A gable end of the house faces this lane, and its one window in the

days of Louis Renouf looked down upon a dilapidated farm- and

stable-yard, the gate of which, turned back upon its hinges, stood

wide open to the world. Within might be seen granaries empty of grain,

stables where no horses fed, a long cow-house crumbling into ruin, and

the broken stone sections of a cider trough dismantled more than half

a century back. Cushions of emerald moss studded the thatches, and

lilliputian forests of grass blades sprang thick between the cobble

stones. The place might have been mistaken for some deserted grange,

but for the contradiction conveyed in a bright pewter full-bellied

water-can standing near the well, in a pile of firewood, with chopper

still stuck in the topmost billet, and in a tatterdemalion troop of

barn-door fowl lagging meditatively across the yard.

On a certain day, when summer warmth and unbroken silence brooded over

all, and the broad sunshine blent the yellows, reds, and greys of tile

and stone, the greens of grass and foliage, into one harmonious whole,

a visitor entered the open gate. This was a tall, large young woman,

with a fair, smooth, thirty-year-old face. Dressed in what was

obviously her Sunday best, although it was neither Sunday nor even

market-day, she wore a bonnet diademed with gas-green lilies of the

valley, a netted black mantilla, and a velvet-trimmed violet silk

gown, which she carefully lifted out of dust's way, thus displaying a

stiffly starched petticoat and kid spring-side boots.

Such attire, unbeautiful in itself and incongruous with its

surroundings, jarred harshly with the picturesque note of the scene.

From being a subject to perpetuate on canvas, it shrunk, as it were,

to the background of a cheap photograph, or the stage adjuncts to the

heroine of a farce. The silence too was shattered as the new comer's

foot fell upon the stones. An unseen dog began to mouth a joyous

welcome, and the fowls, lifting their thin, apprehensive faces towards

her, flopped into a clumsy run as though their last hour were visible.

The visitor meanwhile turned familiar steps to a door in the wall on

the left, and raising the latch, entered the flower garden of Les

Calais. This garden, lying to the south, consisted then, and perhaps

does still, of two square grass-plots with a broad gravel path running

round them and up to the centre of the house.

In marked contrast with the neglect of the farmyard was this

exquisitely kept garden, brilliant and fragrant with flowers. From a

raised bed in the centre of each plot standard rose-trees shed out

gorgeous perfume from chalices of every shade of loveliness, and

thousands of white pinks justled shoulder to shoulder in narrow bands

cut within the borders of the grass.

Busy over these, his back towards her, was an elderly man, braces

hanging, in coloured cotton shirt. "Good afternoon, Tourtel," cried

the lady, advancing. Thus addressed, he straightened himself slowly

and turned round. Leaning on his hoe, he shaded his eyes with his

hand. "Eh den! it's you, Missis Pedvinn," said he; "but we didn't

expec' you till to-morrow?"

"No, it's true," said Mrs. Poidevin, "that I wrote I would come

Saturday, but Pedvinn expects some friends by the English boat, and

wants me to receive them. Yet as they may be staying the week, I did

not like to put poor Cousin Louis off so long without a visit, so

thought I had better come up to-day."

Almost unconsciously, her phrases assumed apologetic form. She had an

uneasy feeling Tourtel's wife might resent her unexpected advent;

although why Mrs. Tourtel should object, or why she herself should

stand in any awe of the Tourtels, she could net have explained.

Tourtel was but gardener, the wife housekeeper and nurse, to her

cousin Louis Renouf, master of Les Calais. "I sha'n't inconvenience

Mrs. Tourtel, I hope? Of course I shouldn't think of staying tea if

she is busy; I'll just sit an hour with Cousin Louis, and catch the

six o'clock omnibus home from Vauvert."

Tourtel stood looking at her with wooden countenance, in which two

small shifting eyes alone gave signs of life. "Eh, but you won't be no

inconvenience to de ole woman, ma'am," said he suddenly, in so loud a

voice that Mrs. Poidevin jumped; "only de apple-gôche, dat she was

gain' to bake agen your visit, won't be ready, dat's all."

He turned, and stared up at the front of the house; Mrs. Poidevin, for

no reason at all, did so too. Door and windows were open wide. In the

upper storey, the white roller-blinds were let down against the sun,

and on the broad sills of the parlour windows were nosegays placed in

blue china jars. A white trellis-work criss-crossed over the façade,

for the support of climbing rose and purple clematis which hung out a

curtain of blossom almost concealing the masonry behind. The whole

place breathed of peace and beauty, and Louisa Poidevin was lapped

round with that pleasant sense of well-being which it was her chief

desire in life never to lose. Though poor Cousin Louis--feeble,

childish, solitary--was so much to be pitied, at least in his

comfortable home and his worthy Tourtels he found compensation.

