Late September had come, with its sad, too-mellow beauty. It had
ripened all the fruit, burnishing the apples to look like little suns,
and the sun to look like a ripe, burnished apple. It had woven its web
of blue over all the still countryside, so that the elms standing so
nobly in the Sussex meadows seemed draped in it, like tapestry trees;
the far hills had wrapped themselves in its hazy folds and gone to
sleep until some cold and later wind should strip them of it.
In Madame Claire's garden a few roses bloomed somewhat blowsily, and
asters and Michaelmas daisies, dahlias and a brave company of
late-staying perennials made welcome color notes among the greens and
rust browns.
She sat in her library, writing. Every now and then she looked out of
her French window at Stephen who was sitting on the lawn in one of the
garden chairs, reading, his long legs resting on another. Robins
visited him, perching on a chair or table, and he thought as his
sunken blue eyes regarded them humorously, that the robin was more
like a confiding little animal than a bird, with its friendly ways,
and its power--shared with no other small bird--of meeting the human
eye.
He had lived in some of the beauty spots of the world, but he said to
himself that no beauty crept into the heart as this beauty of Sussex
did. Mingled with it was some of the charm of what was lovable in human
nature--the charm of gentleness and quiet and homeliness. Every wind
was tempered, the sun shone through a protecting haze, the verdure
harbored nothing more treacherous than a fluttering moth. To an eye
accustomed to the white and blue glare of the South, every tint, every
color seemed happily blended. And even the robins, he thought,
returning to his book, seemed to know and like him.
Madame Claire was writing to Noel.
"_I have often pointed out to you,_" she wrote, "_the enormous
advantages of old age over youth, but I have never felt them more
keenly myself than now. The world is at present in a state of flux,
and that state, while it may be beneficial, is rarely comfortable.
There are movements afoot that I am sure cause young mothers to
wonder fearfully what precarious and troubled lives are in store
for their little ones. I am not one of those who believe blindly
that all new movements are good ones. The world has seen many that
seemed great, happily defeat their own ends, leaving the
generations to come a legacy of knowledge that they seem, often
enough, to ignore. I believe that the struggle will be fierce, but
the world, in order to attend to the enormously important
businesses of increasing, eating and sleeping, requires in the long
run certain conventions and conformities, and to preserve these
has a way of weakening the ground under the feet of the shouting
and bloodthirsty reformer--even, alas! of the true spiritual
leader. The world has dedicated itself, I think, to the great law
of average--such an eternal warring of good and bad would seem to
bring that about naturally--and compromise would be the inevitable
end of every struggle._
"_You, and all those I love, will either be participators in or
spectators of that struggle. Not so Stephen and myself. We are
privileged by old age to ignore it if we can. Age has a right to
forget the evils that it can do nothing to lessen._
"_I still read my paper, but I get no pleasure from it. Who does?
One sees that the Empire for which one would cheerfully die, is
accused of making mistakes in every quarter of the globe. One hears
of millions of helpless people in another country brought to
starvation through a fiendish conspiracy of greed unexampled in the
world's cruel history. It is one long tale of dissatisfaction and
dissent, and it were better not to have turned a single page._
"_But let us leave all that and talk of people._
"_When you came back for Judy's wedding in June, Eric and Louise
were still living apart, though they came together of necessity on
that occasion; and things looked hopeless. But Eric, as I suppose
you must have heard by now, had a breakdown brought on from
overwork. He had made, I think, a hundred and forty speeches in
eight months, and traveled I forget how many thousand miles. His
fight with the I.L.P. over the Moorgate Division was a great fight
and he defeated them all along the line. But the strain was too
much for him. Louise was at Mistley when he was taken ill, and
Connie was still keeping house for him. She hurried him off to a
nursing home, and wrote Louise a scathing letter which brought that
lady hot-foot to London. The two met for the first time over the
sickbed, and oddly enough, neither dislikes the other as much as
they had expected to. Connie had given such a bad account of Eric
that I believe Louise came to get a deathbed forgiveness. At any
rate, she completely broke down and sobbed out her remorse on his
pillow, while Connie and the nurse stood in the hall and tried not
to hear. Eric accepted her repentance and forgave her on the sole
condition that she maintain that same friendly attitude when he was
well again. That, and that alone he insisted upon, that she treat
