She laughed. "No doubt."

As she did not encourage him, he addressed himself to the hash, which

was the kind he liked--brown and not too dry, and with the potatoes in

little cubes. She poured her coffee, just touched one of Mazie's famous

corn muffins as she slowly drank it, and gave herself up to the clear

and calm daylight reflections that make comment so cynical and so severe

upon what we do and say and think under the spell of night. She put on

a waterproof hat and suit, leggings and boots, and issued forth for a

two-hours' tramp with Winchie, who was dressed in the same fashion. When

they got back at ten, she felt she was not the same woman as the one who

had the adventure with the burglar on the balcony. She saw Winchie into

dry clothes and settled at his rainy-day games--then out she went again.

She walked rapidly along the path to the Smoke House; was soon rapping

at the heavy iron door of the laboratory. She rapped again and again,

turned away angry, was almost back at the edge of the shrubbery when she

remembered that Richard had locked the laboratory, that Basil could not

possibly be there.

She hesitated, returned to the Smoke House, knocked at the door of the

stairway leading up to the suite. No answer. She opened it, went

upstairs. At the top she paused, called, "Anybody here?"

Basil appeared in the doorway of the sitting room. He was in a

dark-blue summer house suit, a cigarette in the corner of his mouth.

His face was very red; his eyes did not meet hers. "Lizzie straightened

up and left about half an hour ago," said he.

"I came for a look round," explained she, admiring, without seeming to

do so, his elegant and fashionable suit, the harmony of its color with

his soft negligee shirt and flowing artist's tie. But then she always

liked the way he dressed, the way he wore his clothes. "I come once a

week in the morning to keep Lizzie up to the mark," she went on.

"You're down in the laboratory at that time, so you haven't known what a

model housekeeper I am."

He did not stand aside for her to enter.

"I also had another reason," pursued she. "Please don't choke up the

doorway. I'm coming in."

He bowed, stood aside. She entered, glanced round the sober but not

somber room with its walls, ceilings, floor, and furniture of walnut.

It was a comfortable place and beautifully clean. "Jimmie attends to

the floors?"

"Every week."

She glanced into the adjoining room--kalsomined walls and ceiling, a

white oak floor, a big chest of drawers, a big mirror, a big table and

chair, a roomy brass bedstead. "Any complaints?"

"Everything perfectly satisfactory," he assured her.

"Now for my other business--my real business," said she, disposing

herself in one of the window seats. "You may continue to stand, if you

prefer; but it would please me better if you sat."

He seated himself stiffly at the table desk. Her eyes were dancing with

amusement at his overelaborated formality. It made him seem such a boy,

made her feel vastly wiser and stronger and older than he.

"Why didn't you come to breakfast?" she inquired in a most businesslike

tone.

"I made up my mind not to see you again until Vaughan returned."

"And then, to go away?"

"Yes."

"Why?"

"I prefer not to answer that."

"Why not?"

"It's true Vaughan and I are not exactly friends. Still, I've been

disloyal. I shall be so no more."

She clasped her hands round one knee, looked at him with half closed

eyes. "I do not like to be regarded as part of some one's else

belongings," said she. "I belong to myself."

"I wish to God you did!"

"You attach too much importance to what a woman says and does on

impulse. I was much upset last night. I said and did things that seem

absurd to me in daylight."

"I am just as absurd, as you call it, in daylight as I was in

moonlight."

She flinched, controlled herself, made an impatient gesture. "Don't say

those things, or you'll spoil everything," she half pleaded, half

commanded.

He strode to a window across the room from that in which she was

sitting. "Everything is spoiled. I've simply got to go."

"No." She shook her head slowly. "You will stay, and we'll be friends

again, as before."

"If I could only wipe out last night!" he cried, and he wheeled upon

her.

She caught her breath. "Do you mean that?" she asked impulsively.

He stopped short, faced her, but his eyes were down. "No, I don't,"

replied he. "And that's the devil of it."

"Why?"

"If I honestly regretted last night, I could stay."

"Why do you lie to yourself?" she asked, crossing the room toward him.

"You have no real intention of going."

His gaze sank. "I shall try to go," he muttered.

She laughed--after she had returned to the safer distance of the window

seat. "What a passion for hypocrisy you men have. 'I shall try.' You

hope that last tiny rag of a remnant will cover your real purpose."

"You think I am a dishonorable dog. I don't wonder at it."

"No, I don't. But I do think you are taking yourself entirely too

seriously. You don't want to go, do you? And I don't wish you to go.

And Richard doesn't want you to go."

