CHAPTER IX.

HELL.

I am sitting in a restaurant in the town of ————, at the seaside.

It is the height of the bathing season, the carnival of salt and

fresh water, and the whole world is forgetting the labour and

unpleasantnesses of city life for a few weeks.

I am waiting for my breakfast, seated at a table just outside the

house, under an arbour of vines and convolvulus. The sea breeze

reaches me, plays with my tablecloth and sports with my hair, uniting

itself to the perfume of flowers which peep up, red, white, and

violet, happy also in the midst of all the sunshine, greenery, and

freshness.

Nearly all the tables, scattered about under the arbours or in the

shade of the trees, are surrounded by happy people who have just taken

their baths, fresh, with disordered hair, hungry and merry. Even human

life has its good quarters of an hour.

Near me I see a teacher to whom two girls of about ten and twelve

have been intrusted, and who, faithful to her trust, is giving them

a noisy lesson in morality and gallantry, whilst she eats and drinks

as if she were starving. I cannot imagine how she does it, but she

manages not to interrupt her educational discourse, whilst she never

ceases to eat and drink. The pupils do not listen to her, but look

at each other, slyly laughing at the inexhaustible conversation of

their instructress. A little further off there are three young fellows

who, having passed their examinations well, have been rewarded by a

visit to the seaside. They are laughing, noisy, and giddy with youth,

thoughtless, envying no living soul. One of them has just finished his

breakfast, and in order to pay his bill of one franc fifty centimes

he brings out a red banknote of a hundred francs, and offers it to

the waiter with great pride, and in such a way that everyone can see

it. It is the first he has ever had, and already that morning he has

offered it at the coffeehouse to pay fifteen centimes, and at the

baths to pay for his ticket of fifty centimes. No one would change it,

and even the waiter says he has no change; and the young fellow is

happy, for he will be able to display it a fourth, a fifth, and even a

sixth time.

Facing me a whole family of some seven or eight persons are eating

merrily, and the children, in a chromatic scale of bright colours and

different heights, range from two to fifteen years. Each one is giving

utterance to its joy, clambering up and down the chairs, playing with

a little dog to which they give the tid-bits on their plates. The

father is red, stout, and in his shirt sleeves; he looks smilingly at

his blond companion, reading in her smile the reflection of all that

lisping chatter, laughter, and folly which surround them.

All these people, differing in age, condition, and intellect, unite in

the same merriment, which they seem to have drawn from the sea, the

father of planetary life, the dispenser of spirit and energy; and all

the while the golden rays of the sun shine through the vine leaves,

the ivy, and convolvulus, painting with the shade and penumbra of the

leaves the tablecloth, the dresses of the women, and the rosy faces of

the children, throwing patches, half shades, and glistening spots on

the garden sand.

I, too, a solitary observer, enjoyed all the bright sunshine and the

happiness of the people, but forgot that I had only looked to the

right and straight before me; I turned calmly to the left, sure of

finding there another scene of joy and brightness.

On the contrary, the picture was very different.

At a table just as clean and white as the others, played on

capriciously by light and shade, two persons were sitting, a man and a

woman.

He was about thirty, she forty-five. He was handsome, robust, with

manly energy; she lame, fat, and hunch-backed. There ought to have

been a neck, but there was none to be seen, for the heavy head

appeared to have been put on the chest awry; and all the cruel

artifices resorted to for hiding the hump behind seemed made on

purpose to produce another in front. Even her features were ugly, and

the ill-made hands were laden with rings. Large earrings were in her

ears, and a colossal locket surrounded by diamonds, inclosing the

man’s portrait, was hanging in front. Husband and wife, no doubt.

She was eating, but could not have known the flavour of the food, for

the mouthful went round and round between her teeth, whilst another

piece on the fork was waiting in vain for its turn to enter the mouth.

That poor deformed being did not cry, that is, no tears fell on her

cheeks, but she blew her nose every now and then, and the eyes were

moist and sad. She placed the fork automatically from time to time

on the plate, with the mouthful still on it, and gazed at the man

lovingly, tenderly, waiting, imploring for a look.

But the look never came. With one hand he hastily conveyed the food to

his mouth, and with the other held a newspaper, which he was reading

with pretended interest, so as not to have the silence interrupted. He

did not shed tears nor blow his nose, but he frowned, and he was also

suffering one of those intense and hidden agonies to which one does

not confess, but which furrow the soul like harrows of steel.

I did not remove my eyes again from that dumb and agonizing scene.

After a long interval she said to him, timidly, hesitatingly, almost

as if committing a crime:

“Will you take anything else?”

He started as if the voice had struck him like a blow in the face; he

turned to her and twisted his mouth like one seized with a sudden and

irresistible disgust.

“No, I want nothing more.”

