CHAPTER II. FERRAGUS

A fine thing is the task of a spy, when performed for one’s own benefit

and in the interests of a passion. Is it not giving ourselves the

pleasure of a thief and a rascal while continuing honest men? But there

is another side to it; we must resign ourselves to boil with anger, to

roar with impatience, to freeze our feet in the mud, to be numbed, and

roasted, and torn by false hopes. We must go, on the faith of a mere

indication, to a vague object, miss our end, curse our luck, improvise

to ourselves elegies, dithyrambics, exclaim idiotically before

inoffensive pedestrians who observe us, knock over old apple-women and

their baskets, run hither and thither, stand on guard beneath a window,

make a thousand suppositions. But, after all, it is a chase, a hunt; a

hunt in Paris, a hunt with all its chances, minus dogs and guns and

the tally-ho! Nothing compares with it but the life of gamblers. But

it needs a heart big with love and vengeance to ambush itself in Paris,

like a tiger waiting to spring upon its prey, and to enjoy the chances

and contingencies of Paris, by adding one special interest to the many

that abound there. But for this we need a many-sided soul--for must we

not live in a thousand passions, a thousand sentiments?

Auguste de Maulincour flung himself into this ardent existence

passionately, for he felt all its pleasures and all its misery. He went

disguised about Paris, watching at the corners of the rue Pagevin and

the rue des Vieux-Augustins. He hurried like a hunter from the rue de

Menars to the rue Soly, and back from the rue Soly to the rue de Menars,

without obtaining either the vengeance or the knowledge which would

punish or reward such cares, such efforts, such wiles. But he had not

yet reached that impatience which wrings our very entrails and makes us

sweat; he roamed in hope, believing that Madame Jules would only refrain

for a few days from revisiting the place where she knew she had been

detected. He devoted the first days therefore, to a careful study of

the secrets of the street. A novice at such work, he dared not question

either the porter or the shoemaker of the house to which Madame Jules

had gone; but he managed to obtain a post of observation in a house

directly opposite to the mysterious apartment. He studied the ground,

trying to reconcile the conflicting demands of prudence, impatience,

love, and secrecy.

Early in the month of March, while busy with plans by which he expected

to strike a decisive blow, he left his post about four in the afternoon,

after one of those patient watches from which he had learned nothing.

He was on his way to his own house whither a matter relating to

his military service called him, when he was overtaken in the rue

Coquilliere by one of those heavy showers which instantly flood the

gutters, while each drop of rain rings loudly in the puddles of the

roadway. A pedestrian under these circumstances is forced to stop short

and take refuge in a shop or cafe if he is rich enough to pay for

the forced hospitality, or, if in poorer circumstances, under a

_porte-cochere_, that haven of paupers or shabbily dressed persons. Why

have none of our painters ever attempted to reproduce the physiognomies

of a swarm of Parisians, grouped, under stress of weather, in the damp

_porte-cochere_ of a building? First, there’s the musing philosophical

pedestrian, who observes with interest all he sees,--whether it be the

stripes made by the rain on the gray background of the atmosphere (a

species of chasing not unlike the capricious threads of spun glass), or

the whirl of white water which the wind is driving like a luminous

dust along the roofs, or the fitful disgorgements of the gutter-pipes,

sparkling and foaming; in short, the thousand nothings to be admired and

studied with delight by loungers, in spite of the porter’s broom which

pretends to be sweeping out the gateway. Then there’s the talkative

refugee, who complains and converses with the porter while he rests on

his broom like a grenadier on his musket; or the pauper wayfarer, curled

against the wall indifferent to the condition of his rags, long used,

alas, to contact with the streets; or the learned pedestrian who

studies, spells, and reads the posters on the walls without finishing

them; or the smiling pedestrian who makes fun of others to whom some

street fatality has happened, who laughs at the muddy women, and makes

grimaces at those of either sex who are looking from the windows; and

the silent being who gazes from floor to floor; and the working-man,

armed with a satchel or a paper bundle, who is estimating the rain as a

profit or loss; and the good-natured fugitive, who arrives like a shot

exclaiming, “Ah! what weather, messieurs, what weather!” and bows

to every one; and, finally, the true _bourgeois_ of Paris, with his

unfailing umbrella, an expert in showers, who foresaw this particular

one, but would come out in spite of his wife; this one takes a seat in

the porter’s chair. According to individual character, each member of

this fortuitous society contemplates the skies, and departs, skipping

to avoid the mud,--because he is in a hurry, or because he sees other

citizens walking along in spite of wind and slush, or because, the

archway being damp and mortally catarrhal, the bed’s edge, as the

proverb says, is better than the sheets. Each one has his motive. No one

is left but the prudent pedestrian, the man who, before he sets forth,

makes sure of a scrap of blue sky through the rifting clouds.