"He'd compel it if he knew."

"But he doesn't know. Maybe, if I knew some things about you, I'd want

you to go. Maybe, if you knew me thoroughly, you'd be eager to go. As

it is, we all want things to stay as they are."

"Last night was a warning."

"Yes," she hastened to assent. "Let's heed it. Let's go back to

friendship and not wander. My friend, you're letting your mind hang

over just one subject, just one side of the relations of men and women.

Isn't there more to me than--that?"

"Courtney!" he protested.

"Then let's be friends. Let's put aside what we can't have. Let's take

and enjoy what we can. Let's not talk or think about--about love--any

more than one frets about not being able to visit the moon. We've been

finding life happy these last few weeks, with that subject never

mentioned. Why not again? Are you too weak? Am I too uninteresting?"

"I tried once before and failed."

"But now that we've looked the situation straight in the face--now that

we're both on guard--don't you think we can do better?"

"I don't know," he confessed. "I'm afraid to try--aren't you?"

Her eyes held him, they were so mysterious. "Not so much as I'm afraid

not to try," replied she slowly.

He dropped into his chair again, sat staring at the blotting pad on the

desk.

"Had you thought," she went on, "what would happen if we owned ourselves

beaten and fled from each other?"

He presently lifted his eyes, looked at her in wonder. "And that never

occurred to me!" he cried. "Why, our only chance now is to stay here

and fight it out. If we shirked and tried to escape--" He paused.

She nodded gravely.

"If I went away, it'd only be to come back--desperate. And you----"

He did not finish his sentence. They sat silent a long time. "It would

be horribly lonely with you gone," said she in an absent, impersonal

way. "And loneliness breeds such wild longings."

A long silence. Then she rose. "Come up to the house and help me with

those plans for a kitchen garden under glass," she suggested.

He nodded without looking at her, as if to show her that he understood

all and accepted what was beyond question the less dangerous of their

alternatives. "As soon as I dress, I'll be there," said he.

"I forgot. I must change, too. In an hour?"

"Less."

They shook hands in an emphatically comradely fashion, and she went.

The former conditions were restored. They would not permit them to be

interrupted again. They would demonstrate that, with a thousand,

thousand other things, interesting, amusing, to talk and to think about,

they could bar out love and keep it out.

An hour over the plans, then they had dinner, laughing and joking

together like two children. They did not heed or even note the gloom of

Winchie and old Nanny--she was waiting, as it was Lizzie's day out.

Winchie sat mum and glum, eating in the deliberate way Courtney had

taught him and never lifting his jealous eyes from his plate.

Nanny--middle-aged, homely, prim with the added sourness of those who

have never had the least temptation to be otherwise--Nanny glowered at

Gallatin every time she came into the room. She had disapproved of him

from the outset and had made no secret of it. This gayety of his, in

the absence of the head of the house of Vaughan, changed that dinner for

her into a Babylonish revel. She was shocked at Courtney's taking part,

but was not surprised. What was to be expected of the weak and

frivolous younger generation of her own sex, mad about adorning the

body, scornful of the idea of "settling," and incredulous as to hell

fire? Her anger concentrated on Gallatin. He was a man; he seemed a

serious, moral man. Yet here he was, leading on the vain, weak

woman--he a guest of Mr. Vaughan's--trusted by him--put upon his honor.

"It's enough to bring Colonel 'Kill back a-harntin'," muttered she into

the oven.... Early in the afternoon it cleared gloriously. Outdoors,

the two trespassers upon ancient propriety giddied into still higher

spirits. And after supper! They banged on the piano and sang "coon"

songs and became so hilarious "that you'd think the settin' room was

full," said Jimmie to his aunt.

Nanny scowled at the blue yarn sock she was knitting with wrinkled,

rheumatism-knotted fingers. "Such goings-on!" she growled.

"Why not?" demanded Jimmie. "Where's the harm? And I reckon Mrs. V.

knows how to take care of herself."

"Who said she didn't?" snapped Nanny.

Toward nine Courtney and Basil went out on the veranda. It was a

perfect August night. The honeysuckle in great masses upon the rail was

giving forth an odor that quieted them like pensive music. Under the

trees and among the bushes the now pale, now bright lamps of the

"lightning bugs" shone by scores and hundreds. There was a moon, sailing

high and almost full. She thought she had never been so happy in her

life. At former happy times there was in her no such capacity to

appreciate and enjoy as experience had now given her. And what an ideal

companion Basil was--so much the man of the world, wise, experienced,

yet simple and amazingly modest. And how marvelously they fitted into

each other's moods! She had never thought to find a human being with

just the right combination of qualities--one who could be

serious--always in an interesting way--and also as light as the

lightest.

