ANOTHER SURPRISE
Six months went by, and the murderer of Sir Joshua Tubbs, M.P. and Sir
Eustace Butt, M.P. still remained at large. Roger had sold his cottage
in the country and was now in London, performing his exercises with
regularity, concentrating daily upon the words "wardrobe," "dough-nut,"
and "wasp," and living entirely upon proteids.
One day he had the idea that he would start a restaurant in the East-End
for the sale of meatless foods. This would bring him in touch with the
lower classes, among whom he expected to find the assassin of his two
oldest friends.
In less than three or four years the shop was a tremendous success. In
spite of this, however, Roger did not neglect his exercises; taking
particular care to keep the toes well turned in when lunging ten times
backwards. (Exercise 17.) Once, to his joy, the girl whom he had first
met outside his country cottage came in and had her simple lunch of
Smilopat (ninepence the dab) at his shop. That evening he lunged twelve
times to the right instead of ten.
One day business had taken Roger to the West-End. As he was returning
home at midnight through Gordon Square, he suddenly stopped and
staggered back.
A body lay on the ground before him!
Hastily turning it over upon its face, Roger gave a cry of horror.
It was Detective-Inspector Frenchard! Stabbed in eleven places!
Roger hurried madly home, and devised an entirely new set of exercises
for his morning drill. A full description of these, however, must be
reserved for another chapter.
(_And so on for ever._)
MERELY PLAYERS
ON THE BAT'S BACK
With the idea of brightening cricket, my friend Twyford has given me a
new bat. I have always felt that, in my own case, it was the inadequacy
of the weapon rather than of the man behind it which accounted for a
certain monotony of low-scoring; with this new bat I hope to prove the
correctness of my theory.
My old bat has always been a trier, but of late it has been manifestly
past its work. Again and again its drive over long-off's head has failed
to carry the bunker at mid-off. More than once it has proved itself an
inch too narrow to ensure that cut-past-third-man-to-the-boundary which
is considered one of the most graceful strokes in my repertoire. Worst
of all, I have found it at moments of crisis (such as the beginning of
the first over) utterly inadequate to deal with the ball which keeps
low. When bowled by such a ball--and I may say that I am never bowled by
any other--I look reproachfully at the bottom of my bat as I walk back
to the pavilion. "Surely," I say to it, "you were much longer than this
when we started out?"
Perhaps it was not magnanimous always to put the blame on my partner for
our accidents together. It would have been more chivalrous to have
shielded him. "No, no," I should have said to my companions as they
received me with sympathetic murmurs of "Bad luck,"--"no, no, you
mustn't think that. It was my own fault. Don't reproach the bat." It
would have been well to have spoken thus; and indeed, when I had had
time to collect myself, I did so speak. But out on the field, in the
first shame of defeat, I had to let the truth come out. That one
reproachful glance at my bat I could not hide.
But there was one habit of my bat's--a weakness of old age, I admit, but
not the less annoying--about which it was my duty to let all the world
know. One's grandfather may have a passion for the gum on the back of
postage-stamps, and one hushes it up; but if he be deaf the visitor must
be warned. My bat had a certain looseness in the shoulder, so that, at
any quick movement of it, it clicked. If I struck the ball well and
truly in the direction of point this defect did not matter; but if the
ball went past me into the hands of the wicket-keeper, an unobservant
bowler would frequently say, "How's that?" And an ill-informed umpire
would reply, "Out." It was my duty before the game began to take the
visiting umpire on one side and give him a practical demonstration of
the click ...
But these are troubles of the past. I have my new bat now, and I can see
that cricket will become a different game for me. My practice of this
morning has convinced me of this. It was not one of your stupid
practices at the net, with two burly professionals bumping down balls at
your body and telling you to "Come out to them, Sir." It was a quiet
practice in my rooms after breakfast, with no moving object to distract
my attention and spoil my stroke. The bat comes up well. It is light,
and yet there is plenty of wood in it. Its drives along the carpet were
excellent; its cuts and leg glides all that could be wished. I was a
little disappointed with its half-arm hook, which dislodged a teacup and
gave what would have been an easy catch to mid-on standing close in by
the sofa; but I am convinced that a little oil will soon put that right.
And yet there seemed to be something lacking in it. After trying every
stroke with it; after tucking it under my arm and walking back to the
bathroom, touching my cap at the pianola on the way; after experiments
with it in all positions, I still felt that there was something wanting
to make it the perfect bat. So I put it in a cab and went round with it
to Henry. Henry has brightened first-class cricket for some years now.
"Tell me, Henry," I said, "what's wrong with this bat?"
"It seems all right," he said, after waving it about. "Rather a good
one."
I laid it down on the floor and looked at it. Then I turned it on its
face and looked at it. And then I knew.
"It wants a little silver shield on the back," I said. "That's it."
"Why, is it a presentation bat?" asked Henry.
"In a sense, yes. It was presented to me by Twyford."
"What for?"
"Really," I said modestly, "I hardly like---- Why do people give one
things? Affection, Henry; pity, generosity--er----"
"Are you going to put that on the shield? 'Presented out of sheer pity
to----'"
"Don't be silly; of course not. I shall put 'Presented in commemoration
of his masterly double century against the Authentics,' or something
like that. You've no idea how it impresses the wicket-keeper. He really
sees quite a lot of the back of one's bat."
"Your inscription," said Henry, as he filled his pipe slowly, "will be
either a lie or extremely unimpressive."
"It will be neither, Henry. If I put my own name on it, and talked about
_my_ double century, of course it would be a lie; but the inscription
will be to Stanley Bolland."
"Who's he?"
"I don't know. I've just made him up. But now, supposing my little
shield says, 'Stanley Bolland. H.P.C.C.--Season 1912. Batting average
116.34.'--how is that a lie?"
"What does H.P.C.C. stand for?"
"I don't know. It doesn't mean anything really. I'll leave out 'Batting
average' if it makes it more truthful. 'Stanley Bolland. H.P.C.C., 1912.
116.34.' It's really just a little note I make on the back of my bat to
remind me of something or other I've forgotten. 116.34 is probably
Bolland's telephone number or the size of something I want at his shop.
But by a pure accident the wicket-keeper thinks it means something else;
and he tells the bowler at the end of the over that it's that chap
Bolland who had an average of over a century for the Hampstead
Polytechnic last year. Of course that makes the bowler nervous and he
starts sending down long-hops."
"I see," said Henry; and he began to read his paper again.
So to-morrow I take my bat to the silversmith's and have a little
engraved shield fastened on. Of course, with a really trustworthy weapon
I am certain to collect pots of runs this season. But there is no harm
in making things as easy as possible for oneself.
And yet there is this to be thought of. Even the very best bat in the
world may fail to score, and it might so happen that I was dismissed
(owing to some defect in the pitch) before my silver shield had time to
impress the opposition. Or again, I might (through ill-health) perform
so badly that quite a wrong impression of the standard of the Hampstead
Polytechnic would be created, an impression which I should hate to be
the innocent means of circulating.
So on second thoughts I lean to a different inscription. On the back of
my bat a plain silver shield will say quite simply this:--
TO
STANLEY BOLLAND,
FOR SAVING LIFE AT SEA.
FROM A FEW ADMIRERS.
Thus I shall have two strings to my bow. And if, by any unhappy chance,
I fail as a cricketer, the wicket-keeper will say to his comrades as I
walk sadly to the pavilion, "A poor bat perhaps, but a brave--a very
brave fellow."
It becomes us all to make at least one effort to brighten cricket.
UNCLE EDWARD
Celia has more relations than would seem possible. I am gradually
getting to know some them by sight and a few more by name, but I still
make mistakes. The other day, for instance, she happened to say she was
going to a concert with Uncle Godfrey.
"Godfrey," I said, "Godfrey. No, don't tell me--I shall get it in a
moment. Godfrey ... Yes, that's it; he's the architect. He lives at
Liverpool, has five children, and sent us the asparagus-cooler as a
wedding present."
"No marks," said Celia.
"Then he's the unmarried one in Scotland who breeds terriers. I knew I
should get it."
"As a matter of fact he lives in London and breeds oratorios."
"It's the same idea. That was the one I meant. The great point is that I
placed him. Now give me another one." I leant forward eagerly.
"Well, I was just going to ask you--have you arranged anything about
Monday?"
"Monday," I said, "Monday. No, don't tell me--I shall get it in a
moment. Monday ... He's the one who---- Oh, you mean the day of the
week?"
"Who's a funny?" asked Celia of the teapot.
"Sorry; I really thought you meant another relation. What am I doing?
I'm playing golf if I can find somebody to play with."
"Well, ask Edward."
I could place Edward at once. Edward, I need hardly say, is Celia's
uncle; one of the ones I have not yet met. He married a very young aunt
of hers, not much older than Celia.
"But I don't know him," I said.
"It doesn't matter. Write and ask him to meet you at the golf club. I'm
sure he'd love to."
"Wouldn't he think it rather cool, this sudden attack from a perfectly
unknown nephew? I fancy the first step ought to come from uncle."
"But you're older than he is."
"True. It's rather a tricky point in etiquette. Well, I'll risk it."
This was the letter I sent to him:--
"MY DEAR UNCLE EDWARD,--Why haven't you written to me this term? I
have spent the five shillings you gave me when I came back; it was
awfully ripping of you to give it to me, but I have spent it now.
Are you coming down to see me this term? If you aren't you might
write to me; there is a post-office here where you can change postal
orders.
"What I really meant to say was, can you play golf with me on Monday
at Mudbury Hill? I am your new and favourite nephew, and it is quite
time we met. Be at the club-house at 2.30, if you can. I don't quite
know how we shall recognize each other, but the well-dressed man in
the nut-brown suit will probably be me. My features are plain but
good, except where I fell against the bath-taps yesterday. If you
have fallen against anything which would give me a clue to your face
you might let me know. Also you might let me know if you are a
professor at golf; if you are, I will read some more books on the
subject between now and Monday. Just at the moment my game is
putrid.
"Your niece and my wife sends her love. Good-bye. I was top of my
class in Latin last week. I must now stop, as it is my bath-night.
"I am,
"Your loving
"NEPHEW."
The next day I had a letter from my uncle:--
"MY DEAR NEPHEW,--I was so glad to get your nice little letter and
to hear that you were working hard. Let me know when it is your
bath-night again; these things always interest me. I shall be
delighted to play golf with you on Monday. You will have no
difficulty in recognizing me. I should describe myself roughly as
something like Apollo and something like Little Tich, if you know
what I mean. It depends how you come up to me. I am an excellent
golfer and never take more than two putts in a bunker.
"Till 2.30 then. I enclose a postal-order for sixpence, to see you
through the rest of the term.
"Your favourite uncle,
"EDWARD."
I showed it to Celia.
"Perhaps you could describe him more minutely," I said. "I hate
wandering about vaguely and asking everybody I see if he's my uncle. It
seems so odd."
