CHAPTER I

CAPE OF STORMS

A NOVEL

BY

PERCIVAL POLLARD

CHICAGO

THE ECHO

1895

"So this old mariner, Bartholomew Diaz, called that

place the cape of torments and of storms and blessed

his Maker that he was safely gone by it. And even so,

in the lives of us all, there is a Cape of Storms, the

which to pass safely is delightful fortune, and on

which to be wrecked is the common fate. For it often

happens that this Corner Dangerous holds a woman's

face." * * *

--An Unknown Author

1894

ST. JOSEPH

FRIDENAU

CHICAGO

1895

PROLOGUE

"Life is a cup that is better to sip than to drain; the taste of the

dregs is very bitter in the mouth." I shall never forget those words of

our dear minister's, I suppose, because so much that has happened since

he first uttered them to us as we sat in his Sunday-school class has

shown me the truth of them. Dick himself, I remember, was especially

loth to believe Mr. Fairly's monition; indeed, none of us young bloods

cared to think that there was anything in the life before us that was

not altogether worth living, and when Dick spoke up plainly and quite

proudly, arguing against the pastor's words, we were all silent

approvers of his challenge. Dick was always the bravest boy in the

village; and we had long since come to be admirers rather than rivals.

But Mr. Fairly only shook his head and smiled a little--he had a

wonderful smile, and his eyes were always shining with kindness--and

patted Dick on the head, with a gentle, "Well, well, my boy, let us hope

so; let us hope so. Perhaps you will be fortunate above your fellows."

The incident dwells in my memory for many reasons. It was, as I have

said, a curiously prophetic sentence of our pastor's; besides that, it

was the last Sunday that we were all together in Lincolnville, we boys

who had played, and fought and learned together. Early in the week,

Dick--somehow, long after the world has come to know him only as Richard

Lancaster, I am still unable to think of him as anything but the "Dick"

of my boyhood--was to leave the village for the world; he was going to

begin a life for himself, up there in that mysteriously magnetic

maelstrom--the town. Like Dick Whittington of old, and every fresh

young blood every day of this world's life, he was going up to town to

conquer. Before him lay the beautiful pathway into a glorious future;

promises and pleasures were like hedges to that way that he was going to

tread. He was all eagerness, all hope, all ambition. And, to be just,

perhaps there was never a boy went up to town from Lincolnville who had

better cause to be full of pleasant hopes for his future than Dick.

Certainly, it was the first time the little place had evolved such a

talent; and it felt a pardonable pride in the boy; it expected, perhaps,

even more than he did, and was looking forward to the reflected glory of

being his native village.

If you have traveled through the West at all, and have anything more

than a car-window acquaintance with the great Middle West, you know

Lincolnville fairly well, I think. Not that you may ever have been to

the village itself, but because it is a type of thousands of other

villages scattered throughout the country.

It is the county-seat, and is built upon the checker-board plan, with a

sort of hollow square in the middle, filled, as an Irishman might say,

with a park. The sides of this square form the business heart of the

place; each street that runs away from the square is lined with pretty

dwelling-houses of frame or brick, so that the village looks like an

octopus with four large tentacles stretching toward every point of the

compass. The streets are fringed with shade trees of every sort, and in

midsummer the place looks like a veritable nest of green and cool

bowers. The county is strictly and agricultural one; the farmers come to

"town," as they call it, every Saturday; at least, hitch their horses to

the iron railing that surrounds the park, and spend the day selling

produce, buying dry goods, implements or other necessaries. The face of

the village rarely changes; there is an occasional fire on the "square,"

mayhap, and then the newer building that fills the gap is in decided

improvement over the old one; young men are forever going out into the

world, and old men are for ever coming back thither to die; for the rest,

one might fancy that, if you came into the world again a hundred years

from now, you would find the same farmers doing their "trading" at

exactly the same stores that they now favor. On occasions of a political

convention, or a circus, the town takes on a festive aspect, and the

roads leading to the square are filled, all day long, with wagons that

have come from the further edges of the county. During the three or four

days of the County Fair, too, there is great activity between the

village and the Fair Grounds, and, if it be a dry summer, the air

between those places is merely one huge cloud of dust. Occasionally the

pretty little Opera House has an entertainment that draws out such of

the citizens as have no very severe religious scruples against the

theatre. For the rest, the place is an admirable home of quiet. Young

blood chafes at this quiet; old blood finds there the peace it seeks.

