his overstimulated and

degenerating imagination.

Helen was, as Courtney had said, a girl of the old-fashioned type. This

does not mean that she was a rare survival of an extinct type, but

simply that she was the girl of yesterday as distinguished from the girl

of to-morrow, and from the girl that is partly of yesterday, partly of

to-morrow--all three of whom we have with us in this transitional

to-day. Helen had by inheritance and training all woman's ancient

instincts to be a possessed and protected property. These instincts

originated in the necessities and the ignorance of former societies; but

they are cultivated and clung to because masculine vanity dotes on the

superior attitude, and because the female very humanly finds it more

comfortable to be looked after than to look after herself, to have her

thinking done for her than to think for herself, to be supported than to

support herself, to be strong through weakness than to be strong through

strength. The male wants to pose as master. The female yields, since

the usual cost to her is merely putting up with airs of superiority at

which she can secretly laugh; at worst, the cost is only that intangible

thing, self-respect. So, why not? Self-respect is purely subjective,

unseen. It provides no comforts or luxuries. Lack of it attracts no

attention in a world that sees only surfaces. So, why not sacrifice it,

when it becomes inconvenient? Men do. Why shouldn't women?

Helen had no desire to be of full human stature--to be free. She wished

to be a "true woman," meek servant of a lord and master, and never under

the painful necessity of taking responsible thought for herself. Having

no capacity or desire for comradeship with men, she denounced it as

unwomanly. Her physical virtue--"purity," she called it--she regarded

as her chief glory. She was glad it was still woman's chief asset in

the struggle for existence; for, she could not help knowing she had

beauty, and it is beauty that makes virtue valuable, though of course

beauty adds nothing to its glory.

Helen certainly had beauty, nearly as great beauty as she imagined in

that heart of hearts where our vanity feels free to spread its tail to

the last gaudy feather and to strut as no peacock or gobbler ever dared.

Her skin was white as milk, her features were classically regular, and

she was now a shade taller than Basil, could almost look level-eyed at

Richard. Her dark hair was commonplace in color and texture, was rather

short, did not grow especially well about her brow or behind the ears;

but it was thick and abundant, and the brow and the ears were charming

in themselves. Thanks to Courtney's skill in devising a corset, the

defect of waist too close to bust was no longer conspicuous. She had

sound teeth, good arms and legs, narrow hands and feet. Her large brown

eyes were of the kind that has been regarded as ideal for woman from the

days of Homer singing the ox-eyed Juno, down to our own day when

intelligence is trying to get a place among feminine virtues and the

look of intelligence among feminine beauties. She had learned from

Courtney--who knew--a great deal about dress--dress that all women talk,

but only the rare exceptional woman knows.

Also, she had from her a practical training for what she regarded as

woman's only sphere, the home. Courtney had taught her how to keep

house with comfort, order and system. As Courtney had none of the

teacher's vanity but used the method of suggestion, she fancied she had

learned and was learning from herself; the more so, since she in

defiance of daily experience could not credit a woman of Courtney's

lively and, because light, undoubtedly thoughtless and careless

temperament, with enough seriousness to be a good housekeeper. Helen

there showed herself about on a level with the human average; for all

but incredible is the stupidity of our misjudgments and mismeasurements

of our fellow beings. There was not in her the capacity to reflect who

thought out the new ideas that were constantly being put into effect,

who told her what to do and who quietly and tactfully saw that she did

it.

The most obvious improvement in Helen was through her unconsciously

acting on Courtney's advice of delicately veiled suggestion and dropping

the culture pose. She was now patterning upon Courtney's naturalness so

far as she could. She had the handicap of an ingrained and incurable

passion for those innocuous little tricks of manner with the men; also,

she was greatly hindered by a conventional assortment of the so-called

"lofty ideals." Still, she was letting much of her own natural

personality appear. She was only slightly exaggerating her bent toward

sweetness and sympathy. She was not quite so strenuous in advocacy of

fine old-fashioned womanliness--heart without mind, purity that is mere

strait jacketed carnality; virtue that, when it yields, makes lofty

pretense of yielding only in reluctant tolerance of man's coarseness and

of nature's shameful way of reproducing. At Tecumseh, when Dr. Madelene

Ranger delivered a course of lectures on the profession all young women

are candidates for--that is, on matrimony--to the girls of the senior

class of the college of liberal arts, Helen was one of those who refused

to attend and signed the--unheeded--protest to the faculty. She was no

longer so proud of this as she had been, although she still thought she

had done what ought to be right though it rather seemed foolish.

But the greatest improvement of all in Helen was the subtlest. She had

come there, expecting to be a dependent, feeling and, in a sweet refined

way, acting like the poor relation, harbored on sufferance. Women,

trained from the outset to be dependents, easily degenerate into

sycophants, like men who have always looked to others for employment and

have lost self-confidence if they ever had it. But lack of

self-reliance, a vice in a man, is regarded as a virtue in a woman; so,

women have absolutely no restraint upon their abandoning even the forms

of self-respect, once they get in the way of degenerating. Thus,

Helen's relations with Courtney might easily have become what is usually

seen where there is intimacy between a poor woman and a woman of means.

