Into the open air John Alden, perplexed and bewildered,

Rushed like a man insane, and wandered alone by the sea-side;

Paced up and down the sands, and bared his head to the east-wind,

Cooling his heated brow, and the fire and fever within him.

Slowly as out of the heavens, with apocalyptical splendors,

Sank the City of God, in the vision of John the Apostle,

So, with its cloudy walls of chrysolite, jasper, and sapphire,

Sank the broad red sun, and over its turrets uplifted

Glimmered the golden reed of the angel who measured the city.

"Welcome, O wind of the East!" he exclaimed in his wild exultation,

"Welcome, O wind of the East, from the caves of the misty Atlantic!

Blowing o'er fields of dulse, and measureless meadows of sea-grass,

Blowing o'er rocky wastes, and the grottos and gardens of ocean!

Lay thy cold, moist hand on my burning forehead, and wrap me

Close in thy garments of mist, to allay the fever within me!"

Like an awakened conscience, the sea was moaning and tossing,

Beating remorseful and loud the mutable sands of the sea-shore.

Fierce in his soul was the struggle and tumult of passions contending;

Love triumphant and crowned, and friendship wounded and bleeding,

Passionate cries of desire, and importunate pleadings of duty!

"Is it my fault," he said, "that the maiden has chosen between us?

Is it my fault that he failed,--my fault that I am the victor?"

Then within him there thundered a voice, like the voice of the Prophet:

"It hath displeased the Lord!"--and he thought of David's transgression,

Bathsheba's beautiful face, and his friend in the front of the battle!

Shame and confusion of guilt, and abasement and self-condemnation,

Overwhelmed him at once; and he cried in the deepest contrition:

"It hath displeased the Lord! It is the temptation of Satan!"

Then, uplifting his head, he looked at the sea, and beheld there

Dimly the shadowy form of the Mayflower riding at anchor,

Rocked on the rising tide, and ready to sail on the morrow;

Heard the voices of men through the mist, the rattle of cordage

Thrown on the deck, the shouts of the mate, and the sailors' "Ay, ay, Sir!"

Clear and distinct, but not loud, in the dripping air of the twilight.

Still for a moment he stood, and listened, and stared at the vessel,

Then went hurriedly on, as one who, seeing a phantom,

Stops, then quickens his pace, and follows the beckoning shadow.

"Yes, it is plain to me now," he murmured; "the hand of the Lord is

Leading me out of the land of darkness, the bondage of error,

Through the sea, that shall lift the walls of its waters around me,

Hiding me, cutting me off, from the cruel thoughts that pursue me.

Back will I go o'er the ocean, this dreary land will abandon,

Her whom I may not love, and him whom my heart has offended.

Better to be in my grave in the green old churchyard in England,

Close by my mother's side, and among the dust of my kindred;

Better be dead and forgotten, than living in shame and dishonor!

Sacred and safe and unseen, in the dark of the narrow chamber

With me my secret shall lie, like a buried jewel that glimmers

Bright on the hand that is dust, in the chambers of silence and darkness,--

Yes, as the marriage ring of the great espousal hereafter!"

Thus as he spake, he turned, in the strength of his strong resolution,

Leaving behind him the shore, and hurried along in the twilight,

Through the congenial gloom of the forest silent and sombre,

Till he beheld the lights in the seven houses of Plymouth,

Shining like seven stars in the dusk and mist of the evening.

Soon he entered his door, and found the redoubtable Captain

Sitting alone, and absorbed in the martial pages of Caesar,

Fighting some great campaign in Hainault or Brabant or Flanders.

"Long have you been on your errand," he said with a cheery demeanor,

Even as one who is waiting an answer, and fears not the issue.

"Not far off is the house, although the woods are between us;

But you have lingered so long, that while you were going and coming

I have fought ten battles and sacked and demolished a city.

Come, sit down, and in order relate to me all that has happened."

Then John Alden spake, and related the wondrous adventure,

From beginning to end, minutely, just as it happened;

How he had seen Priscilla, and how he had sped in his courtship,

Only smoothing a little, and softening down her refusal.

But when he came at length to the words Priscilla had spoken,

Words so tender and cruel: "Why don't you speak for yourself, John?"

Up leaped the Captain of Plymouth, and stamped on the floor, till his armor

Clanged on the wall, where it hung, with a sound of sinister omen.

All his pent-up wrath burst forth in a sudden explosion,

Even as a hand-grenade, that scatters destruction around it.

Wildly he shouted, and loud: "John Alden! you have betrayed me!

Me, Miles Standish, your friend! have supplanted, defrauded, betrayed me!

One of my ancestors ran his sword through the heart of Wat Tyler;

Who shall prevent me from running my own through the heart of a traitor?

Yours is the greater treason, for yours is a treason to friendship!

You, who lived under my roof, whom I cherished and loved as a brother;

You, who have fed at my board, and drunk at my cup, to whose keeping

I have intrusted my honor, my thoughts the most sacred and secret,--

You too, Brutus! ah woe to the name of friendship hereafter!

Brutus was Caesar's friend, and you were mine, but henceforward

Let there be nothing between us save war, and implacable hatred!"

So spake the Captain of Plymouth, and strode about in the chamber,

Chafing and choking with rage; like cords were the veins on his temples.

But in the midst of his anger a man appeared at the doorway,

Bringing in uttermost haste a message of urgent importance,

Rumors of danger and war and hostile incursions of Indians!

Straightway the Captain paused, and, without further question or parley,

Took from the nail on the wall his sword with its scabbard of iron,

Buckled the belt round his waist, and, frowning fiercely, departed.

Alden was left alone. He heard the clank of the scabbard

Growing fainter and fainter, and dying away in the distance.

Then he arose from his seat, and looked forth into the darkness,

Felt the cool air blow on his cheek, that was hot with the insult,

Lifted his eyes to the heavens, and, folding his hands as in childhood,

Prayed in the silence of night to the Father who seeth in secret.

Meanwhile the choleric Captain strode wrathful away to the council,

Found it already assembled, impatiently waiting his coming;

Men in the middle of life, austere and grave in deportment,

Only one of them old, the hill that was nearest to heaven,

Covered with snow, but erect, the excellent Elder of Plymouth.

God had sifted three kingdoms to find the wheat for this planting,

Then had sifted the wheat, as the living seed of a nation;

So say the chronicles old, and such is the faith of the people!

Near them was standing an Indian, in attitude stern and defiant,

Naked down to the waist, and grim and ferocious in aspect;

While on the table before them was lying unopened a Bible,

Ponderous, bound in leather, brass-studded, printed in Holland,

And beside it outstretched the skin of a rattle-snake glittered,

Filled, like a quiver, with arrows; a signal and challenge of warfare,

Brought by the Indian, and speaking with arrowy tongues of defiance.

This Miles Standish beheld, as he entered, and heard them debating

What were an answer befitting the hostile message and menace,

Talking of this and of that, contriving, suggesting, objecting;

One voice only for peace, and that the voice of the Elder,

Judging it wise and well that some at least were converted,

Rather than any were slain, for this was but Christian behavior!

Then out spake Miles Standish, the stalwart Captain of Plymouth,

Muttering deep in his throat, for his voice was husky with anger,

"What! do you mean to make war with milk and the water of roses?

Is it to shoot red squirrels you have your howitzer planted

There on the roof of the church, or is it to shoot red devils?

Truly the only tongue that is understood by a savage

Must be the tongue of fire that speaks from the mouth of the cannon!"

Thereupon answered and said the excellent Elder of Plymouth,

Somewhat amazed and alarmed at this irreverent language:

"Not so thought Saint Paul, nor yet the other Apostles;

Not from the cannon's mouth were the tongues of fire they spake with!"

But unheeded fell this mild rebuke on the Captain,

Who had advanced to the table, and thus continued discoursing:

"Leave this matter to me, for to me by right it pertaineth.

War is a terrible trade; but in the cause that is righteous,

Sweet is the smell of powder; and thus I answer the challenge!"

Then from the rattlesnake's skin, with a sudden, contemptuous gesture,

Jerking the Indian arrows, he filled it with powder and bullets

Full to the very jaws, and handed it back to the savage,

Saying, in thundering tones: "Here, take it! this is your answer!"

Silently out of the room then glided the glistening savage,

Bearing the serpent's skin, and seeming himself like a serpent,

Winding his sinuous way in the dark to the depths of the forest.

V

THE SAILING OF THE MAYFLOWER

Just in the gray of the dawn, as the mists uprose from the meadows,

There was a stir and a sound in the slumbering village of Plymouth;

Clanging and clicking of arms, and the order imperative, "Forward!"

Given in tone suppressed, a tramp of feet, and then silence.

Figures ten, in the mist, marched slowly out of the village.

Standish the stalwart it was, with eight of his valorous army,

Led by their Indian guide, by Hobomok, friend of the white men,

Northward marching to quell the sudden revolt of the savage.

Giants they seemed in the mist, or the mighty men of King David;

Giants in heart they were, who believed in God and the Bible,--

Ay, who believed in the smiting of Midianites and Philistines.

Over them gleamed far off the crimson banners of morning;

Under them loud on the sands, the serried billows, advancing,

Fired along the line, and in regular order retreated.

Many a mile had they marched, when at length the village of Plymouth

Woke from its sleep, and arose, intent on its manifold labors.

Sweet was the air and soft; and slowly the smoke from the chimneys

Rose over roofs of thatch, and pointed steadily eastward;

Men came forth from the doors, and paused and talked of the weather,

Said that the wind had changed, and was blowing fair for the Mayflower;

Talked of their Captain's departure, and all the dangers that menaced,

He being gone, the town, and what should be done in his absence.

Merrily sang the birds, and the tender voices of women

Consecrated with hymns the common cares of the household.

Out of the sea rose the sun, and the billows rejoiced at his coming;

Beautiful were his feet on the purple tops of the mountains;

Beautiful on the sails of the Mayflower riding at anchor,

Battered and blackened and worn by all the storms of the winter.

Loosely against her masts was hanging and flapping her canvas,

Rent by so many gales, and patched by the hands of the sailors.

Suddenly from her side, as the sun rose over the ocean,

Darted a puff of smoke, and floated seaward; anon rang

Loud over field and forest the cannon's roar, and the echoes

Heard and repeated the sound, the signal-gun of departure!

Ah! but with louder echoes replied the hearts of the people!

Meekly, in voices subdued, the chapter was read from the Bible,

Meekly the prayer was begun, but ended in fervent entreaty!

Then from their houses in haste came forth the Pilgrims of Plymouth,

Men and women and children, all hurrying down to the sea-shore,

Eager, with tearful eyes, to say farewell to the Mayflower,

Homeward bound o'er the sea, and leaving them here in the desert.

Foremost among them was Alden. All night he had lain without slumber,

Turning and tossing about in the heat and unrest of his fever.

He had beheld Miles Standish, who came back late from the council,

Stalking into the room, and heard him mutter and murmur,

Sometimes it seemed a prayer, and sometimes it sounded like swearing.

Once he had come to the bed, and stood there a moment in silence;

Then he had turned away, and said: "I will not awake him;

Let him sleep on, it is best; for what is the use of more talking!"

Then he extinguished the light, and threw himself down on his pallet,

Dressed as he was, and ready to start at the break of the morning,--

Covered himself with the cloak he had worn in his campaigns in Flanders,--

Slept as a soldier sleeps in his bivouac, ready for action.

But with the dawn he arose; in the twilight Alden beheld him

Put on his corselet of steel, and all the rest of his armor,

Buckle about his waist his trusty blade of Damascus,

Take from the corner his musket, and so stride out of the chamber.

Often the heart of the youth had burned and yearned to embrace him,

Often his lips had essayed to speak, imploring for pardon;

All the old friendship came back, with its tender and grateful emotions;

But his pride overmastered the nobler nature within him,--

Pride, and the sense of his wrong, and the burning fire of the insult.

So he beheld his friend departing in anger, but spake not,

Saw him go forth to danger, perhaps to death, and he spake not!

Then he arose from his bed, and heard what the people were saying,

Joined in the talk at the door, with Stephen and Richard and Gilbert,

Joined in the morning prayer, and in the reading of Scripture,

And, with the others, in haste went hurrying down to the sea-shore,

Down to the Plymouth Rock, that had been to their feet as a door-step

Into a world unknown,--the corner-stone of a nation!

There with his boat was the Master, already a little impatient

Lest he should lose the tide, or the wind might shift to the eastward,

Square-built, hearty, and strong, with an odor of ocean about him,

Speaking with this one and that, and cramming letters and parcels

Into his pockets capacious, and messages mingled together

Into his narrow brain, till at last he was wholly bewildered.

Nearer the boat stood Alden, with one foot placed on the gunwale,

One still firm on the rock, and talking at times with the sailors,

Seated erect on the thwarts, all ready and eager for starting.

He too was eager to go, and thus put an end to his anguish,

Thinking to fly from despair, that swifter than keel is or canvas,

Thinking to drown in the sea the ghost that would rise and pursue him.

But as he gazed on the crowd, he beheld the form of Priscilla

Standing dejected among them, unconscious of all that was passing.

Fixed were her eyes upon his, as if she divined his intention,

Fixed with a look so sad, so reproachful, imploring, and patient,

That with a sudden revulsion his heart recoiled from its purpose,

As from the verge of a crag, where one step more is destruction.

Strange is the heart of man, with its quick, mysterious instincts!

Strange is the life of man, and fatal or fated are moments,

Whereupon turn, as on hinges, the gates of the wall adamantine!

"Here I remain!" he exclaimed, as he looked at the heavens above him,

Thanking the Lord whose breath had scattered the mist and the madness,

Wherein, blind and lost, to death he was staggering headlong.

"Yonder snow-white cloud, that floats in the ether above me,

Seems like a hand that is pointing and beckoning over the ocean.

There is another hand, that is not so spectral and ghost-like,

Holding me, drawing me back, and clasping mine for protection.

Float, O hand of cloud, and vanish away in the ether!

Roll thyself up like a fist, to threaten and daunt me; I heed not

Either your warning or menace, or any omen of evil!

There is no land so sacred, no air so pure and so wholesome,

As is the air she breathes, and the soil that is pressed by her footsteps.

Here for her sake will I stay, and like an invisible presence

Hover around her for ever, protecting, supporting her weakness;

Yes! as my foot was the first that stepped on this rock at the landing,

So, with the blessing of God, shall it be the last at the leaving!"

Meanwhile the Master alert, but with dignified air and important,

Scanning with watchful eye the tide and the wind and the weather,

Walked about on the sands; and the people crowded around him

Saying a few last words, and enforcing his careful remembrance.

Then, taking each by the hand, as if he were grasping a tiller,

Into the boat he sprang, and in haste shoved off to his vessel,

Glad in his heart to get rid of all this worry and flurry,

Glad to be gone from a land of sand and sickness and sorrow,

Short allowance of victual, and plenty of nothing but Gospel!

Lost in the sound of the oars was the last farewell of the Pilgrims.

O strong hearts and true! not one went back in the Mayflower!

No, not one looked back, who had set his hand to this ploughing!

Soon were heard on board the shouts and songs of the sailors

Heaving the windlass round, and hoisting the ponderous anchor.

Then the yards were braced, and all sails set to the west-wind,

Blowing steady and strong; and the Mayflower sailed from the harbor,

Rounded the point of the Gurnet, and leaving far to the southward

Island and cape of sand, and the Field of the First Encounter,

Took the wind on her quarter, and stood for the open Atlantic,

Borne on the send of the sea, and the swelling hearts of the Pilgrims.

Long in silence they watched the receding sail of the vessel,

Much endeared to them all, as something living and human;

Then, as if filled with the spirit, and wrapt in a vision prophetic,

Baring his hoary head, the excellent Elder of Plymouth

Said, "Let us pray!" and they prayed, and thanked the Lord and took courage.

Mournfully sobbed the waves at the base of the rock, and above them

Bowed and whispered the wheat on the hill of death, and their kindred

Seemed to awake in their graves, and to join in the prayer that they uttered.

Sun-illumined and white, on the eastern verge of the ocean

Gleamed the departing sail, like a marble slab in a graveyard;

Buried beneath it lay for ever all hope of escaping.

