CHAPTER XIV

_SENSE AND SENSIBILITY_

1809-1811

We are now bringing Jane Austen to the home which she was to occupy

through all the remaining eight years of her life--the home from which

she went to lie on her deathbed at Winchester. Into this period were to

be crowded a large proportion of her most important literary work, and

all the contemporary recognition which she was destined to enjoy. The

first six of these years must have been singularly happy. So far as we

know, she was in good health, she was a member of a cheerful family

party, and she was under the protection of brothers who would see that

she and her mother and sister suffered no discomfort. The eldest, James,

Rector of Steventon, could reach his mother's house in a morning's ride

through pleasant country lanes; Edward, the Squire, occasionally

occupied the 'Great House' at Chawton, and often lent it to one of his

naval brothers; while Henry in London was only too happy to receive his

sisters, show them the sights of the metropolis, and transact Jane's

literary business. At home were her mother, her life-long friend Martha,

and above all her 'other self'--Cassandra--from whom she had no secrets,

and with whom disagreement was impossible. But besides all these living

objects of interest, Jane also had her own separate and peculiar world,

peopled by the creations of her own bright imagination, which by degrees

became more and more real to her as she found others accepting and

admiring them. She must have resumed the habit of writing with

diffidence, after her previous experience; but the sense of progress,

and the success which attended her venture in publishing _Sense and

Sensibility_ would by degrees make ample amends for past

disappointments. She was no doubt aided by the quiet of her home and its

friendly surroundings. In this tranquil spot, where the past and present

even now join peaceful hands, she found happy leisure, repose of mind,

and absence of distraction, such as any sustained creative effort

demands.

Chawton was a charming village, about a mile from Alton, and deep in the

country; although two main roads from Gosport and Winchester

respectively joined on their way towards London just in front of the

Austens' cottage. Indeed, the place still refuses to be modernised, in

spite of three converging railways, and a necessary but civil notice in

the corner requesting motorists to 'drive slowly through the village.'

The venerable manor-house (then always called the 'Great House') is on

the slope of a hill above the Church, surrounded by garden, meadows, and

trees, and commanding a view over the intervening valley to a hill

opposite, crowned with a beech wood and known as 'Chawton Park.' The

cottage is in the centre of the village, and, as it actually abuts on

the road, the Austens could easily see or be seen by travellers. It is

supposed to have been built as a posting inn, but it had lately been

occupied by Edward Austen's steward. The author of the _Memoir_

describes his uncle's improvements to the place in the following

words[207]:--

A good-sized entrance and two sitting-rooms made

the length of the house, all intended originally

to look upon the road; but the large drawing-room

window was blocked up and turned into a book-case,

and another opened at the side which gave to view

only turf and trees, as a high wooden fence and

hornbeam hedge shut out the Winchester road, which

skirted the whole length of the little domain.

He goes on to speak of the garden laid out at the same time, which

proved a great interest to the party of ladies, and in which old Mrs.

Austen worked vigorously, almost to the end of her days, often attired

in a green round smock like a labourer's: a costume which must have been

nearly as remarkable as the red habit of her early married life.

Jane Austen was now between thirty-three and thirty-four years old. She

was absolutely free from any artistic self-consciousness, from any

eccentricity of either temper or manner. 'Hers was a mind well balanced

on a basis of good sense, sweetened by an affectionate heart, and

regulated by fixed principles; so that she was to be distinguished from

many other amiable and sensible women only by that peculiar genius which

shines out clearly . . . in her works.'[208] Her tastes were as normal as

her nature. She read English literature with eagerness, attracted by the

eighteenth-century perfection of style--and still more by the return to

nature in Cowper and the introduction of romance in Scott--but repelled

by coarseness, which she found even in the _Spectator_, and the presence

of which in Fielding made her rank him below Richardson. As for the

latter, 'Every circumstance narrated in _Sir Charles Grandison_, all

that was ever said or done in the "Cedar Parlour," was familiar to her;

