CHAPTER III.

THE SCIENCE OF ASTRONOMY.

In a work of this kind, professedly devoted to a very brief and popular

view of the different scientific subjects, much cannot be said on any

special branch of science; it will be better, therefore, to take up one

subject in astronomy, and by discussing it in a simple manner, our young

friends may be stimulated to learn more of those glorious truths which

are to be found in the published works of many eminent astronomers, and

especially in that of Mr. Hind, called "The Illustrated London

Astronomy." One of the most interesting subjects is the phenomenon of

the eclipse of the sun; and as 1858 is likely to be long remembered for

its "annular eclipse," we shall devote some pages and illustrations to

this subject.

Eclipses of the sun are of three kinds--partial, annular, and total.

Many persons have probably seen large partial eclipses of the sun, and

may possibly suppose that a total eclipse is merely an intensified form

of a partial one; but astronomers assert that no degree of partial

eclipse, even when the very smallest portion of the sun remains visible,

gives the slightest idea of a total one, either in the solemnity and

overpowering influence of the spectacle, or the curious appearances

which accompany it.

The late Mr. Baily said of an eclipse (usually called that of Thales),

which caused the suspension of a battle between the Lydians and Medes,

that only a total eclipse could have produced the effect ascribed to it.

Even educated astronomers, when viewing with the naked eye the sun

nearly obscured by the moon in an annular eclipse, could not tell that

_any part_ of the sun was hidden, and this was remarkably verified in

the annular eclipse of the 15th March of this year.

During the continuance of a total eclipse of the sun, we are permitted a

hasty glance at some of those secrets of Nature which are not revealed

at any other time--glories that hold in tremulous amazement even veteran

explorers of the heavens and its starry worlds.

The general meaning of an eclipse may be shown very nicely by lighting a

common oil, or oxy-hydrogen lantern in a darkened room, and throwing the

rays which proceed from it on a three-feet globe. The lantern may be

called the sun, and, of course, it is understood that correct

comparative sizes are not attempted in this arrangement; if it were so,

the globe representing the earth would have to be a mere speck, for if

we make the model of the sun in proportion to a three-feet globe, no

ordinary lecture hall would contain it. This being premised, attention

is directed to the lantern, which, like the sun, is self-luminous, and

is giving out its own rays; these fall upon the globe we have designated

the earth, and illuminate one-half, whilst the other is shrouded in

darkness, reminding us of the opacity of the earth, and teaching, in a

familiar [Page 20] manner, the causes of day and night. Another globe,

say six inches in diameter, and supported by a string, may be compared

to the moon, and, like the earth, is now luminous, and shines only by

borrowed light: the moon is simply a reflector of light; like a sheet of

white cardboard, or a metallic mirror. When, therefore, the small globe

is passed between the lantern and the large globe, a shadow is cast on

the large globe: it is also seen that only the half of the small globe

turned towards the lantern is illuminated, while the other half,

opposite the large globe, is in shadow or darkness. And here we

understand why the moon appears to be black while passing before the

sun; so also by moving the small globe about in various curves, it is

shown why eclipses are only visible at certain parts of the earth's

surface; and as it would take (roughly speaking) fifty globes as large

as the moon to make one equal in size to our earth, the shadow it casts

must necessarily be small, and cannot obscure the whole hemisphere of

the earth turned towards it. An eclipse of the sun is, therefore, caused

by the opaque mass of moon passing between the sun and the earth. Whilst

an eclipse of the moon is caused by the earth moving directly between

the sun and the moon: the large shadow cast by the earth renders a total

eclipse of the moon visible to a greater number of spectators on that

half of the earth turned towards the moon. All these facts can be

clearly demonstrated with the arrangement already described, of which we

give the following pictorial illustration:--

[Illustration: Fig. 25.]