Monsieur de Maulincour took refuge, as we have said, with a whole family

of fugitives, under the porch of an old house, the court-yard of

which looked like the flue of a chimney. The sides of its plastered,

nitrified, and mouldy walls were so covered with pipes and conduits from

all the many floors of its four elevations, that it might have been

said to resemble at that moment the _cascatelles_ of Saint-Cloud. Water

flowed everywhere; it boiled, it leaped, it murmured; it was black,

white, blue, and green; it shrieked, it bubbled under the broom of the

portress, a toothless old woman used to storms, who seemed to bless them

as she swept into the street a mass of scraps an intelligent inventory

of which would have revealed the lives and habits of every dweller

in the house,--bits of printed cottons, tea-leaves, artificial

flower-petals faded and worthless, vegetable parings, papers, scraps of

metal. At every sweep of her broom the old woman bared the soul of the

gutter, that black fissure on which a porter’s mind is ever bent. The

poor lover examined this scene, like a thousand others which our heaving

Paris presents daily; but he examined it mechanically, as a man absorbed

in thought, when, happening to look up, he found himself all but nose to

nose with a man who had just entered the gateway.

In appearance this man was a beggar, but not the Parisian beggar,--that

creation without a name in human language; no, this man formed another

type, while presenting on the outside all the ideas suggested by

the word “beggar.” He was not marked by those original Parisian

characteristics which strike us so forcibly in the paupers whom Charlet

was fond of representing, with his rare luck in observation,--coarse

faces reeking of mud, hoarse voices, reddened and bulbous noses, mouths

devoid of teeth but menacing; humble yet terrible beings, in whom a

profound intelligence shining in their eyes seems like a contradiction.

Some of these bold vagabonds have blotched, cracked, veiny skins; their

foreheads are covered with wrinkles, their hair scanty and dirty, like

a wig thrown on a dust-heap. All are gay in their degradation, and

degraded in their joys; all are marked with the stamp of debauchery,

casting their silence as a reproach; their very attitude revealing

fearful thoughts. Placed between crime and beggary they have no

compunctions, and circle prudently around the scaffold without mounting

it, innocent in the midst of crime, and vicious in their innocence. They

often cause a laugh, but they always cause reflection. One represents

to you civilization stunted, repressed; he comprehends everything, the

honor of the galleys, patriotism, virtue, the malice of a vulgar crime,

or the fine astuteness of elegant wickedness. Another is resigned, a

perfect mimer, but stupid. All have slight yearnings after order and

work, but they are pushed back into their mire by society, which makes

no inquiry as to what there may be of great men, poets, intrepid souls,

and splendid organizations among these vagrants, these gypsies of Paris;

a people eminently good and eminently evil--like all the masses who

suffer--accustomed to endure unspeakable woes, and whom a fatal power

holds ever down to the level of the mire. They all have a dream, a hope,

a happiness,--cards, lottery, or wine.

There was nothing of all this in the personage who now leaned carelessly

against the wall in front of Monsieur de Maulincour, like some fantastic

idea drawn by an artist on the back of a canvas the front of which is

turned to the wall. This tall, spare man, whose leaden visage expressed

some deep but chilling thought, dried up all pity in the hearts of those

who looked at him by the scowling look and the sarcastic attitude which

announced an intention of treating every man as an equal. His face was

of a dirty white, and his wrinkled skull, denuded of hair, bore a vague

resemblance to a block of granite. A few gray locks on either side

of his head fell straight to the collar of his greasy coat, which was

buttoned to the chin. He resembled both Voltaire and Don Quixote;

he was, apparently, scoffing but melancholy, full of disdain and

philosophy, but half-crazy. He seemed to have no shirt. His beard was

long. A rusty black cravat, much worn and ragged, exposed a protuberant

neck deeply furrowed, with veins as thick as cords. A large brown circle

like a bruise was strongly marked beneath his eyes, He seemed to be at

least sixty years old. His hands were white and clean. His boots were

trodden down at the heels, and full of holes. A pair of blue trousers,

mended in various places, were covered with a species of fluff which

made them offensive to the eye. Whether it was that his damp clothes

exhaled a fetid odor, or that he had in his normal condition the “poor

smell” which belongs to Parisian tenements, just as offices, sacristies,

and hospitals have their own peculiar and rancid fetidness, of which

no words can give the least idea, or whether some other reason affected

them, those in the vicinity of this man immediately moved away and

left him alone. He cast upon them and also upon the officer a calm,

expressionless look, the celebrated look of Monsieur de Talleyrand,

a dull, wan glance, without warmth, a species of impenetrable veil,

beneath which a strong soul hides profound emotions and close estimation

of men and things and events. Not a fold of his face quivered. His mouth

and forehead were impassible; but his eyes moved and lowered themselves

with a noble, almost tragic slowness. There was, in fact, a whole drama

in the motion of those withered eyelids.