"You're sure to meet all right," said Celia confidently. "He's--well,
he's nice-looking and--and clean-shaven--and, oh, _you'll_ recognize
him."
At 2.30 on Monday I arrived at the club-house and waited for my uncle.
Various people appeared, but none seemed in want of a nephew. When 2.45
came there was still no available uncle. True, there was one unattached
man reading in a corner of the smoke-room, but he had a moustache--the
sort of heavy moustache one associates with a major.
At three o'clock I became desperate. After all, Celia had not seen
Edward for some time. Perhaps he had grown a moustache lately; perhaps
he had grown one specially for to-day. At any rate there would be no
harm in asking this major man if he was my uncle. Even if he wasn't he
might give me a game of golf.
"Excuse me," I said politely, "but are you by any chance my Uncle
Edward?"
"Your _what_?"
"I was almost certain you weren't, but I thought I'd just ask. I'm
sorry."
"Not at all. Naturally one wants to find one's uncle. Have you--er--lost
him long?"
"Years," I said sadly. "Er--I wonder if you would care to adopt me--I
mean, give me a game this afternoon. My man hasn't turned up."
"By all means. I'm not very great."
"Neither am I. Shall we start now? Good."
I was sorry to miss Edward, but I wasn't going to miss a game of golf on
such a lovely day. My spirits rose. Not even the fact that there were no
caddies left and I had to carry my own clubs could depress me.
The Major drove. I am not going to describe the whole game; though my
cleek shot at the fifth hole, from a hanging lie to within two feet of
the---- However, I mustn't go into that now. But it surprised the Major
a good deal. And when at the next hole I laid my brassie absolutely
dead, he---- But I can tell you about that some other time. It is
sufficient to say now that, when we reached the seventeenth tee, I was
one up.
We both played the seventeenth well. He was a foot from the hole in
four. I played my third from the edge of the green, and was ridiculously
short, giving myself a twenty-foot putt for the hole. Leaving my clubs
I went forward with the putter, and by the absurdest luck pushed the
ball in.
"Good," said the Major. "Your game."
I went back for my clubs. When I turned round the Major was walking
carelessly off to the next tee, leaving the flag lying on the green and
my ball still in the tin.
"Slacker," I said to myself, and walked up to the hole.
And then I had a terrible shock. I saw in the tin, not my ball, but a
moustache!
"Am I going mad?" I said. "I could have sworn that I drove off with a
'Colonel,' and yet I seem to have holed out with a Major's moustache!" I
picked it up and hurried after him.
"Major," I said, "excuse me, you've dropped your moustache. It fell off
at the critical stage of the match; the shock of losing was too much for
you; the strain of----"
He turned his clean-shaven face round and grinned at me.
"On second thoughts," he said, "I _am_ your long-lost uncle."
THE RENASCENCE OF BRITAIN
Peter Riley was one of those lucky people who take naturally to games.
Actually he got his blue for cricket, rugger, and boxing, but his
perfect eye and wrist made him a beautiful player of any game with a
ball. Also he rode and shot well, and knew all about the inside of a
car. But, although he was always enthusiastic about anything he was
doing, he was not really keen on games. He preferred wandering about the
country looking for birds' nests or discovering the haunts of rare
butterflies; he liked managing a small boat single-handed in a stiff
breeze; he would have enjoyed being upset and having to swim a long way
to shore. Most of all, perhaps, he loved to lie on the top of the cliffs
and think of the wonderful things that he would do for England when he
was a Cabinet Minister. For politics was to be his profession, and he
had just taken a first in History by way of preparation for it.
There were a lot of silly people who envied Peter's mother. They
thought, poor dears, that she must be very, very proud of him, for they
regarded Peter as the ideal of the modern young Englishman. "If only my
boy grows up to be like Peter Riley!" they used to say to themselves;
and then add quickly, "But of course he'll be much nicer." In their
ignorance they didn't see that it was the Peters of England who were
making our country the laughing-stock of the world.
If you had been in Berlin in 1916, you would have seen Peter; for he had
been persuaded, much against his will, to uphold the honour of Great
Britain in the middle-weights at the Olympic Games. He got a position in
the papers as "P. Riley, disqualified"--the result, he could only
suppose, of his folly in allowing his opponent to butt him in the
stomach. He was both annoyed and amused about it; offered to fight his
vanquisher any time in England; and privately thanked Heaven that he
could now get back to London in time for his favourite sister's wedding.
But he didn't. The English trainer, who had been sent, at the public
expense, to America for a year, to study the proper methods, got hold of
him.
"I've been watching you, young man," he said. "You'll have to give
yourself up to me now. You're the coming champion."
"I'm sorry," said Peter politely, "but I shan't be fighting again."
"Fighting!" said the trainer scornfully. "Don't you worry; I'll take
good care that you don't fight any more. The event _you're_ going to win
is 'Pushing the Chisel.' I've been watching you, and you've got the most
perfect neck and calf-muscles for it I've ever seen. No more fighting
for you, my boy; nor cricket, nor anything else. I'm not going to let
you spoil those muscles."
"I don't think I've ever pushed the Chisel," said Peter. "Besides, it's
over, isn't it?"
"Over? Of course it's over, and that confounded American won. 'Poor old
England,' as all the papers said."
"Then it's too late to begin to practise," said Peter thankfully.
"Well, it's too late for the 1920 games. But we can do a lot in eight
years, and I think I can get you fit for the 1924 games at Pekin."
Peter stared at him in amazement.
"My good man," he said at last, "in 1924 I shall be in London; and I
hope in the House of Commons."
"And what about the honour of your country? Do you want to read the
jeers in the American papers when we lose 'Pushing the Chisel' in 1924?"
"I don't care a curse what the American papers say," said Peter angrily.
"Then you're very different from other Englishmen," said the trainer
sternly.
. . . . .
Of course, Peter was persuaded; he couldn't let England be the
laughing-stock of the world. So for eight years he lived under the eye
of the trainer, rising at five and retiring to bed at seven-thirty. This
prevented him from taking much part in the ordinary social activities of
the evening; and even his luncheon and garden-party invitations had to
be declined in some such words as "Mr. Peter Riley regrets that he is
unable to accept Lady Vavasour's kind invitation for Monday the 13th, as
he will be hopping round the garden on one leg then." His career, too,
had to be abandoned; for it was plain that, even if he had the leisure
to get into Parliament, the early hours he kept would not allow him to
take part in any important divisions.
But there were compensations. As he watched his calves swell; as he
looked in the glass and noticed each morning that his head was a little
more on one side--sure sign of the expert Chisel-pusher; as, still surer
sign, his hands became more knuckly and his mouth remained more
permanently open, he knew that his devotion to duty would not be without
its reward. He saw already his country triumphing, and heard the chorus
of congratulation in the newspapers that England was still a nation of
sportsmen....
In 1924 Pekin was crowded. There were, of course, the ordinary million
inhabitants; and, in addition, people had thronged from all parts to
see the great Chisel-pusher of whom so much had been heard. That they
did not come in vain, we in London knew one July morning as we opened
our papers.
"PUSHING THE CHISEL (_Free Style_).
"1. P. Riley (Great Britain), 5-3/4 in. (World's Record). 2. H.
Biffpoffer (America), 5-1/2 in. A. Wafer (America) was disqualified
for going outside the wood."
. . . . .
And so England was herself again. There was only one discordant note in
her triumph. Mr. P. A. Vaile pointed out in all the papers that Peter
Riley, in the usual pig-headed English way, had been employing entirely
the wrong grip. Mr. Vaile's book, _How to Push the Chisel_, illustrated
with 50 full plates of Mr. Vaile in knickerbockers pushing the Chisel,
explained the correct method.
THE BIRTHDAY PRESENT
"It's my birthday to-morrow," said Mrs. Jeremy as she turned the pages
of her engagement book.
"Bless us, so it is," said Jeremy. "You're thirty-nine or twenty-seven
or something. I must go and examine the wine-cellar. I believe there's
one bottle left in the Apollinaris bin. It's the only stuff in the house
that fizzes."
"Jeremy! I'm only twenty-six."
"You don't look it, darling; I mean you do look it, dear. What I
mean--well, never mind that. Let's talk about birthday presents. Think
of something absolutely tremendous for me to give you."
"A rope of pearls."
"I didn't mean that sort of tremendousness," said Jeremy quickly.
"Anyone could give you a rope of pearls; it's simply a question of
overdrawing enough from the bank. I meant something difficult that would
really prove my love for you--like Lloyd George's ear or the Kaiser's
cigar-holder. Something where I could kill somebody for you first. I am
in a very devoted mood this morning."
"Are you really?" smiled Mrs. Jeremy. "Because----"
"I am. So is Baby, unfortunately. She will probably want to give you
something horribly expensive. Between ourselves, dear, I shall be glad
when Baby is old enough to buy her own presents for her mamma. Last
Christmas her idea of a complete edition of Meredith and a pair of
silver-backed brushes nearly ruined me."
"You won't be ruined this time, Jeremy. I don't want you to give me
anything; I want you to show that devotion of yours by _doing_ something
for me."
"Anything," said Jeremy grandly. "Shall I swim the Channel? I was
practising my new trudgeon stroke in the bath this morning." He got up
from his chair and prepared to give an exhibition of it.
"No, nothing like that." Mrs. Jeremy hesitated, looked anxiously at him,
and then went boldly at it. "I want you to go in for that physical
culture that everyone's talking about."
"Who's everyone? Cook hasn't said a word to me on the subject; neither
has Baby; neither has----"
"Mrs. Hodgkin was talking to me about it yesterday. She was saying how
thin you were looking."
"The scandal that goes on in these villages," sighed Jeremy. "And the
Vicar's wife too. Dear, all this is weeks and weeks old; I suppose it
has only just reached the Vicarage. Do let us be up-to-date. Physical
culture has been quite _démodé_ since last Thursday."
"Well, _I_ never saw anything in the paper"----
"Knowing what wives are, I hid it from you. Let us now, my dear wife,
talk of something else."
"Jeremy! Not for my birthday present?" said his wife in a reproachful
voice. "The Vicar does them every morning," she added casually.
"Poor beggar! But it's what Vicars are for." Jeremy chuckled to himself.
"I should love to see him," he said. "I suppose it's private, though.
Perhaps if I said 'Press'----"
"You _are_ thin, you know."
"My dear, the proper way to get fat is not to take violent exercise, but
to lie in a hammock all day and drink milk. Besides, do you want a fat
husband? Does Baby want a fat father? You wouldn't like, at your next
garden party, to have everybody asking you in a whisper, 'Who is the
enormously stout gentleman?' If Nature made me thin--or, to be more
accurate, slender and of a pleasing litheness--let us believe that she
knew best."
"It isn't only thinness; these exercises keep you young and well and
active in mind."
"Like the Vicar?"
"He's only just begun," said his wife hastily.
"Let's wait a bit and watch him," suggested Jeremy. "If his sermons
really get better, then I'll think about it seriously. I make you a
present of his baldness; I shan't ask for any improvement there."