In the very nature of things, a place of this sort is chiefly concerned

with its own affairs; the main theme of conversation are its own people.

Everyone is perfectly acquainted with his neighbor's affairs, and not

infrequently, in fact, is able to inform that neighbor of certain

details relating to the latter, that had until then been unknown to him.

So it was that, at the time of Dick's leaving Lincolnville, the good

people of that place knew, much better than he did himself, the surety

of his engagement to Dorothy Ware. He himself would have been only too

glad to be as sure as they were, when he heard the rumors he was given

to smiling rather sardonically.

He came to me once, I remember, and looked at me for a long time with

those clear, grey eyes of his. "Tell me, old man," he said, "do you

think she cares for me?" It is a stupid question, this; but almost

every boy who is in love puts it to some friend or other, in the quest

for confirmation of his fears or hopes. "Why, Dick," I said--still more

foolishly, perhaps, now that I look back on it--"Why, Dick, of course

she does. We all do." "Oh," he flung in, impatiently, "I don't mean

that!" I knew what he meant; but who shall tell, being a man, whether a

girl cares or not? Although, if ever a boy was made to be well beloved,

surely it was Dick.

He was always a high-spirited youngster; some of his tricks are still

legends of the old high-school in his native place. He never liked to

fight, being naturally mild of temper; but when he was roused beyond

endurance lie was a veritable Daniel. His father died when he was only

four years old; to his mother he was the most devoted of sons.

It was when he was about ten years old that his talent for drawing first

proved itself. It came to him in the way that it has come to many who

have since made the world listen to their names--on the old black-board

in the schoolroom. It was a caricature of Mr. Fairly, I remember, who

was always very tall and very thin, and whose face was like that of a

French general's under the empire. Dick exaggerated all these

peculiarities most deftly with his chalk, and then it so happened that

Mr. Fairly himself walked in and found the caricature. He only looked at

Dick quietly, and put his hand down on his shoulder with a subdued, "I

am a good deal older than you, my boy, a good deal older. You're sorry,

aren't you?" And something in our minister's tone must have touched

Dick, for the boy put his head down and said: "Yes, sir," with a little

choke in his voice. Nor do I think that from that day to this Dick has

ever drawn or painted in caricature. But in all other ways he developed

his talent day by day with really wonderful results. He always had a

rare notion of color; the autumn foliage thereabouts gave him the most

startling effects. He used to go out into the woods in mid-summer and

mid-winter--it made little difference to him--and come back with some of

the prettiest bits of landscape work I have ever seen. There were, it is

true, certain palpable crudities in his work, due to the lack of any

training save that of his instincts, but those would undoubtedly

disappear as soon as he came under the influence of a proper instructor.

It was for this that he was going to leave the village and become of the

greater world in town. His mother had rebelled at first; she was growing

old, and she feared the thought of losing sight of him; but there was no

restraining his ambition. To remain cooped up in that little corral of a

place all his life--oh, no; that was not at all the thing for Dick

Lancaster. That great world, out there, that he had read and heard so

much about, that was where he ought to be; and it was there he wanted to

wager and to win; what was there left in Lincolnville? He could do

nothing more there; his life was beginning to be a mere stagnation. He

must out and away. This longing for shaking off the shackles of that

narrow village life was, as much as ambition, the spur that sent him out

into the larger world. And I do not wonder at him. Those small places

are not fit arenas for the disporting of ambitions or freedoms.

At this time, Dick was a little over one-and-twenty. He was handsome in

a dark, olive-skinned sort of way, and his eyes had the longest lashes I

have ever seen in a man. His hair curled a little, though he was forever

trying to comb and coax the curl away; he hated it, saying that curls

were all right for a girl, perhaps, but not for a man. He was, but for

the fact that he was very fond of good cigars, a veritable Pierrot. He

had always been very closely under his mother's influence; even his

association with the boys of his own age and class had not been enough

to taint him at all. He had a fancy that, now as I consider it, after

all these years, seems a most pathetic one, that the world was a very

beautiful place in which the wicked were always punished, if not by

actual stripes, at least by the disdain of their fellow-men. It seems

strange, perhaps, that a young man of his age should still hold such

notions, but you must remember that in the quieter villages of our

country it is possible to hold these fancies all one's life; the town is

the great disenchanter. Dick considered that he had two things to live

for--his ambition and Dorothy Ware.