The _No_ was pronounced angrily and with scorn; it was, and must have

been, a blow to her to whom it was addressed. He looked at her a long

time, a look full of hatred, remorse, and disgust. It seemed as if he

were passing in review all his companion’s ugliness, and as if until

that moment he had never seen it so clearly: those wrinkles, that gray

hair, that hump, the deformed neck, those arms which looked like

hams in sacks, and then those rings and jewels which seemed to jeer

at the white, flabby flesh with their brightness. The deformity, the

grotesque violation of good taste, suddenly struck that handsome and

robust man, for he had sold youth and manhood to an unfortunate woman

who had believed it possible to still love and be loved.

The two had plunged into the waves of the sea a little before; they

had drunk of the sun’s rays too, but neither sea nor sun had been able

to give happiness to these unfortunate creatures who had bartered

carnal pleasures for gold, who had changed sacred love to a vile

prostitution of flesh and banknotes.

She had already passed the meridian of her second youth; he was still

young.

She was undressing. He was already in bed, and followed the

progressive unclothing of that body with an anxious curiosity, that

body once so active, so handsome and fascinating, now all submerged in

the high waters of an invading corpulence.

He wished to hide his head under the counterpane, and did so, but a

morbid curiosity made him put out his head again directly, and he

looked.

She had read in her glass only too well the ruin of her form, and had

always sought to undress alone; but this time she was obliged to do

it before his eyes. She ingeniously hid the regions which had most

suffered wreck, and with a remnant of coquetry kept uncovered her

shoulders, the _ultimum moriens_ in the woman’s body; but diffident

of herself, and fearful of those looks which seemed to pierce her

through, her last garment fell from her hands to her feet, and the

disasters of the wreck suddenly appeared, standing out cruelly,

without pity for her or for him.

She uttered a cry and stooped down to cover herself....

He, egotistical, pitiless, forgot all the delights that this body once

so fragrant of youth and beauty had given him, and exclaimed, throwing

the words in her face:

“At a certain age I think a little more modesty is demanded.”

From that moment, from that evening, the two were enemies, two galley

slaves bound by the same chain.

⁂

She was reclining, rather than seated, on the sofa, with small and

large cushions, which allowed her to change the frame of which she

was the picture. She was smoking a cigarette, and had a French novel

on her knee that could not have interested her very much, for at that

moment she yawned. The yawn was cut short, or rather interrupted, by

the sudden opening of the sitting-room door; no one ever entered the

room in that way but him. This time it was more like him than usual:

always a husband, now an angry one.

He entered with his hat on his head, his stick in his hand, as if he

were just going out or had just come in. The latter was the case. On

returning from his walk a large envelope had been put into his hand in

the anteroom. It contained a dressmaker’s bill, the third or fourth

he had received in a few months. The total was very high, higher than

usual, and he came into the room with the bill in his hand to make a

scene.

“Come, now, come, now, my lady, when shall we finish with these

accounts?”

She made no answer, but continued to smoke, only growing a little red

in the face.

“It seems that my lady believes herself to be a millionaire; this is

the third bill that I have had to pay in little more than four months.

But what game are we playing, my lady?”

And _my lady_, throwing the end of her cigarette on a Japanese tray,

stretched out her voluptuous limbs, and showed, as if by chance, a

fairy-like foot and a leg for a sculptor. More than once already had

the disclosure of such a picture, sacred to love, warded off a heavy

storm. Now, however, neither foot nor leg could disarm her husband,

who had thrown his stick on a chair, but kept on his hat, to increase

the violence of his words and to give authority to his threats. In the

meantime he rumpled and then folded the innocent paper with alternate

convulsive movements.

“I shall not pay this bill; you must pay it yourself. You have jewels

(given by me, of course); put them in pawn. You will then learn not to

play the princess with other people’s money.”

The little foot and leg retired under the dress, ashamed of their

defeat, and at last the lady opened her mouth too:

“I think you can hardly expect me to cut a sorry figure in society.”

“But what society? Society of Egypt! Many ladies who are more truly

ladies than you don’t spend half what you do. I have inquired and know

very well.”

“Yes, your Fifi told you, your Fifi, for whom you pay much larger

bills than you do for your wife.”

Never had his wife uttered the name of the stage dancer until that

moment, and he had believed her to be quite ignorant of his amours.

He reddened up to his hair, frowned, and shook himself as if he had

been stung by a viper, and the conversation became embittered even to

brutality.

“Ah! jealous, and impertinent too! It seems to me that when one has

not brought a halfpenny of dowry there ought to be a little more

modesty and economy.”

“Good, very good, sir! I have brought youth and beauty as a dowry,

and a dowry besides; yes, you insolent man, a good dowry, a large sum

which was lost in the failure of the Bank of Turin. And is that my

fault? And you, what have you brought me? A bald head, false teeth,

and a body eaten through with vice—a fine patrimony, truly.”

“Ah, you had a dowry, had you? I have never seen it; the only treasure

I have seen is the gold with which your teeth are stopped. Sell that

and pay the dressmaker’s bill with it.”

The bill flew in the air and fell at the woman’s feet.

The husband went out of the room, slamming the door so loudly as to

make the little Japanese figures and the other bric-a-brac on the

table tremble. And the wife, lighting a fresh cigarette, set to, with

all the force of her intellect, to invent some revenge worthy of the

insult received.