Mrs. Jeremy went over to her husband and patted the top of his head.
"'In a very devoted mood this morning,'" she quoted.
Jeremy looked unhappy.
"What pains me most about this," he said, "is the revelation of your
shortcomings as a wife. You ought to think me the picture of manly
beauty. Baby does. She thinks that, next to the postman, I am one of
the----"
"So you are, dear."
"Well, why not leave it? Really, I can't waste my time fattening refined
gold and stoutening the lily. I am a busy man. I walk up and down the
pergola, I keep a dog, I paint little water-colours, I am treasurer of
the cricket club; my life is full of activities."
"This only takes a quarter of an hour before your bath, Jeremy."
"I am shaving then; I should cut myself and get all the soap in my eyes.
It would be most dangerous. When you were a widow, and Baby and the pony
were orphans, you and Mrs. Hodgkin would be sorry. But it would be too
late. The Vicar, tearing himself away from Position 5 to conduct the
funeral service----"
"Jeremy, _don't_!"
"Ah, woman, now I move you. You are beginning to see what you were in
danger of doing. Death I laugh at; but a fat death--the death of a stout
man who has swallowed the shaving-brush through taking too deep a breath
before beginning Exercise 3, that is more than I can bear."
"Jeremy!"
"When I said I wanted to kill someone for you, I didn't think you would
suggest myself, least of all that you wanted me fattened up like a
Christmas turkey first. To go down to posterity as the large-bodied
gentleman who inhaled the badger's hair; to be billed in the London
press in the words, 'Curious Fatal Accident to Adipose Treasurer'--to do
this simply by way of celebrating your twenty-sixth birthday, when we
actually have a bottle of Apollinaris left in the Apollinaris
bin--darling, you cannot have been thinking----"
His wife patted his head again gently. "Oh, Jeremy, you hopeless
person," she sighed. "Give me a new sunshade. I want one badly."
"No," said Jeremy, "Baby shall give you that. For myself I am still
feeling that I should like to kill somebody for you. Lloyd George? No.
F. E. Smith? N-no...." He rubbed his head thoughtfully. "Who invented
those exercises?" he asked suddenly.
"A German, I think."
"Then," said Jeremy, buttoning up his coat, "I shall go and kill
_him_."
ONE OF OUR SUFFERERS
There is no question before the country of more importance than that of
National Health. In my own small way I have made something of a study of
it, and when a Royal Commission begins its enquiries, I shall put before
it the evidence which I have accumulated. I shall lay particular stress
upon the health of Thomson.
"You'll beat me to-day," he said, as he swung his club stiffly on the
first tee; "I shan't be able to hit a ball."
"You should have some lessons," I suggested.
Thomson gave a snort of indignation.
"It's not _that_," he said. "But I've been very seedy lately, and----"
"That's all right; I shan't mind. I haven't played a thoroughly well man
for a month, now."
"You know, I think my liver----"
I held up my hand.
"Not before my caddie, please," I said severely; "he is quite a child."
Thomson said no more for the moment, but hit his ball hard and straight
along the ground.
"It's perfectly absurd," he said with a shrug; "I shan't be able to give
you a game at all. Well, if you don't mind playing a sick man----"
"Not if you don't mind being one," I replied, and drove a ball which
also went along the ground, but not so far as my opponent's. "There! I'm
about the only man in England who can do that when he's quite well."
The ball was sitting up nicely for my second shot, and I managed to put
it on the green. Thomson's, fifty yards farther on, was reclining in the
worst part of a bunker which he had forgotten about.
"Well, really," he said, "there's an example of luck for you. _Your_
ball----"
"I didn't do it on purpose," I pleaded. "Don't be angry with me."
He made two attempts to get out, and then picked his ball up. We walked
in silence to the second tee.
"This time," I said, "I shall hit the sphere properly," and with a
terrific swing I stroked it gently into a gorse bush. I looked at the
thing in disgust and then felt my pulse. Apparently I was still quite
well. Thomson, forgetting about his liver, drove a beauty. We met on the
green.
"Five," I said.
"Only five?" asked Thomson suspiciously.
"Six," I said, holing a very long putt.
Thomson's health had a relapse. He took four short putts and was down in
seven.
"It's really rather absurd," he said, in a conversational way, as we
went to the next tee, "that putting should be so ridiculously important.
Take that hole, for instance. I get on the green in a perfect three; you
fluff your drive completely and get on in--what was it?"
"Five," I said again.
"Er--five. And yet you win the hole. It _is_ rather absurd, isn't it?"
"I've often thought so," I admitted readily. "That is to say, when I've
taken four putts. I'm two up."
On the third tee Thomson's health became positively alarming. He missed
the ball altogether.
"It's ridiculous to try to play," he said, with a forced laugh. "I can't
see the ball at all."
"It's still there," I assured him.
He struck at it again and it hurried off into a ditch.
"Look here," he said, "wouldn't you rather play the pro.? This is not
much of a match for you."
I considered. Of course, a game with the pro. would be much pleasanter
than a game with Thomson, but ought I to leave him in his present
serious condition of health? His illness was approaching its critical
stage, and it was my duty to pull him through if I could.
"No, no," I said. "Let's go on. The fresh air will do you good."
"Perhaps it will," he said hopefully. "I'm sorry I'm like this, but I've
had a cold hanging about for some days, and that on the top of my
liver----"
"Quite so," I said.
The climax was reached, at the next hole, when, with several strokes in
hand, he topped his approach shot into a bunker. For my sake he tried to
look as though he had _meant_ to run it up along the ground, having
forgotten about the intervening hazard. It was a brave effort to hide
from me the real state of his health, but he soon saw that it was
hopeless. He sighed and pressed his hand to his eyes. Then he held his
fingers a foot away from him, and looked at them as if he were trying to
count them correctly. His state was pitiable, and I felt that at any
cost I must save him.
I did. The corner was turned at the fifth, where I took four putts.
"You aren't going to win _all_ the holes," he said grudgingly, as he ran
down his putt.
Convalescence set in at the sixth, when I got into an impossible place
and picked up.
"Oh, well, I shall give you a game yet," he said. "Two down."
The need for further bulletins ceased at the seventh hole, which he
played really well and won easily.
"A-ha, you won't beat me by _much_," he said, "in spite of my liver."
"By the way, how _is_ the liver?" I asked.
"Your fresh-air cure is doing it good. Of course, it may come on again,
but----" He drove a screamer. "I think I shall be all right," he
announced.
"All square," he said cheerily at the ninth. "I fancy I'm going to beat
you now. Not bad, you know, considering you were four up. Practically
speaking, I gave you a start of four holes."
I decided that it was time to make an effort again, seeing that
Thomson's health was now thoroughly re-established. Of the next seven
holes I managed to win three and halve two. It is only fair to say,
though (as Thomson did several times), that I had an extraordinary
amount of good luck, and that he was dogged by ill-fortune throughout.
But this, after all, is as nothing so long as one's health is above
suspicion. The great thing was that Thomson's liver suffered no relapse;
even though, at the seventeenth tee, he was one down and two to play.
And it was on the seventeenth tee that I had to think seriously how I
wanted the match to end. Thomson at lunch when he has won is a very
different man from Thomson at lunch when he has lost. The more I thought
about it, the more I realized that I was in rather a happy position. If
I won, I won--which was jolly; if I lost, Thomson won--and we should
have a pleasant lunch.
However, as it happened, the match was halved.
"Yes, I was afraid so," said Thomson; "I let you get too long a start.
It's absurd to suppose that I can give you four holes up and beat you.
It practically amounts to giving you four bisques. Four bisques is about
six strokes--I'm not really six strokes better than you."
"What about lunch?" I suggested.
"Good; and you can have your revenge afterwards." He led the way into
the pavilion. "Now I wonder," he said, "what I can safely eat. I want
to be able to give you _some_ sort of a game this afternoon."
Well, if there is ever a Royal Commission upon the national physique I
shall insist on giving evidence. For it seems to me that golf, far from
improving the health of the country, is actually undermining it.
Thomson, at any rate, since he has taken to the game, has never been
quite fit.
IN THE SWIM
"Do you tango?" asked Miss Hopkins, as soon as we were comfortably
seated. I know her name was Hopkins, because I had her down on my
programme as Popkins, which seemed too good to be true; and, in order to
give her a chance of reconsidering it, I had asked her if she was one of
the Popkinses of Hampshire. It had then turned out that she was really
one of the Hopkinses of Maida Vale.
"No," I said, "I don't." She was only the fifth person who had asked me,
but then she was only my fifth partner.
"Oh, you ought to. You must be up-to-date, you know."
"I'm always a bit late with these things," I explained. "The waltz came
to England in 1812, but I didn't really master it till 1904."
"I'm afraid if you wait as long as that before you master the tango it
will be out."
"That's what I thought. By the time I learnt the tango, the bingo would
be in. My idea was to learn the bingo in advance, so as to be ready for
it. Think how you'll all envy me in 1917. Think how Society will flock
to my Bingo Quick Lunches. I shall be the only man in London who bingoes
properly. Of course, by 1918 you'll all be at it."
"Then we must have one together in 1918," smiled Miss Hopkins.
"In 1918," I pointed out coldly, "I shall be learning the pongo."
My next partner had no name that I could discover, but a fund of
conversation.
"Do you tango?" she asked me as soon as we were comfortably seated.
"No," I said, "I don't. But," I added, "I once learned the minuet."
"Oh, they're not very much alike, are they?"
"Not a bit. However, luckily that doesn't matter, because I've forgotten
all the steps now."
She seemed a little puzzled and decided to change the subject.
"Are you going to learn the tango?" she asked.
"I don't think so. It took me four months to learn the minuet."
"But they're quite different, aren't they?"
"Quite," I agreed.
As she seemed to have exhausted herself for the moment, it was obviously
my business to say something. There was only one thing to say.
"Do _you_ tango?" I asked.
"No," she said, "I don't."
"Are you going to learn?"
"Oh, yes!"
"Ah!" I said; and five minutes later we parted for ever.
The next dance really was a tango, and I saw to my horror that I had a
name down for it. With some difficulty I found the owner of it, and
prepared to explain to her that unfortunately I couldn't dance the
tango, but that for profound conversation about it I was undoubtedly the
man. Luckily she explained first.
"I'm afraid I can't do this," she apologised. "I'm so sorry."
"Not at all," I said magnanimously. "We'll sit it out."
We found a comfortable seat.
"Do you tango?" she asked.
I was tired of saying "No."
"Yes," I said.
"Are you sure you wouldn't like to find somebody else to do it with?"
"Quite, thanks. The fact is I do it rather differently from the way
they're doing it here to-night. You see, I actually learnt it in the
Argentine."
She was very much interested to hear this.