In using this apparatus, it should be explained that if the moon were as

large as the sun, the shadow would be cylindrical like the figure 1, and

of an unlimited length. If she were of greater magnitude, it would

precisely resemble the shadow cast in the experiment already adduced

with the lantern and shown at No. 2. But being so very much smaller than

the sun, the moon projects a shadow which converges to a point as shown

in the third diagram.

[Page 21]

[Illustration: Fig. 26.]

[Illustration: Fig. 27.]

[Illustration: Fig. 28.]

In order to comprehend the difference between an annular and a total

eclipse of the sun, it is necessary to mention the apparent sizes of the

sun and moon: thus, the former is a very large body--viz., eight hundred

and eighty-seven thousand miles in diameter; but then, the sun is a very

long way off from the earth, and is ninety millions of miles distant

from us; therefore, he does not appear to be very large: indeed, the sun

seems to be about the same size as the moon; for, although the sun's

diameter is (roughly speaking) four hundred times greater than that of

the moon, he is four hundred times further away from us, and,

consequently, the sun and moon _appear_ to be the same size, and when

they come in a straight line with the eye, the nearer and smaller body,

the moon, covers the larger and more distant mass, the sun; and hence,

we have either an annular, or a total eclipse, showing how a small body

may come between the eye and a larger body, and either partially or

completely obscure it.

[Page 22]

With respect to an annular eclipse, it must be remembered, that the

paths of all bodies revolving round others are elliptical; _i.e._, they

take place in the form of an ellipse, which is a figure easily

demonstrated; and is, in fact, one of the conic sections.

If a slice be taken off a cone, parallel with the base, we have a circle

thus--

[Illustration: Fig. 29.]

If it be cut obliquely, or slanting, we see at once the figure spoken

of, and have the ellipse as shown in this picture.

[Illustration: Fig. 30.]

Now, the ellipse has two points within it, called "the foci," and these

are easily indicated by drawing an ellipse on a diagram-board, in which

two nails have been placed in a straight line, and about twelve inches

apart. Having tied a string so as to make a loop, or endless cord, a

circle may first be drawn by putting the cord round one of the nails,

and holding a piece of chalk in the loop of the string, it may be

extended to its full distance, and a circle described; here a figure is

produced round one point, and to show the difference between a circle

and an ellipse, the endless cord is now placed on the two nails, and the

chalk being carried round inside the string, no longer produces the

circle, but that familiar form called the oval. As a gardener would say,

an oval has been struck; and the two points round which it has been

described, [Page 23] are called the _foci_. This explanation enables us

to understand the next diagram, showing the motion of the earth round

the sun; the latter being placed in one of the foci of a very moderate

ellipse, and the various points of the earth's orbit designated by the

little round globes marked A, B, C, D, where it is evident that the

earth is nearer to the sun at B than at D. In this diagram the ellipse

is exaggerated, as it ought, in fact, to be very nearly a circle.

[Illustration: Fig. 31.]

[Illustration: Fig. 32.]

We are about three millions of miles nearer to the sun in the winter

than we are in the summer; but from the more oblique or slanting

direction of the rays of the sun during the winter season, we do not

derive any increased heat from the greater proximity. The sun,

therefore, apparently varies in size; but this seeming difference is so

trifling that it is of no importance in the discussion: and here we may

ask, why does [Page 24] the earth move round the sun? Because it is

impelled by _two forces_, one of which has already been fully explained,

and is called the _centrifugal_ power, and the other, although termed

the _centripetal_ force, is only another name for the "attraction of

gravitation."

[Illustration: Fig. 33.]

[Illustration: Fig. 34.]