But Courtney--not deliberately but with the unconsciousness of large

natures--made this degradation impossible. It was not merely that Helen

had not been made to feel a dependent; it was more--far more. It was

that she had been made to feel independent, more independent than

Courtney herself felt. And this fine feeling, this erectness of spirit,

permeated to every part of her character, would have made a

full-statured human being of her, had she had the mentality to shake off

her early training as mere conventional female.

Richard frankly declared her an ideal woman; Basil secretly agreed with

him. Helen became the constant reminder of his lost honor, of the

heaven he had given up for the forbidden delights. He reveled in

Courtney the tempest; but during the lulls his eyes turned yearningly to

Helen, the serene and pure calm. Courtney represented sinful excess,

Helen righteous restraint. Courtney's was love the devastator; a love

for Helen would be love the uplifter. He wanted Courtney; he felt that

Helen was what he ought to want. And in the lulls, with passion

exhausted and needing the stimulus of contrast--he sometimes fancied

that, if he could somehow contrive to assert his manhood and escape from

slavery to Courtney, he would be happy with Helen, and once more noble

and good. Like many another, he flattered himself that he had an

aspiration to a better life when in reality he was making pretense of

virtuous longing merely to whet his appetite for vice. He shut his eyes

to the obvious but rarely seen--or, rather, rarely admitted--truth that

a man is as he does, not as he pretends or dreams.

Before finally and fully condemning Basil--or Courtney or anyone--for

anything he or she may have done contrary to our views of propriety and

morality, it would be well to reflect upon the true nature of

conscience--to which Basil and Courtney and all of us habitually refer

all moral questions for settlement. As we grow older we are awed or

amused rather than shocked--and, unless we have lived as the moles and

the earthworms, are not astonished at all--by the wondrous ways in which

our conscience adjusts itself to necessity--or to what overwhelming

inclination makes us believe to be necessity. But in unanalytic youth

such adjustments take place unconsciously to ourselves; the mind, in the

parts of itself hidden from us, concocts the proof positive that what we

desire is necessary and right; all we are conscious of is that we

suddenly have the mandate of necessity and the godspeed of conscience.

Thus, conscience in youth can be as flexible as occasion may require,

yet can, without hypocrisy, be for the conduct of others a very Draco of

a lawgiver, a very Brutus of a judge. This, in youth only. But-- How

many of us ever do grow up?

The free-and-easy mode of life at the house made it impossible for any

two to be alone, except by stealth, without everyone's knowing it. As a

man who since early youth had led the "man sort of life" he was

thoroughly used to associating the idea stealth with the relations of

men and women. However, flexible though conventional "honor" is, he had

misgivings about bending it to the requirements of desire in this

particular case. But as his longing for such a moral invigorator as

Helen's innocent purity grew in intensity, he began deliberately to

revolve contriving to see her alone again, and by stealth. His first

success was accidental--callers occupying Courtney when he came seeking

her. As he turned away from the house he spied Helen, seated under a

maple tree sewing near where Winchie and the older Donaldson boy were

playing ball. She colored faintly when he dropped to the grass near her

and lit a cigarette. He so placed himself that he commanded all

approaches from the house and could not be taken by surprise. "Why is

it," he began, "that I don't see you at all any more--except at the

table?"

The fact that he did not pursue when she began to avoid had disappointed

her keenly. But it had given her a better opinion of him. It

showed--so she told herself, perhaps by way of consolation to

vanity--that however bad he might be he yet had redeeming reverence for

purity. But she had long been weary of the dutiful struggle against his

charm of the worldly and the rich for her the unworldly and the poor.

So, her manner was not wholly discouraging as she said, in reply to his

respectfully regretful question, "I've been very much occupied."

He watched her swift white fingers a while, then stared gloomily out

toward the lake. She stole a pitying glance at him. "Poor fellow!"

thought she. "He's suffering terribly to-day. That dreadful woman!

How could Courtney, generous though she is, defend a creature who is

simply wrecking his life?" As she had kept close watch on him all these

months, these signs of his sufferings were not new to her. But never

had she seen them so movingly plain. "Poor fellow!" thought she.

Presently he said: "Won't you talk to me? I feel like a--a damned soul

to-day."

Helen thrilled. He looked so distinguished, was so elegantly dressed in

his simple manly way, had that gloss, that sheen, which marks all the

kinds and conditions of anglers for the opposite sex. "What shall I

talk about?" she asked.

Her sympathetic smile, showing her excellent teeth and lighting up her

dark eyes, changed for him her common-place query into a stimulating

exhibit of depth of soul. "Anything--anything," he said. "You've got

such an honest, sweet voice that whatever you say makes one feel

better."

"What is troubling you?"

"Oh, I don't want to talk about myself."

But her instinct told her he had brought his stained soul to

confessional. "It might help you," she suggested, blushing at her own

boldness.

He looked gratefully at her and away. "It seems to me," said he,

"you've been avoiding me. Is it so?"

Helen bent her head low over her work.

"I suppose it was instinctive," he went on. "To you, I'd seem--

Sometimes I feel that, if you and I had kept on with those talks we were

having last spring, things would have been different with me. However,

it's too late now."

Helen's eyes filled. "Oh, no. It's never too late," said she.