Lo! as they turned to depart, they saw the form of an Indian,

Watching them from the hill; but while they spake with each other,

Pointing with outstretched hands, and saying, "Look!" he had vanished.

So they returned to their homes; but Alden lingered a little,

Musing alone on the shore, and watching the wash of the billows

Round the base of the rock, and the sparkle and flash of the sunshine,

Like the spirit of God, moving visibly over the waters.

VI

PRISCILLA

Thus for a while he stood, and mused by the shore of the ocean,

Thinking of many things, and most of all of Priscilla;

And as if thought had the power to draw to itself, like the loadstone,

Whatsoever it touches, by subtile laws of its nature,

Lo! as he turned to depart, Priscilla was standing beside him.

"Are you so much offended, you will not speak to me?" said she.

"Am I so much to blame, that yesterday, when you were pleading

Warmly the cause of another, my heart, impulsive and wayward,

Pleaded your own, and spake out, forgetful perhaps of decorum?

Certainly you can forgive me for speaking so frankly, for saying

What I ought not to have said, yet now I can never unsay it;

For there are moments in life, when the heart is so full of emotion,

That if by chance it be shaken, or into its depths like a pebble

Drops some careless word, it overflows, and its secret,

Spilt on the ground like water, can never be gathered together.

Yesterday I was shocked, when I heard you speak of Miles Standish,

Praising his virtues, transforming his very defects into virtues,

Praising his courage and strength, and even his fighting in Flanders,

As if by fighting alone you could win the heart of a woman,

Quite overlooking yourself and the rest, in exalting your hero.

Therefore I spake as I did, by an irresistible impulse.

You will forgive me, I hope, for the sake of the friendship between us,

Which is too true and too sacred to be so easily broken!"

Thereupon answered John Alden, the scholar, the friend of Miles Standish:

"I was not angry with you, with myself alone I was angry,

Seeing how badly I managed the matter I had in my keeping."

"No!" interrupted the maiden, with answer prompt and decisive;

"No; you were angry with me, for speaking so frankly and freely.

It was wrong, I acknowledge; for it is the fate of a woman

Long to be patient and silent, to wait like a ghost that is speechless,

Till some questioning voice dissolves the spell of its silence.

Hence is the inner life of so many suffering women

Sunless and silent and deep, like subterranean rivers

Running through caverns of darkness, unheard, unseen, and unfruitful,

Chafing their channels of stone, with endless and profitless murmurs."

Thereupon answered John Alden, the young man, the lover of women:

"Heaven forbid it, Priscilla; and truly they seem to me always

More like the beautiful rivers that watered the garden of Eden,

More like the river Euphrates, through deserts of Havilah flowing,

Filling the land with delight, and memories sweet of the garden!"

"Ah, by these words, I can see," again interrupted the maiden,

"How very little you prize me, or care for what I am saying.

When from the depths of my heart, in pain and with secret misgiving,

Frankly I speak to you, asking for sympathy only and kindness,

Straightway you take up my words, that are plain and direct and in earnest,

Turn them away from their meaning, and answer with flattering phrases.

This is not right, is not just, is not true to the best that is in you;

For I know and esteem you, and feel that your nature is noble,

Lifting mine up to a higher, a more ethereal level.

Therefore I value your friendship, and feel it perhaps the more keenly

If you say aught that implies I am only as one among many,

If you make use of those common and complimentary phrases

Most men think so fine, in dealing and speaking with women,

But which women reject as insipid, if not as insulting."

Mute and amazed was Alden; and listened and looked at Priscilla,

Thinking he never had seen her more fair, more divine in her beauty.

He who but yesterday pleaded so glibly the cause of another,

Stood there embarrassed and silent, and seeking in vain for an answer.

So the maiden went on, and little divined or imagined

What was at work in his heart, that made him so awkward and speechless.

"Let us, then, be what we are, and speak what we think, and in all things

Keep ourselves loyal to truth, and the sacred professions of friendship.

It is no secret I tell you, nor am I ashamed to declare it:

I have liked to be with you, to see you, to speak with you always.

So I was hurt at your words, and a little affronted to hear you

Urge me to marry your friend, though he were the Captain Miles Standish.

For I must tell you the truth: much more to me is your friendship

Than all the love he could give, were he twice the hero you think him."

Then she extended her hand, and Alden, who eagerly grasped it,

Felt all the wounds in his heart, that were aching and bleeding so sorely,

Healed by the touch of that hand, and he said, with a voice full of feeling:

"Yes, we must ever be friends; and of all who offer you friendship

Let me be ever the first, the truest, the nearest and dearest!"

Casting a farewell look at the glimmering sail of the Mayflower,

Distant, but still in sight, and sinking below the horizon,

Homeward together they walked, with a strange, indefinite feeling,

That all the rest had departed and left them alone in the desert.

But, as they went through the fields in the blessing and smile of the sunshine,

Lighter grew their hearts, and Priscilla said very archly:

"Now that our terrible Captain has gone in pursuit of the Indians,

Where he is happier far than he would be commanding a household,

You may speak boldly, and tell me of all that happened between you,

When you returned last night, and said how ungrateful you found me."

Thereupon answered John Alden, and told her the whole of the story,--

Told her his own despair, and the direful wrath of Miles Standish.

Whereat the maiden smiled, and said between laughing and earnest,

"He is a little chimney, and heated hot in a moment!"

But as he gently rebuked her, and told her how much he had suffered,--

How he had even determined to sail that day in the Mayflower,

And had remained for her sake, on hearing the dangers that threatened,--

All her manner was changed, and she said with a faltering accent,

"Truly I thank you for this: how good you have been to me always!"

Thus, as a pilgrim devout, who toward Jerusalem journeys,

Taking three steps in advance, and one reluctantly backward,

Urged by importunate zeal, and withheld by pangs of contrition;

Slowly but steadily onward, receding yet ever advancing,

Journeyed this Puritan youth to the Holy Land of his longings,

Urged by the fervor of love, and withheld by remorseful misgivings.

VII

THE MARCH OF MILES STANDISH

Meanwhile the stalwart Miles Standish was marching steadily northward,

Winding through forest and swamp, and along the trend of the sea-shore,

All day long, with hardly a halt, the fire of his anger

Burning and crackling within, and the sulphurous odor of powder

Seeming more sweet to his nostrils than all the scents of the forest.

Silent and moody he went, and much he revolved his discomfort;

He who was used to success, and to easy victories always,

Thus to be flouted, rejected, and laughed to scorn by a maiden,

Thus to be mocked and betrayed by the friend whom most he had trusted!

Ah! 't was too much to be borne, and he fretted and chafed in his armor!

"I alone am to blame," he muttered, "for mine was the folly.

What has a rough old soldier, grown grim and gray in the harness,

Used to the camp and its ways, to do with the wooing of maidens?

'T was but a dream,--let it pass,--let it vanish like so many others!

What I thought was a flower, is only a weed, and is worthless;

Out of my heart will I pluck it, and throw it away, and henceforward

Be but a fighter of battles, a lover and wooer of dangers!"

Thus he revolved in his mind his sorry defeat and discomfort,

While he was marching by day or lying at night in the forest,

Looking up at the trees, and the constellations beyond them.

After a three days' march he came to an Indian encampment

Pitched on the edge of a meadow, between the sea and the forest;

Women at work by the tents, and the warriors, horrid with war-paint,

Seated about a fire, and smoking and talking together;

Who, when they saw from afar the sudden approach of the white men,

Saw the flash of the sun on breastplate and sabre and musket,

Straightway leaped to their feet, and two, from among them advancing,

Came to parley with Standish, and offer him furs as a present;

Friendship was in their looks, but in their hearts there was hatred.

Braves of the tribe were these, and brothers gigantic in stature,

Huge as Goliath of Gath, or the terrible Og, king of Bashan;

One was Pecksuot named, and the other was called Wattawamat.

Round their necks were suspended their knives in scabbards of wampum,

Two-edged, trenchant knives, with points as sharp as a needle.

Other arms had they none, for they were cunning and crafty.

"Welcome, English!" they said,--these words they had learned from the traders

Touching at times on the coast, to barter and chaffer for peltries.

Then in their native tongue they began to parley with Standish,

Through his guide and interpreter Hobomok, friend of the white man,

Begging for blankets and knives, but mostly for muskets and powder,

Kept by the white man, they said, concealed, with the plague, in his cellars,

Ready to be let loose, and destroy his brother the red man!

But when Standish refused, and said he would give them the Bible,

Suddenly changing their tone, they began to boast and to bluster.

Then Wattawamat advanced with a stride in front of the other,

And, with a lofty demeanor, thus vauntingly spake to the Captain:

"Now Wattawamat can see, by the fiery eyes of the Captain,

Angry is he in his heart; but the heart of the brave Wattawamat

Is not afraid at the sight. He was not born of a woman,

But on a mountain, at night, from an oak-tree riven by lightning,

Forth he sprang at a bound, with all his weapons about him,

Shouting, 'Who is there here to fight with the brave Wattawamat?'"

Then he unsheathed his knife, and, whetting the blade on his left hand,

Held it aloft and displayed a woman's face on the handle,

Saying, with bitter expression and look of sinister meaning:

"I have another at home, with the face of a man on the handle;

By and by they shall marry; and there will be plenty of children!"

Then stood Pecksuot forth, self-vaunting, insulting Miles Standish:

While with his fingers he petted the knife that hung at his bosom,

Drawing it half from its sheath, and plunging it back, as he muttered,

"By and by it shall see; it shall eat; ah, ha! but shall speak not!

This is the mighty Captain the white men have sent to destroy us!

He is a little man; let him go and work with the women!"

Meanwhile Standish had noted the faces and figures of Indians

Peeping and creeping about from bush to tree in the forest,

Feigning to look for game, with arrows set on their bow-strings,

Drawing about him still closer and closer the net of their ambush.

But undaunted he stood, and dissembled and treated them smoothly;

So the old chronicles say, that were writ in the days of the fathers.

But when he heard their defiance, the boast, the taunt, and the insult,

All the hot blood of his race, of Sir Hugh and of Thurston de Standish,

Boiled and beat in his heart, and swelled in the veins of his temples.

Headlong he leaped on the boaster, and, snatching his knife from its scabbard,

Plunged it into his heart, and, reeling backward, the savage

Fell with his face to the sky, and a fiendlike fierceness upon it.

Straight there arose from the forest the awful sound of the war-whoop,

And, like a flurry of snow on the whistling wind of December,

Swift and sudden and keen came a flight of feathery arrows,

Then came a cloud of smoke, and out of the cloud came the lightning,

Out of the lightning thunder, and death unseen ran before it.

Frightened the savages fled for shelter in swamp and in thicket,

Hotly pursued and beset; but their sachem, the brave Wattawamat,

Fled not; he was dead. Unswerving and swift had a bullet

Passed through his brain, and he fell with both hands clutching the greensward,

Seeming in death to hold back from his foe the land of his fathers.

There on the flowers of the meadow the warriors lay, and above them,

Silent, with folded arms, stood Hobomok, friend of the white man.

Smiling at length he exclaimed to the stalwart Captain of Plymouth:

"Pecksuot bragged very loud, of his courage, his strength, and his stature,--

Mocked the great Captain, and called him a little man; but I see now

Big enough have you been to lay him speechless before you!"

Thus the first battle was fought and won by the stalwart Miles Standish.

When the tidings thereof were brought to the village of Plymouth,

And as a trophy of war the head of the brave Wattawamat

Scowled from the roof of the fort, which at once was a church and a fortress,

All who beheld it rejoiced, and praised the Lord, and took courage.

Only Priscilla averted her face from this spectre of terror,

Thanking God in her heart that she had not married Miles Standish;

Shrinking, fearing almost, lest, coming home from his battles,

He should lay claim to her hand, as the prize and reward of his valor.

VIII

THE SPINNING-WHEEL

Month after month passed away, and in Autumn the ships of the merchants

Came with kindred and friends, with cattle and corn for the Pilgrims.

All in the village was peace; the men were intent on their labors,

Busy with hewing and building, with garden-plot and with merestead,

Busy with breaking the glebe, and mowing the grass in the meadows,

Searching the sea for its fish, and hunting the deer in the forest.

All in the village was peace; but at times the rumor of warfare

Filled the air with alarm, and the apprehension of danger.

Bravely the stalwart Miles Standish was scouring the land with his forces,

Waxing valiant in fight and defeating the alien armies,

Till his name had become a sound of fear to the nations.

Anger was still in his heart, but at times the remorse and contrition

Which in all noble natures succeed the passionate outbreak,

Came like a rising tide, that encounters the rush of a river,

Staying its current awhile, but making it bitter and brackish.

Meanwhile Alden at home had built him a new habitation,

Solid, substantial, of timber rough-hewn from the firs of the forest.

Wooden-barred was the door, and the roof was covered with rushes;

Latticed the windows were, and the window-panes were of paper,

Oiled to admit the light, while wind and rain were excluded.

There too he dug a well, and around it planted an orchard:

Still may be seen to this day some trace of the well and the orchard.

Close to the house was the stall, where, safe and secure from annoyance,

Raghorn, the snow-white steer, that had fallen to Alden's allotment

In the division of cattle, might ruminate in the night-time

Over the pastures he cropped, made fragrant by sweet pennyroyal.

Oft when his labor was finished, with eager feet would the dreamer

Follow the pathway that ran through the woods to the house of Priscilla,

Led by illusions romantic and subtile deceptions of fancy,

Pleasure disguised as duty, and love in the semblance of friendship.

Ever of her he thought, when he fashioned the walls of his dwelling;

Ever of her he thought, when he delved in the soil of his garden;

Ever of her he thought, when he read in his Bible on Sunday

Praise of the virtuous woman, as she is described in the Proverbs,--

How the heart of her husband doth safely trust in her always,

How all the days of her life she will do him good, and not evil,

How she seeketh the wool and the flax and worketh with gladness,

How she layeth her hand to the spindle and holdeth the distaff,

How she is not afraid of the snow for herself or her household,

Knowing her household are clothed with the scarlet cloth of her weaving!

So as she sat at her wheel one afternoon in the Autumn,

Alden, who opposite sat, and was watching her dexterous fingers,

As if the thread she was spinning were that of his life and his fortune,

After a pause in their talk, thus spake to the sound of the spindle.

"Truly, Priscilla," he said, "when I see you spinning and spinning,

Never idle a moment, but thrifty and thoughtful of others,

Suddenly you are transformed, are visibly changed in a moment;

You are no longer Priscilla, but Bertha the Beautiful Spinner."

Here the light foot on the treadle grew swifter and swifter; the spindle

Uttered an angry snarl, and the thread snapped short in her fingers;

While the impetuous speaker, not heeding the mischief, continued:

"You are the beautiful Bertha, the spinner, the queen of Helvetia;

She whose story I read at a stall in the streets of Southampton,

Who, as she rode on her palfrey, o'er valley and meadow and mountain,

Ever was spinning her thread from a distaff fixed to her saddle.

She was so thrifty and good, that her name passed into a proverb.

So shall it be with your own, when the spinning-wheel shall no longer

Hum in the house of the farmer, and fill its chambers with music.

Then shall the mothers, reproving, relate how it was in their childhood,

Praising the good old times, and the days of Priscilla the spinner!"

Straight uprose from her wheel the beautiful Puritan maiden,

Pleased with the praise of her thrift from him whose praise was the sweetest,

Drew from the reel on the table a snowy skein of her spinning,

Thus making answer, meanwhile, to the flattering phrases of Alden:

"Come, you must not be idle; if I am a pattern for housewives,

Show yourself equally worthy of being the model of husbands.

Hold this skein on your hands, while I wind it, ready for knitting;

Then who knows but hereafter, when fashions have changed and the manners,

Fathers may talk to their sons of the good old times of John Alden!"

Thus, with a jest and a laugh, the skein on his hands she adjusted,

He sitting awkwardly there, with his arms extended before him,

She standing graceful, erect, and winding the thread from his fingers,

Sometimes chiding a little his clumsy manner of holding,

Sometimes touching his hands, as she disentangled expertly

Twist or knot in the yarn, unawares--for how could she help it?--

Sending electrical thrills through every nerve in his body.

Lo! in the midst of this scene, a breathless messenger entered,

Bringing in hurry and heat the terrible news from the village.