and the wedding days of Lady L. and Lady G. were as well remembered as

if they had been living friends.' Her 'dear Dr. Johnson' was a constant

companion; and a younger friend was found in Crabbe, whom--as she used

to pretend--she was quite prepared to marry: not knowing at the time

whether he had a wife living or not.[209] As to her other tastes, she

greatly delighted in the beauties of nature, and no doubt would have

enjoyed foreign travel, had not that pleasure been quite out of her

reach. Her attitude to music, as an art, is more doubtful. She learnt to

play the piano in her youth, and after spending many years without an

instrument, took it up again on settling at Chawton; but she says

herself that she did this in order to be able to play country-dances for

her nephews and nieces; and when she goes to a concert she sometimes

remarks on her inability to enjoy it. A concert in Sydney Gardens,

however, was not perhaps likely to offer to the hearer many examples of

high art; and we have no means of knowing whether, if she had had a

chance of being introduced to classical music, it would have appealed to

her, as it sometimes does to intellectual people who have been

previously quite ignorant that they possessed any musical faculty. We

are told that she had a sweet voice, and sang with feeling. 'The

Soldier's Adieu' and 'The Yellow-haired Laddie' survive as the names of

two of her songs.

She was extraordinarily neat-handed in anything which she attempted. Her

hand-writing was both strong and pretty; her hemming and stitching, over

which she spent much time, 'might have put a sewing-machine to shame';

and at games, like spillikins or cup-and-ball, she was invincible.

If this description does not seem to imply so wide a mental outlook as

we wish to see in a distinguished author, we must remember that Jane

Austen (as her nephew tells us) 'lived in entire seclusion from the

literary world,' and probably 'never was in company with any person

whose talents or whose celebrity equalled her own.'[210] She was in the

middle of a small family circle, the members of which were well-educated

according to the fashion of the times, intelligent, and refined; but not

especially remarkable for learning or original thought. They accepted

the standards and views of their generation, interpreting them in a

reasonable and healthy manner. She had therefore no inducement, such as

might come from the influence of superior intellects, to dive into

difficult problems. Her mental efforts were purely her own, and they led

her in another direction; but she saw what she did see so very clearly,

that she would probably have been capable of looking more deeply into

the heart of things, had any impulse from outside induced her to try.

Her vision, however, might not have remained so admirably adapted for

the delicate operations nearer to the surface which were her real work

in life.

Jane's person is thus described for us by her niece Anna, now becoming a

grown-up girl and a keen observer: 'The figure tall and slight, but not

drooping; well balanced, as was proved by her quick firm step. Her

complexion of that rare sort which seems the particular property of

light brunettes; a mottled skin, not fair, but perfectly clear and

healthy; the fine naturally curling hair, neither light nor dark; the

bright hazel eyes to match, and the rather small, but well-shaped,

nose.' This is a delightful description; but she adds that in spite of

all this, her aunt was not regularly handsome, though most attractive.