He sighed and rose--Courtney was coming toward them. Helen took no part

in the conversation that followed. She was pondering the few

meaningless and youthful phrases he had uttered as if they were

freighted with wisdom and destiny. And she continued to ponder them

after he and Courtney and Winchie went away for a drive to Wenona. The

more meaningless a thing is, the more food for thought to those

incapable of thinking. When it is clear, it is grasped at once and the

incident closes; but let it have no meaning at all, and lives will be

devoted to cogitating upon it, and library shelves will groan with tomes

of exegesis. Helen found in Basil's words what she wished to find--found

a plain mandate of duty to help him. He couldn't be so very

bad--probably not so bad as Richard was in his bachelor days, before

chemistry and Courtney calmed him. And look at Richard now!

She did not know the very particular dangers for Basil in drink. But

she saw that he was taking a great deal more whisky and water than

formerly, and she felt that it had to do with his obviously desperate

depression. Her one chance to see him, she knew, was when Courtney was

occupied; for, had she not led Courtney to think that she did not wish

to be left alone with him ever? She decided it was best not to tell

Courtney she had changed her mind--somewhat--about him; Courtney would

misjudge, would think her careless about principle, weak,

love-sick--worst of all, would probably advise against her talking with

him. Thus it came to pass that when Courtney was safely occupied--with

callers, with Winchie, at sewing or painting or dressing--Helen put

herself oftener and oftener in such a position that Basil could find her

if he chose. She did not dream that he also wished to be stealthy; she

thought the stealth was all on her own side--and he, seeing this, soon

pretended to himself that he thought so, too, and had not the slightest

sense of guilt toward Courtney. It did not take him long to find a

satisfying explanation for Helen's aversion to having it known that they

met alone; here, decided he, was another evidence of her modesty, her

delicate sensitiveness of the good woman who can't bear being talked

about lightly--and, if they talked alone where others could see, there

would surely be joking and teasing and gossiping.

Once more habit gave illustration of its subtle grasping of ever more

and more power. Before either was aware of it, they were meeting

clandestinely with clocklike regularity. And Helen's life filled with

sunshine of the most delicious warmth and sparkle. And Basil, keeping

steadily on at his drinking, and never relaxing in his devotion to the

sweet sin of which Courtney was the scarlet altar, reveled in those

agonies of a sense of utter depravity that are about the only charm of

wickedness. "I am not fit to live," reflected he with comfortable

gloom, as he sat in his apartment alone drinking after an afternoon with

Helen and a late evening with Courtney. Here was excellent excuse for

drinking and gloriously damning himself. He did not go to bed until he

had finished the bottle and the last cigarette in the big silver box on

his table. Also, between spasms of self-damning he had contrived to

finish a novel of intrigue that had as its villain-hero just such a

devil of a fellow as he felt he himself was--or was in delightful danger

of becoming.

How it ever befell he never could remember. But the day came when he,

sitting with Helen in the summerhouse--the summerhouse!--found himself

holding her hand. He stared at the pretty white hand, large and capable

yet feminine in every curve. He noted that it was lying contentedly,

confidingly upon the brown of his palm. He lifted his dazed eyes. Her

lashes were down, her cheeks overspread with delicate color; her bosom,

like a young Juno's, rose and fell with agitated irregularity. It was

not poisonous mock morality, it was the decent human man underneath,

that sent an honestly horrified "Good God!" to his lips. He laid her

hand gently in her lap, stood up, thrust his hands deep into his

trousers pockets. His face was red with real shame.

"I've often told you," said he, "that I'm no fit companion for a pure

woman--that my life's ruined past redeeming----"

"Don't say those things," she implored. "They hurt me--and they're not

so. I know _you_."

"Past redeeming," he repeated. "It's the God's truth. I must keep away

from you. I've no right to see you--to care for you--to tempt you to

care for me. I can't tell you--but if you knew, you'd loathe me as I

loathe myself."

"Do you--do you--" Her voice faltered. But she had wrought herself up

to such a romantic pitch about him, and his earnestness was so

terrifying and so real to her, that she dared to go on--"Do you care for

some one else?" And she looked at him in all the beauty of her romance.

"I don't know--I don't know," he answered, in great agitation--physical,

though he of course fancied it moral. "Not with the love I might have

given a pure woman, if fate and my own vile weakness hadn't conspired to

ruin me.... What am I saying? I can't talk to you about it. Think me as

bad as your imagination can picture--and I'm worse still."

She gave a low wail that came straight from her honest romantic young

heart and went straight to his heart. He sat beside her, took her hand.

"Be merciful to me," he begged. "At least I'm not so bad that I don't

know goodness when I see it. And you'll always be the ideal of goodness

in my eyes--all I once sought in love--all I once deluded myself into

believing I had won."

She thrilled. Those words made her feel that he belonged to _her_. She

laid her other hand on his. "Basil," she appealed, "you are young, and

brave, and noble. You can free yourself--save yourself----"

He drew away, went to the rail of the pavilion, seated himself there.

"No," he said. "I'm past saving. And--we must not meet any more."

"Why?" she asked.

"Because--I am not free--and never shall be."

"Is that true?" Her eyes looked loving incredulity.

"I am more tightly bound--by honor and by--by habit--than if I were

married."

She gave a long sigh--of despair, she thought, but in reality of hope,

for, at least he was free. Marriage was the only real bond. As for

honor--what honor could there be in any tie not sanctioned by religion

and society?

"What a cur I am!" he exclaimed, put to shame by her sigh and her

forlorn expression.