him like a friend instead of an enemy. This she gave him to
understand she would do, and they are now convalescing
together--for in a sense Louise must be convalescing too--in Chip's
cottage in Cornwall, looked after by an old Cornish woman. I had a
letter from her yesterday, and she says she has never been so happy
in her life. That is because she has him entirely to herself, and
there is no one there who could possibly interest him more than she
does. So far so good. What will happen when he is at work again,
surrounded by people who make claims upon him, I do not know. But
I do feel certain that things can never be as bad again._
"_Connie of course is merely marking time till your return. She has
lately made a number of perfectly desirable acquaintances, however,
and is not in the least unhappy. I think her thankfulness at her
narrow escape from a bigamous (?) marriage keeps her from cavilling
at her fate, or from dwelling on her inexplicable infatuation for
Petrovitch, who is in America. For she is not cured of that, nor
will she ever be. He is, as you once said, her hero for life, spots
and all. That is the rôle she has chosen for herself, and she will
play it to the end. I am longing to know whether or not you have
been able to find any traces of Freda. I sometimes feel that you
and I played a not altogether worthy part in that affair, but it
was worth it!_
"_You ask me for minute particulars concerning Judy. Is she happy,
you ask? What am I to say to that? If she is not happy, she will
always be too loyal to say so. I think she is clever enough to make
her own happiness, or at least to attain to an average of
contentment--an average that leans at moments toward the peaks of
happiness on one side and toward the abyss of unhappiness on the
other. And I think it is good for us to look both ways. Her love
for Chip--and a very real love it is--has much in it of the
maternal, a quality I think every woman's love is the better for.
As for him--dear, simple Chip!--he worships her, and is unutterably
happy. He may disappoint her in some ways. He lacks and will always
lack--in spite of the miracle of her love--self-confidence. He is
never quite comfortable with strangers, and never expects to be
liked, though when he finds that he is, he glows like a nice child
that is justly praised. If fame ever comes to Chip it will come in
spite of him._
"_Judy has made their small flat a really delightful place, but
entertaining, except in the most informal way, is of course
impossible. No one thinks less of human pomps than I do, but
given different opportunities, Judy might have been something of a
Mademoiselle de Lespinasse. Her charm is extraordinary. She has
'come out' wonderfully since her marriage, and it is easy to see
that she will develop into an uncommon woman. If Chip will only
develop with her--but I pray that he will._
"_That little cottage in Cornwall that played such an important part
in their lives was the right setting for their honeymoon, for they
had much to learn about each other. You say that however it turns
out, you are bound to feel partly responsible. Possibly; but that
lovable and gentle face of Chip's with the lights shining through
the fog upon it, was far more responsible. Judy was bound to love
him. And whether she be happy or not, she will be all the better
for loving him. We make too much of happiness, Noel. It doesn't
much matter what our lives are; but it does matter whether or not
we live them finely. And that is possible to any of us. A certain
style is necessary for this; a certain gallant attitude. One finds
this style, this gallantry, in the most unlooked-for places
sometimes----_
"_And just now, I think, is the right moment for me to speak of Mr.
Colebridge. In spite of his undeniable limitations he loved Judy
sincerely, and he has proved it in a most agreeable way. You
remember I wrote you some time ago that I had been reading Chip's
plays. There were three, and two of them are charming--really
charming. I imagine Chip's knowledge of women to have been
extremely slight, but the ladies who existed in his imagination
are really the most delightful creatures! Delightful! These two
plays that I like so much are fanciful, but at the same time they
are wonderfully sympathetic and human, and I feel absolutely
certain that given half a chance they are bound to succeed. I at
once gave them to Mr. Colebridge to read--he owns theaters, you
know--and although he says he knows nothing about plays, I mistrust
him, for he knew enough to appreciate these. He is taking them to
New York with him soon, and launched and extensively advertised by
him, I feel sure they will flourish. He seems to know the very
actors and actresses for the leading parts. Isn't it lucky? Mr.
Colebridge seems almost as pleased about it as I am myself. Judy
says he is doing it for me, but of course that's nonsense. He says
he has no doubt that the plays will put Judy and Chip 'on Easy
Street.'_
"_Now that I call gallant. To make your rival's fortune is not the
end and aim of most disappointed lovers. There is style about that.