Yes; Miles Standish was dead!--an Indian had brought them the tidings,--

Slain by a poisoned arrow, shot down in the front of the battle,

Into an ambush beguiled, cut off with the whole of his forces;

All the town would be burned, and all the people be murdered!

Such were the tidings of evil that burst on the hearts of the hearers.

Silent and statue-like stood Priscilla, her face looking backward

Still at the face of the speaker, her arms uplifted in horror;

But John Alden, upstarting, as if the barb of the arrow

Piercing the heart of his friend had struck his own, and had sundered

Once and for ever the bonds that held him bound as a captive,

Wild with excess of sensation, the awful delight of his freedom,

Mingled with pain and regret, unconscious of what he was doing,

Clasped, almost with a groan, the motionless form of Priscilla,

Pressing her close to his heart, as for ever his own, and exclaiming:

"Those whom the Lord hath united, let no man put them asunder!"

Even as rivulets twain, from distant and separate sources,

Seeing each other afar, as they leap from the rocks, and pursuing

Each one its devious path, but drawing nearer and nearer,

Rush together at last, at their trysting-place in the forest;

So these lives that had run thus far in separate channels,

Coming in sight of each other, then swerving and flowing asunder,

Parted by barriers strong, but drawing nearer and nearer,

Rushed together at last, and one was lost in the other.

IX

THE WEDDING-DAY

Forth from the curtain of clouds, from the tent of purple and scarlet,

Issued the sun, the great High-Priest, in his garments resplendent,

Holiness unto the Lord, in letters of light, on his forehead,

Round the hem of his robe the golden bells and pomegranates.

Blessing the world he came, and the bars of vapor beneath him

Gleamed like a grate of brass, and the sea at his feet was a laver!

This was the wedding morn of Priscilla the Puritan maiden.

Friends were assembled together; the Elder and Magistrate also

Graced the scene with their presence, and stood like the Law and the Gospel,

One with the sanction of earth and one with the blessing of heaven.

Simple and brief was the wedding, as that of Ruth and of Boaz.

Softly the youth and the maiden repeated the words of betrothal,

Taking each other for husband and wife in the Magistrate's presence,

After the Puritan way, and the laudable custom of Holland.

Fervently then, and devoutly, the excellent Elder of Plymouth

Prayed for the hearth and the home, that were founded that day in affection,

Speaking of life and of death, and imploring divine benedictions.

Lo! when the service was ended, a form appeared on the threshold,

Clad in armor of steel, a sombre and sorrowful figure!

Why does the bridegroom start and stare at the strange apparition?

Why does the bride turn pale, and hide her face on his shoulder?

Is it a phantom of air,--a bodiless, spectral illusion?

Is it a ghost from the grave, that has come to forbid the betrothal?

Long had it stood there unseen, a guest uninvited, unwelcomed;

Over its clouded eyes there had passed at times an expression

Softening the gloom and revealing the warm heart hidden beneath them,

As when across the sky the driving rack of the rain-cloud

Grows for a moment thin, and betrays the sun by its brightness.

Once it had lifted its hand, and moved its lips, but was silent,

As if an iron will had mastered the fleeting intention.

But when were ended the troth and the prayer and the last benediction,

Into the room it strode, and the people beheld with amazement

Bodily there in his armor Miles Standish, the Captain of Plymouth!

Grasping the bridegroom's hand, he said with emotion, "Forgive me!

I have been angry and hurt,--too long have I cherished the feeling;

I have been cruel and hard, but now, thank God! it is ended.

Mine is the same hot blood that leaped in the veins of Hugh Standish,

Sensitive, swift to resent, but as swift in atoning for error.

Never so much as now was Miles Standish the friend of John Alden."

Thereupon answered the bridegroom: "Let all be forgotten between us,--

All save the dear, old friendship, and that shall grow older and dearer!"

Then the Captain advanced, and, bowing, saluted Priscilla,

Gravely, and after the manner of old-fashioned gentry in England,

Something of camp and of court, of town and of country, commingled,

Wishing her joy of her wedding, and loudly lauding her husband.

Then he said with a smile: "I should have remembered the adage,--

If you would be well served, you must serve yourself; and moreover,

No man can gather cherries in Kent at the season of Christmas!"

Great was the people's amazement, and greater yet their rejoicing,

Thus to behold once more the sun-burnt face of their Captain,

Whom they had mourned as dead; and they gathered and crowded about him,

Eager to see him and hear him, forgetful of bride and of bridegroom,

Questioning, answering, laughing, and each interrupting the other,

Till the good Captain declared, being quite overpowered and bewildered,

He had rather by far break into an Indian encampment,

Than come again to a wedding to which he had not been invited.

Meanwhile the bridegroom went forth and stood with the bride at the doorway,

Breathing the perfumed air of that warm and beautiful morning.

Touched with autumnal tints, but lonely and sad in the sunshine,

Lay extended before them the land of toil and privation;

There were the graves of the dead, and the barren waste of the sea-shore,

There the familiar fields, the groves of pine, and the meadows;

But to their eyes transfigured, it seemed as the Garden of Eden,

Filled with the presence of God, whose voice was the sound of the ocean.

Soon was their vision disturbed by the noise and stir of departure,

Friends coming forth from the house, and impatient of longer delaying,

Each with his plan for the day, and the work that was left uncompleted.

Then from a stall near at hand, amid exclamations of wonder,

Alden the thoughtful, the careful, so happy, so proud of Priscilla,

Brought out his snow-white steer, obeying the hand of its master,

Led by a cord that was tied to an iron ring in its nostrils,

Covered with crimson cloth, and a cushion placed for a saddle.

She should not walk, he said, through the dust and heat of the noonday;

Nay, she should ride like a queen, not plod along like a peasant.

Somewhat alarmed at first, but reassured by the others,

Placing her hand on the cushion, her foot in the hand of her husband,

Gayly, with joyous laugh, Priscilla mounted her palfrey.

"Nothing is wanting now," he said with a smile, "but the distaff;

Then you would be in truth my queen, my beautiful Bertha!"

Onward the bridal procession now moved to their new habitation,

Happy husband and wife, and friends conversing together.

Pleasantly murmured the brook, as they crossed the ford in the forest,

Pleased with the image that passed, like a dream of love through its bosom,

Tremulous, floating in air, o'er the depths of the azure abysses.

Down through the golden leaves the sun was pouring his splendors,

Gleaming on purple grapes, that, from branches above them suspended,

Mingled their odorous breath with the balm of the pine and the fir-tree,

Wild and sweet as the clusters that grew in the valley of Eshcol.

Like a picture it seemed of the primitive, pastoral ages,

Fresh with the youth of the world, and recalling Rebecca and Isaac,

Old and yet ever new, and simple and beautiful always,

Love immortal and young in the endless succession of lovers,

So through the Plymouth woods passed onward the bridal procession.

**************

BIRDS OF PASSAGE.

. . come i gru van cantando lor lai,

Facendo in aer di se lunga riga. -- DANTE

FLIGHT THE FIRST

BIRDS OF PASSAGE

Black shadows fall

From the lindens tall,

That lift aloft their massive wall

Against the southern sky;

And from the realms

Of the shadowy elms

A tide-like darkness overwhelms

The fields that round us lie.

But the night is fair,

And everywhere

A warm, soft vapor fills the air,

And distant sounds seem near,

And above, in the light

Of the star-lit night,

Swift birds of passage wing their flight

Through the dewy atmosphere.

I hear the beat

Of their pinions fleet,

As from the land of snow and sleet

They seek a southern lea.

I hear the cry

Of their voices high

Falling dreamily through the sky,

But their forms I cannot see.

O, say not so!

Those sounds that flow

In murmurs of delight and woe

Come not from wings of birds.

They are the throngs

Of the poet's songs,

Murmurs of pleasures, and pains, and wrongs,

The sound of winged words.

This is the cry

Of souls, that high

On toiling, beating pinions, fly,

Seeking a warmer clime,

From their distant flight

Through realms of light

It falls into our world of night,

With the murmuring sound of rhyme.

PROMETHEUS

OR THE POET'S FORETHOUGHT

Of Prometheus, how undaunted

On Olympus' shining bastions

His audacious foot he planted,

Myths are told and songs are chanted,

Full of promptings and suggestions.

Beautiful is the tradition

Of that flight through heavenly portals,

The old classic superstition

Of the theft and the transmission

Of the fire of the Immortals!

First the deed of noble daring,

Born of heavenward aspiration,

Then the fire with mortals sharing,

Then the vulture,--the despairing

Cry of pain on crags Caucasian.

All is but a symbol painted

Of the Poet, Prophet, Seer;

Only those are crowned and sainted

Who with grief have been acquainted,

Making nations nobler, freer.

In their feverish exultations,

In their triumph and their yearning,

In their passionate pulsations,

In their words among the nations,

The Promethean fire is burning.

Shall it, then, be unavailing,

All this toil for human culture?

Through the cloud-rack, dark and trailing,

Must they see above them sailing

O'er life's barren crags the vulture?

Such a fate as this was Dante's,

By defeat and exile maddened;

Thus were Milton and Cervantes,

Nature's priests and Corybantes,

By affliction touched and saddened.

But the glories so transcendent

That around their memories cluster,

And, on all their steps attendant,

Make their darkened lives resplendent

With such gleams of inward lustre!

All the melodies mysterious,

Through the dreary darkness chanted;

Thoughts in attitudes imperious,

Voices soft, and deep, and serious,

Words that whispered, songs that haunted!

All the soul in rapt suspension,

All the quivering, palpitating

Chords of life in utmost tension,

With the fervor of invention,

With the rapture of creating!

Ah, Prometheus! heaven-scaling!

In such hours of exultation

Even the faintest heart, unquailing,

Might behold the vulture sailing

Round the cloudy crags Caucasian!

Though to all there is not given

Strength for such sublime endeavor,

Thus to scale the walls of heaven,

And to leaven with fiery leaven

All the hearts of men for ever;

Yet all bards, whose hearts unblighted

Honor and believe the presage,

Hold aloft their torches lighted,

Gleaming through the realms benighted,

As they onward bear the message!

EPIMETHEUS

OR THE POET'S AFTERTHOUGHT

Have I dreamed? or was it real,

What I saw as in a vision,

When to marches hymeneal

In the land of the Ideal

Moved my thought o'er Fields Elysian?

What! are these the guests whose glances

Seemed like sunshine gleaming round me?

These the wild, bewildering fancies,

That with dithyrambic dances

As with magic circles bound me?

Ah! how cold are their caresses!

Pallid cheeks, and haggard bosoms!

Spectral gleam their snow-white dresses,

And from loose dishevelled tresses

Fall the hyacinthine blossoms!

O my songs! whose winsome measures

Filled my heart with secret rapture!

Children of my golden leisures!

Must even your delights and pleasures

Fade and perish with the capture?

Fair they seemed, those songs sonorous,

When they came to me unbidden;

Voices single, and in chorus,

Like the wild birds singing o'er us

In the dark of branches hidden.

Disenchantment! Disillusion!

Must each noble aspiration

Come at last to this conclusion,

Jarring discord, wild confusion,

Lassitude, renunciation?

Not with steeper fall nor faster,

From the sun's serene dominions,

Not through brighter realms nor vaster,

In swift ruin and disaster,

Icarus fell with shattered pinions!

Sweet Pandora! dear Pandora!

Why did mighty Jove create thee

Coy as Thetis, fair as Flora,

Beautiful as young Aurora,

If to win thee is to hate thee?

No, not hate thee! for this feeling

Of unrest and long resistance

Is but passionate appealing,

A prophetic whisper stealing

O'er the chords of our existence.

Him whom thou dost once enamour,

Thou, beloved, never leavest;

In life's discord, strife, and clamor,

Still he feels thy spell of glamour;

Him of Hope thou ne'er bereavest.

Weary hearts by thee are lifted,

Struggling souls by thee are strengthened,

Clouds of fear asunder rifted,

Truth from falsehood cleansed and sifted,

Lives, like days in summer, lengthened!

Therefore art thou ever clearer,

O my Sibyl, my deceiver!

For thou makest each mystery clearer,

And the unattained seems nearer,

When thou fillest my heart with fever!

Muse of all the Gifts and Graces!

Though the fields around us wither,

There are ampler realms and spaces,

Where no foot has left its traces:

Let us turn and wander thither!

THE LADDER OF ST. AUGUSTINE

Saint Augustine! well hast thou said,

That of our vices we can frame

A ladder, if we will but tread

Beneath our feet each deed of shame!

All common things, each day's events,

That with the hour begin and end,

Our pleasures and our discontents,

Are rounds by which we may ascend.

The low desire, the base design,

That makes another's virtues less;

The revel of the ruddy wine,

And all occasions of excess;

The longing for ignoble things;

The strife for triumph more than truth;

The hardening of the heart, that brings

Irreverence for the dreams of youth;

All thoughts of ill; all evil deeds,

That have their root in thoughts of ill;

Whatever hinders or impedes

The action of the nobler will;--

All these must first be trampled down

Beneath our feet, if we would gain

In the bright fields of fair renown

The right of eminent domain.

We have not wings, we cannot soar;

But we have feet to scale and climb

By slow degrees, by more and more,

The cloudy summits of our time.

The mighty pyramids of stone

That wedge-like cleave the desert airs,

When nearer seen, and better known,

Are but gigantic flights of stairs.

The distant mountains, that uprear

Their solid bastions to the skies,

Are crossed by pathways, that appear

As we to higher levels rise.

The heights by great men reached and kept

Were not attained by sudden flight,

But they, while their companions slept,

Were toiling upward in the night.

Standing on what too long we bore

With shoulders bent and downcast eyes,

We may discern--unseen before--

A path to higher destinies.

Nor deem the irrevocable Past,

As wholly wasted, wholly vain,

If, rising on its wrecks, at last

To something nobler we attain.

THE PHANTOM SHIP

In Mather's Magnalia Christi,

Of the old colonial time,

May be found in prose the legend

That is here set down in rhyme.

A ship sailed from New Haven,

And the keen and frosty airs,

That filled her sails at parting,

Were heavy with good men's prayers.

"O Lord! if it be thy pleasure"--

Thus prayed the old divine--

"To bury our friends in the ocean,

Take them, for they are thine!"

But Master Lamberton muttered,

And under his breath said he,

"This ship is so crank and walty

I fear our grave she will be!"

And the ships that came from England,

When the winter months were gone,

Brought no tidings of this vessel

Nor of Master Lamberton.

This put the people to praying

That the Lord would let them hear

What in his greater wisdom

He had done with friends so dear.

And at last their prayers were answered:--

It was in the month of June,

An hour before the sunset

Of a windy afternoon,

When, steadily steering landward,

A ship was seen below,

And they knew it was Lamberton, Master,

Who sailed so long ago.

On she came, with a cloud of canvas,

Right against the wind that blew,

Until the eye could distinguish

The faces of the crew.

Then fell her straining topmasts,

Hanging tangled in the shrouds,

And her sails were loosened and lifted,

And blown away like clouds.

And the masts, with all their rigging,

Fell slowly, one by one,

And the hulk dilated and vanished,

As a sea-mist in the sun!

And the people who saw this marvel

Each said unto his friend,

That this was the mould of their vessel,

And thus her tragic end.

And the pastor of the village

Gave thanks to God in prayer,

That, to quiet their troubled spirits,

He had sent this Ship of Air.

THE WARDEN OF THE CINQUE PORTS

A mist was driving down the British Channel,

The day was just begun,

And through the window-panes, on floor and panel,

Streamed the red autumn sun.

It glanced on flowing flag and rippling pennon,

And the white sails of ships;

And, from the frowning rampart, the black cannon

Hailed it with feverish lips.

Sandwich and Romney, Hastings, Hithe, and Dover

Were all alert that day,

To see the French war-steamers speeding over,

When the fog cleared away.

Sullen and silent, and like couchant lions,

Their cannon, through the night,

Holding their breath, had watched, in grim defiance,

The sea-coast opposite.

And now they roared at drum-beat from their stations

On every citadel;

Each answering each, with morning salutations,

That all was well.

And down the coast, all taking up the burden,

Replied the distant forts,

As if to summon from his sleep the Warden

And Lord of the Cinque Ports.