As to her charm and lovableness there is absolute unanimity among all

those who were near enough to her to know what she really was. Jane had

by this time seen a good deal of society, and enjoyed it, though with a

certain critical aloofness which belonged to her family, and which was

hardly to be avoided by so clever a person as herself. This critical

spirit was evidently a quality of which she endeavoured to rid herself

as of a fault; and one of her nieces, who was too young to know her aunt

intimately, until almost the end of her life, was able then to say: 'She

was in fact one of the last people in society to be afraid of. I do not

suppose she ever in her life said a sharp thing. She was naturally shy

and not given to talk much in company, and people fancied, knowing that

she was clever, that she was on the watch for good material for books

from their conversation. Her intimate friends knew how groundless was

the apprehension and that it wronged her.' She was not only shy: she was

also at times very grave. Her niece Anna is inclined to think that

Cassandra was the more equably cheerful of the two sisters. There was,

undoubtedly, a quiet intensity of nature in Jane for which some critics

have not given her credit. Yet at other times she and this same niece

could joke so heartily over their needlework and talk such nonsense

together that Cassandra would beg them to stop out of mercy to her, and

not keep her in such fits of laughing. Sometimes the laughter would be

provoked by the composition of extempore verses, such as those given in

the _Memoir_[211] celebrating the charm of the 'lovely Anna'; sometimes

the niece would skim over new novels at the Alton Library, and reproduce

them with wilful exaggeration. On one occasion she threw down a novel on

the counter with contempt, saying she knew it must be rubbish from its

name. The name was _Sense and Sensibility_--the secret of which had been

strictly kept, even from her.

The niece who shared these hearty laughs with her aunts--James's eldest

daughter, Anna--differed widely from her cousin, Edward's daughter,

Fanny. She was more brilliant both in looks and in intelligence, but

also more mercurial and excitable. Both occupied a good deal of Jane's

thoughts and affections; but Anna must have been the one who caused her

the most amusement and also the most anxiety. The interest in her was

heightened when she became engaged to the son of Jane's old friend, Mrs.

Lefroy. Anna's giddiness was merely that of youth; she settled down into

a steady married life as the careful mother of a large family. She

cherished an ardent affection for her Aunt Jane, who evidently exercised

a great influence on her character.

Jane Austen's literary work was done mainly in the general sitting-room:

liable at any moment to be interrupted by servants, children, or

visitors--to none of whom had been entrusted the secret of her

authorship. Her small sheets of paper could easily be put away or

covered with blotting-paper, whenever the creaking swing-door (which she

valued for that reason) gave notice that anyone was coming.

Her needlework was nearly always a garment for the poor; though she had

also by her some satin stitch ready to take up in case of the appearance

of company. The nature of the work will help to contradict an

extraordinary misconception--namely, that she was indifferent to the

needs and claims of the poor: an idea probably based on the fact that

she never used them as 'copy.' Nothing could be further from the truth.

She was of course quite ignorant of the conditions of life in the great

towns, and she had but little money to give, but work, teaching, and

sympathy were freely bestowed on rustic neighbours. A very good

criterion of her attitude towards her own characters is often furnished

by their relations with the poor around them. Instances of this may be

found in Darcy's care of his tenants and servants, in Anne Elliot's

farewell visits to nearly all the inhabitants of Kellynch, and in Emma's

benevolence and good sense when assisting her poorer neighbours.

So began the Austens' life at Chawton--probably a quieter life than any

they had yet led; their nearest neighbours being the Middletons (who

rented the 'Great House' for five years and were still its inmates), the

Benns at Faringdon, the Harry Digweeds, Mr. Papillon the Rector (a

bachelor living with his sister), and the Clements and Prowting

families.

The ladies took possession of their cottage on July 7, and the first

news that we have of them is in a letter from Mrs. Knight, dated October

26, 1809: 'I heard of the Chawton party looking very comfortable at

breakfast from a gentleman who was travelling by their door in a

post-chaise about ten days ago.'

After this the curtain falls again, and we have no letters and no

information for a year and a half from this time. We are sure, however,

that Jane settled down to her writing very soon, for by April 1811

_Sense and Sensibility_ was in the printers' hands, and _Pride and

Prejudice_ far advanced.