The aspect of this stoical figure gave rise in Monsieur de Maulincour

to one of those vagabond reveries which begin with a common question and

end by comprising a world of thought. The storm was past. Monsieur de

Maulincour presently saw no more of the man than the tail of his coat

as it brushed the gate-post, but as he turned to leave his own place

he noticed at his feet a letter which must have fallen from the unknown

beggar when he took, as the baron had seen him take, a handkerchief from

his pocket. The young man picked it up, and read, involuntarily, the

address: “To Monsieur Ferragusse, Rue des Grands-Augustains, corner of

rue Soly.”

The letter bore no postmark, and the address prevented Monsieur de

Maulincour from following the beggar and returning it; for there are few

passions that will not fail in rectitude in the long run. The baron

had a presentiment of the opportunity afforded by this windfall. He

determined to keep the letter, which would give him the right to enter

the mysterious house to return it to the strange man, not doubting that

he lived there. Suspicions, vague as the first faint gleams of daylight,

made him fancy relations between this man and Madame Jules. A jealous

lover supposes everything; and it is by supposing everything and

selecting the most probable of their conjectures that judges, spies,

lovers, and observers get at the truth they are looking for.

“Is the letter for him? Is it from Madame Jules?”

His restless imagination tossed a thousand such questions to him;

but when he read the first words of the letter he smiled. Here it

is, textually, in all the simplicity of its artless phrases and its

miserable orthography,--a letter to which it would be impossible to add

anything, or to take anything away, unless it were the letter itself.

But we have yielded to the necessity of punctuating it. In the original

there were neither commas nor stops of any kind, not even notes of

exclamation,--a fact which tends to undervalue the system of notes

and dashes by which modern authors have endeavored to depict the great

disasters of all the passions:--

Henry,--Among the manny sacrifisis I imposed upon myself for your

sake was that of not giving you anny news of me; but an

iresistible voise now compells me to let you know the wrong you

have done me. I know beforehand that your soul hardened in vise

will not pitty me. Your heart is deaf to feeling. Is it deaf to

the cries of nature? But what matter? I must tell you to what a

dredful point you are gilty, and the horror of the position to

which you have brought me. Henry, you knew what I sufered from my

first wrong-doing, and yet you plunged me into the same misery,

and then abbandoned me to my dispair and sufering. Yes, I will say

it, the belif I had that you loved me and esteemed me gave me

corage to bare my fate. But now, what have I left? Have you not

made me loose all that was dear to me, all that held me to life;

parents, frends, onor, reputation,--all, I have sacrifised all to

you, and nothing is left me but shame, oprobrum, and--I say this

without blushing--poverty. Nothing was wanting to my misfortunes

but the sertainty of your contempt and hatred; and now I have them

I find the corage that my project requires. My decision is made;

the onor of my famly commands it. I must put an end to my

suferins. Make no remarks upon my conduct, Henry; it is orful, I

know, but my condition obliges me. Without help, without suport,

without one frend to comfort me, can I live? No. Fate has desided

for me. So in two days, Henry, two days, Ida will have seased to

be worthy of your regard. Oh, Henry! oh, my frend! for I can never

change to you, promise me to forgive me for what I am going to do.

Do not forget that you have driven me to it; it is your work, and

you must judge it. May heven not punish you for all your crimes. I

ask your pardon on my knees, for I feel nothing is wanting to my

misery but the sorow of knowing you unhappy. In spite of the

poverty I am in I shall refuse all help from you. If you had loved

me I would have taken all from your friendship; but a benfit given

by pitty _my soul refussis_. I would be baser to take it than he

who offered it. I have one favor to ask of you. I don’t know how

long I must stay at Madame Meynardie’s; be genrous enough not to

come there. Your last two vissits did me a harm I cannot get ofer.

I cannot enter into particlers about that conduct of yours. You

hate me,--you said so; that word is writen on my heart, and

freeses it with fear. Alas! it is now, when I need all my corage,

all my strength, that my faculties abandon me. Henry, my frend,

before I put a barrier forever between us, give me a last pruf of

your esteem. Write me, answer me, say you respect me still, though

you have seased to love me. My eyes are worthy still to look into

yours, but I do not ask an interfew; I fear my weakness and my

love. But for pitty’s sake write me a line at once; it will give

me the corage I need to meet my trubbles. Farewell, orther of all

my woes, but the only frend my heart has chosen and will never

forget.