An instant after Tourtel had spoken, a woman passed across the wide

hall. She had on a blue linen skirt, white stockings, and shoes of

grey list. The strings of a large, bibbed, lilac apron drew the folds

of a flowered bed-jacket about her ample waist; and her thick

yellow-grey hair, worn without a cap, was arranged smoothly on either

side of a narrow head. She just glanced out, and Mrs. Poidevin was on

the point of calling to her, when Tourtel fell into a torrent of words

about his flowers. He had so much to say on the subject of

horticulture; was so anxious for her to examine the freesia bulbs

lying in the tool-house, just separated from the spring plants; he

denounced so fiercely the grinding policy of Brehault the middleman,

who purchased his garden stuff to resell it at Covent Garden--"my

good! on dem freesias I didn't make not two doubles a bunch!"--that

for a long quarter of an hour all memory of her cousin was driven from

Mrs. Poidevin's brain. Then a voice said at her elbow, "Mr. Rennuf is

quite ready to see you, ma'am," and there stood Tourtel's wife, with

pale composed face, square shoulders and hips, and feet that moved

noiselessly in her list slippers.

"Ah, Mrs. Tourtel, how do you do?" said the visitor; a question which

in the Islands is no mere formula, but demands and obtains a detailed

answer, after which the questioner's own health is politely inquired

into. Not until this ceremony had been scrupulously accomplished, and

the two women were on their way to the house, did Mrs. Poidevin beg to

know how things were going with her "poor cousin."

There lay something at variance between the ruthless, calculating

spirit which looked forth from the housekeeper's cold eye, and the

extreme suavity of her manner of speech.

"Eh, my good! but much de same, ma'am, in his health, an' more fancies

dan ever in his head. First one ting an' den anudder, an' always

tinking dat everybody is robbin' him. You rem-ember de larse time you

was here, an' Mister Rennuf was abed? Well, den, after you was gone,

if he didn't deck-clare you had taken some of de fedders of his bed

away wid you. Yes, my good! he tought you had cut a hole in de tick,

as you sat dere beside him an' emptied de fedders away into your

pocket."

Mrs. Poidevin was much interested. "Dear me, is it possible?... But

it's quite a mania with him. I remember now, on that very day he

complained to me Tourtel was wearing his shirts, and wanted me to go

in with him to Lepage's to order some new ones."

"Eh! but what would Tourtel want wid fine white shirts like dem?" said

the wife placidly. "But Mr. Louis have such dozens an' dozens of 'em

dat dey gets hidden away in de presses, an' he tinks dem stolen."

They reached the house. The interior is quite as characteristic of the

Islands as is the outside. Two steps take you down into the hall,

crossing the further end of which is the staircase with its balustrade

of carved black oak. Instead of the mean painted sticks, known

technically as "raisers," and connected together at the top by a

vulgar mahogany hand-rail--a fundamental article of faith with the

modern builder--these old Island balustrades are formed of wooden

panels, fretted out into scrolls, representing flower, or leaf, or

curious beaked and winged creatures, which go curving, creeping, and

ramping along in the direction of the stairs. In every house you will

find the detail different, while each resembles all as a whole. For in

the old days the workman, were he never so humble, recognised the

possession of an individual mind, as well as of two eyes and two

hands, and he translated fearlessly this individuality of his into his

work. Every house built in those days and existing down to these, is

not only a confession, in some sort, of the tastes, the habits, the

character, of the man who planned it, but preserves a record likewise

of every one of the subordinate minds employed in the various parts.

Off the hall of Les Calais are two rooms on the left and one on the

right. The solidity of early seventeenth-century walls is shown in the

embrasure depth (measuring fully three feet) of windows and doors. Up

to fifty years ago all the windows had leaded casements, as had every

similar Island dwelling-house. To-day, to the artist's regret, you

will hardly find one. The showy taste of the Second Empire spread from

Paris even to these remote parts, and plate-glass, or at least oblong

panes, everywhere replaced the mediæval style. In 1854, Louis Renouf,

just three and thirty, was about to bring his bride, Miss Marie

Mauger, home to the old house. In her honour it was done up

throughout, and the diamonded casements were replaced by guillotine

windows, six panes to each sash.