"Look at those elder blossoms," said Basil in a low voice, as if louder

tones might break the spell and dissolve the beauty, delicate, fragile,

unreal.

Elder bushes were the outer wall of the eastern shrubbery; their

flowers, soft, feathery mats, deliciously sweet to smell, looked at that

distance and in that light like a wall of snow. Courtney and Basil

descended from the veranda, strolled across the lawn. She lifted her

head, seemed to drink in the beauty with her whole face, and to exhale

it in a newer, subtler loveliness and perfume.

"How sweet the boxwood hedge is after to-day's rain."

As they neared the water's edge, all other perfumes yielded to the

powerful, heavy, sensuous odor of the locust blossoms, in white clusters

above the bench on which they presently sat. They were silent, gazing

across the lake where, in contrast to the darkness and silence of their

shore, lay the town, a shimmer of light, a murmur of confused sounds

mingling pleasantly. Down the lake, far out beyond the edge of the

heavy shadow flung by the trees, a boat was coming, the man rowing, the

girl playing the mandolin and singing. The tinkling of the mandolin and

the fresh young voice floated over the waters to Courtney and Basil.

She drew in her breath sharply, with a sense of alluring danger

hovering. The boat drew nearer; the sounds were clearer--clearer, more

tender, more moving. The mandolin tinkled. The free, sweet young voice

sang: "I want you--ma honey!--yes I do! I want you--I want you----"

She clasped, clinched her hands in her lap. Basil started up. "I can't

bear it!" he cried. "I can't!"

"No--no!" she exclaimed, and her strange look suggested a soul drowning.

"Go--go quickly!" And drawing her white shawl about her shoulders, she

fled into the house.

*XI*

"Where's Mr. Gallatin?" asked Winchie, as he and his mother were

finishing breakfast next morning.

"At the Smoke House, I guess," replied she. There was a far-away look

in her eyes, and their lids were heavy. Although Lizzie had been

unusually unsuccessful in arranging the flowers, she left the bowl

untouched in the center of the table--a solid mass of carnations which

she could have changed into a miracle of lightness and grace.

"Is he coming to breakfast?" asked Winchie.

"No--at least, I suppose not. How'd you like to go to grandpa's?"

"Will Mr. Gallatin go?"

Courtney's cheeks flushed. "No," she said.

"Then I'd like it--for a while."

"We are going to-morrow," said Courtney. "To-morrow morning."

"Is grandpa sick?"

"No. Nobody is sick."

"Then why?"

Courtney's face wore a queer smile. "We'll help grandma and Aunt Lal

and Aunt Ann put up fruit and jam and preserves."

"Will we stay long?" inquired the boy anxiously.

"Until--until your father--gets back."

Winchie looked much downcast. "Why?" he asked.

"Why not?" said Courtney. "And now, you'll help me pack and I'll help

you."

It was a busy day, as there were many things to arrange besides the

packing. Gallatin did not appear at the house all day, and Courtney did

not expect him. Toward ten that night the packing was finished and

everything ready for an early departure. Courtney went downstairs and

out across the moonlit lawn. Slowly, with gaze straight ahead, she

strolled toward the lake, toward the summer house in the copse at the

western edge of the grounds. She entered, curled herself up on the

broad seat, her elbow upon the rail, her hand supporting her chin. She

watched the moonlight in the ripples along the middle of the lake. From

time to time, she lifted her head, strained her eyes into the encircling

shadows, then resumed her attitude, mental as well as physical, of

forlorn abstraction. Something less than half an hour, and when she

lifted herself to glance round for the third or fourth time, she did not

sink back, but slowly straightened, her breath coming quickly.

"Who's there?" she called softly, addressing the deep shadows over the

path by which she had come.

No answer but the chorus of tiny creatures murmuring excitedly in every

crevice and beneath every blade and leaf.

"Who is it?" she demanded, but not loudly or nervously. She stood up.

"Only I," came in Basil's voice, and he advanced and stood between the

entrance pillars of the open rustic pavilion.

"Oh!" said she. And she resumed gazing over the water, but did not

resume her seat.

"I saw you cross the lawn," he explained. "And I was afraid some one

might intrude."

"Thank you," said she gratefully.

"You knew it was I--didn't you?" he went on.

A brief silence, then--"Yes," she admitted, and gave a little laugh.

"Why do you laugh?"

"Because I just realized that I was expecting you--that I came here

hoping to see you. How one does lie to oneself!"