Ida.

This life of a young girl, with its love betrayed, its fatal joys, its

pangs, its miseries, and its horrible resignation, summed up in a few

words, this humble poem, essentially Parisian, written on dirty paper,

influenced for a passing moment Monsieur de Maulincour. He asked himself

whether this Ida might not be some poor relation of Madame Jules, and

that strange rendezvous, which he had witnessed by chance, the mere

necessity of a charitable effort. But could that old pauper have seduced

this Ida? There was something impossible in the very idea. Wandering in

this labyrinth of reflections, which crossed, recrossed, and obliterated

one another, the baron reached the rue Pagevin, and saw a hackney-coach

standing at the end of the rue des Vieux-Augustins where it enters the

rue Montmartre. All waiting hackney-coaches now had an interest for him.

“Can she be there?” he thought to himself, and his heart beat fast with

a hot and feverish throbbing.

He pushed the little door with the bell, but he lowered his head as he

did so, obeying a sense of shame, for a voice said to him secretly:--

“Why are you putting your foot into this mystery?”

He went up a few steps, and found himself face to face with the old

portress.

“Monsieur Ferragus?” he said.

“Don’t know him.”

“Doesn’t Monsieur Ferragus live here?”

“Haven’t such a name in the house.”

“But, my good woman--”

“I’m not your good woman, monsieur, I’m the portress.”

“But, madame,” persisted the baron, “I have a letter for Monsieur

Ferragus.”

“Ah! if monsieur has a letter,” she said, changing her tone, “that’s

another matter. Will you let me see it--that letter?”

Auguste showed the folded letter. The old woman shook her head with a

doubtful air, hesitated, seemed to wish to leave the lodge and inform

the mysterious Ferragus of his unexpected visitor, but finally said:--

“Very good; go up, monsieur. I suppose you know the way?”

Without replying to this remark, which he thought might be a trap, the

young officer ran lightly up the stairway, and rang loudly at the door

of the second floor. His lover’s instinct told him, “She is there.”

The beggar of the porch, Ferragus, the “orther” of Ida’s woes, opened

the door himself. He appeared in a flowered dressing-gown, white flannel

trousers, his feet in embroidered slippers, and his face washed clean of

stains. Madame Jules, whose head projected beyond the casing of the door

in the next room, turned pale and dropped into a chair.

“What is the matter, madame?” cried the officer, springing toward her.

But Ferragus stretched forth an arm and flung the intruder back with so

sharp a thrust that Auguste fancied he had received a blow with an iron

bar full on his chest.

“Back! monsieur,” said the man. “What do you want there? For five or six

days you have been roaming about the neighborhood. Are you a spy?”

“Are you Monsieur Ferragus?” said the baron.

“No, monsieur.”

“Nevertheless,” continued Auguste, “it is to you that I must return this

paper which you dropped in the gateway beneath which we both took refuge

from the rain.”

While speaking and offering the letter to the man, Auguste did not

refrain from casting an eye around the room where Ferragus received him.

It was very well arranged, though simply. A fire burned on the hearth;

and near it was a table with food upon it, which was served more

sumptuously than agreed with the apparent conditions of the man and the

poorness of his lodging. On a sofa in the next room, which he could

see through the doorway, lay a heap of gold, and he heard a sound which

could be no other than that of a woman weeping.

“The paper belongs to me; I am much obliged to you,” said the mysterious

man, turning away as if to make the baron understand that he must go.

Too curious himself to take much note of the deep examination of which

he was himself the object, Auguste did not see the half-magnetic glance

with which this strange being seemed to pierce him; had he encountered

that basilisk eye he might have felt the danger that encompassed him.

Too passionately excited to think of himself, Auguste bowed, went

down the stairs, and returned home, striving to find a meaning in the

connection of these three persons,--Ida, Ferragus, and Madame Jules;

an occupation equivalent to that of trying to arrange the many-cornered

bits of a Chinese puzzle without possessing the key to the game. But

Madame Jules had seen him, Madame Jules went there, Madame Jules had

lied to him. Maulincour determined to go and see her the next day. She

could not refuse his visit, for he was now her accomplice; he was hands

and feet in the mysterious affair, and she knew it. Already he

felt himself a sultan, and thought of demanding from Madame Jules,

imperiously, all her secrets.

