CHAPTER XV

ILSHAM GRANGE—MEADFOOT—TORQUAY

In this quiet and wooded nook near Kent’s Cavern, tucked away from the

octopus arms of Torquay, is Ilsham Grange, a chance survival of those old

times when Tor Abbey ruled the roast in these parts. Everything here was

then agricultural. Not even a village, only the monks’ farm, relieved

the solitude. Traces of those old farmers remain in the grey turret in

the farmyard, where the pigeons flutter and the pigs grunt contentedly,

blissfully unconscious of what pork, ham, and bacon mean. In this turret,

now with the floors gone, Brother this, that, or t’other, sent over from

the Abbey round the headland, lodged, and ruled from it the _conversi_,

or lay-brothers, whose business it was to conduct the practical farming

and to be as the Children of Gibeon, hewers of wood and drawers of water

for the community.

From Ilsham you come, over the hill, to Meadfoot, a particularly noble

bay, where the road is protected from the sea by a wall calculated to

make a builder of cheap houses and nine-inch party-walls faint with

horror at so prodigal a use of material. I do not know exactly _how_

thick the Meadfoot sea-wall is, but a wheeled conveyance could be driven

along it, if it were not so rough. And the roughness of these rudely

quarried, undressed rocky boulders is just the fitting character for

the spot; which is, as I have said, a very noble piece of coast-scenery

indeed, rough-hewed by nature in the large, and coloured by her in the

rich and sober hues of the rocks, alternating with the brighter tints of

sea and grass. Great islanded rocks stand off-shore, glooming over the

blue sea like ogreish strongholds: the black monstrous forms of the Ore

Stone and the Thatcher Rock, with the smaller Shag Rock close in, and a

scatter of reefs just off the sands.

Near by, but hidden from view by its enclosing grounds, is that

semicircular group of villa residences, Hesketh Crescent, built, some

forty years ago, on the model of the classic terraces of Bath and Buxton.

Little postern gates lead from the grounds on to the road at Meadfoot,

and from them the early riser on summer mornings may observe strange

figures, clad in gorgeous dressing-gowns, shuffling in bath slippers to

the sea, the bright sunshine making heliographs of their bald and shining

pates. It all looks like some newer version of _Robinson Crusoe_, or the

_Swiss Family Robinson_; but these old gentlemen are only the retired

generals and colonels of Hesketh Crescent, out for their morning dip, and

are so little like marooned inhabitants of uncivilised isles that they

will presently enter their postern-gates again, and go home to breakfast

and the morning paper, over which they will with fervour and unction damn

the War Office and the Army from head to foot—a valued privilege denied

to Robinson Crusoe.

[Illustration: MEADFOOT, AND THE ORE STONE AND THATCHER ROCK.]

The entrance to the awful sanctities of Hesketh Crescent is passed on

the ascent from Meadfoot into Torquay; but the Crescent is not what

it was, and boards, actually proclaiming houses to let, disfigure the

proprieties of its threshold. As a matter of fact, the taste—or rather,

the fashion—which obtained when Hesketh Crescent was built has wholly

changed, and residents by the seaside are no longer content to live in a

continuous row of houses. It is an unavoidable condition in great towns,

but most undesirable for a place like Torquay, whose ideal is detachment,

and whose chief feature, in the residential districts, away from the

business centre, is the multitude of discreet villas, each enclosed in

its grounds, behind masonry walls and shrubberies. If these villas were

situated near the Regent’s Park district of London, the discretion of

encompassing walls and screening shrubberies would be referred to motives

not here to be discussed, but Torquay being what it is, these features

are but marks of the strictly proper seclusion that is an essential

feature of its existence; an emotionless existence punctuated by the

visits of gibbering curates and the meetings of Dorcas Societies.

Nothing is more remarkable in the later history of Torquay than the

number of “literary landmarks” and associations it has gathered to

itself; more particularly associations connected with the spinster

lady authors of improving stories. Torquay, of course, is not merely

the place for invalid visitors in the winter, but a place of residence

for many delicate persons to whom its genial warmth is the very breath

of life. It would seem that when contemplative persons of a certain

fragility seek a permanent home, they come to Torquay and write stories

like _Christy’s Old Organ_ and _Jessica’s First Prayer_. At any rate, the

remarkable little shilling book, _Literary Landmarks of Torquay_, by Mr.

W. J. Roberts, discovers an amazing number of literary associations, with

Charles Kingsley, P. H. Gosse, W. E. Norris, and Eden Phillpotts at their

head, and a regiment of ladies bringing up the rear.

The seven hills—or more—on which Torquay is built are dotted plentifully

with the largest and finest of these quiet villas, and the hollows in

between are cut up into winding roads, where the stranger may speedily

lose his bearings. If you consult a plan of Torquay, it will be

perceived that the roads of its residential districts are like so many

vermiculations, returning upon one another and intertwining almost with

the intricacy of whorls in a Celtic design. It must have been far easier

to find one’s way about the site of Torquay a century ago than now, and

in many respects it was surely a more desirable place. From existing

records one may form a very exact picture of it, say in 1815, when the

long-dreaded “Boney,” for many years a figure of terror to hundreds of

thousands of Englishmen, was brought captive on the _Bellerophon_ into

Tor Bay, to be revealed to the gaping hundreds who put off in boats

to see him, as merely a little fat man, clean-shaven, melancholy, and

obviously unwell, mildly pacing the quarter-deck, and saying unexpectedly

complimentary things about the scenery and the climate.