To show their mutual relations, let us suppose that, at the creation of

the universe, the earth, marked A, was hurled from the hand of its

Maker; according to the law of inertia, it would continue in a straight

line, A C, for ever through space, provided it met with no resistance or

obstruction. Let us now suppose the earth to have arrived at the point

B, and to come within the sphere of the attraction of the sun S; [Page

25] here we have at once contending forces acting at right angles to

each other; either the earth must continue in its original direction, A

C, or fall gradually to the sun. But, mark the beauty and harmony of the

arrangement: like a billiard-ball, struck with equal force at two points

at right angles to each other, it takes the mean between the two, or

what is termed the diagonal of the parallelogram (as shown in our

drawing of a billiard-table), and passes in the direction of the curved

line, B D; having reached D, it is again ready to fly off at a tangent;

the centrifugal force would carry it to E, but again the gravitating

force controls the centripetal, and the earth pursues its elliptical

path, or orbit, till the Almighty Author who bade it move shall please

to reverse the command.

[Illustration: Fig. 35.]

The mutual relations of the centripetal and centrifugal forces may be

illustrated by suspending a tin cylindrical vessel by two strings, and

having filled it with water, the vessel may be swung round without

spilling a single drop; of course, the movement must be commenced

carefully, by making it oscillate like a pendulum.

[Illustration: Fig. 36.]

The cord which binds it to the finger may be compared to the centripetal

force, whilst the centrifugal power is illustrated by the water pressing

against the sides and remaining in the vessel. Upon the like principles

the moon revolves about the earth, but her orbit is more elliptical than

that of the earth around the sun; and it is evident from our diagram

that the moon is much further from the earth at A than at B. As a

natural consequence, the moon appears sometimes a little larger and

sometimes smaller than the sun; the apparent mean diameter of the latter

being thirty-two minutes, whilst the moon's apparent diameter varies

from twenty-nine and a half to thirty-three and a half minutes. Now, if

the moon passes exactly between us and the sun when she is apparently

largest, then a total eclipse takes place; whereas, if she glides

between the sun and ourselves when smallest--_i.e._, when furthest off

from the earth--then she is not sufficiently [Page 26] large to cover

the sun entirely, but a ring of sunlight remains visible around her, and

what is called an annular eclipse of the sun occurs. This fact may be

shown in an effective manner by placing the oxy-hydrogen lantern before

a sheet, or other white surface, and throwing a bright circle of light

upon it, which may be called the sun; then, if a round disc of wood be

passed between the lantern and the sheet, at a certain distance from the

nozzle of the lantern, all the light is cut off, the circle of light is

no longer apparent, and we have a resemblance to a total eclipse.

[Illustration: Fig. 37.]

By taking the round disc of wood further from the lantern, and repeating

the experiment, it will be found that the whole circle of light is not

obscured, but a ring of light appears around the dark centre,

corresponding with the phenomenon called the annular (ring-shaped)

eclipse.

If a bullet be placed very near to one eye whilst the other remains

closed, a large target may be wholly shut out from vision; but if the

bullet be adjusted at a greater distance from the eye, then the centre

only will be obscured, and the outer edge or ring of the target remains

visible.

When the advancing edge, or first _limb_, as it is termed, of the moon

approaches very near to the second limb of the sun, the two are joined

together for a time by alternations of black and white points, called

Baily's beads.

This phenomenon is supposed to be caused partly by the uneven and

mountainous edge of the moon, and partly by that inevitable fault of

telescopes, and of the nervous system of the eye, which tends to enlarge

the images of luminous objects, producing what is called irradiation. It

is exceedingly interesting to know that, although the clouds obscured

the annular eclipse of 1858, in many parts of England, we are yet [Page

27] left the recorded observations of one fortunate astronomer, Mr. John

Yeats, who states that--

"All the phenomena of an annular eclipse were clearly and beautifully

visible on the Fotheringay-Castle-mound, which is a locality easily

identified. Baily's beads were perfectly plain on the completion of the

_annulus_, which occurrence took place, according to my observation, at

about seventy seconds after 1 o'clock; it lasted about eighty seconds.

The 'beads,' like drops of water, appeared on the upper and under sides

of the moon, occupying fully three-fourths of her circumference.

"Prior to this, the upper edge of the moon seemed dark and rough, and

there were no other changes of colour. At 12.43, the cusps, for a few

moments, bore a very black aspect.