I like Mr. Colebridge. He comes here quite often to see Stephen and
me, and while I admit that I like him and--yes--even admire him, I
do not, I confess, like him best when he is sitting in my garden,
oblivious to its beauties and to the cajoleries of a most divine
autumn, talking about sugar stocks. I like him better when he has
gone, and I think how good-natured it was of him to have come, and
how nice he really is._
"_Chip's book on religions is in the hands of the publishers at
last. I haven't read it. Neither has Judy. He is extraordinarily
shy and sensitive about it, and Judy says she has twice saved it
from destruction at his hands. I feel it must be good. It may even
be great! Well, we shall know some day._
"_There's very little about Gordon that I can find to say. I know
that he had set his heart on a house in Mayfair, and that Helen had
decided on one in Bloomsbury, near certain friends of hers;
Bloomsbury, as you know, having become the fashion with a set of
people whom Helen considers very desirable. I guessed what that
high nose and long, unbeautiful chin indicated. Millie and John
tactfully sided with both, for they feel that while Gordon is of
course perfect, Helen can do no wrong. The little comedy has amused
me considerably, and----_"
Stephen was calling to her. She put down her pen and stepped out of the
French window. She crossed the lawn with a pleasant rustle of long gray
skirts, and he got out of his chair as she came toward him.
"What have you been doing all this long time?"
"Writing to Noel," she answered. "Have I neglected you?"
"I was beginning to think so. Come and take a walk round the garden
with me."
"Where is Miss McPherson?"
"She's perpetrating one of her atrocious and painstaking water colors
in the lane."
"And you tell her they are beautiful!"
"It's the only way I can make her blush."
They walked between herbaceous borders where dying colors burned with
the deep, concentrated brilliance of embers.
"I have never loved an autumn as I have loved this one," Stephen said.
"Nor I. Do you know why that is, Stephen? It's because we are
untroubled by thoughts of other autumns."
"Perhaps. I don't mind your saying those things as I once did."
"All the fever," she went on, "has gone out of life. Each day is a
little book of hours. The opening and closing of each flower is an
event of prime and beautiful importance. The shape and movement of
clouds, the flight of birds, the shadows of the leaves on the
grass--all those things and a thousand other lovely things are
beginning to assume a right proportion in our lives. We are beginning
to be happy."
"It's the wonderful peace of it all," said Stephen.
"Yes. The peace of old age is something I have looked forward to all
my life. That, and the dignity of it." She looked up at him, smiling.
"For old age, Stephen, my dear, is almost as dignified as death."
THE END
NOVELS OF SUPREME LITERARY ART
=THE GLIMPSES OF THE MOON=
By EDITH WHARTON
"I can think of no American novel, written within the last few years,
and dealing with contemporary life, to compare with it. And not only
does Mrs. Wharton write better than anyone else, but she knows how to
unfold a more exciting tale."--Katherine Fullerton Gerould in the _New
York Times_.
=THE MIRACLE=
By E. TEMPLE THURSTON
A keen, human story of the west coast of Ireland, with peculiar
fascination in the rich background of Irish folk lore.
=THE VAN ROON=
By J. C. SNAITH
An unusual and totally absorbing plot, delightfully told, and a
remarkable set of characters, unmatched since Dickens.
=THE MOUNTAIN SCHOOL TEACHER=
By MELVILLE DAVISSON POST
How would Christ act if He appeared in the world today? Through Mr.
Post's story of the Kentucky mountains runs an impressive allegory.
=ABBÉ PIERRE=
By JAY WILLIAM HUDSON
This charming novel of life in quaint Gascony has proved that a novel
that is a work of true literary art may be a best seller of the widest
popularity.
D. APPLETON AND COMPANY.
New York London
* * * * * *
TRANSCRIBER'S NOTE.
INTRODUCTION.
Welcome to Project Gutenberg?s edition of Madame Claire, a novel by
Susan Ertz.
ABOUT THE AUTHOR.
Susan Ertz published over twenty works in a career spanning six
decades. She was born February 13, 1887 and died on April 11, 1985.
Madame Claire was her first novel.
THIS PROJECT GUTENBERG VERSION.
This production of the book is based on the first American edition of
the novel, published in 1923, by D. Appleton and Company. The source
is the scanned copy of the Library of Congress from the Internet
Archives.
DETAILED NOTES.
One major issue in the transcription of this book is the rendering of
words hyphenated and split between two lines for spacing. For most
cases, words were silently rejoined based on other uses of the word in
this novel. Cases where there are few or no other uses of the word are
detailed in the Hyphenated Words section of these Detailed Notes. I
used Google's Ngram viewer when the book had no template. There were a
few cases where I'd love to check the author's other novels for
templates but her other works are not digitized. Any other issues in
rejoining these words may also be found in the Hyphenated Words
section.