It was beautiful, the way the boy sometimes rhapsodized; beautiful, and

yet in the light of after events, sad. "One day, you know," he said in

one of his bursts of enthusiasm, "I will be known all the world over as

a great painter. People will come to my studio and wonder at it, and the

work in it. They will invite me everywhere. I will be a lion. But I

shall always place my work first; admiration shall go into the last

place. And there will be Dorothy! Dear Dorothy! I haven't asked her yet,

you know, but I hope--oh, yes, I hope--that it will be all right between

us. Dorothy will help me in everything; when I begin to flag, or to lose

spirit, she will spur me on. She will represent me to the great world of

society when I am hard at work; she will be my veritable Alter Ego. And

some day--some day, when I feel that my brush and my hand have in them

the passion for my masterpiece, I will paint her face--her face!" He

took up a photograph that lay on the table before him and looked at it

steadily for an instant or two. "Sweet face!" he went on, "how shall

mere paint ever represent you? There must be love, too. Love and paint.

The one is a mere trick of the hand and eye; the other is mine and mine

alone. For no one can love her as I do."

As for Miss Dorothy Ware, she was eighteen and beautiful. I do not know

that any woman really needs a fuller description than that. As for her

wit, it is too early in this chronicle to speak of that; nor do I,

personally, differ much from Théophile Gautier, when he states that a

woman who has wit enough to be beautiful has all she needs.

Miss Ware's father had made a great deal of money by the very simple

process of growing old; he had been one of the pioneer settlers in that

county and his had been most of the land that the village now stood on.

Miss Ware herself, while sensible of her riches, was unspoilt by them.

By nature she was of the disposition that one can call nothing else but

"sweet;" she was tender and gracious; she was fond of fun, so long as

that fun annoyed no one else; in a word, she was considerate and gentle

and lovable. She had been brought up in the south, and she had retained

a trace of the southern accent, so that her speech was in itself a

charm; she had natural talents for looking pretty under all

circumstances; some might have said that she had the instincts of a

coquette, but I do not believe it of her. She was devoted to children

and dumb animals. And whoso has those instincts is intrinsically good.

But Miss Ware held that she had by no means had enough of this world's

pleasures to begin thinking of so solemn a thing as marriage. Like a

large number of the girls of today, she was, first and foremost, "out

for a good time," as the slang of the time has it. She had certainly the

intention of some day marrying the man she loved and making him as happy

as she could; but in the meanwhile she wanted to test the world's

ability to furnish entertainment quite a little while yet. Which was

why, although she was very fond of Dick, she had invariably put him

off, when he grew importunate, with a laugh. "Why, Dick," she would say,

"don't you know you're absurd to think of such a thing? We're just

children yet. Oh, I know we're of age, but what of that? You don't mean

to tell me that you think your life has shaped, or even begun to shape

itself yet? No. And as for me, I'm going to skirmish around a while yet

before I settle down and become old married people! Be sensible, Dick!"

And Dick, with a sigh in his heart, was, perforce, fain to say that he

would try. "Skirmish around!" It grated on him, somehow, that phrase; it

seemed to hold for him visions of innumerable flirtations; of contact

with the world, the flesh and the devil, with the brushing off of the

faint, roseate bloom of innocence.

It was on the day before Dick's departure for town that Lincolnville

received the news of another intended going abroad. The Wares' were to

sail for Europe before the month was out. Mrs. Ware had long been an

invalid; for years the doctors had advised travel, but her husband's

objections to any sort of change had hitherto prevailed against her

wishes. But now the really dangerous state of Mrs. Ware's health, added

to the entreaties of Dorothy, who longed, as do all American girls, for

a glimpse of the old country, had brought the old gentleman to

acquiescence. He would not go himself; he was getting too old for such a

trip; but his wife and daughter should go, if they had set their hearts

on it. So that, with the prospective departure of both Richard Lancaster

and the girl that rumor had him engaged to, the tongues of the gossips

had plenty to do on that day. When Dick first heard the news about the

Wares' he was inclined to be downhearted; then it struck him that it

would give him an opportunity for another effort at getting from Dorothy

at least the promise of a promise.