"Please don't!" she begged. "I understand--as far as a girl could

understand such a thing. And I know it's not your fault. And--even if

we can't be anything more to each other, still I'm not sorry we've had

what we've had. I'm--I'm--glad!"

He felt the glory of her purity beaming upon him like heaven's light on

the bleak, black-hot peaks of hell. He longed to linger, and talk on

and on; but his sense of honor had reached the limit of its endurance

for that day. Without touching her hand he said good-by as if they were

never to see each other again and went as if his heart were broken.

Thenceforth Helen let her longing for romance centre in him without

concealing the fact from herself--or from him. And her castle-building

had an energy it would never have had, if she had not imagined she felt

it was hopeless. Nothing so dynamic as the hopelessness that hopes.

Believing that he loved her, that she was his one chance of redemption,

she continued to give painstaking attention to her toilet, to refresh

her memory of those of his favorite poets with whom she was acquainted,

to learn lines from those she knew less well, and to put herself in his

way--always without forwardness. And he continued to drift--held fast

to Courtney with senses so enchained that he would have fought against

release like an opium fiend for his drug; fascinated also by the woman

he could dream he ought to have loved, and might have loved. Two

restraints he laid sternly upon himself. Not to talk of love in a

_tete-a-tete_ with a woman--that would be impossible. But he would see

that the talk was kept to the general, that it never adventured the

particular. Also, he would never again so much as touch Helen's hand

when they were alone. Were he bred to be as expert at moral truth as at

moral sham, he might have found a key to his true state of soul in the

tantalization this self-restraint caused him to suffer. There were

times when her physical contrast to Courtney was as alluring to his

keyed-up, supersensitized nerves as was her moral contrast to his morbid

moral sense. If he had had the intelligence and concentration necessary

to candid self-analysis, he would have been startled--perhaps

benefited--by the discovery that he was in the way to become one of

those libertines who in all sincerity teach prayers to the innocence

they are plotting to debauch.

And all the time he was drinking more and more deeply--not for the moral

reasons he fancied, but for the practical physical reason that a

disordered nervous system craves the stimulants that will further

aggravate its disorder. Helen's father had carried his liquor badly; a

little was enough to upset him a great deal. Basil was one of those men

who are able to drink heavily without showing it, even to the most

watchful eyes. Often, when she had not the faintest suspicion he was in

liquor, he was in fact so far gone that he had to keep his surface

preternaturally solemn in order to conceal the disorder of his mind.

The day did not long delay when, under the influence of drink, he

suddenly seized her and kissed her. She did not resist; but the shock

of the contact, instead of inflaming him, instantly restored him to his

senses. He was conscience-stricken; also he saw the impossible

complications he was precipitating. In shame and fright--in fright more

than shame--he fled from her presence.

So far as outward effect is concerned, the action is everything, the

motive nothing. But so far as inward effect is concerned, the action is

nothing, the motive everything. In action Basil and Courtney were

essentially the same--equal partners in intrigue. But her motive of

seeking strength through love availed to hold her steady, even to lift

her up; while his motive of sensuality ever less and less refined and

redeemed by love was thrusting him down and down.

*XXIII*

Richard and Courtney were walking up from the laboratory together. In

his abrupt fashion Richard broke the silence with: "I wonder if it isn't

Helen that's hanging back and not Gallatin. She's innocent as a baby,

but her experience with her father must have taught her about that one

thing."

"What one thing?" asked Courtney, startled out of her abstraction.

"Drinking. Helen must have noticed how Gallatin's mopping it up these

days."

"Nonsense," said Courtney sharply. She was much irritated--as human

beings are extremely apt to be, when some matter they are making

determined efforts to ignore is forced on their attention.

"He was so drunk this morning that he had to go out and take the air.

That's what made me think of it."

Drunk! She winced at that bald revolting word. She flamed at what she

tried to think was an injustice. "This morning?" cried she. "Why,

that's absurd. I'd have noticed it."

"You're another innocent. He carries a package well--always did."

There Richard laughed at memories of his and Gallatin's "wild-oats" days

of which he fancied Courtney knew nothing--and he would have been

panic-stricken had he thought there was danger of her finding out about

them. "Yes," he went on, "Gallatin's been going some for several weeks

now. But this daytime drinking is a new development."

"I'm sure you're mistaken," said Courtney, her irritation showing in her

color now. "You both drink at supper."

"He about six to my two. I never take more than two. And every once in

a while I see Jimmie or Bill carrying a case of bottles to or from his

apartments. I can understand a boy's doing that sort of thing. A boy

wants to try everything. But how a grown man can keep on at it is

beyond me. Still, he hasn't much mind. He never says or thinks

anything he hasn't got from somebody else. But--women'd never notice

that." This last sentence half to himself, not at all for her hearing.

Courtney was all a-quiver with anger. For, his shrewd observation on

Basil's mentality compelled her to admit to herself another truth,

indeed a whole swarm of truths, she had been hiding from herself--how

Basil's conversation, when they were all together and the subject was

necessarily other than love, no longer seemed brilliant or especially

interesting even; how at the shop he made an extremely poor showing, was

now pupil, and rather backward pupil, to her who almost daily had to

cover up his blunders; how in helping her with the gardening he never

went beyond either approving her ideas or offering suggestions already

stated in the books; how she was constantly coming across things she had

thought original with him only because she happened not to have read the

books that contained them or to have known the phase of life in which

they were familiar commonplaces. Angry though an untruth about anyone

or anything we love makes us, that anger is as equanimity itself beside

the anger roused by a disagreeable truth.