In those days Paris was seized with a building-fever. If Paris is

a monster, it is certainly a most mania-ridden monster. It becomes

enamored of a thousand fancies: sometimes it has a mania for building,

like a great seigneur who loves a trowel; soon it abandons the trowel

and becomes all military; it arrays itself from head to foot as a

national guard, and drills and smokes; suddenly, it abandons military

manoeuvres and flings away cigars; it is commercial, care-worn, falls

into bankruptcy, sells its furniture on the place de Chatelet, files its

schedule; but a few days later, lo! it has arranged its affairs and is

giving fetes and dances. One day it eats barley-sugar by the mouthful,

by the handful; yesterday it bought “papier Weymen”; to-day the

monster’s teeth ache, and it applies to its walls an alexipharmatic

to mitigate their dampness; to-morrow it will lay in a provision of

pectoral paste. It has its manias for the month, for the season, for the

year, like its manias of a day.

So, at the moment of which we speak, all the world was building or

pulling down something,--people hardly knew what as yet. There were very

few streets in which high scaffoldings on long poles could not be seen,

fastened from floor to floor with transverse blocks inserted into holes

in the walls on which the planks were laid,--a frail construction,

shaken by the brick-layers, but held together by ropes, white with

plaster, and insecurely protected from the wheels of carriages by the

breastwork of planks which the law requires round all such buildings.

There is something maritime in these masts, and ladders, and cordage,

even in the shouts of the masons. About a dozen yards from the hotel

Maulincour, one of these ephemeral barriers was erected before a house

which was then being built of blocks of free-stone. The day after the

event we have just related, at the moment when the Baron de Maulincour

was passing this scaffolding in his cabriolet on his way to see Madame

Jules, a stone, two feet square, which was being raised to the upper

storey of this building, got loose from the ropes and fell, crushing the

baron’s servant who was behind the cabriolet. A cry of horror shook both

the scaffold and the masons; one of them, apparently unable to keep his

grasp on a pole, was in danger of death, and seemed to have been touched

by the stone as it passed him.

A crowd collected rapidly; the masons came down the ladders swearing

and insisting that Monsieur de Maulincour’s cabriolet had been driven

against the boarding and so had shaken their crane. Two inches more and

the stone would have fallen on the baron’s head. The groom was dead,

the carriage shattered. ‘Twas an event for the whole neighborhood, the

newspapers told of it. Monsieur de Maulincour, certain that he had not

touched the boarding, complained; the case went to court. Inquiry being

made, it was shown that a small boy, armed with a lath, had mounted

guard and called to all foot-passengers to keep away. The affair ended

there. Monsieur de Maulincour obtained no redress. He had lost his

servant, and was confined to his bed for some days, for the back of the

carriage when shattered had bruised him severely, and the nervous shock

of the sudden surprise gave him a fever. He did not, therefore, go to

see Madame Jules.

Ten days after this event, he left the house for the first time, in his

repaired cabriolet, when, as he drove down the rue de Bourgogne and was

close to the sewer opposite to the Chamber of Deputies, the axle-tree

broke in two, and the baron was driving so rapidly that the breakage

would have caused the two wheels to come together with force enough to

break his head, had it not been for the resistance of the leather hood.

Nevertheless, he was badly wounded in the side. For the second time in

ten days he was carried home in a fainting condition to his terrified

grandmother. This second accident gave him a feeling of distrust; he

thought, though vaguely, of Ferragus and Madame Jules. To throw light on

these suspicions he had the broken axle brought to his room and sent

for his carriage-maker. The man examined the axle and the fracture,

and proved two things: First, the axle was not made in his workshop; he

furnished none that did not bear the initials of his name on the iron.

But he could not explain by what means this axle had been substituted

for the other. Secondly, the breakage of the suspicious axle was caused

by a hollow space having been blown in it and a straw very cleverly

inserted.

“Eh! Monsieur le baron, whoever did that was malicious!” he said; “any

one would swear, to look at it, that the axle was sound.”

Monsieur de Maulincour begged the carriage-maker to say nothing of the

affair; but he felt himself warned. These two attempts at murder were

planned with an ability which denoted the enmity of intelligent minds.

“It is war to the death,” he said to himself, as he tossed in his

bed,--“a war of savages, skulking in ambush, of trickery and treachery,

declared in the name of Madame Jules. What sort of man is this to whom

she belongs? What species of power does this Ferragus wield?”

Monsieur de Maulincour, though a soldier and brave man, could not

repress a shudder. In the midst of many thoughts that now assailed him,

there was one against which he felt he had neither defence nor courage:

might not poison be employed ere long by his secret enemies? Under the

influence of fears, which his momentary weakness and fever and low diet

increased, he sent for an old woman long attached to the service of his

grandmother, whose affection for himself was one of those semi-maternal

sentiments which are the sublime of the commonplace. Without confiding

in her wholly, he charged her to buy secretly and daily, in different

localities, the food he needed; telling her to keep it under lock and

key and bring it to him herself, not allowing any one, no matter who, to

approach her while preparing it. He took the most minute precautions to

protect himself against that form of death. He was ill in his bed

and alone, and he had therefore the leisure to think of his own

security,--the one necessity clear-sighted enough to enable human

egotism to forget nothing!