"There was nothing like intense darkness during the eclipse, and less

gloom than during a thunderstorm. Bystanders prognosticated rain; but it

was the shadow of a rapidly-declining day. At 12 o'clock, a lady living

on the farm suddenly exclaimed, 'The cows are coming home to be milked!'

and they came, all but one; that followed, however, within the hour.

Cocks crowed, birds flew low or fluttered about uneasily, but every

object far and near was well defined to the eye.

"A singular broadway of light stretched north and south for upwards of a

quarter of an hour; from about 12.54 to 1.10 P.M."

[Illustration: Fig. 38.]

[Illustration: Fig. 39.]

If the annular eclipse of the sun be a matter for wonderment, the total

eclipse of the same is much more surprising; no other expression than

that of _awfully grand_, can give an idea of the effects of totality,

and of the suddenness with which it obscures the light of heaven. The

darkness, it is said, comes dropping down like a mantle, and as the

moment of full obscuration approaches, people's countenances become

livid, the horizon is indistinct and sometimes invisible, and there is a

general appearance of horror on all sides. These are not simply the

inventions [Page 28] of active human imaginations, for they produce

equal, if not greater effects, upon the brute creation. M. Arago quotes

an instance of a half-starved dog, who was voraciously devouring some

food, but dropped it the instant the darkness came on. A swarm of ants,

busily engaged, stopped when the darkness commenced, and remained

motionless till the light reappeared. A herd of oxen collected

themselves into a circle and stood still, with their horns outward, as

if to resist a common enemy; certain plants, such as the convolvulus and

silk-tree acacia, closed their leaves. The latter statement was

corroborated during the annular eclipse of the 15th of March, 1858, by

Mr. E. S. Lane, who states, that crocuses at the Observatory, Beeston,

had their blossoms expanded before the eclipse; they commenced closing,

and were quite shut at about one minute previous to the greatest

darkness; and the flowers opened partially about twenty minutes

afterwards. A "_total eclipse_" of the sun has always impressed the

human mind with terror and wonder in every age: it was always supposed

to be the forerunner of evil; and not only is the mind powerfully

impressed, as darkness gradually shuts out the face of the sun, but at

the moment of totality, a magnificent corona, or glory of light, is

visible, and prominences, or flames, as they are often termed, make

their appearance at different points round the circle of the dark mass.

This glory does not flash suddenly on the eye; but commencing at the

first limb of the sun, passes quickly from one limb to the other. Our

illustration shows "the corona" and the "rose-coloured prominences,"