Than Lincolnville in mid-summer I know few fairer places; there is a

cool, green quiet all about that makes for peace and gentleness, and in

the whispering of the breeze as it curls through the thick foliage of

the spreading trees there is the note of happiness. Happiness, indeed,

lies nearer to man in one of these small, serene villages, than anywhere

else in the world, save in solitude; but it is rarely that man sees the

sleeping beauty that he has sought all his life long. Dick, as he walked

along toward the Ware house that splendid afternoon, caught something of

the warm, comfortable languor that was in the air, and looked about him

with a note of regret in his regard. "How pretty it all is!" he thought,

looking at the familiar houses, with their well-kept lawns and

ivy-covered verandahs, "how pretty! And yet--" he sighed, and then

smiled with a proud lift of the head--"there are other things!"

He found Miss Ware seated in a hammock on what was known as the

front-porch. It was a long, low, cool stretch of verandah, reminding one

of the style of architecture in vogue in the old south. It was all

harbored in vines that were so luxurious they hardly gave the breeze a

fair chance to penetrate; on the other hand, the sun's rays were safely

guarded against.

Young Lancaster drew up a chair, after she had smiled and reached him

one of her hands. He looked at her critically for a moment.

"Dorothy," he said, "I have never seen you looking so pretty."

"I have never felt so happy, Dick," she said.

"Because you are going away?"

"Yes. And you?"

"I am happy, too. And yet, I am rather sorry. I have lived here all my

life; this is the first time that I am going away from home. There is

something solemn about it; but then--the end, oh, the end--justifies it

all. That is not the chief reason why I am not altogether satisfied to

go away. Dorothy, don't you know the other reason?"

She opened her eyes a little, and smiled a trifle at the corners of her

mouth. "I, Dick, why, how should I know?" Then she saw that he looked

hurt and she changed her tone. "Dick," she went on, "why won't you be

sensible about it? I suppose you mean about me? Why, Dick, you know I

like you, don't you? I've always liked you and admired you, but--dear

me, can I help it if I feel sure that I don't like anyone yet--in that

way? I'd like to, perhaps, but--well, I don't. What can I do?" She

looked at him appealingly and reproachfully.

"I know, I know," he said, soothingly, "I'm an impetuous, thoughtless

idiot, I'm afraid, and I hurt you. And, oh, Dorothy! don't you know I'd

rather suffer torments unspeakable than hurt you?" He put out his hand

and touched the one hand of hers that swung beside him, over the edge of

the hammock. "But yet, dear," he went on, "if I only had a word from you

to remember, be it ever so slight, I would fight so much better against

the world. For it is the same to-day as it was in the middle ages; we go

to our crusades, all of us, and if we have a sweetheart who will give us

her love as an armor, we fight the better fight. Our crusades have a

different air, to be sure, but the idea is the same. Don't you know,

Dorothy, that if you only gave, me some little thing to cling to, I

would feel a hundred times stronger. Come, Dorothy, it costs you little

to say it!"

"But if I say that word, I must live up to it."

"True; your fair conscience would let you do nothing less. And yet,

there are words so slight that they would cost you scarcely anything,

while to me they would be coats of mail."

For a time there was silence, both looking out over the street where the

school children were passing homewards. A buggy rattled by, throwing

clouds of dust; then there was quiet again. "If you could say to me,

Dorothy, 'Dick, I won't marry anyone until I see you again, until I

come home again. And I'll try to like you--that way,' why, that would be

enough for me."

She held up her right hand with a pretty little gesture. "I do solemnly

swear," she said. Then she went on more seriously, "Why, yes, Dick, I'll

promise that. Small chance of my getting married for a few years,

anyway, so I won't have such a very awful time living up to that

promise. Now, do you think, sir, that you're engaged to me?"

"No, no, dear; not at all. But you've let me hope, haven't you? That's

all I want. You don't know how much happier I'll feel all the time

you're away. How long, by the way, do you think you'll be abroad?"

"A year, at the least. I want to see it all, you know, when I do get the

chance. Mamma'll want to stay in Carlsbad or Ems, or somewhere all the

time; but I'm going to get her well real soon, you see if I don't, and

then we'll just travel for fun and nothing else. Dick, wouldn't it be

great if you could go along?"

"It would, for a fact," he assented, "but it's too good to be true.

Besides I'm going to have some fun of my own!"

"Your work, you mean?"