The best parlour then became a "drawing-room"; its raftered ceiling

was whitewashed, and its great centre-beam of oak infamously papered

to match the walls. The newly married couple were not in a position to

refurnish in approved Second Empire fashion. The gilt and marble, the

console tables and mirrors, the impossibly curved sofas and chairs,

were for the moment beyond them; the wife promised herself to acquire

these later on. But later on came a brood of sickly children (only one

of whom reached manhood); to the consequent expenses Les Calais owed

the preservation of its inlaid wardrobes, its four-post bedsteads with

slender fluted columns, and its Chippendale parlour chairs, the backs

of which simulate a delicious intricacy of twisted ribbons. As a

little girl, Louisa Poidevin had often amused herself studying these

convolutions, and seeking to puzzle out among the rippling ribbons

some beginning or some end; but as she grew up, even the simplest

problem lost interest for her, and the sight of the old Chippendale

chairs standing along the walls of the large parlour scarcely stirred

her bovine mind now to so much as reminiscence.

It was the door of this large parlour that the housekeeper opened as

she announced, "Here is Mrs. Pedvinn come to see you, sir," and

followed the visitor in.

Sitting in a capacious "berceuse," stuffed and chintz-covered, was the

shrunken figure of a more than seventy-year-old man. He was wrapped in

a worn grey dressing-gown, with a black velvet skull-cap, napless at

the seams, covering his spiritless hair, and he looked out upon his

narrow world from dim eyes set in cavernous orbits. In their

expression was something of the questioning timidity of a child,

contrasting curiously with the querulousness of old age, shown in the

thin sucked-in lips, now and again twitched by a movement in unison

with the twitching of the withered hands spread out upon his knees.

The sunshine, slanting through the low windows, bathed hands and

knees, lean shanks and slippered feet, in mote-flecked streams of

gold. It bathed anew rafters and ceiling-beam, as it had done at the

same hour and season these last three hundred years; it played over

the worm-eaten furniture, and lent transitory colour to the faded

samplers on the walls, bringing into prominence one particular

sampler, which depicted in silks Adam and Eve seated beneath the fatal

tree, and recorded the fact that Marie Hochedé was seventeen in 1808

and put her "trust in God"; and the same ray kissed the check of that

very Marie's son, who at the time her girlish fingers pricked the

canvas belonged to the enviable myriads of the unthought-of and the

unborn.

"Why, how cold you are, Cousin Louis," said Mrs. Poidevin, taking his

passive hand between her two warm ones, and feeling a chill strike

from it through the violet kid gloves; "and in spite of all this

sunshine too!"

"Ah, I'm not always in the sunshine," said the old man; "not always,

not always in the sunshine." She was not sure that he recognised her,

yet he kept hold of her hand and would not let it go.

"No; you are not always in de sunshine, because de sunshine is not

always here," observed Mrs. Tourtel in a reasonable voice, and with a

side glance for the visitor.

"And I am not always here either," he murmured, half to himself. He

took a firmer hold of his cousin's hand, and seemed to gain courage

from the comfortable touch, for his thin voice changed from complaint

to command. "You can go, Mrs. Tourtel," he said; "we don't require you

here. We want to talk. You can go and set the tea-things in the next

room. My cousin will stay and drink tea with me."

"Why, my cert'nly! of course Mrs. Pedvinn will stay tea. P'r'aps you'd

like to put your bonnet off in the bedroom, first, ma'am?"

"No, no," he interposed testily, "she can lay it off here. No need for

you to take her upstairs."

Servant and master exchanged a mute look; for the moment his old eyes

were lighted up with the unforeseeing, unveiled triumph of a child;

then they fell before hers. She turned, leaving the room with

noiseless tread; although a large-built, ponderous woman, she walked

with the softness of a cat.

"Sit down here close beside me," said Louis Renouf to his cousin,

"I've something to tell you, something very important to tell you." He

lowered his voice mysteriously, and glanced with apprehension at

window and door, squeezing tight her hand. "I'm being robbed, my dear,

robbed of everything I possess."

Mrs. Poidevin, already prepared for such a statement, answered

complacently, "Oh, it must be your fancy, Cousin Louis. Mrs. Tourtel

takes too good care of you for that."

"My dear," he whispered, "silver, linen, everything is going; even my

fine white shirts from the shelves of the wardrobe. Yet everything

belongs to poor John, who is in Australia, and who never writes to his

father now. His last letter is ten years old--ten years old, my dear,

and I don't need to read it over, for I know it by heart."

Tears of weakness gathered in his eyes, and began to trickle over on

to his check.