Him shall no sunshine from the fields of azure,

No drum-beat from the wall,

No morning gun from the black fort's embrasure,

Awaken with its call!

No more, surveying with an eye impartial

The long line of the coast,

Shall the gaunt figure of the old Field Marshal

Be seen upon his post!

For in the night, unseen, a single warrior,

In sombre harness mailed,

Dreaded of man, and surnamed the Destroyer,

The rampart wall has scaled.

He passed into the chamber of the sleeper,

The dark and silent room,

And as he entered, darker grew, and deeper,

The silence and the gloom.

He did not pause to parley or dissemble,

But smote the Warden hoar;

Ah! what a blow! that made all England tremble

And groan from shore to shore.

Meanwhile, without, the surly cannon waited,

The sun rose bright o'erhead;

Nothing in Nature's aspect intimated

That a great man was dead.

HAUNTED HOUSES

All houses wherein men have lived and died

Are haunted houses. Through the open doors

The harmless phantoms on their errands glide,

With feet that make no sound upon the floors.

We meet them at the door-way, on the stair,

Along the passages they come and go,

Impalpable impressions on the air,

A sense of something moving to and fro.

There are more guests at table, than the hosts

Invited; the illuminated hall

Is thronged with quiet, inoffensive ghosts,

As silent as the pictures on the wall.

The stranger at my fireside cannot see

The forms I see, nor hear the sounds I hear;

He but perceives what is; while unto me

All that has been is visible and clear.

We have no title-deeds to house or lands;

Owners and occupants of earlier dates

From graves forgotten stretch their dusty hands,

And hold in mortmain still their old estates.

The spirit-world around this world of sense

Floats like an atmosphere, and everywhere

Wafts through these earthly mists and vapors dense

A vital breath of more ethereal air.

Our little lives are kept in equipoise

By opposite attractions and desires;

The struggle of the instinct that enjoys,

And the more noble instinct that aspires.

These perturbations, this perpetual jar

Of earthly wants and aspirations high,

Come from the influence of an unseen star,

An undiscovered planet in our sky.

And as the moon from some dark gate of cloud

Throws o'er the sea a floating bridge of light,

Across whose trembling planks our fancies crowd

Into the realm of mystery and night,--

So from the world of spirits there descends

A bridge of light, connecting it with this,

O'er whose unsteady floor, that sways and bends,

Wander our thoughts above the dark abyss.

IN THE CHURCHYARD AT CAMBRIDGE

In the village churchyard she lies,

Dust is in her beautiful eyes,

No more she breathes, nor feels, nor stirs;

At her feet and at her head

Lies a slave to attend the dead,

But their dust is white as hers.

Was she a lady of high degree,

So much in love with the vanity

And foolish pomp of this world of ours?

Or was it Christian charity,

And lowliness and humility,

The richest and rarest of all dowers?

Who shall tell us? No one speaks;

No color shoots into those cheeks,

Either of anger or of pride,

At the rude question we have asked;

Nor will the mystery be unmasked

By those who are sleeping at her side.

Hereafter?--And do you think to look

On the terrible pages of that Book

To find her failings, faults, and errors?

Ah, you will then have other cares,

In your own short-comings and despairs,

In your own secret sins and terrors!

THE EMPEROR'S BIRD'S-NEST

Once the Emperor Charles of Spain,

With his swarthy, grave commanders,

I forget in what campaign,

Long besieged, in mud and rain,

Some old frontier town of Flanders.

Up and down the dreary camp,

In great boots of Spanish leather,

Striding with a measured tramp,

These Hidalgos, dull and damp,

Cursed the Frenchmen, cursed the weather.

Thus as to and fro they went,

Over upland and through hollow,

Giving their impatience vent,

Perched upon the Emperor's tent,

In her nest, they spied a swallow.

Yes, it was a swallow's nest,

Built of clay and hair of horses,

Mane, or tail, or dragoon's crest,

Found on hedge-rows east and west,

After skirmish of the forces.

Then an old Hidalgo said,

As he twirled his gray mustachio,

"Sure this swallow overhead

Thinks the Emperor's tent a shed,

And the Emperor but a Macho!"

Hearing his imperial name

Coupled with those words of malice,

Half in anger, half in shame,

Forth the great campaigner came

Slowly from his canvas palace.

"Let no hand the bird molest,"

Said he solemnly, "nor hurt her!"

Adding then, by way of jest,

"Golondrina is my guest,

'Tis the wife of some deserter!"

Swift as bowstring speeds a shaft,

Through the camp was spread the rumor,

And the soldiers, as they quaffed

Flemish beer at dinner, laughed

At the Emperor's pleasant humor.

So unharmed and unafraid

Sat the swallow still and brooded,

Till the constant cannonade

Through the walls a breach had made,

And the siege was thus concluded.

Then the army, elsewhere bent,

Struck its tents as if disbanding,

Only not the Emperor's tent,

For he ordered, ere he went,

Very curtly, "Leave it standing!"

So it stood there all alone,

Loosely flapping, torn and tattered,

Till the brood was fledged and flown,

Singing o'er those walls of stone

Which the cannon-shot had shattered.

THE TWO ANGELS

Two angels, one of Life and one of Death,

Passed o'er our village as the morning broke;

The dawn was on their faces, and beneath,

The sombre houses hearsed with plumes of smoke.

Their attitude and aspect were the same,

Alike their features and their robes of white;

But one was crowned with amaranth, as with flame,

And one with asphodels, like flakes of light.

I saw them pause on their celestial way;

Then said I, with deep fear and doubt oppressed,

"Beat not so loud, my heart, lest thou betray

The place where thy beloved are at rest!"

And he who wore the crown of asphodels,

Descending, at my door began to knock,

And my soul sank within me, as in wells

The waters sink before an earthquake's shock.

I recognized the nameless agony,

The terror and the tremor and the pain,

That oft before had filled or haunted me,

And now returned with threefold strength again.

The door I opened to my heavenly guest,

And listened, for I thought I heard God's voice;

And, knowing whatsoe'er he sent was best,

Dared neither to lament nor to rejoice.

Then with a smile, that filled the house with light,

"My errand is not Death, but Life," he said;

And ere I answered, passing out of sight,

On his celestial embassy he sped.

'T was at thy door, O friend! and not at mine,

The angel with the amaranthine wreath,

Pausing, descended, and with voice divine,

Whispered a word that had a sound like Death.

Then fell upon the house a sudden gloom,

A shadow on those features fair and thin;

And softly, from that hushed and darkened room,

Two angels issued, where but one went in.

All is of God! If he but wave his hand,

The mists collect, the rain falls thick and loud,

Till, with a smile of light on sea and land,

Lo! he looks back from the departing cloud.

Angels of Life and Death alike are his;

Without his leave they pass no threshold o'er;

Who, then, would wish or dare, believing this,

Against his messengers to shut the door?

DAYLIGHT AND MOONLIGHT

In broad daylight, and at noon,

Yesterday I saw the moon

Sailing high, but faint and white,

As a school-boy's paper kite.

In broad daylight, yesterday,

I read a Poet's mystic lay;

And it seemed to me at most

As a phantom, or a ghost.

But at length the feverish day

Like a passion died away,

And the night, serene and still,

Fell on village, vale, and hill.

Then the moon, in all her pride,

Like a spirit glorified,

Filled and overflowed the night

With revelations of her light.

And the Poet's song again

Passed like music through my brain;

Night interpreted to me

All its grace and mystery.

THE JEWISH CEMETERY AT NEWPORT

How strange it seems! These Hebrews in their graves,

Close by the street of this fair seaport town,

Silent beside the never-silent waves,

At rest in all this moving up and down!

The trees are white with dust, that o'er their sleep

Wave their broad curtains in the south-wind's breath,

While underneath such leafy tents they keep

The long, mysterious Exodus of Death.

And these sepulchral stones, so old and brown,

That pave with level flags their burial-place,

Seem like the tablets of the Law, thrown down

And broken by Moses at the mountain's base.

The very names recorded here are strange,

Of foreign accent, and of different climes;

Alvares and Rivera interchange

With Abraham and Jacob of old times.

"Blessed be God! for he created Death!"

The mourners said, "and Death is rest and peace";

Then added, in the certainty of faith,

"And giveth Life that never more shall cease."

Closed are the portals of their Synagogue,

No Psalms of David now the silence break,

No Rabbi reads the ancient Decalogue

In the grand dialect the Prophets spake.

Gone are the living, but the dead remain,

And not neglected; for a hand unseen,

Scattering its bounty, like a summer rain,

Still keeps their graves and their remembrance green.

How came they here? What burst of Christian hate,

What persecution, merciless and blind,

Drove o'er the sea--that desert desolate--

These Ishmaels and Hagars of mankind?

They lived in narrow streets and lanes obscure,

Ghetto and Judenstrass, in mirk and mire;

Taught in the school of patience to endure

The life of anguish and the death of fire.

All their lives long, with the unleavened bread

And bitter herbs of exile and its fears,

The wasting famine of the heart they fed,

And slaked its thirst with marah of their tears.

Anathema maranatha! was the cry

That rang from town to town, from street to street;

At every gate the accursed Mordecai

Was mocked and jeered, and spurned by Christian feet.

Pride and humiliation hand in hand

Walked with them through the world where'er they went;

Trampled and beaten were they as the sand,

And yet unshaken as the continent.

For in the background figures vague and vast

Of patriarchs and of prophets rose sublime,

And all the great traditions of the Past

They saw reflected in the coming time.

And thus for ever with reverted look

The mystic volume of the world they read,

Spelling it backward, like a Hebrew book,

Till life became a Legend of the Dead.

But ah! what once has been shall be no more!

The groaning earth in travail and in pain

Brings forth its races, but does not restore,

And the dead nations never rise again.

OLIVER BASSELIN

In the Valley of the Vire

Still is seen an ancient mill,

With its gables quaint and queer,

And beneath the window-sill,

On the stone,

These words alone:

"Oliver Basselin lived here."

Far above it, on the steep,

Ruined stands the old Chateau;

Nothing but the donjon-keep

Left for shelter or for show.

Its vacant eyes

Stare at the skies,

Stare at the valley green and deep.

Once a convent, old and brown,

Looked, but ah! it looks no more,

From the neighboring hillside down

On the rushing and the roar

Of the stream

Whose sunny gleam

Cheers the little Norman town.

In that darksome mill of stone,

To the water's dash and din,

Careless, humble, and unknown,

Sang the poet Basselin

Songs that fill

That ancient mill

With a splendor of its own.

Never feeling of unrest

Broke the pleasant dream he dreamed;

Only made to be his nest,

All the lovely valley seemed;

No desire

Of soaring higher

Stirred or fluttered in his breast.

True, his songs were not divine;

Were not songs of that high art,

Which, as winds do in the pine,

Find an answer in each heart;

But the mirth

Of this green earth

Laughed and revelled in his line.

From the alehouse and the inn,

Opening on the narrow street,

Came the loud, convivial din,

Singing and applause of feet,

The laughing lays

That in those days

Sang the poet Basselin.

In the castle, cased in steel,

Knights, who fought at Agincourt,

Watched and waited, spur on heel;

But the poet sang for sport

Songs that rang

Another clang,

Songs that lowlier hearts could feel.

In the convent, clad in gray,

Sat the monks in lonely cells,

Paced the cloisters, knelt to pray,

And the poet heard their bells;

But his rhymes

Found other chimes,

Nearer to the earth than they.

Gone are all the barons bold,

Gone are all the knights and squires,

Gone the abbot stern and cold,

And the brotherhood of friars;

Not a name

Remains to fame,

From those mouldering days of old!

But the poet's memory here

Of the landscape makes a part;

Like the river, swift and clear,

Flows his song through many a heart;

Haunting still

That ancient mill,

In the Valley of the Vire.

VICTOR GALBRAITH

Under the walls of Monterey

At daybreak the bugles began to play,

Victor Galbraith!

In the mist of the morning damp and gray,

These were the words they seemed to say:

"Come forth to thy death,

Victor Galbraith!"

Forth he came, with a martial tread;

Firm was his step, erect his head;

Victor Galbraith,

He who so well the bugle played,

Could not mistake the words it said:

"Come forth to thy death,

Victor Galbraith!"

He looked at the earth, he looked at the sky,

He looked at the files of musketry,

Victor Galbraith!

And he said, with a steady voice and eye,

"Take good aim; I am ready to die!"

Thus challenges death

Victor Galbraith.

Twelve fiery tongues flashed straight and red,

Six leaden balls on their errand sped;

Victor Galbraith

Falls to the ground, but he is not dead;

His name was not stamped on those balls of lead,

And they only scath

Victor Galbraith.

Three balls are in his breast and brain,

But he rises out of the dust again,

Victor Galbraith!

The water he drinks has a bloody stain;

"O kill me, and put me out of my pain!"

In his agony prayeth

Victor Galbraith.

Forth dart once more those tongues of flame,

And the bugler has died a death of shame,

Victor Galbraith!

His soul has gone back to whence it came,

And no one answers to the name,

When the Sergeant saith,

"Victor Galbraith!"

Under the walls of Monterey

By night a bugle is heard to play,

Victor Galbraith!

Through the mist of the valley damp and gray

The sentinels hear the sound, and say,

"That is the wraith

Of Victor Galbraith!"

MY LOST YOUTH

Often I think of the beautiful town

That is seated by the sea;

Often in thought go up and down

The pleasant streets of that dear old town,

And my youth comes back to me.

And a verse of a Lapland song

Is haunting my memory still:

"A boy's will is the wind's will,

And the thoughts of youth are long, long thoughts."

I can see the shadowy lines of its trees,

And catch, in sudden gleams,

The sheen of the far-surrounding seas,

And islands that were the Hersperides

Of all my boyish dreams.

And the burden of that old song,

It murmurs and whispers still:

"A boy's will is the wind's will,

And the thoughts of youth are long, long thoughts."

I remember the black wharves and the slips,

And the sea-tides tossing free;

And Spanish sailors with bearded lips,

And the beauty and mystery of the ships,

And the magic of the sea.

And the voice of that wayward song

Is singing and saying still:

"A boy's will is the wind's will,

And the thoughts of youth are long, long thoughts."

I remember the bulwarks by the shore,

And the fort upon the hill;

The sunrise gun, with its hollow roar,

The drum-beat repeated o'er and o'er,

And the bugle wild and shrill.

And the music of that old song

Throbs in my memory still:

"A boy's will is the wind's will,

And the thoughts of youth are long, long thoughts."

I remember the sea-fight far away,

How it thundered o'er the tide!

And the dead captains, as they lay

In their graves, o'erlooking the tranquil bay,

Where they in battle died.

And the sound of that mournful song

Goes through me with a thrill:

"A boy's will is the wind's will,

And the thoughts of youth are long, long thoughts."

I can see the breezy dome of groves,

The shadows of Deering's Woods;

And the friendships old and the early loves

Come back with a sabbath sound, as of doves

In quiet neighborhoods.

And the verse of that sweet old song,

It flutters and murmurs still:

"A boy's will is the wind's will,

And the thoughts of youth are long, long thoughts."

I remember the gleams and glooms that dart

Across the schoolboy's brain;

The song and the silence in the heart,

That in part are prophecies, and in part

Are longings wild and vain.

And the voice of that fitful song

Sings on, and is never still:

"A boy's will is the wind's will,

And the thoughts of youth are long, long thoughts."

There are things of which I may not speak;

There are dreams that cannot die;

There are thoughts that make the strong heart weak,

And bring a pallor into the cheek,

And a mist before the eye.

And the words of that fatal song

Come over me like a chill:

"A boy's will is the wind's will,

And the thoughts of youth are long, long thoughts."

Strange to me now are the forms I meet

When I visit the dear old town;

But the native air is pure and sweet,

And the trees that o'ershadow each well-known street,

As they balance up and down,

Are singing the beautiful song,

Are sighing and whispering still:

"A boy's will is the wind's will,

And the thoughts of youth are long, long thoughts."

And Deering's Woods are fresh and fair,

And with joy that is almost pain

My heart goes back to wander there,

And among the dreams of the days that were,

I find my lost youth again.

And the strange and beautiful song,

The groves are repeating it still:

"A boy's will is the wind's will,

And the thoughts of youth are long, long thoughts."