Since her fit of youthful enthusiasm, when she had composed three

stories in little more than three years, she had had much experience of

life to sober and strengthen her. Three changes of residence, the loss

of her father, the friendship of Mrs. Lefroy and the shock of her

death,[212] her own and her sister's sad love stories, the crisis in the

Leigh Perrot history, and her literary disappointments--all these must

have made her take up her two old works with a chastened spirit, and a

more mature judgment. We cannot doubt that extensive alterations were

made: in fact, we know that this was the case with _Pride and

Prejudice_. We feel equally certain that, of the two works, _Sense and

Sensibility_ was essentially the earlier, both in conception and in

composition, and that no one could have sat down to write that work who

had already written _Pride and Prejudice_.[213] There is, indeed, no

lack of humour in the earlier work--the names of Mrs. Jennings, John

Dashwood, and the Palmers are enough to assure us of this; but the

humorous parts are not nearly so essential to the story as they become

in her later novels: the plot is desultory, and the principal characters

lack interest. We feel, in the presence of the virtue and sense of

Elinor, a rebuke which never affects us in the same way with Jane

Bennet, Fanny Price, or Anne Elliot; while Marianne is often

exasperating. Edward Ferrars is rather stiff; and Colonel Brandon is so

far removed from us that we never even learn his Christian name.

Mr. Helm[214] makes some acute remarks on the freedom which Elinor shows

in talking of embarrassing subjects with Willoughby, and on her

readiness to attribute his fall to the world rather than to himself. We

are to imagine, however, that Elinor had been attracted by him before,

and felt his personal charm again while she was under its spell: all the

more, because she was herself in a special state of excitement, from the

rapid changes in Marianne's condition, and the expectation of seeing her

mother. Her excuses for Willoughby were so far from representing any

opinion of the author's, that they did not even represent her own after

a few hours of reflection. It is one of the many instances which we have

of Jane Austen's subtle dramatic instinct.

On the whole, there is great merit in the book, and much amusement to be

got from it; but it seems natural to look upon it as an experiment on

the part of the author, before she put forth her full powers in _Pride

and Prejudice_. We are glad, by the way, to hear from Jane herself that

Miss Steele never caught the Doctor after all.

We must now accompany the author to London, whither she went in April

1811 to stay with her brother Henry and his wife (who had moved from

Brompton to 64 Sloane Street), having been preceded by her novel, then

in the hands of the printers.

Cassandra had in the meanwhile gone to Godmersham.

Sloane Street: Thursday [April 18, 1811].

MY DEAR CASSANDRA,-- . . . The badness of the

weather disconcerted an excellent plan of

mine--that of calling on Miss Beckford again; but

from the middle of the day it rained incessantly.

Mary[215] and I, after disposing of her father and

mother, went to the Liverpool Museum[216] and the

British Gallery,[217] and I had some amusement at

each, though my preference for men and women

always inclines me to attend more to the company

than the sight.

* * * * *

I did not see Theo.[218] till late on Tuesday; he

was gone to Ilford, but he came back in time to

show his usual nothing-meaning, harmless,

heartless civility. Henry, who had been confined

the whole day to the bank, took me in his way

home, and, after putting life and wit into the

party for a quarter of an hour, put himself and

his sister into a hackney coach.

* * * * *

Eliza is walking out by herself. She has plenty of

business on her hands just now, for the day of the

party is settled, and drawing near. Above 80

people are invited for next Tuesday evening, and

there is to be some very good music--five

professionals, three of them glee singers, besides

amateurs. Fanny will listen to this. One of the

hirelings is a Capital on the harp, from which I

expect great pleasure. The foundation of the party

was a dinner to Henry Egerton and Henry

Walter,[219] but the latter leaves town the day

before. I am sorry, as I wished _her_ prejudice to

be done away, but should have been more sorry if

there had been no invitation.

I am a wretch, to be so occupied with all these

things as to seem to have no thoughts to give to

people and circumstances which really supply a far

more lasting interest--the society in which you

are; but I do think of you all, I assure you, and

want to know all about everybody, and especially

about your visit to the W. Friars[220]; 'mais le

moyen' not to be occupied by one's own concerns?

_Saturday._--Frank is superseded in the

_Caledonia_. Henry brought us this news yesterday

from Mr. Daysh, and he heard at the same time that

Charles may be in England in the course of a

month. Sir Edward Pollen succeeds Lord Gambier in

his command, and some captain of his succeeds

Frank; and I believe the order is already gone

out. Henry means to enquire farther to-day. He

wrote to Mary on the occasion. This is something

to think of. Henry is convinced that he will have

the offer of something else,[221] but does not

think it will be at all incumbent on him to accept

it; and then follows, what will he do? and where

will he live?