whose nature we shall next endeavour to explain. Professor Airy

describes the change from the last narrow crescent of light to the

entire dark moon, surrounded by a ring of faint light, as most curious,

striking, and magical in effect. The progress of the formation of the

corona was seen distinctly. [Page 29] It commenced on the side of the moon

opposite to that at which the sun disappeared, and in the general decay

and disease which seemed to oppress all nature, the moon and the corona

appeared almost like a local sore in that part of the sky, and in some

places were seen double. Its texture appeared as if fibrous, or composed

of entangled threads; in other places brushes, or feathers of light

proceeded from it, and one estimate calculated the light at about

one-seventh part of a full moon light. The question, whether the corona

is concentric with the sun and moon, was specially mooted by M. Arago,

and Professor Baden Powell has produced such excellent imitations of the

"corona" by making opaque bodies occult, or conceal, very bright points,

that it cannot be considered as material or real, although it ought to

be remembered that the best theory of the zodiacal light represents it

to be a nebulous mass, increasing in density towards the sun, and yet no

portion of this nebulous mass was seen during the totality. But by far

the most remarkable of all the appearances connected with a "total

eclipse" are the rose-coloured prominences, mountains, or flames,

projecting from the circumference of the moon to the inner ring of the

corona; and, although they had been observed by Vaserius (a Swedish

astronomer) in 1733, they took the modern astronomers entirely by

surprise in 1842, and they were not prepared with instruments to

ascertain the nature of these strange and almost portentous forms. In

1851, however, great preparations were made to throw further light on

the subject. Professor Airy went to make his observations, and he says,

"That the suddenness of the darkness in 1851 appeared much more striking

than in 1842, and the forms of the rose-coloured mountains were most

curious. One reminded him of a boomerang (that curious weapon thrown so

skilfully by the aborigines of Australia); this same figure has been

spoken of by others as resembling a Turkish scimitar, strongly coloured

with rose-red at the borders, but paler in the centre. Another form was

a pale-white semicircle based on the moon's limbs; a third figure was a

red detached cloud, or balloon, of nearly circular form, separated from

the moon by nearly its own breadth; a fourth appeared like a small

triangle, or conical red mountain, perhaps a little white in the

interior;" and the Professor proceeds to say, "I employed myself in an

attempt to draw roughly the figures, and it was impossible, after

witnessing the increase in height of some, and the disappearance of

another, and the arrival of new forms, not to feel convinced that the

phenomena belonged to the sun, and _not_ to the moon."

Still the question remains unanswered, what are these "rose-coloured

prominences?" If they belong to the sun, and are mountains in that

luminary, they must be some thirty or forty thousand miles in height.

M. Faye has formally propounded the theory, that they are caused by

refraction, or a kind of mirage, or the distortion of objects caused by

heated air. This phenomenon is not peculiar to any country, though most

frequently observed near the margin of lakes and rivers, and on hot

sandy plains. M. Monge, who accompanied Buonaparte in his [Page 30]

expedition to Egypt, witnessed a remarkable example between Alexandria

and Cairo, where, in all directions, green islands appeared surrounded

by extensive lakes of pure, transparent water. M. Monge states that

"Nothing could be conceived more lovely or picturesque than the

landscape. In the tranquil surface of the lake, the trees and houses

with which the islands are covered were strongly reflected with vivid

and varied hues, and the party hastened forward to enjoy the refreshment

apparently proffered them; but when they arrived, the lake, on whose

bosom the images had floated--the trees, amongst whose foliage they

arose, and the people who stood on the shore, as if inviting their

approach, had all vanished, and nothing remained but the uniform and

irksome desert of sand and sky, with a few naked and ragged Arabs."

If M. Monge and his party had not been undeceived, by actually going to

the spot, they would, one and all, have been firmly convinced that these

visionary trees, lakes, and buildings had a real existence. This kind of

mirage is known in Persia and Arabia by the name of "serab" or

miraculous water, and in the western districts of India by that of

"scheram." This illusion is the effect of unusual refraction, and M.

Faye attempts to account for the rose-coloured mountains by something of

a similar nature.

It is right, however, to mention, that learned astronomers do not

consider this theory of any value.

Lieutenant Patterson, one of the observers of the eclipse of 1851, says,

that "It is very remarkable that the flames or prominences correspond

exactly (at least as far as he could judge) with the spots on the sun's

surface." Taking this statement with that of M. Faye, it may be assumed,

as a new idea, and nothing more, that these prominences are, after all,

mere aerial pictures of these openings in the sun's atmosphere, or what

are called "sun spots." In the "Edinburgh Philosophical Journal," it is

said, that although it has lately been shown in the Edinburgh

Observatory that it is possible to produce, by certain optical

experiments, red flames on the sun's limb of precisely the rose-coloured

tint described, yet, on weighing the whole of the evidence, there does

seem a great preponderance in favour of the eclipse flames being real

appendages of the sun, and in that case they must be masses of such vast

size as to play no unimportant part in the economy of that stupendous

orb.