"Really? Are you out there much? I've got an uncle living there now. I
wonder if----"
"When I say I learnt it in the Argentine," I explained, "I mean that I
was actually taught it in St. John's Wood, but that my dancing mistress
came from----"
"In St. John's Wood?" she said eagerly. "But how funny! My sister is
learning there. I wonder if----"
She was a very difficult person to talk to. Her relations seemed to
spread themselves all over the place.
"Perhaps that is hardly doing justice to the situation," I explained
again. "It would be more accurate to put it like this. When I
decided--by the way, does your family frequent Paris? No? Good. Well,
when I decided to learn the tango, the fact that my friends the
Hopkinses of St. John's Wood, or rather Maida Vale, had already learnt
it in Paris naturally led me to---- I say, what about an ice? It's
getting awfully hot in here."
"Oh, I don't think----"
"I'll go and get them," I said hastily; and I went and took a long time
getting them, and, as it turned out that she didn't want hers after all,
a longer time eating them. When I was ready for conversation again the
next dance was beginning. With a bow I relinquished her to another.
"Come along," said a bright voice behind me; "this is ours."
"Hallo, Norah, is that you? Come on."
We hurried in, danced in silence, and then found ourselves a comfortable
seat. For a moment neither of us spoke....
"Have you learnt the tango yet?" asked Norah.
"Fourteen," I said aloud.
"Help! Does that mean that I'm the fourteenth person who has asked you?"
"The night is yet young, Norah. You are only the eighth. But I was
betting that you'd ask me before I counted twenty. You lost, and you owe
me a pair of ivory-backed hair-brushes and a cigar-cutter."
"Bother! Anyhow, I'm not going to be stopped talking about the tango if
I want to. Did you know I was learning? I can do the scissors."
"Good. We'll do the new Fleet Street movement together, the
scissors-and-paste. You go into the ball-room and do the scissors, and
I'll--er--stick here and do the paste."
"Can't you really do any of it at all, and aren't you going to learn?"
"I can't do any of it at all, Norah. I am not going to learn, Norah."
"It isn't so very difficult, you know. I'd teach you myself for
tuppence."
"Will you stop talking about it for threepence?" I asked, and I took out
three coppers.
"No."
I sighed and put them back again.
. . . . .
It was the last dance of the evening. My hostess, finding me lonely, had
dragged me up to somebody, and I and whatever her name was were in the
supper-room drinking our farewell soup. So far we had said nothing to
each other. I waited anxiously for her to begin. Suddenly she began.
"Have you thought about Christmas presents yet?" she asked.
I nearly swooned. With difficulty I remained in an upright position. She
was the first person who had not begun by asking me if I danced the
tango!
"Excuse me," I said. "I'm afraid I didn't--would you tell me your name
again?"
I felt that it ought to be celebrated in some way. I had some notion of
writing a sonnet to her.
"Hopkins," she said; "I knew you'd forgotten me."
"Of course I haven't," I said, suddenly remembering her. The sonnet
would never be written now. "We had a dance together before."
"Yes," she said. "Let me see," she added, "I did ask you if you danced
the tango, didn't I?"
THE MEN WHO SUCCEED
THE HEIR
Mr. Trevor Pilkington, of the well-known firm of Trevor Pilkington,
fixed his horn spectacles carefully upon his nose, took a pinch of
snuff, sneezed twice, gave his papers a preliminary rustle, looked
slowly round the crowded room, and began to read the will. Through forty
years of will-reading his method of procedure had always been the same.
But Jack Summers, who was sharing an ottoman with two of the outdoor
servants, thought that Mr. Pilkington's mannerisms were designed
specially to annoy him, and he could scarcely control his impatience.
Yet no one ever had less to hope from the reading of a will than Jack.
For the first twenty years of his life his parents had brought him up to
believe that his cousin Cecil was heir to his Uncle Alfred's enormous
fortune, and for the subsequent ten years his cousin Cecil had brought
his Uncle Alfred up in the same belief. Indeed, Cecil had even roughed
out one or two wills for signature, and had offered to help his
uncle--who, however, preferred to do these things by himself--to hold
the pen. Jack could not help feeling glad that his cousin was not there
to parade his approaching triumph; a nasty cold, caught a week
previously in attending his uncle to the Lord Mayor's Show, having kept
Cecil in bed.
"To the Society for the Prevention of Cruelty to Children, ten shillings
and sixpence"--the words came to him in a meaningless drone--"to the
Fresh Air Fund, ten shillings and sixpence; to the King Edward Hospital
Fund, ten shillings and sixpence"--was _all_ the money going in
charities?--"to my nephew Cecil Linley, who has taken such care of
me"--Mr. Pilkington hesitated--"four shillings and ninepence; to my
nephew, John Summers, whom, thank Heaven, I have never seen, five
million pounds----"
A long whistle of astonishment came from the ottoman. The solicitor
looked up with a frown.
"It's the surprise," apologised Jack. "I hardly expected so much. I
thought that that brute--I mean I thought my cousin Cecil had
nobbled--that is to say, was getting it all."
"The late Mr. Alfred made three wills," said the lawyer in a moment of
expansion. "In the first he left his nephew Cecil a legacy of one
shilling and tenpence, in the second he bequeathed him a sum of three
shillings and twopence, and in the last he set aside the amount of four
shillings and ninepence. The evidence seems to show that your cousin was
rapidly rising in his uncle's estimation. You, on the other hand, have
always been a legatee to the amount of five million pounds; but in the
last will there is a trifling condition attached." He resumed his
papers. "To my nephew, John Summers, five million pounds, on condition
that, within one year from the date of my death, he marries Mary
Huggins, the daughter of my old friend, now deceased, William Huggins."
Jack Summers rose proudly from his end of the ottoman.
"Thanks," he said curtly. "That tears it. It's very kind of the old
gentleman, but I prefer to choose a wife for myself." He bowed to the
company and strode from the room.
. . . . .
It was a cloudless August day. In the shadow of the great elms that
fringed the Sussex lane a girl sat musing; on its side in the grass at
her feet a bicycle, its back wheel deflated. She sat on the grassy bank
with her hat in her lap, quite content to wait until the first passer-by
with a repairing outfit in his pocket should offer to help her.
"Can I be of any assistance?" said a manly voice, suddenly waking her
from her reverie.
She turned with a start. The owner of the voice was dressed in a stylish
knickerbocker suit; his eyes were blue, his face was tanned, his hair
was curly, and he was at least six foot tall. So much she noticed at a
glance.
"My bicycle," she said; "punctured."
In a minute he was on his knees beside the machine. A rapid examination
convinced him that she had not over-stated the truth, and he whipped
from his pocket the repairing outfit without which he never travelled.
"I can do it in a moment," he said. "At least, if you can just help me a
little."
As she knelt beside him he could not fail to be aware of her wonderful
beauty. The repairs, somehow, took longer than he thought. Their heads
were very close together all the time, and indeed on one occasion came
violently into contact.
"There," he said at last, getting up and barking his shin against the
pedal. "Conf---- That will be all right."
"Thank you," she said tenderly.
He looked at her without disguising his admiration; a tall, straight
figure in the sunlight, its right shin rubbing itself vigorously against
its left calf.
"It's absurd," he said at last; "I feel as if I've known you for years.
And, anyway, I'm certain I've seen you before somewhere."
"Did you ever go to _The Seaside Girl_?" she asked eagerly.
"Often."
"Do you remember the Spanish princess who came on at the beginning of
the Second Act and said, 'Wow-wow!' to the Mayor?"
"Why, of course! And you had your photograph in _The Sketch_, _The
Tatler_, _The Bystander_, and _The Sporting and Dramatic_ all in the
same week?"
The girl nodded happily. "Yes, I'm Marie Huguenot!" she said.
"And I'm Jack Summers; so now we know each other." He took her hand.
"Marie," he said, "ever since I have mended your bicycle--I mean, ever
since I have known you, I have loved you. Will you marry me?"
"Jack!" she cooed. "You did say 'Jack,' didn't you?"
"Bless you, Marie. We shall be very poor, dear. Will you mind?"
"Not with you, Jack. At least, not if you mean what _I_ mean by 'very
poor.'"
"Two thousand a year."
"Yes, that's about what I meant."
Jack took her in his arms.
"And Mary Huggins can go and marry the Pope," he said, with a smile.
With a look of alarm in her eyes she pushed him suddenly away from her.
There was a crash as his foot went through the front wheel of the
bicycle.
"Mary Huggins?" she cried.
"Yes, I was left a fortune on condition that I married a person called
Mary Huggins. Absurd! As though----"
"How much?"
"Oh, quite a lot if it wasn't for these confounded death duties. Five
million pounds. You see----"
"Jack, Jack!" cried the girl. "Don't you understand? _I_ am Mary
Huggins."
He looked at her in amazement.
"You said your name was Marie Huguenot," he said slowly.
"My stage name, dear. Naturally I couldn't--I mean, one must--you know
how particular managers are. When father died and I had to go on the
stage for a living----"
"Marie, my darling!"
Mary rose and picked up her bicycle. The air had gone out of the back
wheel again, and there were four spokes broken, but she did not heed it.
"You must write to your lawyer to-night," she said. "_Won't_ he be
surprised?"
But, being a great reader of the magazines, he wasn't.
THE STATESMAN
On a certain night in the middle of the season all London was gathered
in Lady Marchpane's drawing-room; all London, that is, which was worth
knowing--a qualification which accounted for the absence of several
million people who had never heard of Lady Marchpane. In one corner of
the room an Ambassador, with a few ribbons across his chest, could have
been seen chatting to the latest American Duchess; in another corner one
of our largest Advertisers was exchanging epigrams with a titled
Newspaper Proprietor. Famous Generals rubbed shoulders with
Post-Impressionist Artists; Financiers whispered sweet nothings to
Breeders of prize Poms; even an Actor-Manager might have been seen
accepting an apology from a Royalty who had jostled him.
"Hallo," said Algy Lascelles, catching sight of the dignified figure of
Rupert Meryton in the crowd; "how's William?"
A rare smile lit up Rupert's distinguished features. He was Under
Secretary for Invasion Affairs, and "William" was Algy's pleasant way of
referring to the Bill which he was now piloting through the House of
Commons. It was a measure for doing something or other by means of a
what-d'you-call-it--I cannot be more precise without precipitating a
European Conflict.
"I think we shall get it through," said Rupert calmly.
"Lady Marchpane was talking about it just now. She's rather interested,
you know."
Rupert's lips closed about his mouth in a firm line. He looked over
Algy's head into the crowd. "Oh!" he said coldly.
It was barely ten years ago that young Meryton, just down from Oxford,
had startled the political world by capturing the important seat of
Cricklewood (E.) for the Tariffadicals--as, to avoid plunging the
country into Civil War, I must call them. This was at a by-election, and
the Liberatives had immediately dissolved, only to come into power after
the General Election with an increased majority. Through the years that
followed, Rupert Meryton, by his pertinacity in asking the Invasion
Secretary questions which had been answered by him on the previous day,
and by his regard for the dignity of the House, as shown in his
invariable comment, "Come, come--not quite the gentleman," upon any
display of bad manners opposite, established a clear right to a post in
the subsequent Tariffadical Government. He had now been Under Secretary
for two years, and in this Bill his first real chance had come.