THE ROPEWALK

In that building, long and low,

With its windows all a-row,

Like the port-holes of a hulk,

Human spiders spin and spin,

Backward down their threads so thin

Dropping, each a hempen bulk.

At the end, an open door;

Squares of sunshine on the floor

Light the long and dusky lane;

And the whirring of a wheel,

Dull and drowsy, makes me feel

All its spokes are in my brain.

As the spinners to the end

Downward go and reascend,

Gleam the long threads in the sun;

While within this brain of mine

Cobwebs brighter and more fine

By the busy wheel are spun.

Two fair maidens in a swing,

Like white doves upon the wing,

First before my vision pass;

Laughing, as their gentle hands

Closely clasp the twisted strands,

At their shadow on the grass.

Then a booth of mountebanks,

With its smell of tan and planks,

And a girl poised high in air

On a cord, in spangled dress,

With a faded loveliness,

And a weary look of care.

Then a homestead among farms,

And a woman with bare arms

Drawing water from a well;

As the bucket mounts apace,

With it mounts her own fair face,

As at some magician's spell.

Then an old man in a tower,

Ringing loud the noontide hour,

While the rope coils round and round

Like a serpent at his feet,

And again, in swift retreat,

Nearly lifts him from the ground.

Then within a prison-yard,

Faces fixed, and stern, and hard,

Laughter and indecent mirth;

Ah! it is the gallows-tree!

Breath of Christian charity,

Blow, and sweep it from the earth!

Then a school-boy, with his kite

Gleaming in a sky of light,

And an eager, upward look;

Steeds pursued through lane and field;

Fowlers with their snares concealed;

And an angler by a brook.

Ships rejoicing in the breeze,

Wrecks that float o'er unknown seas,

Anchors dragged through faithless sand;

Sea-fog drifting overhead,

And, with lessening line and lead,

Sailors feeling for the land.

All these scenes do I behold,

These, and many left untold,

In that building long and low;

While the wheel goes round and round,

With a drowsy, dreamy sound,

And the spinners backward go.

THE GOLDEN MILE-STONE

Leafless are the trees; their purple branches

Spread themselves abroad, like reefs of coral,

Rising silent

In the Red Sea of the Winter sunset.

From the hundred chimneys of the village,

Like the Afreet in the Arabian story,

Smoky columns

Tower aloft into the air of amber.

At the window winks the flickering fire-light;

Here and there the lamps of evening glimmer,

Social watch-fires

Answering one another through the darkness.

On the hearth the lighted logs are glowing,

And like Ariel in the cloven pine-tree

For its freedom

Groans and sighs the air imprisoned in them.

By the fireside there are old men seated,

Seeing ruined cities in the ashes,

Asking sadly

Of the Past what it can ne'er restore them.

By the fireside there are youthful dreamers,

Building castles fair, with stately stairways,

Asking blindly

Of the Future what it cannot give them.

By the fireside tragedies are acted

In whose scenes appear two actors only,

Wife and husband,

And above them God the sole spectator.

By the fireside there are peace and comfort,

Wives and children, with fair, thoughtful faces,

Waiting, watching

For a well-known footstep in the passage.

Each man's chimney is his Golden Mile-stone;

Is the central point, from which he measures

Every distance

Through the gateways of the world around him.

In his farthest wanderings still he sees it;

Hears the talking flame, the answering night-wind,

As he heard them

When he sat with those who were, but are not.

Happy he whom neither wealth nor fashion,

Nor the march of the encroaching city,

Drives an exile

From the hearth of his ancestral homestead.

We may build more splendid habitations,

Fill our rooms with paintings and with sculptures,

But we cannot

Buy with gold the old associations!

CATAWBA WINE

This song of mine

Is a Song of the Vine,

To be sung by the glowing embers

Of wayside inns,

When the rain begins

To darken the drear Novembers.

It is not a song

Of the Scuppernong,

From warm Carolinian valleys,

Nor the Isabel

And the Muscadel

That bask in our garden alleys.

Nor the red Mustang,

Whose clusters hang

O'er the waves of the Colorado,

And the fiery flood

Of whose purple blood

Has a dash of Spanish bravado.

For richest and best

Is the wine of the West,

That grows by the Beautiful River;

Whose sweet perfume

Fills all the room

With a benison on the giver.

And as hollow trees

Are the haunts of bees,

For ever going and coming;

So this crystal hive

Is all alive

With a swarming and buzzing and humming.

Very good in its way

Is the Verzenay,

Or the Sillery soft and creamy;

But Catawba wine

Has a taste more divine,

More dulcet, delicious, and dreamy.

There grows no vine

By the haunted Rhine,

By Danube or Guadalquivir,

Nor on island or cape,

That bears such a grape

As grows by the Beautiful River.

Drugged is their juice

For foreign use,

When shipped o'er the reeling Atlantic,

To rack our brains

With the fever pains,

That have driven the Old World frantic.

To the sewers and sinks

With all such drinks,

And after them tumble the mixer;

For a poison malign

Is such Borgia wine,

Or at best but a Devil's Elixir.

While pure as a spring

Is the wine I sing,

And to praise it, one needs but name it;

For Catawba wine

Has need of no sign,

No tavern-bush to proclaim it.

And this Song of the Vine,

This greeting of mine,

The winds and the birds shall deliver

To the Queen of the West,

In her garlands dressed,

On the banks of the Beautiful River.

SANTA FILOMENA

Whene'er a noble deed is wrought,

Whene'er is spoken a noble thought,

Our hearts, in glad surprise,

To higher levels rise.

The tidal wave of deeper souls

Into our inmost being rolls,

And lifts us unawares

Out of all meaner cares.

Honor to those whose words or deeds

Thus help us in our daily needs,

And by their overflow

Raise us from what is low!

Thus thought I, as by night I read

Of the great army of the dead,

The trenches cold and damp,

The starved and frozen camp,--

The wounded from the battle-plain,

In dreary hospitals of pain,

The cheerless corridors,

The cold and stony floors.

Lo! in that house of misery

A lady with a lamp I see

Pass through the glimmering gloom,

And flit from room to room.

And slow, as in a dream of bliss,

The speechless sufferer turns to kiss

Her shadow, as it falls

Upon the darkening walls.

As if a door in heaven should be

Opened and then closed suddenly,

The vision came and went,

The light shone and was spent.

On England's annals, through the long

Hereafter of her speech and song,

That light its rays shall cast

From portals of the past.

A Lady with a Lamp shall stand

In the great history of the land,

A noble type of good,

Heroic womanhood.

Nor even shall be wanting here

The palm, the lily, and the spear,

The symbols that of yore

Saint Filomena bore.

THE DISCOVERER OF THE NORTH CAPE

A LEAF FROM KING ALFRED'S OROSIUS

Othere, the old sea-captain,

Who dwelt in Helgoland,

To King Alfred, the Lover of Truth,

Brought a snow-white walrus-tooth,

Which he held in his brown right hand.

His figure was tall and stately,

Like a boy's his eye appeared;

His hair was yellow as hay,

But threads of a silvery gray

Gleamed in his tawny beard.

Hearty and hale was Othere,

His cheek had the color of oak;

With a kind of laugh in his speech,

Like the sea-tide on a beach,

As unto the King he spoke.

And Alfred, King of the Saxons,

Had a book upon his knees,

And wrote down the wondrous tale

Of him who was first to sail

Into the Arctic seas.

"So far I live to the northward,

No man lives north of me;

To the east are wild mountain-chains;

And beyond them meres and plains;

To the westward all is sea.

"So far I live to the northward,

From the harbor of Skeringes-hale,

If you only sailed by day,

With a fair wind all the way,

More than a month would you sail.

"I own six hundred reindeer,

With sheep and swine beside;

I have tribute from the Finns,

Whalebone and reindeer-skins,

And ropes of walrus-hide.

"I ploughed the land with horses,

But my heart was ill at ease,

For the old seafaring men

Came to me now and then,

With their sagas of the seas;--

"Of Iceland and of Greenland,

And the stormy Hebrides,

And the undiscovered deep;--

I could not eat nor sleep

For thinking of those seas.

"To the northward stretched the desert,

How far I fain would know;

So at last I sallied forth,

And three days sailed due north,

As far as the whale-ships go.

"To the west of me was the ocean,

To the right the desolate shore,

But I did not slacken sail

For the walrus or the whale,

Till after three days more.

"The days grew longer and longer,

Till they became as one,

And southward through the haze

I saw the sullen blaze

Of the red midnight sun.

"And then uprose before me,

Upon the water's edge,

The huge and haggard shape

Of that unknown North Cape,

Whose form is like a wedge.

"The sea was rough and stormy,

The tempest howled and wailed,

And the sea-fog, like a ghost,

Haunted that dreary coast,

But onward still I sailed.

"Four days I steered to eastward,

Four days without a night:

Round in a fiery ring

Went the great sun, O King,

With red and lurid light."

Here Alfred, King of the Saxons,

Ceased writing for a while;

And raised his eyes from his book,

With a strange and puzzled look,

And an incredulous smile.

But Othere, the old sea-captain,

He neither paused nor stirred,

Till the King listened, and then

Once more took up his pen,

And wrote down every word.

"And now the land," said Othere,

"Bent southward suddenly,

And I followed the curving shore

And ever southward bore

Into a nameless sea.

"And there we hunted the walrus,

The narwhale, and the seal;

Ha! 't was a noble game!

And like the lightning's flame

Flew our harpoons of steel.

"There were six of us all together,

Norsemen of Helgoland;

In two days and no more

We killed of them threescore,

And dragged them to the strand!"

Here Alfred the Truth-Teller

Suddenly closed his book,

And lifted his blue eyes,

With doubt and strange surmise

Depicted in their look.

And Othere the old sea-captain

Stared at him wild and weird,

Then smiled, till his shining teeth

Gleamed white from underneath

His tawny, quivering beard.

And to the King of the Saxons,

In witness of the truth,

Raising his noble head,

He stretched his brown hand, and said,

"Behold this walrus-tooth!"

DAYBREAK

A wind came up out of the sea,

And said, "O mists, make room for me."

It hailed the ships, and cried, "Sail on,

Ye mariners, the night is gone."

And hurried landward far away,

Crying, "Awake! it is the day."

It said unto the forest, "Shout!

Hang all your leafy banners out!"

It touched the wood-bird's folded wing,

And said, "O bird, awake and sing."

And o'er the farms, "O chanticleer,

Your clarion blow; the day is near."

It whispered to the fields of corn,

"Bow down, and hail the coming morn."

It shouted through the belfry-tower,

"Awake, O bell! proclaim the hour."

It crossed the churchyard with a sigh,

And said, "Not yet! in quiet lie."

THE FIFTIETH BIRTHDAY OF AGASSIZ

MAY 28, 1857

It was fifty years ago

In the pleasant month of May,

In the beautiful Pays de Vaud,

A child in its cradle lay.

And Nature, the old nurse, took

The child upon her knee,

Saying: "Here is a story-book

Thy Father has written for thee."

"Come, wander with me," she said,

"Into regions yet untrod;

And read what is still unread

In the manuscripts of God."

And he wandered away and away

With Nature, the dear old nurse,

Who sang to him night and day

The rhymes of the universe.

And whenever the way seemed long,

Or his heart began to fail,

She would sing a more wonderful song,

Or tell a more marvellous tale.

So she keeps him still a child,

And will not let him go,

Though at times his heart beats wild

For the beautiful Pays de Vaud;

Though at times he hears in his dreams

The Ranz des Vaches of old,

And the rush of mountain streams

From glaciers clear and cold;

And the mother at home says, "Hark!

For his voice I listen and yearn;

It is growing late and dark,

And my boy does not return!"

CHILDREN

Come to me, O ye children!

For I hear you at your play,

And the questions that perplexed me

Have vanished quite away.

Ye open the eastern windows,

That look towards the sun,

Where thoughts are singing swallows

And the brooks of morning run.

In your hearts are the birds and the sunshine,

In your thoughts the brooklet's flow,

But in mine is the wind of Autumn

And the first fall of the snow.

Ah! what would the world be to us

If the children were no more?

We should dread the desert behind us

Worse than the dark before.

What the leaves are to the forest,

With light and air for food,

Ere their sweet and tender juices

Have been hardened into wood,--

That to the world are children;

Through them it feels the glow

Of a brighter and sunnier climate

Than reaches the trunks below.

Come to me, O ye children!

And whisper in my ear

What the birds and the winds are singing

In your sunny atmosphere.

For what are all our contrivings,

And the wisdom of our books,

When compared with your caresses,

And the gladness of your looks?

Ye are better than all the ballads

That ever were sung or said;

For ye are living poems,

And all the rest are dead.

SANDALPHON

Have you read in the Talmud of old,

In the Legends the Rabbins have told

Of the limitless realms of the air,--

Have you read it,--the marvellous story

Of Sandalphon, the Angel of Glory,

Sandalphon, the Angel of Prayer?

How, erect, at the outermost gates

Of the City Celestial he waits,

With his feet on the ladder of light,

That, crowded with angels unnumbered,

By Jacob was seen, as he slumbered

Alone in the desert at night?

The Angels of Wind and of Fire

Chant only one hymn, and expire

With the song's irresistible stress;

Expire in their rapture and wonder,

As harp-strings are broken asunder

By music they throb to express.

But serene in the rapturous throng,

Unmoved by the rush of the song,

With eyes unimpassioned and slow,

Among the dead angels, the deathless

Sandalphon stands listening breathless

To sounds that ascend from below;--

From the spirits on earth that adore,

From the souls that entreat and implore

In the fervor and passion of prayer;

From the hearts that are broken with losses,

And weary with dragging the crosses

Too heavy for mortals to bear.

And he gathers the prayers as he stands,

And they change into flowers in his hands,

Into garlands of purple and red;

And beneath the great arch of the portal,

Through the streets of the City Immortal

Is wafted the fragrance they shed.

It is but a legend, I know,--

A fable, a phantom, a show,

Of the ancient Rabbinical lore;

Yet the old mediaeval tradition,

The beautiful, strange superstition,

But haunts me and holds me the more.

When I look from my window at night,

And the welkin above is all white,

All throbbing and panting with stars,

Among them majestic is standing

Sandalphon the angel, expanding

His pinions in nebulous bars.

And the legend, I feel, is a part

Of the hunger and thirst of the heart,

The frenzy and fire of the brain,

That grasps at the fruitage forbidden,

The golden pomegranates of Eden,

To quiet its fever and pain.

FLIGHT THE SECOND

THE CHILDREN'S HOUR

Between the dark and the daylight,

When the night is beginning to lower,

Comes a pause in the day's occupations,

That is known as the Children's Hour.

I hear in the chamber above me

The patter of little feet,

The sound of a door that is opened,

And voices soft and sweet.

From my study I see in the lamplight,

Descending the broad hall stair,

Grave Alice, and laughing Allegra,

And Edith with golden hair.

A whisper, and then a silence:

Yet I know by their merry eyes

They are plotting and planning together

To take me by surprise.

A sudden rush from the stairway,

A sudden raid from the hall!

By three doors left unguarded

They enter my castle wall!

They climb up into my turret

O'er the arms and back of my chair;

If I try to escape, they surround me;

They seem to be everywhere.

They almost devour me with kisses,

Their arms about me entwine,

Till I think of the Bishop of Bingen

In his Mouse-Tower on the Rhine!

Do you think, o blue-eyed banditti,

Because you have scaled the wall,

Such an old mustache as I am

Is not a match for you all!

I have you fast in my fortress,

And will not let you depart,

But put you down into the dungeon

In the round-tower of my heart.

And there will I keep you forever,

Yes, forever and a day,

Till the walls shall crumble to ruin,

And moulder in dust away!

ENCELADUS

Under Mount Etna he lies,

It is slumber, it is not death;

For he struggles at times to arise,

And above him the lurid skies

Are hot with his fiery breath.

The crags are piled on his breast,

The earth is heaped on his head;

But the groans of his wild unrest,

Though smothered and half suppressed,

Are heard, and he is not dead.

And the nations far away

Are watching with eager eyes;

They talk together and say,

"To-morrow, perhaps to-day,

Euceladus will arise!"