As they neared the house she quickened her pace, hurrying not so much

from Richard as from her own thoughts--the thoughts his words had

startled from unexpected lurking places as a sudden light sets bats to

whirling. Courtney was loyal through and through; also, she clung to

Basil like a shipwrecked sailor to a life raft. The stronger the waves

of adverse destiny or of doubt, the fiercer she clung to her life raft.

In face of the clearest proof from without against Basil, she would have

shut her eyes and held fast to him. Yet with devilish malice and

merciless persistence circumstances were now constantly taking her blind

resolute loyalty by surprise and forcing upon her exhibitions of him as

a shallow and sensual person. A proud, intelligent woman's love could

reconcile itself to either of these--to a shallow man whose passion was

simply symbol of deep and sincere love; or, to a sensual man whose

grossness was the coarse rich soil that sent up and nourished high

intelligence, fascinating and compelling. But no woman worth while as a

human being could continue to love a shallow man treating her as mere

"symbol of the sensual side of life" because he was incapable of

appreciating any but physical qualities, and then simply as physical

qualities.

It was with a heart defiantly loving, defiantly loyal, that she met

Basil at eleven that night to admit him. He had not appeared either at

the house or at the laboratory during the afternoon or for supper or

afterwards. So, she had not seen him since Richard's "attack on him

behind his back"--for, she had succeeded in convincing herself that

Richard's accusations were an outcropping of prejudice against him. She

felt humble toward him because she had listened without bursting out in

his defense--this, though to defend would have been the height of stupid

imprudence. As he entered the door she softly opened, he lurched against

her, stumbled over the rug, saved himself by catching hold of her and

almost bringing her down. A wave of suspicion, of sickening fear and

repulsion shuddered through her. But she frowned herself down, took him

firmly by the arm.

"Be careful," she whispered. "The floor was polished only yesterday."

He mumbled something affectionate and without waiting for her to close

the door, embraced her. From him exhaled the powerful odor of mixed

tobacco and whisky that proclaims the drunken man to the most

inexperienced, to those blindest of the blind--the blind who dare not

see. She gently released herself. Several times of late he had come to

her in almost this condition; she had forced herself to deny, to excuse,

to minimize. Now, however, it was impossible for her to risk admitting

him; and also, she suddenly realized she had reached the breaking point

of her courage to keep up her self-deception. "You must go at once,"

she said.

"Why?" he demanded in a hoarse whisper. His befuddled mind reverted to

Helen as if Courtney knew about her. "What right have you got to be

jealous, if I'm not?"

She did not puzzle over this remark. "Basil, you must go at once

because you've been drinking too much." The danger was too imminent to

be trifled with in diplomatic phrases.

He stood, swaying unsteadily, his head hanging. "If you think so--" he

muttered.

She urged him gently toward the door.

"I--I beg your pardon," he mumbled. "I--I guess you're right."

He backed two steps. As soon as he was clear of the door she closed and

locked it. Slowly she went upstairs, dropped wearily into bed. She lay

quiet a few minutes, staring at the arc of the night lamp. Then on an

impulse from an instinct that could not be disobeyed, she rose, took a

dark dressing gown, wrapped it round her. She glided along the hall,

descended the stairs, opened the lake-front door. Closing it behind

her, she stood at the edge of the veranda. The sky was black; a few

drops of rain were falling. She made an effort, ran down the steps,

hurried across the lawn and along the path to the Smoke House. The

entrance door to the apartment stairway was open. She hesitated, slowly

ascended. He did not appear at the sound of her steps. His bedroom

door was open. She glanced in. His bed was turned down, his pajamas

lay ready upon the folded-over covers. But he was not there. She went

on to the door of his sitting room. It too was open. At the table desk

and facing the door he sat, half-collapsed on the chair, one hand round

a tall glass of whisky and water, the bottle and a carafe at his elbow.

Though her mind was on him, her eyes took in and forced upon her every

tiny detail of the room; she had made it over that his surroundings

might always remind him of her. He lifted his heavy head, blinked

stupidly at her. She noted his face with the same morbid acuteness to

detail--his swollen eyes, his puffy lips, the veins in his forehead, his

brows knitted in a foolishly solemn expression. Never had he seemed so

homely, since her first glance at him when he came there a stranger.

After a moment of dazed sodden staring at her, he remembered his

manners, rose not without difficulty and stood, stiff and unsteadily

swaying. "Give me some of the whisky," said she, advancing. "I feel

sort of queer." She dropped to the chair he had just left and took up

his glass. "May I have your drink?" she asked, and without waiting for a

reply drank eagerly. Color returned to her cheeks, and her eyes became

less heavy and dull. "I'm better--very much better," she declared, as

she set the glass down empty.

He had seated himself lumpishly on the sofa. They remained silent,

gazing out through the open window into the darkness and hearing the

soothing musical plash of rain on lake. In upon them poured a freshness

rather than a breeze and the pleasant odor of drenching foliage. "As I

lay there thinking," she said presently, "it came to me that I mustn't

let this night pass without seeing you and making it smooth and straight

between us."

