FOOTNOTES:

[1] The Gypsy form of marriage.

[2] There were grave differences between Denmark and Sweden, because

Count d’Ahlefeld insisted, during the negotiation of a treaty between

the two States, that the Danish king should be addressed as _rex

Gothorum_, which apparently attributed to him supremacy over Gothland,

a Swedish province; while the Swedes persisted in styling him _rex

Gotorum_, a vague title, equivalent to the ancient name of Danish

sovereigns,--King of the Goths. It is probably to this “h”--the cause

not of a war, but of long and threatening negotiations--that Schumacker

alluded.

[3] Certain chroniclers assert that in 1525 a bishop of Borglum made

himself notorious by his depredations. He is said to have kept pirates

in his pay, who infested the coast of Norway.

[4] According to popular superstition, Nistheim was the hell reserved

for those who died of disease or old age.

[5] This forcible passage scarcely requires the explanation that in

France a parricide has the right hand taken off, prior to execution,

and all criminals about to be guillotined have their hair removed, lest

the axe might be impeded, and cause extra suffering.

[6] The translator having a detestation of “slang idiom” in any

language has declined the task of rendering this prison-song into

English; not from any actual indecorum being in its clever though

coarse composition, but from a doubt of any advantage to be obtained by

familiarizing the reading public with the idiom of a Gaol, and which

was doubtless invented for the concealment and furtherance of immoral

or criminal purposes.

It has become a sort of fashion of the hour to descend from the

utmost refinement of sentiment, or the most elevated speculation of

philosophy, to grovel and almost revel in the phraseology hitherto

confined to the obscure haunts of crime. In order to render justice

to M. Victor Hugo’s versatile powers, his skilful imitation of a low

ballad shall be given here, in the original, the translator only

disliking to be the means of interrupting the refined illusion arising

from the author’s elegant conception of the “Condemned.” The general

meaning of the song is given afterwards in the text.

Hans of Iceland, Vol. 2 of 2; The Last Day of a Condemned · 第 145 / 153 题