"Do you wish me to leave you?"

"No.... What a beautiful night it is!"

"The loveliest I ever saw."

"These locust blossoms-- The perfume makes me feel languid--but not

sleepy."

"I guess it is the locusts," he said. "I feel that way, too."

"I'm taking Winchie to my father's for a visit--in the morning."

"So Jimmie said."

"We'll stay until Richard comes back."

"I supposed so."

A silence. Then she: "I must go in soon," and an instant later, without

realizing it, seated herself.

"I wrote to Starky--Estelle--to-day.... To ask her to fix the date for

the marriage."

She shivered.

"I decided it was best for me to commit myself."

She buried her face in her hands.

"And," he went on, "you know I shall always love you--_always_! ... I

say that because--in a few minutes now we'll part, and never see each

other again."

With her face between her hands, she gazed at the dancing surface of the

watery highway of moonlight, and repeated monotonously--"never see each

other again." Then, after a moment, "How heavy the perfume of the

locusts is."

"Yes," replied he, "but so sweet."

Then the thin film of surface over their emotions suddenly burst.

"Never again--oh, my Courtney!" he cried between set teeth. Both had

thought all day that they were calm and resigned. They knew now how

they had been deceiving themselves. He flung away from her. Both knew

what was coming, knew it was too late to save themselves, felt the wild

reckless thrill of terror and rapture that precedes the breaking down of

all barriers, the breaking up of all foundations, the free sweep of

unfettered passion. So young--so young--with such a long stretch of

empty years--and they never to see each other again!

"How can I live on, without you to help me?" she said.

"It'll be easier for you than for me. You have--your boy. I

have--nothing." He sat down, away from her, stared into the blackness

of the copse. "Nothing," he repeated. He was holding his breath and

waiting for the inevitable storm to break.

"Basil!" she cried, and in impulsive sympathy reached out and touched

him. "Won't it be something--to know that you have my heart--my--love?"

She felt him trembling, and there was a sob in his voice as he answered:

"But when your arms ache with emptiness, you can put them round Winchie.

While I--Courtney, how can I touch another woman, when it's

you--you--_you_--" And his groping hand met hers, clasped it. He bent

his head, kissed her hand--the back, the palm, then the fingers one by

one. And they softly touched his cheek. "Basil!" she sighed.

The faint wind agitated the clusters of locust blooms; their perfume

descended in heavy voluptuous waves. He pressed his hands one against

each of her cheeks. "Courtney," he murmured. "My love--my dear love!"

Their lips met.

"We must not!" she pleaded, her arms about his neck.

"After to-night," he reminded her, "we, who love, will never see each

other again."

"Never again!" she moaned.

It was the signal both were unconsciously, yet deliberately, awaiting.

He gave an inarticulate cry, caught her up as a strong wind a flower.

"I've had enough of right and wrong," cried he. "You are mine! I will

not let you go. I love you--I love you--I love you!" And he showered

kisses upon her until she, dizzy and fainting, yet never so alive, was

clinging to him, was calling him endearing names, was laughing and

sobbing. And in that darkness and mad frenzy of longing and despair

they could pretend to themselves that it was all as unreal as a

dream--was, in fact, a dream, or at worst, impulse--irresistible,

irresponsible.

He felt her heart flutter, halt in its steady, strong beat within her

breast close against his. She raised her head from his shoulder,

listened. "What is it?" he whispered.

"Listen."

A bird broke from the copse and with a great noise of wings against

leaves blundered away to another and higher place. "A bird--that was

all," said he.

"Sh--h! No. They never stir so suddenly at night without cause." She

was cold, was shivering. They looked at each other, tingling with

guilty alarm.

"I'll go see."

"Yes--do."

He disengaged himself lingeringly, with a parting caress of his lips

along her cheek. "It's cold," she murmured. "And I'm--I'm afraid."

Never before in all her life had she been afraid.

He went softly along the path until the shadows hid him. After a moment

he returned to the entrance. "I see nothing," said he.

"And I hear nothing--any more," replied she. "You don't know what a

queer, creepy sensation I had. It was--was--as if some one were near

us."

He did not seat himself by her again. "Isn't it--very--very late?" he

said hesitatingly.

"Perhaps. But come, dear. Let's forget. It was nothing. Oh, I was so

happy--and now--Basil, I'm cold."

Instead of sitting and taking her in his arms he drew her to her feet.

"I saw your front door open," he said. "I think you'd better go."

The Hungry Heart: A Novel · 第 10 / 57 题