* * * * *

The D'Antraigues and Comte Julien cannot come to

the party, which was at first a grief, but she has

since supplied herself so well with performers

that it is of no consequence; their not coming has

produced our going to them to-morrow evening,

which I like the idea of. It will be amusing to

see the ways of a French circle.

* * * * *

Our first object to-day was Henrietta St., to

consult with Henry in consequence of a very

unlucky change of the play for this very

night--_Hamlet_ instead of _King John_--and we are

to go on Monday to _Macbeth_ instead; but it is a

disappointment to us both.

Love to all.

Thursday [April 25, 1811].[222]

No, indeed, I am never too busy to think of _S.

and S._[223] I can no more forget it than a mother

can forget her sucking child; and I am much

obliged to you for your enquiries. I have had two

sheets to correct, but the last only brings us to

Willoughby's first appearance. Mrs. K. regrets in

the most flattering manner that she must wait

_till_ May, but I have scarcely a hope of its

being out in June. Henry does not neglect it; he

_has_ hurried the printer, and says he will see

him again to-day. It will not stand still during

his absence, it will be sent to Eliza.

The _Incomes_ remain as they were, but I will get

them altered if I can. I am very much gratified by

Mrs. K.'s interest in it; and whatever may be the

event of it as to my credit with her, sincerely

wish her curiosity could be satisfied sooner than

is now probable. I think she will like my Elinor,

but cannot build on anything else.

Our party went off extremely well. There were many

solicitudes, alarms, and vexations, beforehand, of

course, but at last everything was quite right.

The rooms were dressed up with flowers, &c., and

looked very pretty. A glass for the mantelpiece

was lent by the man who is making their own. Mr.

Egerton and Mr. Walter came at half-past five, and

the festivities began with a pair of very fine

soles.

Yes, Mr. Walter--for he postponed his leaving

London on purpose--which did not give much

pleasure at the time, any more than the

circumstance from which it rose--his calling on

Sunday and being asked by Henry to take the family

dinner on that day, which he did; but it is all

smoothed over now, and she likes him very well.

At half-past seven arrived the musicians in two

hackney coaches, and by eight the lordly company

began to appear. Among the earliest were George

and Mary Cooke, and I spent the greatest part of

the evening very pleasantly with them. The

drawing-room being soon hotter than we liked, we

placed ourselves in the connecting passage, which

was comparatively cool, and gave us all the

advantage of the music at a pleasant distance, as

well as that of the first view of every new comer.

I was quite surrounded by acquaintance, especially

gentlemen; and what with Mr. Hampson,[224] Mr.

Seymour, Mr. W. Knatchbull, Mr. Guillemarde, Mr.

Cure, a Captain Simpson, brother to _the_ Captain

Simpson, besides Mr. Walter and Mr. Egerton, in

addition to the Cookes, and Miss Beckford, and

Miss Middleton, I had quite as much upon my hands

as I could do.

* * * * *

Including everybody we were sixty-six--which was

considerably more than Eliza had expected, and

quite enough to fill the back drawing-room and

leave a few to be scattered about in the other and

in the passage.

The music was extremely good. It opened (tell

Fanny) with 'Poike de Parp pin praise pof

Prapela;'[225] and of the other glees I remember,

'In peace love tunes,' 'Rosabelle,' 'The Red Cross

Knight,' and 'Poor Insect.' Between the songs were

lessons on the harp, or harp and pianoforte

together; and the harp-player was Wiepart, whose

name seems famous, though new to me. There was one

female singer, a short Miss Davis, all in blue,

bringing up for the public line, whose voice was

said to be very fine indeed; and all the

performers gave great satisfaction by doing what

they were paid for, and giving themselves no airs.