But the unfortunate man had poisoned his own life by this dread, and,

in spite of himself, suspicion dyed all his hours with its gloomy tints.

These two lessons of attempted assassination did teach him, however, the

value of one of the virtues most necessary to a public man; he saw the

wise dissimulation that must be practised in dealing with the great

interests of life. To be silent about our own secret is nothing; but to

be silent from the start, to forget a fact as Ali Pacha did for thirty

years in order to be sure of a vengeance waited for for thirty years,

is a fine study in a land where there are few men who can keep their

own counsel for thirty days. Monsieur de Maulincour literally lived only

through Madame Jules. He was perpetually absorbed in a sober examination

into the means he ought to employ to triumph in this mysterious struggle

with these mysterious persons. His secret passion for that woman grew

by reason of all these obstacles. Madame Jules was ever there, erect, in

the midst of his thoughts, in the centre of his heart, more seductive by

her presumable vices than by the positive virtues for which he had made

her his idol.

At last, anxious to reconnoitre the position of the enemy, he thought

he might without danger initiate the vidame into the secrets of his

situation. The old commander loved Auguste as a father loves his wife’s

children; he was shrewd, dexterous, and very diplomatic. He listened to

the baron, shook his head, and they both held counsel. The worthy vidame

did not share his young friend’s confidence when Auguste declared that

in the time in which they now lived, the police and the government were

able to lay bare all mysteries, and that if it were absolutely necessary

to have recourse to those powers, he should find them most powerful

auxiliaries.

The old man replied, gravely: “The police, my dear boy, is the most

incompetent thing on this earth, and government the feeblest in all

matters concerning individuals. Neither the police nor the government

can read hearts. What we might reasonably ask of them is to search

for the causes of an act. But the police and the government are both

eminently unfitted for that; they lack, essentially, the personal

interest which reveals all to him who wants to know all. No human power

can prevent an assassin or a poisoner from reaching the heart of a

prince or the stomach of an honest man. Passions are the best police.”

The vidame strongly advised the baron to go to Italy, and from Italy

to Greece, from Greece to Syria, from Syria to Asia, and not to return

until his secret enemies were convinced of his repentance, and would so

make tacit peace with him. But if he did not take that course, then the

vidame advised him to stay in the house, and even in his own room, where

he would be safe from the attempts of this man Ferragus, and not to

leave it until he could be certain of crushing him.

“We should never touch an enemy until we can be sure of taking his head

off,” he said, gravely.

The old man, however, promised his favorite to employ all the astuteness

with which Heaven had provided him (without compromising any one)

in reconnoitring the enemy’s ground, and laying his plans for future

victory. The Commander had in his service a retired Figaro, the wiliest

monkey that ever walked in human form; in earlier days as clever as a

devil, working his body like a galley-slave, alert as a thief, sly as a

woman, but now fallen into the decadence of genius for want of practice

since the new constitution of Parisian society, which has reformed even

the valets of comedy. This Scapin emeritus was attached to his master

as to a superior being; but the shrewd old vidame added a good round

sum yearly to the wages of his former provost of gallantry,

which strengthened the ties of natural affection by the bonds of

self-interest, and obtained for the old gentleman as much care as the

most loving mistress could bestow on a sick friend. It was this pearl

of the old-fashioned comedy-valets, relic of the last century, auxiliary

incorruptible from lack of passions to satisfy, on whom the old vidame

and Monsieur de Maulincour now relied.

“Monsieur le baron will spoil all,” said the great man in livery, when

called into counsel. “Monsieur should eat, drink, and sleep in peace. I

take the whole matter upon myself.”

Accordingly, eight days after the conference, when Monsieur de

Maulincour, perfectly restored to health, was breakfasting with his

grandmother and the vidame, Justin entered to make his report. As soon

as the dowager had returned to her own apartments he said, with that

mock modesty which men of talent are so apt to affect:--

“Ferragus is not the name of the enemy who is pursuing Monsieur le

baron. This man--this devil, rather--is called Gratien, Henri, Victor,

Jean-Joseph Bourignard. The Sieur Gratien Bourignard is a former

ship-builder, once very rich, and, above all, one of the handsomest

men of his day in Paris,--a Lovelace, capable of seducing Grandison.