Other issues that have come up in transcribing the book are listed in
the Emendations and Issues section of these Detailed Notes.
EMENDATIONS AND ISSUES.
On Page 89 and Page 211, there is a space between an em-dash and the
beginning of the next sentence on the printed page. These spaces were
removed.
Page 2 The novel uses sitting-room here but four other times uses
sitting room. The novel also uses dining-room on Page 28, but later
has three uses of dining room. In both cases, the spelling as the
novel had it was retained.
Page 58 and Page 141 use well-known and well known, respectively, but
the usage in both cases follows current styling guidelines. The Chicago
Manual of Style cites the following grammatical rule: use a hyphen to
join two or more words serving as a single adjective before a noun, but
not when those two words come after a noun. The AP Style Guide has a
more complex rule that hyphenates the words after the noun if the
adjectives appear after a form of to be. In the first sentence, by a
well-known firm of decorators, well-known is a single adjective before
a noun. In the second sentence, His father, Graham Crosby, an explorer
well known to geographical societies, well known is a single adjective
after the noun explorer, not followed by a verb form of to be.
Page iii On the original title page, the city of Publication and the
year of Publication were on the same line. Because of a technical issue
associated with maintaining that structure, the city and year are
displayed on separate lines and the text centered, much like the
presentation of this publisher information on the title page of many
of our other books.
Page v Added Table of Contents. This table of contents page replaces a
simple page with the title of the novel printed on it.
Page 27, Page 149. As the complimentary closing of all other letters
was italicized, the complimentary closings for these two letters
were italicized too. These were Stephen's second letter in Chapter 3 and
Claire's reply to another of Stephen's letters in Chapter 13.
On Page 172, the closing signatures of Stephen's letter was printed on
the last line of the letter in the book and right justified. On Page
265, the complimentary closing and closing signature were printed on
the last line of the letter and right justified. Both presentations
were standardized.
Page 53 Titanic in Stephen's letter is in quotes, while Titanic on Page
153 is italicized.
Who's Who is a reference work on contemporary prominent people in
Britain published annually since 1849. I removed the question mark
after Who's Who? in the citation on Page 240. No change was made to the
citation on Page 75.
Page 165 Correct spelling of trying in this sentence: If I say anything
she will only tell me I am tryng to rob her of her happiness.
Page 187 Change Is to It in the sentence: Is isn't as though the
children were growing up;
Page 222 Add a left quote before Mr. Robinson of Denver.'
Page 229 Remove right double quote after Mr. Colebridge nearly always
joins us."
Page 241 Change pore to poor in the sentence: there aren't too many
things going for a pore cripple.
On Page 256 Madame Claire says sha'n't while on Page 294 Chip says
shan't.
Page 263 Remove the double right quote after me in the following
sentence: I feel that life is just beginning for me. The standard in
this book for letters with a closing address is to defer the trailing
right quote until after the closing signature.
Page 274 Change single right quote to a double right quote in the
following sentence: "Didn't I understand Judy to say that the theater
was one of them?'
Page 277 Change prefectly to perfectly in the sentence: "are you
prefectly well again?
Page 283 Change the double right closing quote after Andrew Crobsy's
signature to a closing single right quote. Judy's narration
continues after the end of the letter.
In the Novels promotional page, the book's practice of putting both
publishing cities on the same line were retained.
The cover image was created by the transcriber and it is placed in
the public domain.
HYPHENATED WORDS.
Page 3 lifelong, see Page 82.
Page 10 self-restraint.
Page 11 eye-witness.
Page 28 photograph, see Page 77.
Page 44 overshadowed.
Page 53 bath-chair, see Page 213 and Page 219.
Page 62 barbed-wire entanglements, see Page 61.
Page 67 notebook. Another word with the same suffix, picture-book on
Page 138, was unsuitable as a template for notebook.
Page 71 hard-bitten.
Page 76 forbore.
Page 82 nakedness, see Page 106.
Page 87 meddlesome.
Page 104 warfare.
Page 135 stiffness.
Page 139 schoolgirl, see Page 256.
Page 148 hilltop, see Page 7.
Page 160 waist-coat.
Page 173 dressmaker.
Page 183 household, see Page 097.
Page 204 between-maid.
Page 220 over-ripeness.
Page 237 unChristian.
Page 246 primroses.
Page 252 hereafter, see Page 48.
Page 257 doorway, see Page 199.
Page 288 nickname.