No amateur could be persuaded to do anything.

* * * * *

This said Captain Simpson told us, on the

authority of some other Captain just arrived from

Halifax, that Charles[226] was bringing the

_Cleopatra_ home, and that she was probably by

this time in the Channel; but, as Captain S. was

certainly in liquor, we must not quite depend on

it. It must give one a sort of expectation,

however, and will prevent my writing to him any

more. I would rather he should not reach England

till I am at home, and the Steventon party gone.

My mother and Martha both write with great

satisfaction of Anna's behaviour. She is quite an

Anna with variations, but she cannot have reached

her last, for that is always the most flourishing

and showy; she is at about her third or fourth,

which are generally simple and pretty.

* * * * *

We _did_ go to the play after all on Saturday. We

went to the Lyceum, and saw the _Hypocrite_, an

old play taken from Moliere's _Tartuffe_, and were

well entertained. Dowton and Mathews were the good

actors; Mrs. Edwin was the heroine, and her

performance is just what it used to be. I have no

chance of seeing Mrs. Siddons; she _did_ act on

Monday, but, as Henry was told by the box-keeper

that he did not think she would, the plans, and

all thought of it, were given up. I should

particularly have liked seeing her in _Constance_,

and could swear at her with little effort for

disappointing me.

Eliza caught her cold on Sunday in our way to the

D'Antraigues.[227] The horses actually gibbed on

this side of Hyde Park Gate: a load of fresh

gravel made it a formidable hill to them, and they

refused the collar; I believe there was a sore

shoulder to irritate. Eliza was frightened and we

got out, and were detained in the evening air

several minutes. The cold is in her chest, but she

takes care of herself, and I hope it may not last

long.

This engagement prevented Mr. Walter's staying

late--he had his coffee and went away. Eliza

enjoyed her evening very much, and means to

cultivate the acquaintance; and I see nothing to

dislike in them but their taking quantities of

snuff. Monsieur, the old Count, is a very

fine-looking man, with quiet manners, good enough

for an Englishman, and, I believe, is a man of

great information and taste. He has some fine

paintings, which delighted Henry as much as the

son's music gratified Eliza; and among them a

miniature of Philip V. of Spain, Louis XIV.'s

grandson, which exactly suited _my_ capacity.

Count Julien's performance is very wonderful.

We met only Mrs. Latouche and Miss East, and we

are just now engaged to spend next Sunday evening

at Mrs. L.'s, and to meet the D'Antraigues, but M.

le Comte must do without Henry. If he would but

speak English, _I_ would take to him.

Sloane Street: [Tuesday, April 30, 1811].

My head-dress was a bugle-band like the border to

my gown, and a flower of Mrs. Tilson's. I depended

upon hearing something of the evening from Mr. W.

K[natchbull], and am very well satisfied with his

notice of me--'A pleasing-looking young

woman'--that must do; one cannot pretend to

anything better now; thankful to have it continued

a few years longer!

* * * * *

We have tried to get _Self-Control_,[228] but in

vain. I _should_ like to know what her estimate

is, but am always half afraid of finding a clever

novel _too clever_, and of finding my own story

and my own people all forestalled.

* * * * *

I forgot to tell you in my last that our cousin,

Miss Payne,[2] called in on Saturday, and was

persuaded to stay dinner. She told us a great deal

about her friend Lady Cath. Brecknell, who is most

happily married, and Mr. Brecknell is very

religious, and has got black whiskers.

Yours very affectionately,

JANE.

Early in May, Jane left London; and, after paying a short visit to Mrs.

Hill (_nee_ Catherine Bigg) at Streatham, returned home to Chawton,

where she found only her mother and her niece Anna.

Chawton: Wednesday [May 29, 1811].