"Yes. Isn't it fun to succeed? And I'm going to succeed! The fighting

for success will be fun, and the victory will be fun!" His eyes flashed

with a fierce battle-light. Today this fire of ambition is the only

thing that at all takes the place of the blood fervor that spurred on

the knights of the olden times. "Dorothy," he said, presently, with a

sudden softness in his voice, "will you wish me luck?"

She gave him, for answer, her right hand, and looked at him wistfully.

She was wondering, perhaps, why it was that she did not love this

lovable boy. "I wish you all the success in the world," she said

quietly. And then, as he turned to go, she called after him, in the old

formula they had used to each other a thousand times as boy and

girl--"Good-bye, Dick. Be good!"

The love affairs of a boy and a girl, you may think, are hardly the

things that matter very much in the world of today. But the boy and girl

of today are the man and the woman of tomorrow; and between these stages

there is only the little gulf, so easily crossed, wherein runs the river

of knowledge of the world we live in. As soon as we have crossed that we

are become men and women, and are left of our childhood nothing but the

wish that it were ours again.

CHAPTER I

Although the western windows were open, it was decidedly warm in the

offices of the _Weekly Torch_. The offices were on the tenth floor in

one of the town's best known sky-scrapers--the Aurora. There was a view,

through the windows, of innumerable roofs and streets; here and there

the tower of a railway station or a new hotel protruded--in the words

of A.B. Wooton owner of the _Torch_--"like a sore thumb." Mr. Wooton was

at that moment engaged in the diverting pastime of having his feet

stretched over the side of his desk; and watching the smoke of his

cigarette curl out of the window. Besides his own, there were three

other desks, of the roller-top pattern, in the room, the door of which

was marked "Editorial Rooms," but was rarely, if ever, seen closed. As a

usual thing the outer door to the corridor was, in the summer-time at

least, also left wide open; you could see from the window clear to the

outer door. Indeed, it was one of Wooten's special talents, this ability

of his to see at a glance, from his seat by the window, who it was that

was coming in through the farther door. At one of the other desks a man

was smoking a pipe and shoving a pencil rapidly over sheet of paper.

Presently this man laid his pencil down, took his pipe out of his mouth

and knocked the ashes over into the cuspidor. Then he leaned back in his

chair and inquired,

"Who was it?"

"Young fellow from the Art Institute," said Wooten. "Sketches to show;

wants to do illustrating; same old gag. They all come to it. Paint and

fame come altogether too high, and a fellow's got to live. Although, as

the Frenchman remarked, '_Je ne vois pahs la nécessité_.'" The ability to

hideously mispronounce French with a sort of bravado that almost made it

seem correct was one of Wooten's peculiarities.

The other man gave a mock shudder. "If your morals," he said, "were as

bad as your French, you wouldn't be fit to print. Was his stuff any

good?"

"Very fair. Got a thing or two to learn about working for reproduction,

as all these art-school men have; but he's got it in him. I told him to

go and see young Belden, on the _Chronicle_, to get a few points about

reproduction. I believe I'll be able to use him. If he's cheap." Wooton

laughed, and threw the stub of his cigarette out of the window. Then he

began throwing the papers on his desk all in a heap and looking into,

under and around them. "Confound the luck," he began; then, turning to

the other man, "Got a cigarette, Van?"

Van, whose full name was Vanstruther, and whom his intimates called

alternately "Tom" and "Van," threw a box over to the other's desk,

laughing. "I swear," he said, "it's my firm belief that if a man were to

put you in a story and try to draw you with a single stroke he would

only have to say that you spent your life between buying and losing

cigarettes."

"And matches," added the other calmly. "Got one?"

"Jupiter! If this thing goes on I'm going to strike for higher rates.

It's not in the contract that I furnish the office with smokes!"

"No. But the stuff you write, Van, is what drives me to cigarettes. So

you make your own bed, you see. Hallo! Here's alone female to see me!

Wonder who?"

He got up and went towards the door. "Did you wish to see me?" he

inquired.

"The editor?" She hesitated a little but he assured her with a slight

nod that she had found her man, and she followed him towards his desk.

She took a seat beside him, and they began conversing in a tone so low

that Vanstruther could only catch a stray word now and again. Presently

she got up. "Very well then," she was saying, "you have my address; if

anything should turn up, you will let me know, won't you?" With a little

rustling of skirts she was gone. Presently they could here her voice

saying "Down!" to the elevator boy.