My information stops short there. He has been a simple workman; and the

Companions of the Order of the Devorants did, at one time, elect him as

their chief, under the title of Ferragus XXIII. The police ought to know

that, if the police were instituted to know anything. The man has moved

from the rue des Vieux-Augustins, and now roosts rue Joquelet, where

Madame Jules Desmarets goes frequently to see him; sometimes her

husband, on his way to the Bourse, drives her as far as the rue

Vivienne, or she drives her husband to the Bourse. Monsieur le vidame

knows about these things too well to want me to tell him if it is the

husband who takes the wife, or the wife who takes the husband; but

Madame Jules is so pretty, I’d bet on her. All that I have told you is

positive. Bourignard often plays at number 129. Saving your presence,

monsieur, he’s a rogue who loves women, and he has his little ways

like a man of condition. As for the rest, he wins sometimes, disguises

himself like an actor, paints his face to look like anything he chooses,

and lives, I may say, the most original life in the world. I don’t doubt

he has a good many lodgings, for most of the time he manages to evade

what Monsieur le vidame calls ‘parliamentary investigations.’ If

monsieur wishes, he could be disposed of honorably, seeing what his

habits are. It is always easy to get rid of a man who loves women.

However, this capitalist talks about moving again. Have Monsieur le

vidame and Monsieur le baron any other commands to give me?”

“Justin, I am satisfied with you; don’t go any farther in the matter

without my orders, but keep a close watch here, so that Monsieur le

baron may have nothing to fear.”

“My dear boy,” continued the vidame, when they were alone, “go back to

your old life, and forget Madame Jules.”

“No, no,” said Auguste; “I will never yield to Gratien Bourignard. I

will have him bound hand and foot, and Madame Jules also.”

That evening the Baron Auguste de Maulincour, recently promoted to

higher rank in the company of the Body-Guard of the king, went to a

ball given by Madame la Duchesse de Berry at the Elysee-Bourbon. There,

certainly, no danger could lurk for him; and yet, before he left the

palace, he had an affair of honor on his hands,--an affair it was

impossible to settle except by a duel.

His adversary, the Marquis de Ronquerolles, considered that he had

strong reasons to complain of Monsieur de Maulincour, who had given some

ground for it during his former intimacy with Monsieur de Ronquerolles’

sister, the Comtesse de Serizy. That lady, the one who detested German

sentimentality, was all the more exacting in the matter of prudery. By

one of those inexplicable fatalities, Auguste now uttered a harmless

jest which Madame de Serizy took amiss, and her brother resented it. The

discussion took place in the corner of a room, in a low voice. In good

society, adversaries never raise their voices. The next day the faubourg

Saint-Germain and the Chateau talked over the affair. Madame de Serizy

was warmly defended, and all the blame was laid on Maulincour. August

personages interfered. Seconds of the highest distinction were imposed

on Messieurs de Maulincour and de Ronquerolles and every precaution was

taken on the ground that no one should be killed.

When Auguste found himself face to face with his antagonist, a man of

pleasure, to whom no one could possibly deny sentiments of the highest

honor, he felt it was impossible to believe him the instrument of

Ferragus, chief of the Devorants; and yet he was compelled, as it were,

by an inexplicable presentiment, to question the marquis.

“Messieurs,” he said to the seconds, “I certainly do not refuse to

meet the fire of Monsieur de Ronquerolles; but before doing so, I here

declare that I was to blame, and I offer him whatever excuses he may

desire, and publicly if he wishes it; because when the matter concerns a

woman, nothing, I think, can degrade a man of honor. I therefore appeal

to his generosity and good sense; is there not something rather silly in

fighting without a cause?”

Monsieur de Ronquerolles would not allow of this way of ending the

affair, and then the baron, his suspicions revived, walked up to him.

“Well, then! Monsieur le marquis,” he said, “pledge me, in presence of

these gentlemen, your word as a gentleman that you have no other reason

for vengeance than that you have chosen to put forward.”

“Monsieur, that is a question you have no right to ask.”

So saying, Monsieur de Ronquerolles took his place. It was agreed, in

advance, that the adversaries were to be satisfied with one exchange

of shots. Monsieur de Ronquerolles, in spite of the great distance

determined by the seconds, which seemed to make the death of either

party problematical, if not impossible, brought down the baron. The ball

went through the latter’s body just below the heart, but fortunately

without doing vital injury.

“You aimed too well, monsieur,” said the baron, “to be avenging only a

paltry quarrel.”

And he fainted. Monsieur de Ronquerolles, who believed him to be a dead

man, smiled sardonically as he heard those words.