The shock of her appearing had for the moment beaten down his

intoxication. It was now boiling up again, heating his nerves and his

imagination, though he seemed sober and self-possessed. "All right,"

said he. "I know you didn't mean to insult me, and I'll forget it."

She gazed quickly at him in amazement, started to speak, checked

herself.

"But I want to tell you," he went on, his tone and gestures

forcible-feeble, "I want to tell you this business of my being shut out

has got to stop. You must arrange for Vaughan to come down here to

live, and for me to take his rooms up at the house."

This demand seemed to her as utterly unlike him as the dictatorial tone

in which it was made. To condemn him--no, more--not to love him the

more tenderly--because he was in this mood of distracted desperation

would be unworthy of the love she professed. She crushed down her sense

of repulsion, went to him, laid her cheek against his hair. "My love,"

she murmured. "We mustn't ever forget that we have only each other.

We'll never let any misunderstanding come between us, no matter how blue

we get." And she turned his head and kissed him.

With an intoxicated man's fickleness, he switched abruptly from anger to

sentiment. His eyes became moist and shiny. A sensual drunken smile

played round his heavy mouth. She saw though she was trying hard not to

see. He reached round and drew her toward his lap. She gently resisted,

while she was nerving herself to submit--would it not be a very poor

sort of love that would let itself be chilled by a mood--a mood in which

all love's warmth, all love's gentleness were needed as they are not

needed when everything is pleasant and easy?

The tears of self-pity welled into his eyes. "God, how low I've sunk!"

He got himself on his uncertain legs, arranged his features into a

caricature of an expression of dignified command. "I want you to send

Helen--Miss March--away," he said, waving his finger at her. "She's a

pure woman. She mustn't be contaminated."

She gazed at him in horror. "Basil!" she gasped.

"Yes--I mean it. Oh, you understand. I'm not fit to 'sociate with

her--and neither are you."

With a wild cry, she turned to fly. He lurched forward, caught her by

the arm. "But we're just about fit for each other," he said. "And

that's the truth--if I am drunk." He nodded at her. "I should say,

'That's the truth _because_ I am drunk.' It's giving me the courage to

speak out a few things that've been gnawing at my insides for weeks."

And his fingers clasped her arm like steel nippers.

"Basil! You're hurting me."

"That's what I feel like doing." And in his eyes as in his fingers

there was revealed the sheer sensual ferocity that drink had freed of

the shame which at other times held it in restraint.

She hung her head. In a low voice she stammered, "You're making me feel

there isn't any love for me anywhere in your heart."

"Love?" he said, swaying to and fro and opening and closing his eyes

stupidly. "Love. Oh, yes there is. Yes, indeed. Sometimes I think

not, but it isn't so. It's because I love you that I go crazy at the

thought that I'm sharing you."

"_Sharing me!_" She wrenched herself free, put her arm over her eyes as

if she could thus hide from herself the sight of his soul which in

drunken abandon he had completely unmasked.

"Don't be frightened," he maundered on. "I'm a man of honor--'honor

rooted in dishonor' as Tennyson says. I'll not go. I'll submit to

it--all right. Love gives a man a stomach for anything."

She wished to fly, but her legs would not carry her. She had to

stay--and listen.

"How I've been dragged down! How a woman can drag a man down! Not

Helen--no--she's an angel. But those good women never are as

fascinating as you others.... Love?" He beamed upon her like a drunken

satyr. "Let's love and be happy. To hell with everything but love."

As she listened and looked she, for the first time since they had been

lovers, felt that she had sinned--had sinned without justification. The

judgment of guilt dazzled and stunned her as the sun's full light eyes

from which the scales have just fallen. She stood paralyzed, yet

wondering how she could remain erect under the weight of her

vileness--for, her sin seemed as heavy and as vile as ever celibate

fanatic asserted. When her lover moved to embrace her, she, with the

motion of shrinking from him, found she had strength and power to fly.

She rushed from the room, he stumbling after her, and crying "Courtney!

Don't get jealous and go off mad----"

*XXIV*

She knew the truth at last--the whole truth--what he was in mind and in

heart, what his love was, what he in his inmost soul thought about her,

about himself. The man who could believe he was sharing her could not

but be shallow indeed, stupid, and also incapable of understanding the

meaning of the word love; the man who could keep on with a woman he

believed he was "sharing," must be sunk in a wallow of sensuality--and

as weak as low. She knew the truth. Hearing she might have disputed

and in time denied. But there was, and would be, no evading the records

stamped clear and indelible upon her memory by that sensual, maudlin

face. To falsify those records was beyond even a proud, lonely, loving

woman's all but limitless powers of self-deception in matters of the

heart. The coarseness of that self-revelation of his was the liquor;

but the revelation itself was the man. He did not love; he lusted. He

did not love; he despised--her and himself. He did not love--and he

never had loved.