"What was her game?" asked Vanstruther.

"Wanted to contribute poetry as a regular department. You can't fling a

club around a corner anywhere in this town without hitting one of her

kind, nowadays!"

"Then why didn't you tell her right away you weren't using anything of

that sort?"

"Why, you infernal idiot, didn't you look at her?"

"No. Choice?"

"Very." He put a slip of paper into a pigeon hole, remarking as he did

so, "Filed for future reference."

From the next room came a gruff voice, "Column of editorial to fill yet,

Mr. Wooton."

"That foreman of mine's like Banquo's ghost," muttered Wooton, as he

put his pen into the ink and bent down over the desk. For a while there

was only the sound of pen and pencil going over paper, and the click of

the type in the next room. Then there was a heavy step heard in the

passage outside, and presently Wooton muttered: "The Lord's giving us

this day our daily loafers, I see. I wonder why it is," he went on

aloud, as a tall, heavy-set man, with a military mustache and eyeglasses

in front of mild blue eyes, came into the room, "that you fellows always

show up on Friday. Which, being the day we go to press--what's that?

More copy? Oh, all right!" The foreman was taking all the written sheets

from his desk and pleading for more. The new comer was evidently used to

this sort of greeting; he calmly picked a cigarette from the box on

Vanstruther's desk, lit it and sat down on a chair that was drawn up to

the table-where the "exchanges" lay piled in heaps. He finally found

what he had been apparently looking for--a paper with a very gaudy and

risky picture on the front of the cover; he folded it to his

satisfaction and began to look through it. "Say, Van," he began,

presently, "what's this I hear about their going to play the

Ober-Ammergau Passion Play here? Anything in it?"

Vanstruther was terribly busy. "Haven't heard," was all he said.

"I heard that it was all fixed," the other went on. "They've even got

the man to play the leading part. Fellow called Tom Vanstruther. They

say he's going to play the part without a makeup, and--"

"Oh, look here," said Vanstruther, half turning around in his chair,

"you go to the devil, will you?"

The other man took out a huge cigar-holder, inserted his cigarette and

curled his mustache. "Van's still a little sore about that," he said,

turning to Wooton, who merely nodded his head. There came again the

sound of footsteps in the outer hall, and Wooton, peering forward a

little, broke into a cheery "Hallo, Dante Gabriel Belden, glad to see

you! Come in. By the way, I just sent a young fellow who has your

disease over to see you this morning. Wants to learn the reproduction

rules of the game. See him?"

"Yes. Had a little talk with him. Clever chap. Tell you about him in a

minute. Hallo, Van, how are the other three hundred and ninety-nine?

Hallo, Stanley, haven't they got you under the vagrancy ordinance yet?"

The man with the huge mustache and the lengthy cigar-holder shook his

head and said, "Not yet. But I understand they're on the trail. Well,

how is Art, and what are the books you have lately bought, and what is

the latest of your schemes that has died?"

"Oh, give them to me one at a time. Hang it, Wooton, why do you allow

this man to come up here, anyway, to wear out your furniture and the

patience of us all?"

"Oh," said Wooton, "he's an amusing animal, and I forgive any man

anything if only he will amuse me."

"That's beastly bad morals!" said the artist.

"Morals!" echoed Wooton, with a bland smile, "my dear boy, you want to

take a pill. No; take two! Morals in this day and age; moreover, on the

borders of Bohemia, to talk about morals! Jove, I see myself forced to

seek the solace of the deadly cigarette." He lit one of those slender

rolls of tobacco and paper and went on, "However you haven't answered

Stanley's questions yet. For you must know, Van, that Belden is one of

the most extravagant and insatiable hunters of art books in all this

town. Ever been in his flat? Well, it's a series of rooms, completely

lined with books and pictures, with a very small hole in the middle of

each room. Said hole being usually filled--to use an Irishism--with a

center-table loaded to the guards with art portfolios. I don't believe

there's a book or art store in town that the man doesn't owe large bills

to; and I know, for a fact, that when it comes to be a question between

a new overcoat and a new art book, he always takes the latter. And as

for his schemes--well, I will admit they're all good, but, like the

good, they die young. While they have the merit of exceeding novelty,

they ride him like the plague; but presently a new idol comes and the

old one falls into decay. Tell us, Dante, about the newest scheme!"

