Ulick was fond of Dora. No mistake as to the order of his sentiment.
She was the average lust-cat of commerce; yet she was "different."
Yes, he quoted Stendhal to her, and after he had related a certain
anecdote of Stendhal's life in Milan, she put fingers in her ears;
"Don't tell me another thing about the dirty old man, or I'll hate
you." "Dirty old man" was a critical pronouncement that wouldn't
please the Stendhalians. Nevertheless it somehow suits Henry Beyle,
who, genius that he was, must have been precisely what Dora called
him. Well, most men are that; they don't have to be old, either. "What
is life? A dirty business. Birth is repulsive, death horrible. You
can't escape either, though you can cheat the worms by cremation--that
foretaste of the lower regions." They went out to dinner. Ulick had
hoped to see again the dark girl with the soft strange eyes. How
often he had tried to analyze that expression to be found only in the
eyes of a negress. A touch of melancholy, a hint of fear, a sweet
submissiveness, and the naiveté of a child--these, with the heavy,
slumberous lids, the full cup of the eyeball and the unconcealed
languourous passion, pleased the aesthetic sense of the young man.
Alas! she was not in sight. She had been released for the evening. Dora
knew her business. The young man was entirely too susceptible; besides,
she didn't like a "coon" servant, as she called her, butting-in. The
girl's fate was assured.
They dined in the city, then visited a music-hall. He was mildly amused
though sleepy and he made up his mind not to spend that night under
Dora's roof. He went out during the entr'acte for a puff of fresh
air and was annoyed on his return to find Paul Godard planted in the
box beside Dora and calmly twisting the rings on her left hand. The
men bowed; Ulick distantly. But good-tempered, irrepressible Paul
exclaimed: "I say, Invern, we do coincide in our tastes, don't we?"
Ulick nodded, not in the gayest spirit. Dora divined his irritation
and was flattered. He is jealous of me, she thought, and plucked at
his sleeve. "Old cross-patch, sit nearer. Mr. Godard won't mind." (The
hell he won't! muttered Ulick.) "You won't mind, Paul, will you? Ulick
is such a bear--no, I mean a dear. Ulick," she shook his listless arm,
"Ulick, you ought to have heard Paul sing your praises just before you
came back. He said you were the only critic whose criticisms he read.
Now, be good--old crank!" The atmosphere became frigid. Paul felt it,
and he was not exactly thin-skinned. He kissed Dora's hand, whispered,
and inclining his head in Ulick's direction, went away. Silent, Ulick
accompanied Dora to her apartment and excused himself. To his slight
surprise she accepted his excuse, and pleaded sleepiness herself; to
his jealously acute perception there was an absence of heartiness in
their final embrace, but perhaps that was because the chauffeur was
watching them. She named a day and he promised. As he left the taxi
at the club the man confidentially whispered: "Some girl, that?"
Ulick wasn't annoyed. Why should he be? Dora belonged to the public.
She came from the people. Her daintiness was superficial. A pretty
vulgarian, her appeal was universal to males in rut. The wealthy Paul
and the humble mechanician both longed for her. So had Ulick, and
he would again. She was aware of her attractions and like the busy
little merchant she was she sold her wares to the highest bidder. But
a demure harlot in demeanor occasionally refined. Silver plate that
showed prosaic brass when she was angry or offguard; then her language
darkened the air; profanity, abuse, obscenity. The filthiest words in
the mud-lard vocabulary hurtled by the heads of her antagonist, whether
a sister-cocotte, a chauffeur, or a clubman. Ulick was yet to pass
through that verbal ordeal; but it would surely come to him as it did
to the rest. She drank too much, and that was her vice. Her profession
was in her estimation as honourable as any other. What's the difference
between me and the poor dirty wife with a dozen brats? A woman is
always kept by a man, wedding-ring or no. Don't I love babies? I dote
on them. Thus her philosophy and her preference. She adored children.
She loved all the nice young chaps who made her presents and helped
to pay her steadily mounting household expenses. If she could only
put aside a few dollars every week for the rainy day sure to come.
But she never could. The weekly bills were so numerous and so tame,
that they ate out of her hands, she would joke. And Paul Godard would
surely sleep under her roof this very night, said Ulick, as he wearily
undressed himself. I shan't worry much. Dora is a commodity. So is
Paul. So am I--for Dora. So is Mona. We are all chattels of chance.