"Oh, Cousin John will write soon, I'm sure," said Mrs. Poidevin, with

easy optimism; "I shouldn't wonder if he has made a fortune, and is on

his way home to you at this moment."

"Ah, he will never make a fortune, my dear, he was always too fond of

change. He had excellent capabilities, Louisa, but he was too fond of

change.... And yet I often sit and pretend to myself he has made

money, and is as proud to be with his poor old father as he used to be

when quite a little lad. I plan out all we should do, and all he would

say, and just how he would look ... but that's only my make-believe;

John will never make money, never. But I'd be glad if he would come

back to the old home, though it were without a penny. For if he don't

come soon, he'll find no home, and no welcome.... I raised all the

money I could when he went away, and now, as you know, my dear, the

house and land go to you and Pedvinn.... But I'd like my poor boy to

have the silver and linen, and his mother's furniture and needlework

to remember us by."

"Yes, cousin, and he will have them some day, but not for a great

while yet, I hope."

Louis Renouf shook his head, with the immovable obstinacy of the very

old or the very young.

"Louisa, mark my words, he will get nothing, nothing. Everything is

going. They'll make away with the chairs and the tables next, with the

very bed I lie on."

"Oh, Cousin Louis, you mustn't think such things," said Mrs. Poidevin

serenely; had not the poor old man accused her to the Tourtels of

filching his mattress feathers?

"Ah, you don't believe me, my dear," said he, with a resignation which

was pathetic; "but you'll remember my words when I am gone. Six dozen

rat-tailed silver forks, with silver candlesticks, and tray, and

snuffers. Besides odd pieces, and piles and piles of linen. Your

cousin Marie was a notable housekeeper, and everything she bought was

of the very best. The large table-cloths were five guineas apiece, my

dear, British money--five guineas apiece."

Louisa listened with perfect calmness and scant attention.

Circumstances too comfortable, and a too abundant diet, had gradually

undermined with her all perceptive and reflective powers. Though, of

course, had the household effects been coming to her as well as the

land, she would have felt more interest in them; but it is only human

nature to contemplate the possible losses of others with equanimity.

"They must be handsome cloths, cousin," she said pleasantly; "I'm sure

Pedvinn would never allow me half so much for mine."

At this moment there appeared, framed in the open window, the hideous

vision of an animated gargoyle, with elf-locks of flaming red, and an

intense malignancy of expression. With a finger dragging down the

under eyelid of either eye, so that the eyeball seemed to bulge

out--with a finger pulling back either corner of the wide mouth, so

that it seemed to touch the ear--this repulsive apparition leered at

the old man in blood-curdling fashion. Then catching sight of Mrs.

Poidevin, who sat dumfounded, and with her "heart in her mouth," as

she afterwards expressed it, the fingers dropped from the face, the

features sprang back into position, and the gargoyle resolved itself

into a buxom red-haired girl, who, bursting into a laugh, impudently

stuck her tongue out at them before skipping away.

The old man had cowered down in his chair with his hands over his

eyes; now he looked up. "I thought it was the old Judy," he said, "the

old Judy she is always telling me about. But it's only Margot."

"And who is Margot, cousin?" inquired Louisa, still shaken from the

surprise.

"She helps in the kitchen. But I don't like her. She pulls faces at

me, and jumps out upon me from behind doors. And when the wind blows

and the windows rattle she tells me about the old Judy from Jethou,

who is sailing over the sea on a broomstick, to come and beat me to

death. Do you know, my dear," he said piteously, "you'll think I'm

very silly, but I'm afraid up here by myself all alone? Do not leave

me, Louisa; stay with me, or take me back to town with you. Pedvinn

would let me have a room in your house, I'm sure? And you wouldn't

find me much trouble, and of course I would bring my own bed linen,

you know."

"You had best take your tea first, sir," said Mrs. Tourtel from

outside the window; she held scissors in her hand, and was busy

trimming the roses. She offered no excuse for eavesdropping.

The meal was set out, Island fashion, with abundant cakes and sweets.

Louisa saw in the silver tea-set another proof, if need be, of her

cousin's unfounded suspicions. Mrs. Tourtel stood in the background,

waiting. Renouf desired her to pack his things; he was going into

town. "To be sure, sir," she said civilly, and remained where she

stood. He brought a clenched hand down upon the table, so that the

china rattled. "Are you master here, or am I?" he cried; "I am going

down to my cousin Pedvinn's. To-morrow I shall send my notary to put

seals on everything, and to take an inventory. For the future I shall

live in town."