"H'm," replied the artist, "I don't see that you've left me anything to

tell. I've got a new book of Vierge's stuff that you fellows want to

come up and see one of these days; that's about all that I can think

of."

"Thank you for the pressing invitation," said Wooton.

"Oh, and about that fellow you sent up to see me," Belden continued, "I

liked his stuff immensely. He needs a little experience and hard luck on

the practical side of getting his stuff made into cuts, and he'll be all

right. The fact is, Wooton, seeing you like the fellow's sketches fairly

well, and I'm rushed to death with other work, I've thought of turning

my work for the Torch over to him. Would you object?"

"Not a bit, provided he does it as well; and he won't have to get much

of a move on to do that. And then they're cheaper when they're green!"

Belden groaned. "You're the most awful specimen of materialism I ever

hope to run up against. Then you don't object to this fellow--what's his

name again, Lancaster, isn't it?--doing your sketches? All right, I'll

train him a bit for you. And then I guess it would be a good scheme for

him to have a desk here in your office somewhere, so that he can have a

workshop and be right at hand for you. It isn't as if he had a studio of

his own."

"That'll be all right; we've got plenty of room. But while you're

training him, old man, I hope you won't inoculate him with that

villainous style of dressing you adopt at the end of your pen. You're

very hot people on everything that's got to be done in a hurry, and

you're great on fine work of the etching order, but when it comes to

making people look like the men and women one would care to be seen

with, you're simply not in this county, that's all there is about it.

I've always claimed, you know," he went on, turning a little so that he

faced Vanstruther and Stanley, "that the great fault common to all the

black-and-white artists in this town was that they couldn't define the

difference between a gentleman and a hoodlum. They talk to me about

technique, and drawing, and all the rest of it, none of which, I will

admit, I know a mortal thing about; but all I answer is that I'm going

from the point of view of the man who doesn't know how the drawing is

made, but who does know how it looks when it's finished. The people of

today look at nearly everything for it's merely superficial aspect; and

the finer people look to our artists to display taste in clothing their

pictorial creatures. If you only dress your people well, they'll want

your drawings so that they can get fashion pointers from them.

Now-a-days an illustrator has got to be more than a mere manipulator of

pen and ink; he has got to keep an eye on the fashions, and even a

little ahead of them. At least, that's what the man I'm looking for

should be."

Stanley muttered, around the edges of his mustache, so that only

Vanstruther could hear, "Yes; and he'd want to pay him as much as ten

dollars a week!"

Belden laughed, and got up. "Why don't you put all that into a lecture,

Wooton, and give the fellows over at the Institute a glimpse of this

higher knowledge of yours. However, I've got to be going. I'll send that

man Lancaster over here in a day or so. Goodbye, people!"

"There's one of the cleverest fellows with a pen in this town," said

Wooten, as soon as the artist's footsteps had died away down the

corridor, "but he's utterly spoiled himself by the work he's been doing

of late years. He's a very fast worker, and one of the best men a daily

paper ever got hold of. Then, too, I've seen copy-work of his--that is,

from photographs or paintings--done in pen-and-ink, that had all the

fine detail and effect of an etching. But, for the sake of the money

there is in it, he does blood and thunder illustrations for a paper of

that sort. After a man has done that sort of thing for a year or two, it

gets into his style. I don't believe he'll ever be able to do anything

else, now. Of course, he'll aways make good money, because his speed and

capacity for work are simply invaluable; but art, as far as he is

concerned, must be weeping large salty tears."

"This picture of you, A.B. Wooton, pleading the cause of art," remarked

Stanley, "is one of the most affecting I have ever beheld. It really

makes me feel--hungry."

"Your invitation, sir," said Wooton, walking over toward the closet and

getting his hat, "is cordially accepted. Come on, Van; we are invited to

lunch by the Honorable Mr. Stanley, exchange reader to the _Torch_.

Never linger in a case like this!"

"For consummate nerve," Stanley suggested, "you really take the medal,

A.B. However, seeing I made a little borrow from the old lady yesterday,

I will go you one lunch on the strength of it. But I do hope you men had

late breakfasts."

Just before they were ready to pass out, Tony, the office boy came in.