"Oh, there you are, Mr. Meryton," said a voice. "Come and talk to me a
moment." With a nod to a couple of Archbishops Lady Marchpane led the
way to a little gallery whither the crowd had not penetrated. Priceless
Correggios, Tintorettos, and G. K. Chestertons hung upon the walls, but
it was not to show him these that she had come. Dropping into a
wonderful old Chippendale chair, she motioned him to a Blundell-Maple
opposite her, and looked at him with a curious smile.
"Well," she said, "about the Bill?"
Rupert's lips closed about his mouth in a firm line. (He was rather good
at this.) Folding his arms, he gazed steadily into Lady Marchpane's
still beautiful eyes.
"It will go through," he said. "Through all its stages," he added
professionally.
"It must not go through," said Lady Marchpane gently.
Rupert could not repress a start, but he was master of himself again in
a moment.
"I cannot add anything to my previous statement," he said.
"If it goes through," began Lady Marchpane----
"I must refer you," said Rupert, "to my answer of yesterday."
"Come, come, Mr. Meryton, what is the good of fencing with me? You know
the position. Or shall I state it for you again?"
"I cannot believe you are serious."
"I am perfectly serious. There are reasons, financial reasons--and
others--why I do not want this Bill to pass. In return for my silence
upon a certain matter, you are going to prevent it passing. You know to
what I refer. On the 4th of May last----"
"Stop!" cried Rupert hoarsely.
"On the 4th of May last," Lady Marchpane went on relentlessly, "you and
I--in the absence of my husband abroad--had tea together at an A.B.C."
(Rupert covered his face with his hands.) "I am no fonder of scandal
than you are, but if you do not meet my wishes I shall certainly confess
the truth to Marchpane."
"You will be ruined too!" said Rupert.
"My husband will forgive me and take me back." She paused significantly.
"Will Marjorie Hale----" (Rupert covered his hands with his face)--"will
the good Miss Hale forgive you? She is very strict, is she not? And
rich? And rising young politicians want money more than scandal." She
raised her head suddenly at the sound of footsteps. "Ah, Archbishop, I
was just calling Mr. Meryton's attention to this wonderful
Botticell----" (she looked at it more closely)----"this wonderful Dana
Gibson. A beautiful piece of work, is it not?" The intruders passed on
to the supper-room, and they were alone again.
"What am I to do?" said Rupert sullenly.
"The fate of the Bill is settled to-day week, when you make your big
speech. You must speak against it. Confess frankly you were mistaken. It
will be a close thing, anyhow. Your influence will turn the scale."
"It will ruin me politically."
"You will marry Marjorie Hale and be rich. No rich man is ever ruined
politically. Or socially." She patted his hand gently. "You'll do it?"
He got up slowly. "You'll see next week," he said.
It is not meet that we should watch the unhappy Rupert through the
long-drawn hours of the night, as he wrestled with the terrible problem.
A moment's sudden madness on that May afternoon had brought him to the
cross-roads. On the one hand, reputation, wealth, the girl that he
loved; on the other, his own honour and--so, at least, he had said
several times on the platform--the safety of England. He rose in the
morning weary, but with his mind made up.
The Bill should go through!
Rupert Meryton was a speaker of a not unusual type. Although he provided
the opinions himself, he always depended upon his secretary for the
arguments with which to support them and the actual words in which to
give them being. But on this occasion he felt that a special effort was
required of him. He would show Lady Marchpane that the blackmail of
yesterday had only roused him to a still greater effort on behalf of his
country. _He would write his own speech._
On the fateful night the House was crowded. It seemed that all the
guests at Lady Marchpane's a week before were in the Distinguished
Strangers' Gallery or behind the Ladies' Grille. From the Press Gallery
"Our Special Word-painter" looked down upon the statesmen beneath him,
his eagle eye ready to detect on the moment the Angry Flush, the Wince,
or the Sudden Paling of enemy, the Grim Smile or the Lofty Calm of
friend.
The Rt. Hon. Rupert Meryton, Tariffadical Member for Cricklewood (E.)
rose to his feet amidst cheers.
"Mr. Speaker," he said, "I rise--er--to-night, sir--h'r'm, to--er----"
So much of his speech I may give, but urgent State reasons compel me to
withhold the rest. Were it ever known with which Bill the secret history
that I have disclosed concerns itself, the Great Powers in an instant
would be at each other's throats. But though I may not disclose the
speech I can tell of its effect on the House. And its effect was
curious. It was, in fact, the exact opposite of what Rupert Meryton,
that promising Under Secretary, had intended.
It was the first speech that he had ever prepared himself. Than Rupert
there was no more dignified figure in the House of Commons; his honour
was proof, as we have seen, against the most insidious temptations; yet,
since one man cannot have all the virtues, he was distinctly stupid. It
would have been a hopeless speech anyhow; but, to make matters worse, he
had, in the most important part of it, attempted irony. And at the
beginning of the ironical passage even the Tariffadical word-painters
had to confess that it was their own stalwarts who "suddenly paled."
As Lady Marchpane had said, it was bound to be a close thing. The
Liberatives and the Unialists, of course, were solid against the Bill,
but there was also something of a cave in the Tariffadical Party. It was
bound to be a close thing, and Rupert's speech just made the difference.
When he sat down the waverers and doubters had made up their minds.
The Bill was defeated.
. . . . .
That the Tariffadicals should resign was natural; perhaps it was equally
natural that Rupert's secretary should resign too. He said that his
reputation would be gone if Rupert made any more speeches on his own,
and that he wasn't going to risk it. Without his secretary Rupert was
lost at the General Election which followed. Fortunately he had a
grateful friend in Lady Marchpane. She exerted her influence with the
Liberatives, and got him an appointment as Governor of the Stickjaw
Islands. Here, with his beautiful and rich wife, Sir Rupert Meryton
maintains a regal state, and upon his name no breath of scandal rests.
Indeed, his only trouble so far has been with the Stickjaw language--a
difficult language, but one which, perhaps fortunately, does not lend
itself to irony.
THE MAGNATE
It was in October, 19-- that the word "Zinc" first began to be heard in
financial circles. City men, pushing their dominoes regretfully away,
and murmuring "Zinc" in apologetic tones, were back in their offices by
three o'clock, forgetting in their haste to leave the usual twopence
under the cup for the waitress. Clubmen, glancing at the tape on their
way to the smoking-room, said to their neighbours, "Zinc's moved a
point, I see," before covering themselves up with _The Times_. In the
trains, returning husbands asked each other loudly, "What's all this
about zinc?"--all save the very innocent ones, who whispered, "I say,
what _is_ zinc exactly?" The music-halls took it up. No sooner had the
word "Zinc" left the lips of an acknowledged comedian than the house was
in roars of laughter. The _furore_ at the Collodium when Octavius Octo,
in his world-famous part of the landlady of a boarding-house, remarked,
"I know why my ole man's so late. 'E's buying zinc," is still remembered
in the bars round Piccadilly.
. . . . .
To explain it properly it will be necessary (my readers will be alarmed
to hear) to go back some thirty years. This, as a simple calculation
shows, takes us to June, 18--. It was in June, 18-- that Felix Moses, a
stout young man of attractive appearance (if you care for that style),
took his courage in both hands, and told Phyllida Sloan that he was
worth ten thousand a year and was changing his name to Mountenay. Miss
Sloan, seeing that it was the beginning of a proposal, said hastily
that she was changing hers to Abraham.
"You're marrying Leo Abraham?" asked Felix in amazement. "Ah!" A gust of
jealousy swept over him. He licked his lips. There was a dangerous look
in his eyes--a look that was destined in after days to make Emperors and
rival financiers quail. "Ah!" he said softly. "Leo Abraham! I shall not
forget!"
. . . . .
And now it will be necessary (my readers will be relieved to learn) to
jump forward some thirty years. This obviously takes us to September
19--. Let us on this fine September morning take a peep into "No. --
Throgneedle Street, E.C.," and see how the business of the mother city
is carried on.
On the fourth floor we come to the sanctum of the great man himself.
"Mr. Felix Mountenay--No admittance," is painted upon the outer door. It
is a name which is known and feared all over Europe. Mr. Mountenay's
private detective stands on one side of the door; on the other side is
Mr. Mountenay's private wolf-hound. Murmuring the word "Press," however,
we pass hastily through, and find ourselves before Mr. Mountenay
himself. Mr. Mountenay is at work; let us watch him through a typical
five minutes.
For a moment he stands meditating in the middle of the room. Kings are
tottering on their thrones. Empires hang upon his nod. What will he
decide? Suddenly he blows a cloud of smoke from his cigar, and rushes to
the telephone.
"Hallo! Is that you, Jones?... What are Margarine Prefs. at?...
_What?..._ No, Margarine _Prefs._, idiot.... Ah! Then sell. Keep on
selling till I tell you to stop.... Yes."
He hangs up the receiver. For two minutes he paces the room, smoking
rapidly. He stops a moment ... but it is only to remove his cigar-band,
which is in danger of burning. Then he resumes his pacings. Another
minute goes rapidly by. He rushes to the telephone again.
"Hallo! Is that you, Jones?... What are Margarine Prefs. down to now?...
Ah! Then buy. Keep on buying.... Yes."
He hangs up the receiver. By this master-stroke he has made a quarter of
a million. It may seem to you or me an easy way of doing it. Ah, but
what, we must ask ourselves, of the great brain that conceived the idea,
the foresight which told the exact moment when to put it into action,
the cool courage which seized the moment--what of the grasp of affairs,
the knowledge of men? Ah! Can we grudge it him that he earns a quarter
of a million more quickly than we do?
Yet Mr. Felix Mountenay is not happy. When we have brought off a coup
for a hundred thousand even, we smile gaily. Mr. Mountenay did not
smile. Fiercely he bit another inch off his cigar, and muttered to
himself.
The words were "Leo Abraham! Wait!"
. . . . .
This is positively the last row of dots. Let us take advantage of them
to jump forward another month. It was October 1st, 19--. (If that was a
Sunday, then it was October 2nd. Anyhow, it was October.)
Mr. Felix Mountenay was sleeping in his office. For once that iron brain
relaxed. He had made a little over three million in the last month, and
the strain was too much for him. But a knock at the door restored him
instantly to his own cool self.
"I beg your pardon, sir," said his secretary, "but somebody is selling
zinc."
The word "zinc" touched a chord in Mr. Mountenay's brain which had lain
dormant for years. Zinc! Why did zinc remind him of Leo Abraham?
"Fetch the _Encyclopedia Britannica_, quick!" he cried.