During the last eclipse great disappointment was felt that the darkness

was so insignificant, although, when we consider the enormous

light-giving power of the sun, and know that it was not wholly obscured,

we could hardly have expected any other result. There can be no doubt

that a decided change in the amount of light is only to be observed

during a total eclipse of the sun, one of which occurred on the 7th of

September, 1858; but, unfortunately, it was only visible in South

America; we must therefore content ourselves with the descriptions of

those astronomers who can be fully relied on. From the graphic account

given by Professor Piazzi Smyth, the astronomer-royal for Scotland,

[Page 31] of a total eclipse as seen by him on the western coast of

Norway, we may form some notion of the imposing appearance of the

surrounding country when obscured during the occurrence of this rare

astronomical phenomenon.

The Professor remarks, "To understand the scene more fully, the reader

must fancy himself on a small, rocky island on a mountainous coast, the

weather calm, and the sky at the beginning of the eclipse seven-tenths

covered with thin and bright cirro-strati clouds. As the eclipse

approaches, the clouds gradually darken, the rays of the sun are no

longer able to penetrate them through and through, and drench them with

living light as before, but they become darker than the sky against

which they are seen. The air becomes sensibly colder, the clouds still

darker, and the whole atmosphere murkier.

"From moment to moment as the totality approaches, the cold and darkness

advance apace; and there is something peculiarly and terribly convincing

in the two different senses, so entirely coinciding in their indications

of an unprecedented fact being in course of accomplishment. Suddenly,

and apparently without any warning (so immensely greater were its

effects than those of anything else which had occurred), the totality

supervenes, and darkness _comes down_. Then came into view lurid lights

and forms, as on the extinction of candles. This was the most striking

point of the whole phenomenon, and made the Norse peasants about us flee

with precipitation, and hide themselves for their lives.

"Darkness reigned everywhere in heaven and earth, except where, along

the north-eastern horizon, a narrow strip of unclouded sky presented a

low burning tone of colour, and where some distant snow-covered

mountains, beyond the range of the moon's shadow, reflected the faint

mono-chromatic light of the partially eclipsed sun, and exhibited all

the detail of their structure, all the light, and shade, and markings of

their precipitous sides with an apparently supernatural distinctness.

After a little time, the eyes seemed to get accustomed to the darkness,

and the looming forms of objects close by could be discerned, all of

them exhibiting a dull-green hue; seeming to have exhaled their natural

colour, and to have taken this particular one, merely by force of the

red colour in the north.

"Life and animation seemed, indeed, to have now departed from everything

around, and we could hardly but fear, against our reason, that if such a

state of things was to last much longer, some dreadful calamity must

happen to us all; while the lurid horizon, northward, appeared so like

the gleams of departing light in some of the grandest paintings by Danby

and Martin, that we could not but believe, in spite of the alleged

extravagances of these artists, that Nature had opened up to the

constant contemplation of their mind's-eye some of those magnificent

revelations of power and glory which others can only get a glimpse of on

occasions such as these."

It can be easily imagined, that under such peculiar and awful

circumstances, the careful observation of these effects must be somewhat

difficult, [Page 32] and the only wonder is that the astronomical

observations are conducted with any certainty at all.

In the eclipse of 1842, it was not only the vivacious Frenchman who was

carried away in the impulse of the moment, and had afterwards to plead

that "_he was no more than a man_" as an excuse for his unfulfilled part

in the observations, but the same was the case with the grave Englishman

and the more stolid German. In 1851, much the same failure in the

observations occurred; and on some person asking a worthy American, who

had come with his instruments from the other side of the world expressly

to observe the eclipse, what he had succeeded in doing? he merely

answered, with much quiet impressiveness, "_That if it was to be

observed over again, he hoped he would be able to do something, but

that, as it was, he had done nothing: it had been too much for him._"

This is not quite so bad as the fashionable lady who had been invited to

look at an eclipse of the sun through a grand telescope, but arriving

too late, inquired whether "it could not be shown _over again_."

With this brief glance at the science of astronomy, we once more return

to the term "gravity," which will introduce to us some new and

interesting facts, under the head of what is called "centre of gravity."

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