She was alone in her boudoir, seated before a writing table of ebony

inlaid with ivory. She wrote rapidly and smiled to herself, as one

smiles when one is writing to one beloved, and saying a saucy thing

flavoured with much tenderness.

Nothing was heard in the room but the soft and rhythmical scratching

of the steel pen on the paper. She was so intent on what she was

writing that she had not heard someone raise the _portière_, enter the

room, and stand before her.

That someone was not the person to whom she was writing, for raising

her graceful head for a moment as if to seek an adjective more merrily

saucy to put with the others, she saw her husband, whom she believed

was out, standing before her.

She uttered a startled cry, and unconsciously covered the paper she

was writing on with her right hand.

“Ah, is it you? How you frightened me!”

“Another time I will have myself announced.”

These words were said without anger, and with a serene calmness; but a

diabolic irony played round the mouth.

The smile gradually converted itself to a real laugh, to which the

nodding head seemed to beat time.

“Perhaps you were writing to Count B. Who can write the better, you or

he? His letters are pretty, very pretty! How much passion—no, passion

is not a fit word, it is too flattering; let us say _sensuality,

lasciviousness, debauchery_. Which of these words do you find most

suitable?”

The lady had become white as death. The pen fell from her hand and

made a large blot on the elegant paper.

But the husband, continuing to laugh, had approached her, and having

drawn a chair to the writing table, stroked her hair lovingly.

“You were afraid; but of what? You think, perhaps, that I am come to

make a scene, or perhaps to kill you, and then myself after. No, no;

I only like double suicides on the stage or in novels, provided the

author of the book or the drama has talent. But here, why stain this

beautiful Persian carpet with your blood, why scatter mine over the

elegant paper you were covering with your words of love? It would

really be a pity, a crime, and above all a folly. I am come to make a

compact,” and he laid a long kiss on the little fair curls at her neck.

It seemed to the lady as if that kiss burnt her like a red-hot iron.

She withdrew her head and gazed at her husband with glassy eyes,

petrified with astonishment.

No, he had not really the look of an assassin. He was calm, cheerful,

like a good-tempered fellow who was playing an innocent joke, a very

innocent one.

“Give me a cigarette. The air is heavy with the odour of your

cigarettes! They must be very good ones. Probably Count B. brought

them for you from Constantinople?” He did not wait for her to give it

to him, but took one himself from a bronze bowl and lighted it. “I

told you, then, that I was come to make a compact with you, a compact

of purchase and sale, in which we shall both gain something. Look!”

And here the husband took out of the pocket of his greatcoat a

perfumed packet of letters tied with a golden cord.

“I have a treasure here! the entire and complete collection of all the

letters the count has written you. Not one is missing! The lady’s maid

you dismissed last week made me a present of them, gave them to me for

nothing. There are a hundred and thirty, written in three months! How

much will you give me for this treasure?”

The lady, being suddenly reassured that her husband’s intentions were

not homicidal, looked at him with a gaze full of contempt and cruelty.

She no longer felt fear or remorse. She could have wished at that

moment that the letters might have been not from one lover only, but

from ten, a hundred, and that each one could strike him and spit in

his face. She began to laugh too.

“Bravo! capital! you are a man of spirit. Give me a kiss!”

And the kiss was given, a faithful copy of the one that Judas gave

Christ nearly twenty centuries ago.

“I will give you a thousand francs!”

“Oh! oh! oh!”

And here followed a long and loud laugh.

“A thousand francs! a thousand francs! What are you thinking of? I

want ten thousand francs, not a penny more or less. If not, I will

give them to your father for nothing, only reserving two or three of

the most lascivious to publish in the papers. Do you agree?”

“Give them to him if you will. I shall say that you wrote them, that

they are false. My father esteems me highly.”

“Um! Your father is not a fool, and the writing of the count is not

forged. I want ten thousand francs!”

“I will give you five.”

“No; it is too little. I must pay Nina’s milliner’s bill, and I want

to go to Paris.”

“I will give you six.”

“No, ten. Not a penny more or less.”

“Very well; I will give you ten thousand francs. Give me the letters.

Swear that they are all here!”

“Look at the dates. They are really all here. They are numbered too by

the count, with red ink, perhaps with his blood.”

And here there was a loud laugh.

“When you bring me the ten thousand francs I will give you the

letters, not before.”

⁂

The compact was made, the letters were returned, the sum was paid.

The husband paid Nina’s milliner’s bill, and has gone to Paris.

Indeed, he has already returned and is still living in the house of

his wife, with whom he hopes soon to be able to negotiate a new ransom.

And she?

She has a new lover to whom she never writes and from whom she will

not receive any letters. When he complains of this strange proceeding

she throws her arms round his neck and, kissing him, says:

“Is it not better, dear, to have a kiss the more and a letter the

less?”

And the husband has waited a long time in vain, hoping to discover a

new packet of perfumed letters, tied with a golden cord, all marked in

progressive numbers, written with red ink, perhaps with blood.

The art of taking a wife · 第 9 / 11 章