There is in every one of us a chamber where vanity and hope live and

ever conspire to deceive, and if possible, destroy us. From that secret

chamber she now wrenched an amazing secret. She discovered that from

the beginning--yes, from the beginning--she, determined to satisfy the

craving of elemental flesh and blood, had been lying to herself about

Basil Gallatin. Passion had taken sly advantage of her loneliness and

her longing for sympathy and companionship; it had beguiled her

imagination into creating out of the very ordinary materials of his true

personality the lover she had been adoring. One by one she took out and

reexamined all her memory plates of him. Now, a memory plate is like any

other photographic plate; it has a surface picture and it also yields to

a close scrutiny a thousand details which do not appear upon the

surface. Long before she finished, she was realizing that she had all

along, with the deliberate craft of self-deception, been hiding from

herself the trick her feelings were practicing upon her intelligence.

Basil--pleasing manners and dress, amiable disposition, animalism

agreeably disguised by education--Basil had been plausible enough to

pass muster with her, ready and eager to be deluded because of her

craving for love. True, he had posed to a certain extent. But he was

not really responsible for the fraud. The blame was hers--all hers.

But disillusion no more destroys a love longing than lack of food and

drink destroys hunger and thirst. High above moans of shame over the

pitiful collapse of her romance rose the defiant clamors of hunger and

thirst. They had been lovers, he and she; and that fact in itself was a

bond which a woman, at least a woman of her temperament of fidelity,

could not easily break. She feared when he, sober and a gentleman once

more, sweet and winning, came to her and pleaded for forgiveness she

would forgive--would in her loneliness and heart hunger take what she

could get rather than have nothing and the ache of nothingness. It

is--at least, it has been, up to and into the present time--second

nature to woman to depend upon a man, to select some one man, the best

available, and stake everything upon him. Basil Gallatin was that man

for her. And--not in novels, but in life--before any woman, however

high minded, goes away to utter aloneness from a man who cares for her,

he must have disclosed some traits more abhorrent than any such human

traits as those of Basil. Yes--human. Was it his fault that he had not

given her the kind of love she wanted? Was it not probably her fault

that he had not been inspired to that kind of love? Perhaps, too, the

love of any man, could it be seen in the nakedness of drunkenness, would

be much like Basil's. "I'm only a woman," she said. "I mustn't forget

that. I've no right to expect much." And then she shuddered; for in

her very ears was the sound of those cold rains falling day and night

upon her loneliness and despair.

She saw herself accepting; for, a great deal less than half a loaf is

better than no bread. And if she accepted, she must adapt herself--must

force herself to acquire a liking for what she must eat or go altogether

hungry. She saw herself wending down and down--to the level at which he

had from the beginning thought her arrived. She looked all around.

Nothing--no one--to save her. For, what could she hope from

Richard?--from any man? Was not Basil giving about the best man had to

offer woman in the way of association? There was the Richard sort of

man--an abstraction--an impossibility. There was the Shirley Drummond

sort of man--a human incarnation of Old Dog Tray--equally impossible.

There was the third sort of man--the Basil sort, somewhere between the

two impossibilities. Life must be lived, and with human beings. Of the

three available kinds of associates, was not the Basil sort the most

livable? Rather Basil than being frozen to death by a Richard or bored

to death by a Shirley. The conclusion seemed cynical; but there was no

cynicism in the sad woman who faced that conclusion.

She did not go down to breakfast; and Basil, she learned, kept away

also. When he did not appear at dinner she knew he had determined to

wait until he should surely see her alone. The emotion that stirred in

her because his place at the table was vacant gave her more and sadder

light upon how little the heart heeds the things that impress the mind

and the self-respect. About the middle of the afternoon she was at the

small antique desk in the corner of her sitting room, trying to write a

letter. But the charm of the day, the beauty of full-foliaged trees, of

lake and cloudless sky seen through the creeper-framed window, would not

let her write. As she gazed, her unhappiness calmed and all her senses

flooded with the joy that laughs in sunbeams, in light and shadow

floating on the grass, in flight and song of birds, in grace and color

and perfume of flowers, the joy that mocks at moral struggle and

flutters alluringly the gay banner of the gospel of eat, drink and be

merry.

As she took her pen to go on with the letter, Lizzie appeared in the

hall doorway. "Mr. Vaughan asked me to tell you," she said, "that he'd

gone out and might not be back for supper."

"Very well," said Courtney, not turning round. It flitted across her

mind that this was an extraordinary message for Richard to send--Richard

who came and went as he pleased and sent no word when he was not coming

to dinner or supper. "Where's he gone?" she asked--an extraordinary

question from her to match the extraordinary message from him.

"He was in a hurry and didn't say," replied Lizzie. "I'll find out."

"Oh, no. It doesn't matter."

Lizzie went, and in her dreaming and thinking Courtney soon forgot the

incident. Again Lizzie's voice interrupted--"Mr. Vaughan's gone to see

old Nanny."

"Nanny!" said Courtney. She never thought of the old woman except as

the memorandum of her pension check appeared every three months in the

household accounts.

"Yes. She's dying. She sent for him. Such dreadful roads too."

Courtney's pen halted on its way to the ink well. The room seemed to

her to have become terribly still.

"She sent him word," Lizzie went carelessly on, and her voice seemed to

come from a distance, through a profound hush, "that she had something

on her conscience and couldn't go without clearing it. I reckon she's

gone clean crazy."

It was not fear that made nerve and muscle tense. It was not

self-control that held her motionless. The peril was upon her; there

was no time to waste in emotion. All along, she had pretended to

herself that Nanny knew nothing, had at worst a dim suspicion. Now, she

realized that she had always feared the old woman had seen and had

heard. And those words of Lizzie's made it impossible for her to doubt

what was about to occur. No time for terror, for hysteria or fainting

or futile moaning. Her whole being concentrated on the one idea, What

shall I do? Calmly she said to Lizzie, "Has he gone?"