And the old gods, the austere

Oppressors in their strength,

Stand aghast and white with fear

At the ominous sounds they hear,

And tremble, and mutter, "At length!"

Ah me! for the land that is sown

With the harvest of despair!

Where the burning cinders, blown

From the lips of the overthrown

Enceladus, fill the air.

Where ashes are heaped in drifts

Over vineyard and field and town,

Whenever he starts and lifts

His head through the blackened rifts

Of the crags that keep him down.

See, see! the red light shines!

'T is the glare of his awful eyes!

And the storm-wind shouts through the pines

Of Alps and of Apennines,

"Enceladus, arise!"

THE CUMBERLAND

At anchor in Hampton Roads we lay,

On board of the cumberland, sloop-of-war;

And at times from the fortress across the bay

The alarum of drums swept past,

Or a bugle blast

From the camp on the shore.

Then far away to the south uprose

A little feather of snow-white smoke,

And we knew that the iron ship of our foes

Was steadily steering its course

To try the force

Of our ribs of oak.

Down upon us heavily runs,

Silent and sullen, the floating fort;

Then comes a puff of smoke from her guns,

And leaps the terrible death,

With fiery breath,

From each open port.

We are not idle, but send her straight

Defiance back in a full broadside!

As hail rebounds from a roof of slate,

Rebounds our heavier hail

From each iron scale

Of the monster's hide.

"Strike your flag!" the rebel cries,

In his arrogant old plantation strain.

"Never!" our gallant Morris replies;

"It is better to sink than to yield!"

And the whole air pealed

With the cheers of our men.

Then, like a kraken huge and black,

She crushed our ribs in her iron grasp!

Down went the Cumberland all a wrack,

With a sudden shudder of death,

And the cannon's breath

For her dying gasp.

Next morn, as the sun rose over the bay,

Still floated our flag at the mainmast head.

Lord, how beautiful was Thy day!

Every waft of the air

Was a whisper of prayer,

Or a dirge for the dead.

Ho! brave hearts that went down in the seas

Ye are at peace in the troubled stream;

Ho! brave land! with hearts like these,

Thy flag, that is rent in twain,

Shall be one again,

And without a seam!

SNOW-FLAKES

Out of the bosom of the Air,

Out of the cloud-folds of her garments shaken,

Over the woodlands brown and bare,

Over the harvest-fields forsaken,

Silent, and soft, and slow

Descends the snow.

Even as our cloudy fancies take

Suddenly shape in some divine expression,

Even as the troubled heart doth make

In the white countenance confession,

The troubled sky reveals

The grief it feels.

This is the poem of the air,

Slowly in silent syllables recorded;

This is the secret of despair,

Long in its cloudy bosom hoarded,

Now whispered and revealed

To wood and field.

A DAY OF SUNSHINE

O gift of God! O perfect day:

Whereon shall no man work, but play;

Whereon it is enough for me,

Not to be doing, but to be!

Through every fibre of my brain,

Through every nerve, through every vein,

I feel the electric thrill, the touch

Of life, that seems almost too much.

I hear the wind among the trees

Playing celestial symphonies;

I see the branches downward bent,

Like keys of some great instrument.

And over me unrolls on high

The splendid scenery of the sky,

Where though a sapphire sea the sun

Sails like a golden galleon,

Towards yonder cloud-land in the West,

Towards yonder Islands of the Blest,

Whose steep sierra far uplifts

Its craggy summits white with drifts.

Blow, winds! and waft through all the rooms

The snow-flakes of the cherry-blooms!

Blow, winds! and bend within my reach

The fiery blossoms of the peach!

O Life and Love! O happy throng

Of thoughts, whose only speech is song!

O heart of man! canst thou not be

Blithe as the air is, and as free?

SOMETHING LEFT UNDONE

Labor with what zeal we will,

Something still remains undone,

Something uncompleted still

Waits the rising of the sun.

By the bedside, on the stair,

At the threshold, near the gates,

With its menace or its prayer,

Like a mendicant it waits;

Waits, and will not go away;

Waits, and will not be gainsaid;

By the cares of yesterday

Each to-day is heavier made;

Till at length the burden seems

Greater than our strength can bear,

Heavy as the weight of dreams,

Pressing on us everywhere.

And we stand from day to day,

Like the dwarfs of times gone by,

Who, as Northern legends say,

On their shoulders held the sky.

WEARINESS

O little feet! that such long years

Must wander on through hopes and fears,

Must ache and bleed beneath your load;

I, nearer to the wayside inn

Where toil shall cease and rest begin,

Am weary, thinking of your road!

O little hands! that, weak or strong,

Have still to serve or rule so long,

Have still so long to give or ask;

I, who so much with book and pen

Have toiled among my fellow-men,

Am weary, thinking of your task.

O little hearts! that throb and beat

With such impatient, feverish heat,

Such limitless and strong desires;

Mine that so long has glowed and burned,

With passions into ashes turned

Now covers and conceals its fires.

O little souls! as pure and white

And crystalline as rays of light

Direct from heaven, their source divine;

Refracted through the mist of years,

How red my setting sun appears,

How lurid looks this soul of mine!

****************

TALES OF A WAYSIDE INN

PART FIRST

PRELUDE

THE WAYSIDE INN

One Autumn night, in Sudbury town,

Across the meadows bare and brown,

The windows of the wayside inn

Gleamed red with fire-light through the leaves

Of woodbine, hanging from the eaves

Their crimson curtains rent and thin.

As ancient is this hostelry

As any in the land may be,

Built in the old Colonial day,

When men lived in a grander way,

With ampler hospitality;

A kind of old Hobgoblin Hall,

Now somewhat fallen to decay,

With weather-stains upon the wall,

And stairways worn, and crazy doors,

And creaking and uneven floors,

And chimneys huge, and tiled and tall.

A region of repose it seems,

A place of slumber and of dreams,

Remote among the wooded hills!

For there no noisy railway speeds,

Its torch-race scattering smoke and gleeds;

But noon and night, the panting teams

Stop under the great oaks, that throw

Tangles of light and shade below,

On roofs and doors and window-sills.

Across the road the barns display

Their lines of stalls, their mows of hay,

Through the wide doors the breezes blow,

The wattled cocks strut to and fro,

And, half effaced by rain and shine,

The Red Horse prances on the sign.

Round this old-fashioned, quaint abode

Deep silence reigned, save when a gust

Went rushing down the county road,

And skeletons of leaves, and dust,

A moment quickened by its breath,

Shuddered and danced their dance of death,

And through the ancient oaks o’erhead

Mysterious voices moaned and fled.

But from the parlor of the inn

A pleasant murmur smote the ear,

Like water rushing through a weir:

Oft interrupted by the din

Of laughter and of loud applause,

And, in each intervening pause,

The music of a violin.

The fire-light, shedding over all

The splendor of its ruddy glow,

Filled the whole parlor large and low;

It gleamed on wainscot and on wall,

It touched with more than wonted grace

Fair Princess Mary’s pictured face;

It bronzed the rafters overhead,

On the old spinet’s ivory keys

It played inaudible melodies,

It crowned the sombre clock with flame,

The hands, the hours, the maker’s name,

And painted with a livelier red

The Landlord’s coat-of-arms again;

And, flashing on the window-pane,

Emblazoned with its light and shade

The jovial rhymes, that still remain,

Writ near a century ago,

By the great Major Molineaux,

Whom Hawthorne has immortal made.

Before the blazing fire of wood

Erect the rapt musician stood;

And ever and anon he bent

His head upon his instrument,

And seemed to listen, till he caught

Confessions of its secret thought,--

The joy, the triumph, the lament,

The exultation and the pain;

Then, by the magic of his art,

He soothed the throbbings of its heart,

And lulled it into peace again.

Around the fireside at their ease

There sat a group of friends, entranced

With the delicious melodies

Who from the far-off noisy town

Had to the wayside inn come down,

To rest beneath its old oak-trees.

The fire-light on their faces glanced,

Their shadows on the wainscot danced,

And, though of different lands and speech,

Each had his tale to tell, and each

Was anxious to be pleased and please.

And while the sweet musician plays,

Let me in outline sketch them all,

Perchance uncouthly as the blaze

With its uncertain touch portrays

Their shadowy semblance on the wall.

But first the Landlord will I trace;

Grave in his aspect and attire;

A man of ancient pedigree,

A Justice of the Peace was he,

Known in all Sudbury as “The Squire.”

Proud was he of his name and race,

Of old Sir William and Sir Hugh,

And in the parlor, full in view,

His coat-of-arms, well framed and glazed,

Upon the wall in colors blazed;

He beareth gules upon his shield,

A chevron argent in the field,

With three wolf’s heads, and for the crest

A Wyvern part-per-pale addressed

Upon a helmet barred; below

The scroll reads, “By the name of Howe.”

And over this, no longer bright,

Though glimmering with a latent light,

Was hung the sword his grandsire bore

In the rebellious days of yore,

Down there at Concord in the fight.

A youth was there, of quiet ways,

A Student of old books and days,

To whom all tongues and lands were known

And yet a lover of his own;

With many a social virtue graced,

And yet a friend of solitude;

A man of such a genial mood

The heart of all things he embraced,

And yet of such fastidious taste,

He never found the best too good.

Books were his passion and delight,

And in his upper room at home

Stood many a rare and sumptuous tome,

In vellum bound, with gold bedight,

Great volumes garmented in white,

Recalling Florence, Pisa, Rome.

He loved the twilight that surrounds

The border-land of old romance;

Where glitter hauberk, helm, and lance,

And banner waves, and trumpet sounds,

And ladies ride with hawk on wrist,

And mighty warriors sweep along,

Magnified by the purple mist,

The dusk of centuries and of song.

The chronicles of Charlemagne,

Of Merlin and the Mort d’Arthure,

Mingled together in his brain

With tales of Flores and Blanchefleur,

Sir Ferumbras, Sir Eglamour,

Sir Launcelot, Sir Morgadour,

Sir Guy, Sir Bevis, Sir Gawain.

A young Sicilian, too, was there;

In sight of Etna born and bred,

Some breath of its volcanic air

Was glowing in his heart and brain,

And, being rebellious to his liege,

After Palermo’s fatal siege,

Across the western seas he fled,

In good King Bomba’s happy reign.

His face was like a summer night,

All flooded with a dusky light;

His hands were small; his teeth shone white

As sea-shells, when he smiled or spoke;

His sinews supple and strong as oak;

Clean shaven was he as a priest,

Who at the mass on Sunday sings,

Save that upon his upper lip

His beard, a good palm’s length least,

Level and pointed at the tip,

Shot sideways, like a swallow’s wings.

The poets read he o’er and o’er,

And most of all the Immortal Four

Of Italy; and next to those,

The story-telling bard of prose,

Who wrote the joyous Tuscan tales

Of the Decameron, that make

Fiesole’s green hills and vales

Remembered for Boccaccio’s sake.

Much too of music was his thought;

The melodies and measures fraught

With sunshine and the open air,

Of vineyards and the singing sea

Of his beloved Sicily;

And much it pleased him to peruse

The songs of the Sicilian muse,--

Bucolic songs by Meli sung

In the familiar peasant tongue,

That made men say, “Behold! once more

The pitying gods to earth restore

Theocritus of Syracuse!”

A Spanish Jew from Alicant

With aspect grand and grave was there;

Vender of silks and fabrics rare,

And attar of rose from the Levant.

Like an old Patriarch he appeared,

Abraham or Isaac, or at least

Some later Prophet or High-Priest;

With lustrous eyes, and olive skin,

And, wildly tossed from cheeks and chin,

The tumbling cataract of his beard.

His garments breathed a spicy scent

Of cinnamon and sandal blent,

Like the soft aromatic gales

That meet the mariner, who sails

Through the Moluccas, and the seas

That wash the shores of Celebes.

All stories that recorded are

By Pierre Alphonse he knew by heart,

And it was rumored he could say

The Parables of Sandabar,

And all the Fables of Pilpay,

Or if not all, the greater part!

Well versed was he in Hebrew books,

Talmud and Targum, and the lore

Of Kabala; and evermore

There was a mystery in his looks;

His eyes seemed gazing far away,

As if in vision or in trance

He heard the solemn sackbut play,

And saw the Jewish maidens dance.

A Theologian, from the school

Of Cambridge on the Charles, was there;

Skilful alike with tongue and pen,

He preached to all men everywhere

The Gospel of the Golden Rule,

The New Commandment given to men,

Thinking the deed, and not the creed,

Would help us in our utmost need.

With reverent feet the earth he trod,

Nor banished nature from his plan,

But studied still with deep research

To build the Universal Church,

Lofty as in the love of God,

And ample as the wants of man.

A Poet, too, was there, whose verse

Was tender, musical, and terse;

The inspiration, the delight,

The gleam, the glory, the swift flight,

Of thoughts so sudden, that they seem

The revelations of a dream,

All these were his; but with them came

No envy of another’s fame;

He did not find his sleep less sweet

For music in some neighboring street,

Nor rustling hear in every breeze

The laurels of Miltiades.

Honor and blessings on his head

While living, good report when dead,

Who, not too eager for renown,

Accepts, but does not clutch, the crown!

Last the Musician, as he stood

Illumined by that fire of wood;

Fair-haired, blue-eyed, his aspect blithe.

His figure tall and straight and lithe,

And every feature of his face

Revealing his Norwegian race;

A radiance, streaming from within,

Around his eyes and forehead beamed,

The Angel with the violin,

Painted by Raphael, he seemed.

He lived in that ideal world

Whose language is not speech, but song;

Around him evermore the throng

Of elves and sprites their dances whirled;

The Stromkarl sang, the cataract hurled

Its headlong waters from the height;

And mingled in the wild delight

The scream of sea-birds in their flight,

The rumor of the forest trees,

The plunge of the implacable seas,

The tumult of the wind at night,

Voices of eld, like trumpets blowing,

Old ballads, and wild melodies

Through mist and darkness pouring forth,

Like Elivagar’s river flowing

Out of the glaciers of the North.

The instrument on which he played

Was in Cremona’s workshops made,

By a great master of the past,

Ere yet was lost the art divine;

Fashioned of maple and of pine,

That in Tyrolian forests vast

Had rocked and wrestled with the blast;

Exquisite was it in design,

Perfect in each minutest part.

A marvel of the lutist’s art;

And in its hollow chamber, thus,

The maker from whose hands it came

Had written his unrivalled name,--

“Antonius Stradivarius.”

And when he played, the atmosphere

Was filled with magic, and the ear

Caught echoes of that Harp of Gold,

Whose music had so weird a sound,

The hunted stag forgot to bound,

The leaping rivulet backward rolled,

The birds came down from bush and tree,

The dead came from beneath the sea,

The maiden to the harper’s knee!

The music ceased; the applause was loud,

The pleased musician smiled and bowed;

The wood-fire clapped its hands of flame,

The shadows on the wainscot stirred,

And from the harpsichord there came

A ghostly murmur of acclaim,

A sound like that sent down at night

By birds of passage in their flight,

From the remotest distance heard.

Then silence followed; then began

A clamor for the Landlord’s tale,--

The story promised them of old,

They said, but always left untold;

And he, although a bashful man,

And all his courage seemed to fail,

Finding excuse of no avail,

Yielded; and thus the story ran.

THE LANDLORD’S TALE.

PAUL REVERE’S RIDE.

Listen, my children, and you shall hear

Of the midnight ride of Paul Revere,

On the eighteenth of April, in Seventy-five;

Hardly a man is now alive

Who remembers that famous day and year.

He said to his friend, “If the British march

By land or sea from the town to-night,

Hang a lantern aloft in the belfry arch

Of the North Church tower as a signal light,—

One, if by land, and two, if by sea;

And I on the opposite shore will be,

Ready to ride and spread the alarm

Through every Middlesex village and farm

For the country folk to be up and to arm,”

Then he said, “Good night!” and with muffled oar

Silently rowed to the Charlestown shore,

Just as the moon rose over the bay,

Where swinging wide at her moorings lay

The Somerset, British man-of-war;

A phantom ship, with each mast and spar

Across the moon like a prison bar,

And a huge black hulk, that was magnified

By its own reflection in the tide.