Its inhabitants then numbered about fifteen hundred, chiefly fishermen

and the wives and families of naval officers, who, anchoring from time to

time in the safe and roomy anchorage of Tor Bay, had first “discovered”

the place. It was then still little more than that Quay at the foot

of the hills (or “Tors”) it had been when William of Orange landed at

Brixham, in 1688; and the fine old residence of Tor Abbey, seat then as

now of the Carys, was the only considerable place in the neighbourhood.

The hill-tops were yet in a state of nature, except the crest of Chapel

Hill, where the little chapel of St. Michael formed a notable landmark

for sailors. This was, according to legend, the offering of some ancient

mariner, and displayed a beacon-light at night, to guide shipping safely

into the bay. The ancient chapel, one of the smallest in England,

measuring only thirty-six feet in length, remains to this day, two

hundred and seventy feet above the sea, at the modern suburb of Torre,

and is part of the borough meteorological station.

[Illustration: THE ANCIENT CHAPEL OF ST. MICHAEL, TORRE.]

The Carys had so long been seated by the shores of Tor Bay, in the

halls of the discredited and dispossessed monks, that they had lost

all sense of the trend of affairs, and were utterly unimaginative; and

accordingly when in 1786 Sir Robert Palk, retiring wondrously enriched

from the governorship of Madras, and with an £80,000 legacy into the

bargain, purchased Tormoham Manor, they made no attempt to outbid him.

To the changed times and to the Palk family Torquay owes its growth.

Tor Bay had in all those bygone centuries been a lovely solitude, for in

the warlike ages, when fire and sword swept even sheltered spots like

Dartmouth, snugly hidden behind a difficult entrance, an open strand was

too dangerous a place to settle upon; but Sir Robert Palk early perceived

changed conditions and made his account with them, and in due time his

son, Sir Lawrence Palk, succeeded him and built the first harbour.

The inevitable consequence of the Palk activities and of the changed

condition of affairs was that the town of Torquay sprang into vigorous

existence, and the further and equally obvious consequence of the Palks

becoming great as ground-landlords was that in the fulness of time they

were raised from baronets to be barons; Sir Lawrence Hesketh Palk,

fifth baronet, being in 1880, in his thirty-fourth year, raised to the

peerage as Baron Haldon. I can quite distinctly hear gnashings of teeth

and imprecations at lost opportunities from the direction of Tor Abbey,

echoing down the alleys of the years.

Torquay was built when the Italian villa fashion prevailed in the land.

It was a favourable spot for such an experiment. Look back upon those

terraced and rock-girt hills from this kindly distance of the harbour,

and the Italianate character of the scenery, in its brilliant colouring

and bold and picturesque outline, is obvious, and from this remove quite

a number of those villas deceptively resemble in outline the marble

palazzos of Florence, of Venice or Bologna. But close at hand they are

no more Italian than an Italian warehouse, which we all know to be a

parabolic description of an oil and colour shop.

And now Torquay has acquired a Mayor and Corporation, with town arms and

a crest and the advertising motto, _Salus et Felicitas_, and ought to

_be_ happy as well as healthful, as per motto: even though that motto

does, when spoken, suggest “sailors and solicitors.” But no! Torquay has

since learned that these luxuries are expensive; in the facts that while,

when the town was incorporated, in 1892, there were then but twenty-one

officials, whose salaries amounted to £2,413, there are now thirty-nine,

who draw £5,495.

Presently there will be electric tramways at Torquay! Conceive it, all

ye who know the town. Could there be anything more suicidal than to

introduce such hustling methods into Lotos-land?

I observe that, according to a handbook advertising the attractions of

Torquay, while its winters are mild, its summers are cool, and that “the

maximum mean annual temperature is 56·7°, and the minimum 45°.” Also it

appears that “the thermometer in the shade seldom rises to 70°.” I must,

therefore, be mistaken in supposing that in August I have frequently

observed it, in the Strand, and on the spot eloquently known as “the

Gridiron,” to be twenty degrees higher, and the Lord only knows what

phenomenal heights in the sun. Under the same extraordinary illusion,

yucca, bamboo, palms, eucalyptus, and other tropical plants flourish in

the beautiful rock-walks along the Torbay road, and the fuchsia grows in

the likeness of trees.

There are many who think Torquay looks its best on moonlit summer nights,

when the lights in hill-top villas seem to vie with the stars, and the

search-lights of naval leviathans in the bay send inquisitive beams along

the shore or, adventuring higher, surprise fair maids in their bedrooms

and make them blush.

The South Devon Coast · 第 15 / 28 章