MY DEAR CASSANDRA,-- . . . You certainly must have

heard before I can tell you that Col. Orde has

married our cousin, Margt. Beckford,[229] the

Marchess. of Douglas's sister. The papers say

that her father disinherits her, but I think too

well of an Orde to suppose that she has not a

handsome independence of her own.

* * * * *

We sat upstairs [at the Digweeds'] and had thunder

and lightning as usual. I never knew such a spring

for thunderstorms as it has been. Thank God! we

have had no bad ones here. I thought myself in

luck to have my uncomfortable feelings shared by

the mistress of the house, as that procured blinds

and candles. It had been excessively hot the whole

day. Mrs. Harding is a good-looking woman, but not

much like Mrs. Toke, inasmuch as she is very brown

and has scarcely any teeth; she seems to have some

of Mrs. Toke's civility. Miss H. is an elegant,

pleasing, pretty-looking girl, about nineteen, I

suppose, or nineteen and a half, or nineteen and a

quarter, with flowers in her head and music at her

finger ends. She plays very well indeed. I have

seldom heard anybody with more pleasure.

Friday [May 31].

I have taken your hint, slight as it was, and have

written to Mrs. Knight, and most sincerely do I

hope it will not be in vain. I cannot endure the

idea of her giving away her own wheel, and have

told her no more than the truth, in saying that I

could never use it with comfort. I had a great

mind to add that, if she persisted in giving it, I

would spin nothing with it but a rope to hang

myself, but I was afraid of making it appear a

less serious matter of feeling than it really is.

* * * * *

From Monday to Wednesday Anna is to be engaged at

Faringdon, in order that she may come in for the

gaieties of Tuesday (the 4th), on Selborne Common,

where there are to be volunteers and felicities of

all kinds. Harriet B[enn] is invited to spend the

day with the John Whites, and her father and

mother have very kindly undertaken to get Anna

invited also.

* * * * *

Poor Anna is suffering from _her_ cold, which is

worse to-day, but as she has no sore throat I hope

it may spend itself by Tuesday. She had a

delightful evening with the Miss

Middletons--syllabub, tea, coffee, singing,

dancing, a hot supper, eleven o'clock, everything

that can be imagined agreeable. She desires her

best love to Fanny, and will answer her letter

before she leaves Chawton, and engages to send her

a particular account of the Selborne day.

* * * * *

How horrible it is to have so many people

killed![230] And what a blessing that one cares

for none of them!

I return to my letter-writing from calling on Miss

Harriot Webb, who is short and not quite straight

and cannot pronounce an R any better than her

sisters; but she has dark hair, a complexion to

suit, and, I think, has the pleasantest

countenance and manner of the three--the most

natural. She appears very well pleased with her

new home, and they are all reading with delight

Mrs. H. More's recent publication.

You cannot imagine--it is not in human nature to

imagine--what a nice walk we have round the

orchard. The row of beech look very well indeed,

and so does the young quickset hedge in the

garden. I hear to-day that an apricot has been

detected on one of the trees. My mother is

perfectly convinced _now_ that she shall not be

overpowered by her cleft-wood, and I believe would

rather have more than less.

God bless you, and I hope June will find you well,

and bring us together.

Thursday [June 6].

[Anna] does not return from Faringdon till this

evening, and I doubt not has had plenty of the

miscellaneous, unsettled sort of happiness which

seems to suit her best. We hear from Miss Benn,

who was on the Common with the Prowtings, that she

was very much admired by the gentlemen in general.

* * * * *

We began pease[231] on Sunday, but our gatherings

are very small, not at all like the gathering in

the _Lady of the Lake_. Yesterday I had the

agreeable surprise of finding several scarlet

strawberries quite ripe; had _you_ been at home,

this would have been a pleasure lost. There are

more gooseberries and fewer currants than I

thought at first. We must buy currants for our

wine.