Meanwhile, his friend, through alley and street,

Wanders and watches with eager ears,

Till in the silence around him he hears

The muster of men at the barrack door,

The sound of arms, and the tramp of feet,

And the measured tread of the grenadiers,

Marching down to their boats on the shore.

Then he climbed the tower of the Old North Church,

By the wooden stairs, with stealthy tread,

To the belfry-chamber overhead,

And startled the pigeons from their perch

On the sombre rafters, that round him made

Masses and moving shapes of shade,—

By the trembling ladder, steep and tall

To the highest window in the wall,

Where he paused to listen and look down

A moment on the roofs of the town,

And the moonlight flowing over all.

Beneath, in the churchyard, lay the dead,

In their night-encampment on the hill,

Wrapped in silence so deep and still

That he could hear, like a sentinel’s tread,

The watchful night-wind, as it went

Creeping along from tent to tent

And seeming to whisper, “All is well!”

A moment only he feels the spell

Of the place and the hour, and the secret dread

Of the lonely belfry and the dead;

For suddenly all his thoughts are bent

On a shadowy something far away,

Where the river widens to meet the bay,—

A line of black that bends and floats

On the rising tide, like a bridge of boats.

Meanwhile, impatient to mount and ride,

Booted and spurred, with a heavy stride

On the opposite shore walked Paul Revere.

Now he patted his horse’s side,

Now gazed at the landscape far and near,

Then, impetuous, stamped the earth,

And turned and tightened his saddle-girth;

But mostly he watched with eager search

The belfry-tower of the Old North Church,

As it rose above the graves on the hill,

Lonely and spectral and sombre and still.

And lo! as he looks, on the belfry’s height

A glimmer, and then a gleam of light!

He springs to the saddle, the bridle he turns,

But lingers and gazes, till full on his sight

A second lamp in the belfry burns!

A hurry of hoofs in a village street,

A shape in the moonlight, a bulk in the dark,

And beneath, from the pebbles, in passing, a spark

Struck out by a steed flying fearless and fleet:

That was all! And yet, through the gloom and the light,

The fate of a nation was riding that night;

And the spark struck out by that steed, in his flight,

Kindled the land into flame with its heat.

He has left the village and mounted the steep,

And beneath him, tranquil and broad and deep,

Is the Mystic, meeting the ocean tides;

And under the alders, that skirt its edge,

Now soft on the sand, now loud on the ledge,

Is heard the tramp of his steed as he rides.

It was twelve by the village clock

When he crossed the bridge into Medford town.

He heard the crowing of the cock,

And the barking of the farmer’s dog,

And felt the damp of the river fog,

That rises after the sun goes down.

It was one by the village clock,

When he galloped into Lexington.

He saw the gilded weathercock

Swim in the moonlight as he passed,

And the meeting-house windows, blank and bare,

Gaze at him with a spectral glare,

As if they already stood aghast

At the bloody work they would look upon.

It was two by the village clock,

When he came to the bridge in Concord town.

He heard the bleating of the flock,

And the twitter of birds among the trees,

And felt the breath of the morning breeze

Blowing over the meadows brown.

And one was safe and asleep in his bed

Who at the bridge would be first to fall,

Who that day would be lying dead,

Pierced by a British musket-ball.

You know the rest. In the books you have read,

How the British Regulars fired and fled,—

How the farmers gave them ball for ball,

From behind each fence and farm-yard wall,

Chasing the red-coats down the lane,

Then crossing the fields to emerge again

Under the trees at the turn of the road,

And only pausing to fire and load.

So through the night rode Paul Revere;

And so through the night went his cry of alarm

To every Middlesex village and farm,—

A cry of defiance and not of fear,

A voice in the darkness, a knock at the door,

And a word that shall echo forevermore!

For, borne on the night-wind of the Past,

Through all our history, to the last,

In the hour of darkness and peril and need,

The people will waken and listen to hear

The hurrying hoof-beats of that steed,

And the midnight message of Paul Revere.

INTERLUDE.

The Landlord ended thus his tale,

Then rising took down from its nail

The sword that hung there, dim with dust

And cleaving to its sheath with rust,

And said, “This sword was in the fight.”

The Poet seized it, and exclaimed,

“It is the sword of a good knight,

Though homespun was his coat-of-mail;

What matter if it be not named

Joyeuse, Colada, Durindale,

Excalibar, or Aroundight,

Or other name the books record?

Your ancestor, who bore this sword

As Colonel of the Volunteers,

Mounted upon his old gray mare,

Seen here and there and everywhere,

To me a grander shape appears

Than old Sir William, or what not,

Clinking about in foreign lands

With iron gauntlets on his hands,

And on his head an iron pot!”

All laughed; the Landlord’s face grew red

As his escutcheon on the wall;

He could not comprehend at all

The drift of what the Poet said;

For those who had been longest dead

Were always greatest in his eyes;

And he was speechless with surprise

To see Sir William’s plumed head

Brought to a level with the rest,

And made the subject of a jest.

And this perceiving, to appease

The Landlord’s wrath, the others’ fears,

The Student said, with careless ease,

“The ladies and the cavaliers,

The arms, the loves, the courtesies,

The deeds of high emprise, I sing!

Thus Ariosto says, in words

That have the stately stride and ring

Of armed knights and clashing swords.

Now listen to the tale I bring

Listen! though not to me belong

The flowing draperies of his song,

The words that rouse, the voice that charms.

The Landlord’s tale was one of arms,

Only a tale of love is mine,

Blending the human and divine,

A tale of the Decameron, told

In Palmieri’s garden old,

By Fiametta, laurel-crowned,

While her companions lay around,

And heard the intermingled sound

Of airs that on their errands sped,

And wild birds gossiping overhead,

And lisp of leaves, and fountain’s fall,

And her own voice more sweet than all,

Telling the tale, which, wanting these,

Perchance may lose its power to please.”

THE STUDENT’S TALE

THE FALCON OF SER FEDERIGO

One summer morning, when the sun was hot,

Weary with labor in his garden-plot,

On a rude bench beneath his cottage eaves,

Ser Federigo sat among the leaves

Of a huge vine, that, with its arms outspread,

Hung its delicious clusters overhead.

Below him, through the lovely valley flowed

The river Arno, like a winding road,

And from its banks were lifted high in air

The spires and roofs of Florence called the Fair;

To him a marble tomb, that rose above

His wasted fortunes and his buried love.

For there, in banquet and in tournament,

His wealth had lavished been, his substance spent,

To woo and lose, since ill his wooing sped,

Monna Giovanna, who his rival wed,

Yet ever in his fancy reigned supreme,

The ideal woman of a young man’s dream.

Then he withdrew, in poverty and pain,

To this small farm, the last of his domain,

His only comfort and his only care

To prune his vines, and plant the fig and pear;

His only forester and only guest

His falcon, faithful to him, when the rest,

Whose willing hands had found so light of yore

The brazen knocker of his palace door,

Had now no strength to lift the wooden latch,

That entrance gave beneath a roof of thatch.

Companion of his solitary ways,

Purveyor of his feasts on holidays,

On him this melancholy man bestowed

The love with which his nature overflowed.

And so the empty-handed years went round,

Vacant, though voiceful with prophetic sound,

And so, that summer morn, he sat and mused

With folded, patient hands, as he was used,

And dreamily before his half-closed sight

Floated the vision of his lost delight.

Beside him, motionless, the drowsy bird

Dreamed of the chase, and in his slumber heard

The sudden, scythe-like sweep of wings, that dare

The headlong plunge thro’ eddying gulfs of air,

Then, starting broad awake upon his perch,

Tinkled his bells, like mass-bells in a church,

And, looking at his master, seemed to say,

“Ser Federigo, shall we hunt to-day?”

Ser Federigo thought not of the chase;

The tender vision of her lovely face,

I will not say he seems to see, he sees

In the leaf-shadows of the trellises,

Herself, yet not herself; a lovely child

With flowing tresses, and eyes wide and wild,

Coming undaunted up the garden walk,

And looking not at him, but at the hawk.

“Beautiful falcon!” said he, “would that I

Might hold thee on my wrist, or see thee fly!”

The voice was hers, and made strange echoes start

Through all the haunted chambers of his heart,

As an æolian harp through gusty doors

Of some old ruin its wild music pours.

“Who is thy mother, my fair boy?” he said,

His hand laid softly on that shining head.

“Monna Giovanna. Will you let me stay

A little while, and with your falcon play?

We live there, just beyond your garden wall,

In the great house behind the poplars tall.”

So he spake on; and Federigo heard

As from afar each softly uttered word,

And drifted onward through the golden gleams

And shadows of the misty sea of dreams,

As mariners becalmed through vapors drift,

And feel the sea beneath them sink and lift,

And hear far off the mournful breakers roar,

And voices calling faintly from the shore!

Then, waking from his pleasant reveries

He took the little boy upon his knees,

And told him stories of his gallant bird,

Till in their friendship he became a third.

Monna Giovanna, widowed in her prime,

Had come with friends to pass the summer time

In her grand villa, half-way up the hill,

O’erlooking Florence, but retired and still;

With iron gates, that opened through long lines

Of sacred ilex and centennial pines,

And terraced gardens, and broad steps of stone,

And sylvan deities, with moss o’ergrown,

And fountains palpitating in the heat,

And all Val d’Arno stretched beneath its feet.

Here in seclusion, as a widow may,

The lovely lady whiled the hours away,

Pacing in sable robes the statued hall,

Herself the stateliest statue among all,

And seeing more and more, with secret joy,

Her husband risen and living in her boy,

Till the lost sense of life returned again,

Not as delight, but as relief from pain.

Meanwhile the boy, rejoicing in his strength,

Stormed down the terraces from length to length;

The screaming peacock chased in hot pursuit,

And climbed the garden trellises for fruit.

But his chief pastime was to watch the flight

Of a gerfalcon, soaring into sight,

Beyond the trees that fringed the garden wall,

Then downward stooping at some distant call;

And as he gazed full often wondered he

Who might the master of the falcon be,

Until that happy morning, when he found

Master and falcon in the cottage ground.

And now a shadow and a terror fell

On the great house, as if a passing-bell

Tolled from the tower, and filled each spacious room

With secret awe, and preternatural gloom;

The petted boy grew ill, and day by day

Pined with mysterious malady away.

The mother’s heart would not be comforted;

Her darling seemed to her already dead,

And often, sitting by the sufferer’s side,

“What can I do to comfort thee?” she cried.

At first the silent lips made no reply,

But moved at length by her importunate cry,

“Give me,” he answered, with imploring tone,

“Ser Federigo’s falcon for my own!”

No answer could the astonished mother make;

How could she ask, e’en for her darling’s sake,

Such favor at a luckless lover’s hand,

Well knowing that to ask was to command?

Well knowing, what all falconers confessed,

In all the land that falcon was the best,

The master’s pride and passion and delight,

And the sole pursuivant of this poor knight.

But yet, for her child’s sake, she could no less

Than give assent to soothe his restlessness,

So promised, and then promising to keep

Her promise sacred, saw him fall asleep.

The morrow was a bright September morn;

The earth was beautiful as if new-born;

There was that nameless splendor everywhere,

That wild exhilaration in the air,

Which makes the passers in the city street

Congratulate each other as they meet.

Two lovely ladies, clothed in cloak and hood,

Passed through the garden gate into the wood,

Under the lustrous leaves, and through the sheen

Of dewy sunshine showering down between.

The one, close-hooded, had the attractive grace

Which sorrow sometimes lends a woman’s face;

Her dark eyes moistened with the mists that roll

From the gulf-stream of passion in the soul;

The other with her hood thrown back, her hair

Making a golden glory in the air,

Her cheeks suffused with an auroral blush,

Her young heart singing louder than the thrush.

So walked, that morn, through mingled light and shade,

Each by the other’s presence lovelier made,

Monna Giovanna and her bosom friend,

Intent upon their errand and its end.

They found Ser Federigo at his toil,

Like banished Adam, delving in the soil;

And when he looked and these fair women spied,

The garden suddenly was glorified;

His long-lost Eden was restored again,

And the strange river winding through the plain

No longer was the Arno to his eyes,

But the Euphrates watering Paradise!

Monna Giovanna raised her stately head,

And with fair words of salutation said:

“Ser Federigo, we come here as friends,

Hoping in this to make some poor amends

For past unkindness. I who ne’er before

Would even cross the threshold of your door,

I who in happier days such pride maintained,

Refused your banquets, and your gifts disdained,

This morning come, a self-invited guest,

To put your generous nature to the test,

And breakfast with you under your own vine.”

To which he answered: “Poor desert of mine,

Not your unkindness call it, for if aught

Is good in me of feeling or of thought,

From you it comes, and this last grace outweighs

All sorrows, all regrets of other days.”

And after further compliment and talk,

Among the asters in the garden walk

He left his guests; and to his cottage turned,

And as he entered for a moment yearned

For the lost splendors of the days of old,

The ruby glass, the silver and the gold,

And felt how piercing is the sting of pride,

By want embittered and intensified.

He looked about him for some means or way

To keep this unexpected holiday;

Searched every cupboard, and then searched again,

Summoned the maid, who came, but came in vain;

“The Signor did not hunt to-day,” she said,

“There’s nothing in the house but wine and bread.”

Then suddenly the drowsy falcon shook

His little bells, with that sagacious look,

Which said, as plain as language to the ear,

“If anything is wanting, I am here!”

Yes, everything is wanting, gallant bird!

The master seized thee without further word.

Like thine own lure, he whirled thee round; ah me!

The pomp and flutter of brave falconry,

The bells, the jesses, the bright scarlet hood,

The flight and the pursuit o’er field and wood,

All these forevermore are ended now;

No longer victor, but the victim thou!

Then on the board a snow-white cloth he spread,

Laid on its wooden dish the loaf of bread,

Brought purple grapes with autumn sunshine hot,

The fragrant peach, the juicy bergamot;

Then in the midst a flask of wine he placed,

And with autumnal flowers the banquet graced.

Ser Federigo, would not these suffice

Without thy falcon stuffed with cloves and spice?

When all was ready, and the courtly dame

With her companion to the cottage came,

Upon Ser Federigo’s brain there fell

The wild enchantment of a magic spell!

The room they entered, mean and low and small,

Was changed into a sumptuous banquet-hall,

With fanfares by aerial trumpets blown;

The rustic chair she sat on was a throne;

He ate celestial food, and a divine

Flavor was given to his country wine,

And the poor falcon, fragrant with his spice,

A peacock was, or bird of paradise!

When the repast was ended, they arose

And passed again into the garden-close.

Then said the lady, “Far too well I know

Remembering still the days of long ago,

Though you betray it not with what surprise

You see me here in this familiar wise.

You have no children, and you cannot guess

What anguish, what unspeakable distress

A mother feels, whose child is lying ill,

Nor how her heart anticipates his will.

And yet for this, you see me lay aside

All womanly reserve and check of pride,

And ask the thing most precious in your sight,

Your falcon, your sole comfort and delight,

Which if you find it in your heart to give,

My poor, unhappy boy perchance may live.”

Ser Federigo listens, and replies,

With tears of love and pity in his eyes:

“Alas, dear lady! there can be no task

So sweet to me, as giving when you ask.

One little hour ago, if I had known

This wish of yours, it would have been my own.

But thinking in what manner I could best

Do honor to the presence of my guest,

I deemed that nothing worthier could be

Than what most dear and precious was to me,

And so my gallant falcon breathed his last

To furnish forth this morning our repast.”

In mute contrition, mingled with dismay,

The gentle lady tuned her eyes away,

Grieving that he such sacrifice should make,

And kill his falcon for a woman’s sake,

Yet feeling in her heart a woman’s pride,

That nothing she could ask for was denied;

Then took her leave, and passed out at the gate

With footstep slow and soul disconsolate.

Three days went by, and lo! a passing-bell

Tolled from the little chapel in the dell;

Ten strokes Ser Federigo heard, and said,

Breathing a prayer, “Alas! her child is dead!”

Three months went by; and lo! a merrier chime

Rang from the chapel bells at Christmas time;

The cottage was deserted, and no more

Ser Federigo sat beside its door,

But now, with servitors to do his will,

In the grand villa, half-way up the hill,

Sat at the Christmas feast, and at his side

Monna Giovanna, his beloved bride,

Never so beautiful, so kind, so fair,

Enthroned once more in the old rustic chair,

High-perched upon the back of which there stood

The image of a falcon carved in wood,

And underneath the inscription, with date,

“All things come round to him who will but wait.”