His senility had suddenly left him; he spoke with firmness; it was a

flash-up of almost extinct fires. Louisa was astounded. Mrs. Tourtel

looked at him steadily. Through the partition wall, Tourtel in the

kitchen heard the raised voice, and followed his curiosity into the

parlour. Margot followed him. Seen near, and with her features at

rest, she appeared a plump touzle-headed girl, in whose low forehead

and loose-lipped mouth, crassness, cruelty, and sensuality were

unmistakably expressed. Yet freckled cheek, rounded chin, and bare red

mottled arms, presented the beautiful curves of youth, and there was a

certain sort of attractiveness about her not to be gainsaid.

"Since my servants refuse to pack what I require," said Renouf with

dignity, "I will do it myself. Come with me, Louisa."

At a sign from the housekeeper, Tourtel and Margot made way. Mrs.

Poidevin would have followed her cousin, as the easiest thing to

do--although she was confused by the old man's outbreak, and incapable

of deciding what course she should take--when the deep vindictive

baying of the dog ushered a new personage upon the scene.

This was an individual who made his appearance from the kitchen

regions--a tall thin man of about thirty years of age, with a pallid

skin, a dark eye and a heavy moustache. His shabby black coat and tie,

with the cords and gaiters that clothed his legs, suggested a

combination of sportsman and family practitioner. He wore a bowler

hat, and was pulling off tan driving gloves as he advanced.

"Ah my good! Doctor Owen, but dat's you?" said Mrs. Tourtel. "But we

wants you here badly. Your patient is in one of his tantrums, and no

one can't do nuddin wid him. He says he shall go right away into town.

Wants to make up again wid Doctor Lelever for sure."

The new comer and Mrs. Poidevin were examining each other with the

curiosity one feels on first meeting a person long known by reputation

or by sight. But now she turned to the housekeeper in surprise.

"Has my cousin quarrelled with his old friend Doctor Lelever?" she

asked. "I've heard nothing of that."

"Ah, dis long time. He tought Doctor Lelever made too little of his

megrims. He won't have nobody but Dr. Owen now. P'r'aps you know

Doctor Owen, ma'am? Mrs. Pedvinn, Doctor; de master's cousin, come up

to visit him."

Renouf was heard moving about overhead; opening presses, dragging

boxes.

Owen hung up his hat, putting his gloves inside it. He rubbed his lean

discoloured hands lightly together, as a fly cleans its forelegs.

"Shall I just step up to him?" he said. "It may calm him, and distract

his thoughts."

With soft nimbleness, in a moment he was upstairs. "So that's Doctor

Owen?" observed Mrs. Poidevin with interest. "A splendid-looking

gentleman! He must be very clever, I'm sure. Is he beginning to get a

good practice yet?"

"Ah, bah, our people, as you know, ma'am, dey don't like no strangers,

specially no Englishmen. He was very glad when Mr. Renouf sent for

him.... 'Twas through Margot there. She got took bad one Saturday

coming back from market from de heat or de squidge" (crowd), "and

Doctor Owen he overtook her on the road in his gig, and druv her home.

Den de master, he must have a talk with him, and so de next time he

fancy hisself ill, he send for Doctor Owen, and since den he don't

care for Dr. Lelever no more at all."

"I ought to be getting off," remarked Mrs. Poidevin, remembering the

hour at which the omnibus left Vauvert; "had I better go up and bid

cousin Louis good-bye?"

Mrs. Tourtel thought Margot should go and ask the Doctor's opinion

first, but as Margot had already vanished, she went herself.

There was a longish pause, during which Mrs. Poidevin looked uneasily

at Tourtel; he with restless furtive eyes at her. Then the housekeeper

reappeared, noiseless, cool, determined as ever.

"Mr. Rennuf is quiet now," she said; "de Doctor have given him a

soothing draught, and will stay to see how it acts. He tinks you'd

better slip quietly away."

On this, Louisa Poidevin left Les Calais; but in spite of her easy

superficiality, her unreasoning optimism, she took with her a sense of

oppression. Cousin Louis's appeal rang in her ears: "Do not leave me;

stay with me, or take me back with you. I am afraid up here, quite

alone." And after all, though his fears were but the folly of old age,

why, she asked herself, should he not come and stay with them in town

if he wished to do so? She resolved to talk it over with Pedvinn; she

thought she would arrange for him the little west room, being the

furthest from the nurseries; and in planning out such vastly important

trifles as to which easy-chair and which bedroom candlestick she would

devote to his use, she forgot the old man himself and recovered her

usual stolid jocundity.

The yellow book, an illustrated quarterly. Vol. 2, July 1894 · 第 2 / 20 段