After a fortnight, during which time the dowager and the vidame gave

him those cares of old age the secret of which is in the hands of long

experience only, the baron began to return to life. But one morning his

grandmother dealt him a crushing blow, by revealing anxieties to which,

in her last days, she was now subjected. She showed him a letter signed

F, in which the history of her grandson’s secret espionage was recounted

step by step. The letter accused Monsieur de Maulincour of actions that

were unworthy of a man of honor. He had, it said, placed an old woman

at the stand of hackney-coaches in the rue de Menars; an old spy, who

pretended to sell water from her cask to the coachmen, but who was

really there to watch the actions of Madame Jules Desmarets. He had

spied upon the daily life of a most inoffensive man, in order to detect

his secrets,--secrets on which depended the lives of three persons. He

had brought upon himself a relentless struggle, in which, although he

had escaped with life three times, he must inevitably succumb, because

his death had been sworn and would be compassed if all human means were

employed upon it. Monsieur de Maulincour could no longer escape his fate

by even promising to respect the mysterious life of these three persons,

because it was impossible to believe the word of a gentleman who had

fallen to the level of a police-spy; and for what reason? Merely to

trouble the respectable life of an innocent woman and a harmless old

man.

The letter itself was nothing to Auguste in comparison to the tender

reproaches of his grandmother. To lack respect to a woman! to spy upon

her actions without a right to do so! Ought a man ever to spy upon

a woman whom he loved?--in short, she poured out a torrent of those

excellent reasons which prove nothing; and they put the young baron,

for the first time in his life, into one of those great human furies in

which are born, and from which issue the most vital actions of a man’s

life.

“Since it is war to the knife,” he said in conclusion, “I shall kill my

enemy by any means that I can lay hold of.”

The vidame went immediately, at Auguste’s request, to the chief of the

private police of Paris, and without bringing Madame Jules’ name or

person into the narrative, although they were really the gist of it, he

made the official aware of the fears of the family of Maulincour about

this mysterious person who was bold enough to swear the death of an

officer of the Guards, in defiance of the law and the police. The chief

pushed up his green spectacles in amazement, blew his nose several

times, and offered snuff to the vidame, who, to save his dignity,

pretended not to use tobacco, although his own nose was discolored with

it. Then the chief took notes and promised, Vidocq and his spies aiding,

to send in a report within a few days to the Maulincour family, assuring

them meantime that there were no secrets for the police of Paris.

A few days after this the police official called to see the vidame at

the Hotel de Maulincour, where he found the young baron quite recovered

from his last wound. He gave them in bureaucratic style his thanks for

the indications they had afforded him, and told them that Bourignard was

a convict, condemned to twenty years’ hard labor, who had miraculously

escaped from a gang which was being transported from Bicetre to Toulon.

For thirteen years the police had been endeavoring to recapture him,

knowing that he had boldly returned to Paris; but so far this convict

had escaped the most active search, although he was known to be mixed up

in many nefarious deeds. However, the man, whose life was full of very

curious incidents, would certainly be captured now in one or other of

his several domiciles and delivered up to justice. The bureaucrat ended

his report by saying to Monsieur de Maulincour that if he attached

enough importance to the matter to wish to witness the capture of

Bourignard, he might come the next day at eight in the morning to a

house in the rue Sainte-Foi, of which he gave him the number. Monsieur

de Maulincour excused himself from going personally in search of

certainty,--trusting, with the sacred respect inspired by the police of

Paris, in the capability of the authorities.

Three days later, hearing nothing, and seeing nothing in the newspapers

about the projected arrest, which was certainly of enough importance to

have furnished an article, Monsieur de Maulincour was beginning to feel

anxieties which were presently allayed by the following letter:--

Monsieur le Baron,--I have the honor to announce to you that you

need have no further uneasiness touching the affair in question.

The man named Gratien Bourignard, otherwise called Ferragus, died

yesterday, at his lodgings, rue Joquelet No. 7. The suspicions we

naturally conceived as to the identity of the dead body have been

completely set at rest by the facts. The physician of the

Prefecture of police was despatched by us to assist the physician

of the arrondissement, and the chief of the detective police made

all the necessary verifications to obtain absolute certainty.

Moreover, the character of the persons who signed the certificate

of death, and the affidavits of those who took care of the said

Bourignard in his last illness, among others that of the worthy

vicar of the church of the Bonne-Nouvelle (to whom he made his

last confession, for he died a Christian), do not permit us to

entertain any sort of doubt.

Accept, Monsieur le baron, etc., etc.

Monsieur de Maulincour, the dowager, and the vidame breathed again with

joy unspeakable. The good old woman kissed her grandson leaving a tear

upon his cheek, and went away to thank God in prayer. The dear soul,

who was making a novena for Auguste’s safety, believed her prayers were

answered.

“Well,” said the vidame, “now you had better show yourself at the ball

you were speaking of. I oppose no further objections.”

The Thirteen · 第 2 / 9 章