"Say," he said to Wooton, in a low tone, "you remember that letter I

took to the house day before yesterday? Well, does the quarter walk

to-day?"

"Which," Wooton explained, as he handed the boy a quarter, "is Tony's

peculiar way of inquiring whether he is going to get that twenty-five

cents or not." Tony grinned and went back to his desk were he was busy

addressing wrappers.

When the three men came back from lunch, they found a young man, holding

a black leather case in his hand, such as bank messengers carry, sitting

patiently in a chair in the outer office. He got up when they entered,

and handed Wooton a paper. Wooton took it to the light, read it slowly,

and handed it back. "Tell him to send that around again on the tenth,

will you." Then he walked into the composing room and began talking to

the foreman. The collector put the slip of paper back into his portfolio

and went out.

"Van," said Wooton, as they sat down at his desk, presently, "I wish

you'd try and hurry that stuff of yours along a little, will you? I've

got to go to a tea at Mrs. Stewart's at four, and the ghost tells me

that your page is half a column shy yet."

Vanstruther nodded silently, while Stanley inquired, "Excuse my

ignorance Mr. Wooten, but who is Mrs. Stewart?"

"What? You don't know the great and only Annie McCallum Stewart? Oh,

misericordia, can such things be?"

"They are."

"Well, Mrs. Stewart is a remarkably clever woman. One of the cleverest

women our society affords, in fact. She is the daughter of one of the

town's best known and most popular doctors, and everyone in society knew

her so well when she was only Annie McCallum that now, when she is

married to Stewart, one still uses her old name as well as her new one.

That's all the result of individuality. She has read a great deal, and

kept her eyes open a great deal. She has a husband who is ridiculously

fond of her, and otherwise as blind as a bat. She, on the other hand,

has a mania for young men. Whenever you see her with a young man of any

sort of looks, somebody will tell you that Annie McCallum Stewart has

got a new youth in the net. She likes to lure them up into her 'den,' as

she calls it, and talk to them about the higher life. Then they fall in

love with her and she forgives them and elaborates upon the beauties of

pure Platonism. In a word, Stanley, she's one of the most perfect forms

of the mental flirt I ever come across."

"H'm. Is your tea today to be in duet form, or is it a general

scramble?"

"Oh, it's a general all-comers' game. But I always like to go to that

house; she interests me immensely. I'm always wondering how near she

really can skate to the edge without breaking over."

"Yes," acquiesced the other, reflectively, "that is an interesting

speculation. Hallo, here's another friend of yours!"

The new-comer laid an envelope on Wooton's desk and waited. The latter

opened it hastily, and then said, "I sent that down by this morning's

mail."

The man had hardly gone before Stanley laid down the paper he had been

paging through and said, looking steadily at Wooton, "Jupiter, but you

do that easily! If I could do that only half as well I'd count myself as

free from debts for the rest of my life. It's my solemn belief that you

can tell a collector from an ordinary mortal as soon as he steps inside

the door. I've heard you tell a man, who had only just turned inside the

outer office, that you were 'going to send that down in the morning,'

and I've seen you look the enemy calmly in the face and tell him that

you had fixed that up with his employer about an hour ago. And you do it

as easily as if you were lighting a cigarette. Another man might get

embarrassed, and hesitate, or feel guilty! But you! Not in a hundred

years! You never quail worth a cent. It's positive genius, my boy,

positive genius!"

"No; it's only business, that's all."

"H'm, by the way, speaking of business, aren't you running the game a

trifle extravagantly here? I don't want to mix in, of course, but is the

thing paying so well as--"

The other interrupted him. "My dear fellow," he said, "it's evident you

haven't any idea how well this thing is paying. Why, man, look at me! Do

I economise much? No. Well, I don't have to, that's why! But come on and

let's saunter down street. Van's finished, and they've got all the copy

they want, and I expect there are a few pretty girls out today. Let's go

and take a glimpse at the parade on the Avenue. And then I'll go down to

that tea."

There were several callers at the office after they had left; some

bill-collectors, a society man who left the announcement for some

forthcoming dances; a boy to buy ten copies of last week's paper; a

printer looking for work; and the mail-carrier. Towards six o'clock the

foreman and the compositors left; then Tony, the office-boy, shut up his

desk, and went out, locking the door behind him. The Weekly Torch had

gone to rest for the day.

Cape of Storms: A Novel · 第 1 / 18 章