The secretary, a man of herculean build, returned with some of it. With
the luck which proverbially attends rich men, Mr. Mountenay picked up
the "Z" volume at once. As he read the Zinc article it all came back to
him. Leo Abraham had owned an empty zinc-mine! Was his enemy in his
clutches at last?
"Buy!" he said briefly.
In a fortnight the secretary had returned.
"Well," said Mr. Mountenay, "have you bought all the zinc there is?"
"Yes, sir," said the secretary. "And a lot that there isn't," he added.
"Good!" He paused a moment. "When Mr. Leo Abraham calls," he added
grimly, "show him up at once."
It was a month later that a haggard man climbed the stairs of No. --
Throgneedle Street, and was shown into Mr. Mountenay's room.
"Well," said the financier softly, "what can I do for you?"
"I want some zinc," said Leo Abergavenny.
"Zinc," said Mr. Mountenay, with a smile, "is a million pounds a ton. Or
an acre, or a gallon, or however you prefer to buy it," he added
humorously.
Leo went white.
"You wish to ruin me?"
"I do. A promise I made to your wife some years ago."
"My wife?" cried Leo. "What do you mean? I'm not married."
It was Mr. Mountenay's turn to go white. He went it.
"Not married? But Miss Sloan----"
Mr. Leo Abergavenny sat down and mopped his face.
"I don't know what you mean," he said. "I asked Miss Sloan to marry me,
and told her I was changing my name to Abergavenny. And she said that
she was changing hers to Moses. Naturally, I thought----"
"Stop!" cried Mr. Mountenay. He sat down heavily. Something seemed to
have gone out of his life; in a moment the world was empty. He looked up
at his old rival, and forced a laugh.
"Well, well," he said; "she deceived us both. Let us drink to our lucky
escape." He rang the bell.
"And then," he said in a purring voice, "we can have a little talk about
zinc. After all, business is still business."
THE DOCTOR
His slippered feet stretched out luxuriously to the fire, Dr. Venables,
of Mudford, lay back in his arm-chair and gave himself up to the
delights of his Flor di Cabajo, No. 2, a box of which had been presented
to him by an apparently grateful patient. It had been a busy day. He had
prescribed more than half a dozen hot milk-puddings and a dozen changes
of air; he had promised a score of times to look in again to-morrow; and
the Widow Nixey had told him yet again, but at greater length than
before, her private opinion of doctors.
Sometimes Gordon Venables wondered whether it was only for this that he
had been the most notable student of his year at St. Bartholomew's. His
brilliance, indeed, had caused something of a sensation in medical
circles, and a remarkable career had been prophesied for him. It was
Venables who had broken up one Suffrage meeting after another by
throwing white mice at the women on the platform; who day after day had
paraded London dressed in the costume of a brown dog, until arrested for
biting an anti-vivisector in the leg. No wonder that all the prizes of
the profession were announced to be within his grasp, and that when he
buried himself in the little country town of Mudford he was thought to
have thrown away recklessly opportunities such as were granted to few.
He had been in Mudford for five years now. An occasional paper in _The
Lancet_ on "The Recurrence of Anthro-philomelitis in Earth-worms" kept
him in touch with modern medical thought, but he could not help feeling
that to some extent his powers were rusting in Mudford. As the years
went on his chance of Harley Street dwindled.
"Come in," he said in answer to a knock at the door.
The housekeeper's head appeared.
"There's been an accident, sir," she gasped. "Gentleman run over!"
He snatched up his stethoscope and, without even waiting to inquire
where the accident was, hurried into the night. Something whispered to
him that his chance had come.
After a quarter of an hour he stopped a small boy.
"Hallo, Johnny," he said breathlessly, "where's the accident?"
The boy looked at him with open mouth for some moments. Then he had an
idea.
"Why, it's Doctor!" he said.
Dr. Venables pushed him over and ran on....
It was in the High Street that the accident had happened. Lord Lair, an
eccentric old gentleman who sometimes walked when he might have driven,
had, while dodging a motor-car, been run into by a child's hoop. He lay
now on the pavement surrounded by a large and interested crowd.
"Look out," shouted somebody from the outskirts; "here comes Doctor."
Dr. Venables pushed his way through to his patient. His long search for
the scene of the accident had exhausted him bodily, but his mind was as
clear as ever.
"Stand back there," he said in an authoritative voice. Then, taking out
his stethoscope, he made a rapid examination of his patient.
"Incised wound in the tibia," he murmured to himself. "Slight abrasion
of the patella and contusion of the left ankle. The injuries are serious
but not necessarily mortal. Who is he?"
The butcher, who had been sitting on the head of the fallen man, got up
and disclosed the features of Lord Lair. Dr. Venables staggered back.
"His lordship!" he cried. "He is a patient of Dr. Scott's! I have
attended the client of another practitioner! Professionally I am
ruined!"
Lord Lair, who was now breathing more easily, opened his eyes.
"Take me home," he groaned.
Dr. Venables' situation was a terrible one. Medical etiquette demanded
his immediate retirement from the case, but the promptings of humanity
and the thought of his client's important position in the world were too
strong for him. Throwing his scruples to the winds, he assisted the aged
peer on to a hastily improvised stretcher and accompanied him to the
Hall.
His lordship once in bed, the doctor examined him again. It was obvious
immediately that there was only one hope of saving the patient's life.
An injection of anthro-philomelitis must be given without loss of time.
Dr. Venables took off his coat and rolled up his sleeves. He never
travelled without a small bottle of this serum in his waistcoat
pocket--a serum which, as my readers know, is prepared from the
earth-worm, in whose body (fortunately) large deposits of
anthro-philomelitis are continually found. With help from a footman in
holding down the patient, the injection was made. In less than a year
Lord Lair was restored to health.
. . . . .
Dr. Gordon Venables' case came before the British Medical Council early
in October. The counts in the indictment were two.
The first was that, "on the 17th of June last, Dr. Gordon Venables did
feloniously and with malice aforethought commit the disgusting and
infamous crime of attending professionally the client of another
practitioner."
The second was that "in the course of rendering professional services to
the said client, Dr. Venables did knowingly and wittingly employ the
assistance of one who was not a properly registered medical man, to wit,
Thomas Boiling, footman, thereby showing himself to be a scurvy fellow
of infamous morals."
Dr. Venables decided to apologise. He also decided to send in an account
to Lord Lair for two hundred and fifty guineas. He justified this to
himself mainly on the ground that, according to a letter in that week's
_Lancet_, the supply of anthro-philomelitis in earth-worms was suddenly
giving out, and that it was necessary to recoup himself for the generous
quantity he had injected into Lord Lair. Naturally, also, he felt that
his lordship, as the author of the whole trouble, owed him something.
The Council, in consideration of his apology, dismissed the first count.
On the second count, however, they struck him off the register.
It was a terrible position for a young doctor to be in, but Gordon
Venables faced it like a man. With Lord Lair's fee in his pocket he came
to town and took a house in Harley Street. When he had paid the first
quarter's rent and the first instalment on the hired furniture, he had
fifty pounds left.
Ten pounds he spent on embossed stationery.
Forty pounds he spent on postage-stamps.
For the next three months no journal was complete without a letter from
999 Harley Street, signed "Gordon Venables," in which the iniquity of
his treatment by the British Medical Council was dwelt upon with the
fervour of a man who knew his subject thoroughly; no such letter was
complete without a side-reference to anthro-philomelitis (as found,
happily, in earth-worms) and the anthro-philomelitis treatment (as
recommended by peers). Six months previously the name of Venables had
been utterly unknown to the man in the street. In three months' time it
was better known even than ----'s, the well-known ----.
One-half of London said he was an infamous quack.
The other half of London said he was a martyred genius.
Both halves agreed that, after all, one might as well _try_ this new
what-you-may-call-it treatment, just to see if there was anything _in_
it, don't you know.
It was only last week that Mr. Venables made an excellent speech against
the super-tax.
THE NEWSPAPER PROPRIETOR
The great Hector Strong, lord of journalism and swayer of empires, paced
the floor of his luxurious apartment with bowed head, his corrugated
countenance furrowed with lines of anxiety. He had just returned from a
lunch with all his favourite advertisers ... but it was not this which
troubled him. He was thinking out a new policy for _The Daily Vane_.
Suddenly he remembered something. Coming up to town in his third motor,
he had glanced through the nineteen periodicals which his house had
published that morning, and in one case had noted matter for serious
criticism. This was obviously the first business he must deal with.
He seated himself at his desk and pushed the bell marked "38." Instantly
a footman presented himself with a tray of sandwiches.
"What do you want?" said Strong coldly.
"You rang for me, sir," replied the trembling menial.
"Go away," said Strong. Recognizing magnanimously, however, that the
mistake was his own, he pressed bell "28." In another moment the editor
of _Sloppy Chunks_ was before him.
"In to-day's number," said Strong, as he toyed with a blue pencil, "you
apologize for a mistake in last week's number." He waited sternly.
"It was a very bad mistake, sir, I'm afraid. We did a great injustice
to----"
"You know my rule," said Strong. "The mistake of last week I could have
overlooked. The apology of this week is a more serious matter. You will
ask for a month's salary on your way out." He pressed a button and the
editor disappeared through the trap-door.
Alone again, Hector Strong thought keenly for a moment. Then he pressed
bell "38." Instantly a footman presented himself with a tray of
sandwiches.
"What do you mean by this?" roared Strong, his iron self-control for a
moment giving way.
"I b-beg your pardon, sir," stammered the man. "I th-thought----"
"Get out!" As the footman retired, Strong passed his hand across his
forehead. "My memory is bad to-day," he murmured, and pushed bell "48."
A tall thin man entered.
"Ah, good afternoon, Mr. Brownlow," said the Proprietor. He toyed with
his blue pencil. "Let me see, which of our papers are under your charge
at the moment?"
Mr. Brownlow reflected.
"Just now," he said, "I am editing _Snippety Snips_, _The Whoop_, _The
Girls' Own Aunt_, _Parings_, _Slosh_, _The Sunday Sermon_, and _Back
Chat_."
"Ah! Well, I want you to take on _Sloppy Chunks_ too for a little while.
Mr. Symes has had to leave us."
"Yes, sir." Mr. Brownlow bowed and moved to the door.
"By the way," Strong said, "your last number of _Slosh_ was very good.
Very good indeed. I congratulate you. Good day."
Left alone, Hector Strong, lord of journalism and swayer of empires,
resumed his pacings. His two mistakes with the bell told him that he was
distinctly not himself this afternoon. Was it only the need of a new
policy for _The Vane_ which troubled him? Or was it----
Could it be Lady Dorothy?
Lady Dorothy Neal was something of an enigma to Hector Strong. He was
making more than a million pounds a year, and yet she did not want to
marry him. Sometimes he wondered if the woman were quite sane. Yet, mad
or sane, he loved her.
A secretary knocked and entered. He waited submissively for half an hour
until the Proprietor looked up.
"Well?"
"Lady Dorothy Neal would like to see you for a moment, sir."
"Show her in."
Lady Dorothy came in brightly.