"Ten minutes ago--maybe fifteen."

"Did he take the motor?"

"Yes, ma'am. She's near dead. He went in a great hurry."

Idle then to think of overtaking him, of bringing him back with a story

that Winchie was missing, was perhaps drowned in the lake. Her mind--it

had never been clearer or steadier--gave Richard up for the moment,

turned to another phase. "Where is Mr. Gallatin?" she asked.

"Out on the lake. Winchie's with him--fishing."

"When they come in, please tell him I wish to see him at once." The

events of last night were as if they had not been. Wounds closed up

like magic; once more it was she and Basil her lover united against the

whole world.

"I can call him from the wall," suggested Lizzie.

"Yes--please do." She dipped the pen as if about to go on with the

interrupted letter. Lizzie went. She laid the pen down, leaned back in

the chair, clasped her hands behind her head, gazed unseeingly into the

huge tree almost directly before the window. The irony of it! Through

Nanny whom they had forgotten! The blow was about to fall--utter

ruin--the end of love--of life probably. A few hours and there would be

a convulsion of the most awful passions. She looked round. Everything

calm, bright, beautiful. Reason told her what was about to occur; but

there are calamities which the imagination cannot picture, and this was

one of them.... Should she tell Basil? "Nanny may be dead before

Richard gets to her. If I tell Basil--and Richard comes, only

suspicious--Basil's manner may confirm him." It was still more

significant that it did not enter her head as even a possibility that

Basil might be able to help her devise some plan to avert or to mitigate

the blow.... In the midst of her debate whether to tell him, she

suddenly gave a terrible cry, sprang to the window, her expression

wildly disheveled. The thought had flashed, "If Richard hears and

believes, he will _kill_ Basil!"

Before she reached the balcony rail, reason took her by the shoulder,

drew her back to her chair. "I must keep my head!" she exclaimed aloud.

And she fought down and triumphed over the terror that had all but

mastered her. At Gallatin's step on the threshold she did not turn.

"Shut the door," she said in her usual voice. Then, after the sound of

its closing, "Nanny, on her deathbed, has sent for him--to confess

something. He's gone to her."

She heard him slowly cross the room, knew he was standing at the window.

After a while she stole a glance at him. His skin was gray, his profile

set; there were deep lines round his mouth. She liked his face, it was

so manly; a wave of love surged out from her heart. "How long shall we

have to wait?" he asked. The voice, though wholly unlike his own, had

no note of cowardice in it.

"He's been gone about half an hour."

"Only half an hour!"

She saw the sweat burst out upon his forehead. She saw the muscles of

his face trembling. There was agony in his eyes--not fear, but that

horror of suspense which makes the trapped soldier rush upon the

bayonet, makes the man on the scaffold assist the leisurely hangman.

Silence, except the chirping of the birds. A bumblebee buzzed almost

into his face; he did not wince. A black-and-gold butterfly fluttered

in at the window on the other side of the desk, hovered, settled upon

the lid of the stationery box, rested with wings together as one. She

turned her eyes from him to watch it, said absently:

"You will have to go at once."

She heard him turn full toward her. She was expecting that quick

movement, but she could not help shrinking a little. However she went

on evenly: "You can cross in the motor boat, take a trap at Wenona,

catch the four-o'clock express at Fenton."

"I deserve that," he said, and she knew he was referring to last night.

She hesitated, went straight at it. "I'd forgotten last night since

Lizzie told me about Nanny. It's wiped out. So, you need think only of

going."

"What are you talking about?" he exclaimed. "I--go?"

She was ready. She turned upon him a look of well-simulated surprise.

Then-- "Oh!" she cried. "I've been thinking it out, and you haven't.

At first glance it does look as if we ought to face it together. But as

you consider it you'll see you've simply got to go."

He seated himself, took out his cigarette case, lighted a cigarette.

"If I go anywhere it will be in his direction, to shorten the wait."

"Listen," said she, leaning toward him, her forearms on the desk, her

hands clasped. "He'll have but one idea--to kill you. If you're here,

the very sight of you will set him wild. He'll kill you--how can you

defend yourself?"

"I can't. Vaughan has the right to my life."

She winced at this unconscious ugly reminder of what he really thought

of their romance. She waved her hand as if brushing something away.

"No matter about that," said she. "I'm thinking how to save Winchie

from disgrace--and my own life. If you're here, there's no hope. If

you're gone, he'll have the chance to reflect. And I shall know what to

say and how to say it."

"I don't believe she knew anything."

"Basil!" His eyes shifted. "Don't you _remember_?"

Both were hearing the mad flapping of that frightened bird in the copse

round the summerhouse. She shivered; he moved uneasily. "Even if she

knew," he objected, "she may be dead or in the stupor of death before he

gets to her."

"Then he'll hear nothing, and there's no reason why you shouldn't go.

I'll say you got a telegram from your mother----"

"If he comes merely suspecting and uneasy, and I'm gone----"

"Still he'd not be sure," she interrupted. "And if he were, he'd not

have the sight of you to inflame him." She rose. "There's no time to

waste."

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