* * * * *

I had just left off writing and put on my things

for walking to Alton, when Anna and her friend

Harriot called in their way thither, so we went

together. Their business was to provide mourning

against the King's death, and my mother has had a

bombasin bought for her. I am not sorry to be back

again, for the young ladies had a great deal to

do, and without much method in doing it.

Yours affectionately,

J. A.

The printing of _Sense and Sensibility_ cannot have been very rapid, for

in September 28 there is the following entry in Fanny Austen's diary:

'Letter from At. Cass to beg we would not mention that Aunt Jane wrote

_Sense and Sensibility_.' This looks as if it were still on the eve of

publication, and it was not in fact advertised until October 31.

FOOTNOTES:

[207] _Memoir_, p. 80.

[208] _Ibid._ p. 196.

[209] See pp. 275, 285.

[210] We are told in the biographical notice prefixed to Bentley's

edition of the novels in 1833, that though Jane, when her authorship was

an open secret, was once asked by a stranger to join a literary party at

which Madame de Stael would be present, she immediately declined the

invitation.

[211] _Memoir_, p. 89.

[212] She had experienced a similar shock before in the sudden death, by

accident, of her cousin, Jane Williams.

[213] This judgment is based on the idea that _Elinor and Marianne_

(admittedly earlier than _First Impressions_) bore something of the same

relation to _Sense and Sensibility_ that _First Impressions_ did to

_Pride and Prejudice_.

[214] _Jane Austen and her Country-house Comedy_, by W. H. Helm.

[215] Her cousin, Mary Cooke.

[216] This may have been Bullock's Natural History Museum, at 22

Piccadilly. See _Notes and Queries_, 11 S.v. 514.

[217] In Pall Mall.

[218] Theophilus Cooke.

[219] See p. 6.

[220] White Friars, Canterbury--the residence of Mrs. Knight.

[221] He took command of the _Elephant_ on July 18, 1811, and became

again concerned in the Napoleonic Wars. _Sailor Brothers_ p. 226.

[222] The original of this letter is in the British Museum.

[223] _Sense and Sensibility._ We do not know whether the _Incomes_ were

ever altered.

[224] Mr. Hampson, like Mr. Walter, must have been related to Jane

through her grandmother (Rebecca Hampson), who married first, Dr.

Walter; secondly, William Austen. Mr. Hampson succeeded to a baronetcy,

but was too much of a republican to use the title.

[225] Jane and her niece Fanny seem to have invented a language of their

own--the chief point of which was to use a 'p' wherever possible. Thus

the piece of music alluded to was 'Strike the harp in praise of

Bragela.'

[226] We learn from a letter of Cassandra that he arrived in time to

spend (with his family) a week at Chawton Cottage. He had been absent

almost seven years. It was their first sight of his wife.

[227] The Comte d'Antraigues and his wife were both of them notable

people. _He_ had been elected deputy for the _noblesse_ to the

States-General in 1789, and had taken at first the popular side; but as

time went on he became estranged from Mirabeau, and was among the

earliest to emigrate in 1790. For the rest of his life he was engaged in

plotting to restore the Bourbons. His wife had been the celebrated

Madame St. Hubert of the Paris opera-house, and was the only woman ever

known to have inspired Bonaparte to break forth into verse. Both the

Count and Countess were murdered by their valet at Barnes, July 22,

1812. (_Un agent secret sous la Revolution et l'Empire: Le Comte

d'Antraigues_, par Leonce Pingaud. Paris, 1894.)

[228] A novel by Mrs. Brunton, published in 1810.

[229] We can give no explanation of the cousinship, if any existed, of

Miss Beckford; Miss Payne may have descended from a sister of Jane's

grandmother, Rebecca Austen, who married a man of that name.

[230] Perhaps in the battle of Albuera, May 16, 1811, which is described

by Professor Oman (_Cambridge Modern History_, ix. 467) as 'the most

bloody incident of the whole Peninsular War.'

[231] June 2. They ought to have waited for the King's birthday (June

4), which was considered the correct day to begin pease upon.

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