"What nice-looking men you have here," she said. "Who is the one in the
blue waistcoat? He has curly hair."
"You didn't come to talk about _him_?" said Hector reproachfully.
"I didn't come to talk _to_ him really, but if you keep me waiting half
an hour---- Why, what are you doing?"
Strong looked up from the note he was writing. The tender lines had gone
from his face, and he had become the stern man of action again.
"I am giving instructions that the services of my commissionaire,
hall-boy, and fifth secretary will no longer be required."
"Don't do that," pleaded Dorothy.
Strong tore up the note and turned to her. "What do you want of me?" he
asked.
She blushed and looked down. "I--I have written a--a play," she
faltered.
He smiled indulgently. He did not write plays himself, but he knew that
other people did.
"When does it come off?" he asked.
"The manager says it will have to at the end of the week. It came _on_ a
week ago."
"Well," he smiled, "if people don't want to go, I can't make them."
"Yes, you can," she said boldly.
He gave a start. His brain working at lightning speed saw the
possibilities in an instant. At one stroke he could win Lady Dorothy's
gratitude, provide _The Daily Vane_ with a temporary policy, and give a
convincing exhibition of the power of his press.
"Oh, Mr. Strong----"
"Hector," he whispered. As he rose from his desk to go to her, he
accidentally pressed the button of the trap-door. The next moment he was
alone.
. . . . .
"That the British public is always ready to welcome the advent of a
clean and wholesome home-grown play is shown by the startling success of
_Christina's Mistake_, which is attracting such crowds to The King's
every night." So wrote _The Daily Vane_, and continued in the same
strain for a column.
"Clubland is keenly exercised," wrote _The Evening Vane_, "over a
problem of etiquette which arises in the Second Act of _Christina's
Mistake_, the great autumn success at The King's Theatre. The point is
shortly this. Should a woman ..." And so on.
"A pretty little story is going the rounds," said _Slosh_, "anent that
charming little lady, Estelle Rito, who plays the part of a governess in
_Christina's Mistake_, for which ('Manager' Barodo informs me) advance
booking up to Christmas has already been taken. It seems that Miss Rito,
when shopping in the purlieus of Bond Street ..."
_Sloppy Chunks_ had a joke which set all the world laughing. It was
called----
"BETWEEN THE ACTS
_Flossie._ 'Who's the lady in the box with Mr. Johnson?'
_Gussie._ 'Hush! It's his wife!'
And Flossie giggled so much that she could hardly listen to the last
Act of _Christina's Mistake_, which she had been looking forward to
for weeks!"
_The Sunday Sermon_ offered free tickets to a hundred unmarried suburban
girls, to which class _Christina's Mistake_ might be supposed to make a
special religious appeal. But they had to collect coupons first for _The
Sunday Sermon_.
And, finally, _The Times_, of two months later, said:
"A marriage has been arranged between Lady Dorothy Neal, daughter of the
Earl of Skye, and the Hon. Geoffrey Bollinger."
. . . . .
Than a successful revenge nothing is sweeter in life. Hector Strong was
not the man to spare anyone who had done him an injury. Yet I think his
method of revenging himself upon Lady Dorothy savoured of the
diabolical. He printed a photograph of her in _The Daily Picture
Gallery_. It was headed "The Beautiful Lady Dorothy Neal."
THE COLLECTOR
When Peter Plimsoll, the Glue King, died, his parting advice to his sons
to stick to the business was followed only by John, the elder. Adrian,
the younger, had a soul above adhesion. He disposed of his share in the
concern and settled down to follow the life of a gentleman of taste and
culture and (more particularly) patron of the arts. He began in a modest
way to collect ink-pots. His range at first was catholic, and it was not
until he had acquired a hundred and forty-seven ink-pots of various
designs that he decided to make a speciality of historic ones. This
decision was hastened by the discovery that one of Queen Elizabeth's
inkstands--supposed (by the owner) to be the identical one with whose
aid she wrote her last letter to Raleigh--was about to be put on the
market. At some expense Adrian obtained an introduction, through a third
party, to the owner; at more expense the owner obtained, through the
same gentleman, an introduction to Adrian; and in less than a month the
great Elizabeth Ink-pot was safely established in Adrian's house. It was
the beginning of the "Plimsoll Collection."
This was twenty years ago. Let us to-day take a walk through the
galleries of Mr. Adrian Plimsoll's charming residence, which, as the
world knows, overlooks the park. Any friend of mine is always welcome at
Number Fifteen. We will start with the North Gallery; I fear that I
shall only have time to point out a few of the choicest gems.
This is a Pontesiori sword of the thirteenth century--the only example
of the master's art without any notches.
On the left is a Capricci comfit-box. If you have never heard of
Capricci, you oughtn't to come to a house like this.
Here we have before us the historic de Montigny topaz. Ask your little
boy to tell you about it.
In the East Gallery, of course, the chief treasure is the Santo di Santo
amulet, described so minutely in his _Vindiciæ Veritatis_ by John of
Flanders. The original MS. of this book is in the South Gallery. You
must glance at it when we get there. It will save you the trouble of
ordering a copy from your library; they would be sure to keep you
waiting....
With some such words as these I lead my friends round Number Fifteen.
The many treasures in the private parts of the house I may not show, of
course; the bathroom, for instance, in which hangs the finest collection
of portraits of philatelists that Europe can boast. You must spend a
night with Adrian to be admitted to their company; and, as one of the
elect, I can assure you that nothing can be more stimulating on a
winter's morning than to catch the eye of Frisby Dranger, F.Ph.S.,
behind the taps as your head first emerges from the icy waters.
. . . . .
Adrian Plimsoll sat at breakfast, sipping his hot water and crumbling a
dry biscuit. A light was in his eye, a flush upon his pallid
countenance. He had just heard from a trusty agent that the Scutori
breast-plate had been seen in Devonshire. His car was ready to take him
to the station.
But alas! a disappointment awaited him. On close examination the
breast-plate turned out to be a common Risoldo of inferior working.
Adrian left the house in disgust and started on his seven-mile walk
back to the station. To complete his misery a sudden storm came on.
Cursing alternately his agent and Risoldo, he made his way to a cottage
and asked for shelter.
An old woman greeted him civilly and bade him come in.
"If I may just wait till the storm is over," said Adrian, and he sat
down in her parlour and looked appraisingly (as was his habit) round the
room. The grandfather clock in the corner was genuine, but he was beyond
grandfather clocks. There was nothing else of any value: three china
dogs and some odd trinkets on the chimney-piece; a print or two----
Stay! What was that behind the youngest dog?
"May I look at that old bracelet?" he asked, his voice trembling a
little; and without waiting for permission he walked over and took up
the circle of tarnished metal in his hands. As he examined it his colour
came and went, his heart seemed to stop beating. With a tremendous
effort he composed himself and returned to his chair.
_It was the Emperor's Bracelet!_
Of course you know the history of this most famous of all bracelets.
Made by Spurius Quintus of Rome in 47 B.C., it was given by Cæsar to
Cleopatra, who tried without success to dissolve it in vinegar.
Returning to Rome by way of Antony, it was worn at a minor conflagration
by Nero, after which it was lost sight of for many centuries. It was
eventually heard of during the reign of Canute (or Knut, as his admirers
called him); and John is known to have lost it in the Wash, whence it
was recovered a century afterwards. It must have travelled thence to
France, for it was seen once in the possession of Louis XI; and from
there to Spain, for Philip the Handsome presented it to Joanna on her
wedding day. Columbus took it to America, but fortunately brought it
back again; Peter the Great threw it at an indifferent musician; on one
of its later visits to England Pope wrote a couplet to it. And the most
astonishing thing in its whole history was that now for more than a
hundred years it had vanished completely. To turn up again in a little
Devonshire cottage! Verily, truth is stranger than fiction.
"That's rather a curious bracelet of yours," said Adrian casually.
"My--er--wife has one just like it, which she asked me to match. Is it
an old friend, or would you care to sell it?"
"My mother gave it me," said the old woman, "and she had it from hers. I
don't know no further than that. I didn't mean to sell it, but----"
"Quite right," said Adrian, "and, after all, I can easily get another."
"But I won't say a bit of money wouldn't be useful. What would you think
a fair price, sir? Five shillings?"
Adrian's heart jumped. To get the Emperor's bracelet for five shillings!
But the spirit of the collector rose up strong within him. He laughed
kindly.
"My good woman," he said, "they turn out bracelets like that in
Birmingham at two shillings apiece. And quite new. I'll give you
tenpence."
"Make it one-and-sixpence," she pleaded. "Times are hard."
Adrian reflected. He was not, strictly speaking, impoverished. He could
afford one-and-sixpence.
"One-and-tuppence," he said.
"No, no, one-and-sixpence," she repeated obstinately.
Adrian reflected again. After all, he could always sell it for ten
thousand pounds, if the worst came to the worst.
"Well, well," he sighed. "One-and-sixpence let it be."
He counted out the money carefully. Then, putting the precious bracelet
in his pocket, he rose to go.
. . . . .
Adrian has no relations living now. When he dies he proposes to leave
the Plimsoll Collection to the nation, having--as far as he can
foresee--no particular use for it in the next world. This is really very
generous of him, and no doubt, when the time comes, the papers will say
so. But it is a pity that he cannot be appreciated properly in his
lifetime. Personally I should like to see him knighted.
THE ADVENTURER
Lionel Norwood, from his earliest days, had been marked out for a life
of crime. When quite a child he was discovered by his nurse killing
flies on the window-pane. This was before the character of the house-fly
had become a matter of common talk among scientists, and Lionel (like
all great men, a little before his time) had pleaded hygiene in vain. He
was smacked hastily and bundled off to a preparatory school, where his
aptitude for smuggling sweets would have lost him many a half-holiday
had not his services been required at outside-left in the hockey eleven.
With some difficulty he managed to pass into Eton, and three years
later--with, one would imagine, still more difficulty--managed to get
superannuated. At Cambridge he went down-hill rapidly. He would think
nothing of smoking a cigar in academical costume, and on at least one
occasion he drove a dogcart on Sunday. No wonder that he was requested,
early in his second year, to give up his struggle with the Little-go and
betake himself back to London.
London is always glad to welcome such people as Lionel Norwood. In no
other city is it so simple for a man of easy conscience to earn a living
by his wits. If Lionel ever had any scruples (which, after a perusal of
the above account of his early days, it may be permitted one to doubt)
they were removed by an accident to his solicitor, who was run over in
the Argentine on the very day that he arrived there with what was left
of Lionel's money. Reduced suddenly to poverty, Norwood had no choice
but to enter upon a life of crime.