INTERLUDE

Soon as the story reached its end,

One, over eager to commend,

Crowned it with injudicious praise;

And then the voice of blame found vent,

And fanned the embers of dissent

Into a somewhat lively blaze.

The Theologian shook his head;

"These old Italian tales," he said,

"From the much-praised Decameron down

Through all the rabble of the rest,

Are either trifling, dull, or lewd;

The gossip of a neighborhood

In some remote provincial town,

A scandalous chronicle at best!

They seem to me a stagnant fen,

Grown rank with rushes and with reeds,

Where a white lily, now and then,

Blooms in the midst of noxious weeds

And deadly nightshade on its banks."

To this the Student straight replied,

"For the white lily, many thanks!

One should not say, with too much pride,

Fountain, I will not drink of thee!

Nor were it grateful to forget,

That from these reservoirs and tanks

Even imperial Shakespeare drew

His Moor of Venice, and the Jew,

And Romeo and Juliet,

And many a famous comedy."

Then a long pause; till some one said,

"An Angel is flying overhead!"

At these words spake the Spanish Jew,

And murmured with an inward breath:

"God grant, if what you say be true,

It may not be the Angel of Death!"

And then another pause; and then,

Stroking his beard, he said again:

"This brings back to my memory

A story in the Talmud told,

That book of gems, that book of gold,

Of wonders many and manifold,

A tale that often comes to me,

And fills my heart, and haunts my brain,

And never wearies nor grows old."

THE SPANISH JEW’S TALE

THE LEGEND OF RABBI BEN LEVI

Rabbi Ben Levi, on the Sabbath, read

A volume of the Law, in which it said,

“No man shall look upon my face and live.”

And as he read, he prayed that God would give

His faithful servant grace with mortal eye

To look upon His face and yet not die.

Then fell a sudden shadow on the page,

And, lifting up his eyes, grown dim with age

He saw the Angel of Death before him stand,

Holding a naked sword in his right hand.

Rabbi Ben Levi was a righteous man,

Yet through his veins a chill of terror ran.

With trembling voice he said, “What wilt thou here?”

The angel answered, “Lo! the time draws near

When thou must die; yet first, by God’s decree,

Whate’er thou askest shall be granted thee.”

Replied the Rabbi, “Let these living eyes

First look upon my place in Paradise.”

Then said the Angel, “Come with me and look.”

Rabbi Ben Levi closed the sacred book,

And rising, and uplifting his gray head,

“Give me thy sword,” he to the Angel said,

“Lest thou shouldst fall upon me by the way.”

The angel smiled and hastened to obey,

Then led him forth to the Celestial Town,

And set him on the wall, whence, gazing down,

Rabbi Ben Levi, with his living eyes,

Might look upon his place in Paradise.

Then straight into the city of the Lord

The Rabbi leaped with the Death-Angel’s sword,

And through the streets there swept a sudden breath

Of something there unknown, which men call death.

Meanwhile the Angel stayed without and cried,

“Come back!” To which the Rabbi’s voice replied,

“No! in the name of God, whom I adore,

I swear that hence I will depart no more!”

Then all the Angels cried, “O Holy One,

See what the son of Levi here hath done!

The kingdom of Heaven he takes by violence,

And in Thy name refuses to go hence!”

The Lord replied, “My Angels, be not wroth;

Did e’er the son of Levi break his oath?

Let him remain; for he with mortal eye

Shall look upon my face and yet not die.”

Beyond the outer wall the Angel of Death

Heard the great voice, and said, with panting breath,

“Give back the sword, and let me go my way.”

Whereat the Rabbi paused, and answered, “Nay!

Anguish enough already hath it caused

Among the sons of men.” And while he paused

He heard the awful mandate of the Lord

Resounding through the air, “Give back the sword!”

The Rabbi bowed his head in silent prayer;

Then said he to the dreadful Angel, “Swear,

No human eye shall look on it again;

But when thou takest away the souls of men,

Thyself unseen, and with an unseen sword,

Thou wilt perform the bidding of the Lord.”

The Angel took the sword again, and swore,

And walks on earth unseen forevermore.

INTERLUDE

He ended: and a kind of spell

Upon the silent listeners fell.

His solemn manner and his words

Had touched the deep, mysterious chords,

That vibrate in each human breast

Alike, but not alike confessed.

The spiritual world seemed near;

And close above them, full of fear,

Its awful adumbration passed,

A luminous shadow, vague and vast.

They almost feared to look, lest there,

Embodied from the impalpable air,

They might behold the Angel stand,

Holding the sword in his right hand.

At last, but in a voice subdued,

Not to disturb their dreamy mood,

Said the Sicilian: “While you spoke,

Telling your legend marvellous,

Suddenly in my memory woke

The thought of one, now gone from us,—

An old Abate, meek and mild,

My friend and teacher, when a child,

Who sometimes in those days of old

The legend of an Angel told,

Which ran, as I remember, thus.”

THE SICILIAN’S TALE

KING ROBERT OF SICILY

Robert of Sicily, brother of Pope Urbane

And Valmond, Emperor of Allemaine,

Apparelled in magnificent attire,

With retinue of many a knight and squire,

On St. John’s eve, at vespers, proudly sat

And heard the priests chant the Magnificat,

And as he listened, o’er and o’er again

Repeated, like a burden or refrain,

He caught the words, “Deposuit potentes

De sede, et exaltavit humiles;”

And slowly lifting up his kingly head

He to a learned clerk beside him said,

“What mean these words?” The clerk made answer meet,

“He has put down the mighty from their seat,

And has exalted them of low degree.”

Thereat King Robert muttered scornfully,

“’T is well that such seditious words are sung

Only by priests and in the Latin tongue;

For unto priests and people be it known,

There is no power can push me from my throne!”

And leaning back, he yawned and fell asleep,

Lulled by the chant monotonous and deep.

When he awoke, it was already night;

The church was empty, and there was no light,

Save where the lamps, that glimmered few and faint,

Lighted a little space before some saint.

He started from his seat and gazed around,

But saw no living thing and heard no sound.

He groped towards the door, but it was locked;

He cried aloud, and listened, and then knocked,

And uttered awful threatenings and complaints,

And imprecations upon men and saints.

The sounds re-echoed from the roof and walls

As if dead priests were laughing in their stalls.

At length the sexton, hearing from without

The tumult of the knocking and the shout,

And thinking thieves were in the house of prayer,

Came with his lantern, asking, “Who is there?”

Half choked with rage, King Robert fiercely said,

“Open: ’tis I, the King! Art thou afraid?”

The frightened sexton, muttering, with a curse,

“This is some drunken vagabond, or worse!”

Turned the great key and flung the portal wide;

A man rushed by him at a single stride,

Haggard, half naked, without hat or cloak,

Who neither turned, nor looked at him, nor spoke,

But leaped into the blackness of the night,

And vanished like a spectre from his sight.

Robert of Sicily, brother of Pope Urbane

And Valmond, Emperor of Allemaine,

Despoiled of his magnificent attire,

Bareheaded, breathless, and besprent with mire,

With sense of wrong and outrage desperate,

Strode on and thundered at the palace gate;

Rushed through the courtyard, thrusting in his rage

To right and left each seneschal and page,

And hurried up the broad and sounding stair,

His white face ghastly in the torches’ glare.

From hall to hall he passed with breathless speed;

Voices and cries he heard, but did not heed,

Until at last he reached the banquet-room,

Blazing with light and breathing with perfume.

There on the dais sat another king,

Wearing his robes, his crown, his signet-ring,

King Robert’s self in features, form, and height,

But all transfigured with angelic light!

It was an Angel; and his presence there

With a divine effulgence filled the air,

An exaltation, piercing the disguise,

Though none the hidden Angel recognize.

A moment speechless, motionless, amazed,

The throneless monarch on the Angel gazed,

Who met his look of anger and surprise

With the divine compassion of his eyes;

Then said, “Who art thou? and why com’st thou here?”

To which King Robert answered, with a sneer,

“I am the King, and come to claim my own

From an impostor, who usurps my throne!”

And suddenly, at these audacious words,

Up sprang the angry guests, and drew their swords;

The Angel answered, with unruffled brow,

“Nay, not the King, but the King’s Jester, thou

Henceforth shall wear the bells and scalloped cape,

And for thy counsellor shalt lead an ape;

Thou shalt obey my servants when they call,

And wait upon my henchmen in the hall!”

Deaf to King Robert’s threats and cries and prayers,

They thrust him from the hall and down the stairs;

A group of tittering pages ran before,

And as they opened wide the folding door,

His heart failed, for he heard, with strange alarms,

The boisterous laughter of the men-at-arms,

And all the vaulted chamber roar and ring

With the mock plaudits of “Long live the King!”

Next morning, waking with the day’s first beam,

He said within himself, “It was a dream!”

But the straw rustled as he turned his head,

There were the cap and bells beside his bed,

Around him rose the bare, discolored walls,

Close by, the steeds were champing in their stalls,

And in the corner, a revolting shape,

Shivering and chattering sat the wretched ape.

It was no dream; the world he loved so much

Had turned to dust and ashes at his touch!

Days came and went; and now returned again

To Sicily the old Saturnian reign;

Under the Angel’s governance benign

The happy island danced with corn and wine,

And deep within the mountain’s burning breast

Enceladus, the giant, was at rest.

Meanwhile King Robert yielded to his fate,

Sullen and silent and disconsolate.

Dressed in the motley garb that Jesters wear,

With look bewildered and a vacant stare,

Close shaven above the ears, as monks are shorn,

By courtiers mocked, by pages laughed to scorn,

His only friend the ape, his only food

What others left,—he still was unsubdued.

And when the Angel met him on his way,

And half in earnest, half in jest, would say

Sternly, though tenderly, that he might feel

The velvet scabbard held a sword of steel,

“Art thou the King?” the passion of his woe

Burst from him in resistless overflow,

And, lifting high his forehead, he would fling

The haughty answer back, “I am, I am the King!”

Almost three years were ended; when there came

Ambassadors of great repute and name

From Valmond, Emperor of Allemaine,

Unto King Robert, saying that Pope Urbane

By letter summoned them forthwith to come

On Holy Thursday to his city of Rome.

The Angel with great joy received his guests,

And gave them presents of embroidered vests,

And velvet mantles with rich ermine lined,

And rings and jewels of the rarest kind.

Then he departed with them o’er the sea

Into the lovely land of Italy,

Whose loveliness was more resplendent made

By the mere passing of that cavalcade,

With plumes, and cloaks, and housings, and the stir

Of jewelled bridle and of golden spur.

And lo! among the menials, in mock state,

Upon a piebald steed, with shambling gait,

His cloak of fox-tails flapping in the wind,

The solemn ape demurely perched behind,

King Robert rode, making huge merriment

In all the country towns through which they went.

The Pope received them with great pomp and blare

Of bannered trumpets, on Saint Peter’s square,

Giving his benediction and embrace,

Fervent, and full of apostolic grace.

While with congratulations and with prayers

He entertained the Angel unawares,

Robert, the Jester, bursting through the crowd,

Into their presence rushed, and cried aloud,

“I am the King! Look, and behold in me

Robert, your brother, King of Sicily!

This man, who wears my semblance to your eyes,

Is an impostor in a king’s disguise.

Do you not know me? does no voice within

Answer my cry, and say we are akin?”

The Pope in silence, but with troubled mien,

Gazed at the Angel’s countenance serene;

The Emperor, laughing, said, “It is strange sport

To keep a mad man for thy Fool at court!”

And the poor, baffled Jester in disgrace

Was hustled back among the populace.

In solemn state the Holy Week went by,

And Easter Sunday gleamed upon the sky;

The presence of the Angel, with its light,

Before the sun rose, made the city bright,

And with new fervor filled the hearts of men,

Who felt that Christ indeed had risen again.

Even the Jester, on his bed of straw,

With haggard eyes the unwonted splendor saw,

He felt within a power unfelt before,

And, kneeling humbly on his chamber floor,

He heard the rushing garments of the Lord

Sweep through the silent air, ascending heavenward.

And now the visit ending, and once more

Valmond returning to the Danube’s shore,

Homeward the Angel journeyed, and again

The land was made resplendent with his train,

Flashing along the towns of Italy

Unto Salerno, and from thence by sea.

And when once more within Palermo’s wall,

And, seated on the throne in his great hall,

He heard the Angelus from convent towers,

As if the better world conversed with ours,

He beckoned to King Robert to draw nigher,

And with a gesture bade the rest retire;

And when they were alone, the Angel said,

“Art thou the King?” Then, bowing down his head,

King Robert crossed both hands upon his breast,

And meekly answered him: “Thou knowest best!

My sins as scarlet are; let me go hence,

And in some cloister’s school of penitence,

Across those stones, that pave the way to heaven,

Walk barefoot, till my guilty soul be shriven!”

The Angel smiled, and from his radiant face

A holy light illumined all the place,

And through the open window, loud and clear,

They heard the monks chant in the chapel near,

Above the stir and tumult of the street:

“He has put down the mighty from their seat,

And has exalted them of low degree!”

And through the chant a second melody

Rose like the throbbing of a single string:

“I am an Angel, and thou art the King!”

King Robert, who was standing near the throne,

Lifted his eyes, and lo! he was alone!

But all apparelled as in days of old,

With ermined mantle and with cloth of gold;

And when his courtiers came, they found him there

Kneeling upon the floor, absorbed in, silent prayer.

INTERLUDE

And then the blue-eyed Norseman told

A Saga of the days of old.

“There is,” said he, “a wondrous book

Of Legends in the old Norse tongue,

Of the dead kings of Norroway,—

Legends that once were told or sung

In many a smoky fireside nook

Of Iceland, in the ancient day,

By wandering Saga-man or Scald;

Heimskringla is the volume called;

And he who looks may find therein

The story that I now begin.”

And in each pause the story made

Upon his violin he played,

As an appropriate interlude,

Fragments of old Norwegian tunes

That bound in one the separate runes,

And held the mind in perfect mood,

Entwining and encircling all

The strange and antiquated rhymes

with melodies of olden times;

As over some half-ruined wall,

Disjointed and about to fall,

Fresh woodbines climb and interlace,

And keep the loosened stones in place.

THE MUSICIAN’S TALE

THE SAGA OF KING OLAF

I

THE CHALLENGE OF THOR

I am the God Thor,

I am the War God,

I am the Thunderer!

Here in my Northland,

My fastness and fortress,

Reign I forever!

Here amid icebergs

Rule I the nations;

This is my hammer,

Miölner the mighty;

Giants and sorcerers

Cannot withstand it!

These are the gauntlets

Wherewith I wield it,

And hurl it afar off;

This is my girdle;

Whenever I brace it,

Strength is redoubled!

The light thou beholdest

Stream through the heavens,

In flashes of crimson,

Is but my red beard

Blown by the night-wind,

Affrighting the nations!

Jove is my brother;

Mine eyes are the lightning;

The wheels of my chariot

Roll in the thunder,

The blows of my hammer

Ring in the earthquake!

Force rules the world still,

Has ruled it, shall rule it;

Meekness is weakness,

Strength is triumphant,

Over the whole earth

Still is it Thor’s-Day!

Thou art a God too,

O Galilean!

And thus single-handed

Unto the combat,

Gauntlet or Gospel,

Here I defy thee!

II

KING OLAF’S RETURN

And King Olaf heard the cry,

Saw the red light in the sky,

Laid his hand upon his sword,

As he leaned upon the railing,

And his ships went sailing, sailing

Northward into Drontheim fiord.

There he stood as one who dreamed;

And the red light glanced and gleamed

On the armor that he wore;

And he shouted, as the rifled

Streamers o’er him shook and shifted,

“I accept thy challenge, Thor!”

To avenge his father slain,

And reconquer realm and reign,

Came the youthful Olaf home,

Through the midnight sailing, sailing,

Listening to the wild wind’s wailing,

And the dashing of the foam.

To his thoughts the sacred name

Of his mother Astrid came,

And the tale she oft had told

Of her flight by secret passes

Through the mountains and morasses,

To the home of Hakon old.