Except, perhaps, that he used slightly less hair-oil than most, he
seemed just the ordinary man about town as he sat in his dressing-gown
one fine summer morning and smoked a cigarette. His rooms were furnished
quietly and in the best of taste. No signs of his nefarious profession
showed themselves to the casual visitor. The appealing letters from the
Princess whom he was blackmailing, the wire apparatus which shot the two
of spades down his sleeve during the coon-can nights at the club, the
thimble and pea with which he had performed the three-card trick so
successfully at Epsom last week--all these were hidden away from the
common gaze. It was a young gentleman of fashion who lounged in his
chair and toyed with a priceless straight-cut.
There was a tap at the door, and Masters, his confidential valet, came
in.
"Well," said Lionel, "have you looked through the post?"
"Yes, sir," said the man. "There's the usual cheque from Her Highness, a
request for more time from the lady in Tite Street with twopence to pay
on the envelope, and banknotes from the Professor as expected. The young
gentleman of Hill Street has gone abroad suddenly, sir."
"Ah!" said Lionel, with a sudden frown. "I suppose you'd better cross
him off our list, Masters."
"Yes, sir. I had ventured to do so, sir. I think that's all, except that
Mr. Snooks is glad to accept your kind invitation to dinner and bridge
to-night. Will you wear the hair-spring coat, sir, or the metal clip?"
Lionel made no answer. He sat plunged in thought. When he spoke it was
about another matter.
"Masters," he said, "I have found out Lord Fairlie's secret at last. I
shall go to see him this afternoon."
"Yes, sir. Will you wear your revolver, sir, as it's a first call?"
"I think so. If this comes off, Masters, it will make our fortune."
"I hope so, I'm sure, sir." Masters placed the whisky within reach and
left the room silently.
Alone, Lionel picked up his paper and turned to the Agony Column.
As everybody knows, the Agony Column of a daily paper is not actually so
domestic as it seems. When "Mother" apparently says to "Floss," "Come
home at once. Father gone away for week. Bert and Sid longing to see
you," what is really happening is that Barney Hoker is telling Jud
Batson to meet him outside the Duke of Westminster's little place at 3
a.m. precisely on Tuesday morning, not forgetting to bring his jemmy and
a dark lantern with him. And Floss's announcement next day, "Coming home
with George," is Jud's way of saying that he will turn up all right, and
half thinks of bringing his automatic pistol with him too, in case of
accidents.
In this language--which, of course, takes some little learning--Lionel
Norwood had long been an expert. The advertisement which he was now
reading was unusually elaborate:
"Lost, in a taxi between Baker Street and Shepherd's Bush, a
gold-mounted umbrella with initials 'J. P.' on it. If Ellen will
return to her father immediately all will be forgiven. White spot on
foreleg. Mother very anxious and desires to return thanks for kind
enquiries. Answers to the name of Ponto. _Bis dat qui cito dat._"
What did it mean? For Lionel it had no secrets. He was reading the
revelation by one of his agents of the skeleton in Lord Fairlie's
cupboard!
Lord Fairlie was one of the most distinguished members of the Cabinet.
His vein of high seriousness, his lofty demeanour, the sincerity of his
manner endeared him not only to his own party, but even (astounding as
it may seem) to a few high-minded men upon the other side, who admitted,
in moments of expansion which they probably regretted afterwards, that
he might, after all, be as devoted to his country as they were. For
years now his life had been without blemish. It was impossible to
believe that even in his youth he could have sown any wild oats;
terrible to think that these wild oats might now be coming home to
roost.
"What do you require of me?" he said courteously to Lionel, as the
latter was shown into his study.
Lionel went to the point at once.
"I am here, my lord," he said, "on business. In the course of my
ordinary avocations"--the parliamentary atmosphere seemed to be
affecting his language--"I ascertained a certain secret in your past
life which, if it were revealed, might conceivably have a not undamaging
effect upon your career. For my silence in this matter I must demand a
sum of fifty thousand pounds."
Lord Fairlie had grown paler and paler as this speech proceeded.
"What have you discovered?" he whispered. Alas! he knew only too well
what the damning answer would be.
"_Twenty years ago_," said Lionel, "_you wrote a humorous book_."
Lord Fairlie gave a strangled cry. His keen mind recognized in a flash
what a hold this knowledge would give his enemies. _Shafts of Folly_,
his book had been called. Already he saw the leading articles of the
future:--
"We confess ourselves somewhat at a loss to know whether Lord
Fairlie's speech at Plymouth yesterday was intended as a supplement
to his earlier work, _Shafts of Folly_, or as a serious offering to
a nation impatient of levity in such a crisis...."
"The Cabinet's jester, in whom twenty years ago the country lost an
excellent clown without gaining a statesman, was in great form last
night...."
"Lord Fairlie has amused us in the past with his clever little
parodies; he may amuse us in the future; but as a statesman we can
only view him with disgust...."
"Well?" said Lionel at last. "I think your lordship is wise enough to
understand. The discovery of a sense of humour in a man of your
eminence----"
But Lord Fairlie was already writing out the cheque.
THE EXPLORER
As the evening wore on--and one young man after another asked Jocelyn
Montrevor if she were going to Ascot, what? or to Henley, what? or
what?--she wondered more and more if this were all that life would ever
hold for her. Would she never meet a man, a real man who had _done_
something? These boys around her were very pleasant, she admitted to
herself; very useful indeed, she added, as one approached her with some
refreshment; but they were only boys.
"Here you are," said Freddy, handing her an ice in three colours. "I've
had it made specially cold for you. They only had the green, pink, and
yellow jerseys left; I hope you don't mind. The green part is arsenic, I
believe. If you don't want the wafer I'll take it home and put it
between the sashes of my bedroom window. The rattling kept me awake all
last night. That's why I'm looking so ill, by the way."
Jocelyn smiled kindly and went on with her ice.
"That reminds me," Freddy went on, "we've got a nut here to-night. The
genuine thing. None of your society Barcelonas or suburban Filberts. One
of the real Cob family; the driving-from-the-sixth-tee,
inset-on-the-right, and New-Year's-message-to-the-country touch. In
short, a celebrity."
"Who?" asked Jocelyn eagerly. Perhaps here was a man.
"Worrall Brice, the explorer. Don't say you haven't heard of him or Aunt
Alice will cry."
Heard of him? Of course she had heard of him. Who hadn't?
Worrall Brice's adventures in distant parts of the empire would have
filled a book--had, in fact, already filled three. A glance at his flat
in St. James's Street gave you some idea of the adventures he had been
through. Here were the polished spurs of his companion in the famous
ride through Australia from south to north--all that had been left by
the cannibals of the Wogga-Wogga River after their banquet. Here was the
poisoned arrow which, by the merciful intervention of Providence, just
missed Worrall and pierced the heart of one of his black attendants, the
post-mortem happily revealing the presence of a new and interesting
poison. Here, again, was the rope with which he was hanged by mistake as
a spy in South America--a mistake which would certainly have had fatal
results if he had not had the presence of mind to hold his breath during
the performance. In yet another corner you might see his favourite
mascot--a tooth of the shark which bit him off the coast of China.
Spears, knives, and guns lined the walls; every inch of the floor was
covered by skins. His flat was typical of the man--a man who had _done_
things.
"Introduce him to me," commanded Jocelyn. "Where is he?"
She looked up suddenly and saw him entering the ball-room. He was of
commanding height and his face was the face of a man who has been
exposed to the forces of Nature. The wind, the waves, the sun, the
mosquito had set their mark upon him. Down one side of his cheek was a
newly healed scar, a scratch from a hippopotamus in its last
death-struggle. A legacy from a bison seared his brow.
He walked with the soft easy tread of the python, or the Pathan, or some
animal with a "pth" in it. Probably I mean the panther. He bore himself
confidently, and his mouth was a trap from which no superfluous word
escaped. He was the strong silent man of Jocelyn's dreams.
"Mr. Worrall Brice, Miss Montrevor," said Freddy, and left them.
Worrall Brice bowed and stood beside her with folded arms, his gaze
fixed above her head.
"I shall not expect you to dance," said Jocelyn, with a confidential
smile which implied that he and she were above such frivolities. As a
matter of fact, he could have taught her the Wogga-Wogga one-step, the
Bimbo, the Kiyi, the Ju-bu, the Head-hunter's Hug, and many other
cannibalistic steps which, later on, were to become the rage of London
and the basis of a _revue_.
"I have often imagined you, as you kept watch over your camp," she went
on, "and I have seemed myself to hear the savages and lions roaring
outside the circle of fire, what time in the swamps the crocodiles were
barking."
"Yes," he said.
"It must be a wonderful life."
"Yes."
"If I were a man I should want to lead such a life; to get away from all
this," and she waved her hand round the room, "back to Nature. To know
that I could not eat until I had first killed my dinner; that I could
not live unless I slew the enemy! That must be fine!"
"Yes," said Worrall.
"I cannot get Freddy to see it. He is quite content to have shot a few
grouse ... and once to have wounded a beater. There must be more in life
than that."
"Yes."
"I suppose I am elemental. Beneath the veneer of civilization I am a
savage. To wake up with the war-cry of the enemy in my ears, to sleep
with the--er--barking of the crocodile in my dreams, that is life!"
Worrall Brice tugged at his moustache and gazed into space over her
head. Then he spoke.
"Crocodiles don't bark," he said.
Jocelyn looked at him in astonishment. "But in your book, _Through
Trackless Paths_!" she cried. "I know it almost by heart. It was you who
taught me. What are the beautiful words? 'On the banks of the sleepy
river two great crocodiles were barking.'"
"Not 'barking,'" said Worrall. "'Basking.' It was a misprint."
"Oh!" said Jocelyn. She had a moment's awful memory of all the occasions
when she had insisted that crocodiles barked. There had been a
particularly fierce argument with Meta Richards, who had refused to
weigh even the printed word of Worrall Brice against the silence of the
Reptile House on her last visit to the Zoo.
"Well," smiled Jocelyn, "you must teach me about these things. Will you
come and see me?"
"Yes," said Worrall. He rather liked to stand and gaze into the distance
while pretty women talked to him. And Jocelyn was very pretty.
"We live in South Kensington. Come on Sunday, won't you? 99 Peele
Crescent."
"Yes," said Worrall.
. . . . .
On Sunday Jocelyn waited eagerly for him in the drawing-room of Peele
Crescent. Her father was asleep in the library, her mother was dead; so
she would have the great man to herself for an afternoon. Later she
would have him for always, for she meant to marry him. And when they
were married she was not so sure that they would live with the noise of
the crocodile barking or coughing, or whatever it did, in their ears.
She saw herself in that little house in Green Street with the noise of
motor-horns and taxi-whistles to soothe her to sleep.
Yet what a man he was! What had he said to her? She went over all his
words.... They were not many.
At six o'clock she was still waiting in the drawing-room at Peele
Crescent....
At six-thirty Worrall Brice had got as far as Peele Place....
At six-forty-five he found himself in Radcliffe Square again....
At seven o'clock, just as he was giving himself up for lost, he met a
taxi and returned to St. James's Street. He was a great traveller, but
South Kensington had been too much for him.
Next week he went back unmarried to the jungle. It was the narrowest
escape he had had.
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