THE FIRST GATE

_At the first gate, the warder stripped her; he took the high tiara

from her head_....

I

Until the day of her death Easter never forgot that first night in New

York. It was the initial twist of her ship's wheel, and the commonplace

happenings which followed her entrance into the Maison Felicé were to

give force and direction to her entire life.

The journey from Washington had been stupid. An early November

afternoon sky heavy with threatening snow, her nerves tense with

expectation, made the girl feel that the big city once reached her

troubles would be over; but at Jersey City they began. After a few

blunders she reached the 23rd Street ferry and noted the snow falling

in the foggy river. Her baggage had been checked to the hotel and she

had nothing to do but climb into a hansom and direct the driver to

west 25th Street. She made a tentative bargain with the man. Easter

was prudent because she had little money. The hotel--it was in reality

two old-fashioned houses with high steps and brown stone façades, the

conventional residence of the early eighties--did not impress her;

besides, it was snowing so thickly that she could hardly distinguish

anything, and when she was admitted into the hall the light dazzled

her eyes. She felt lonely, timid, uncomfortable. A tall, portly lady

saluted her.

"You are Mlle. Esther Brandès? I am Madame Felice." Her room had been

engaged for a month ahead through the aid of a common friend. Her heart

beat faster when the Frenchwoman politely said:

"I am sorry, Mlle. Brandès. Your room is occupied for a few days.

We did not expect you till next week." The look of dismay on the

newcomer's face must have appealed, for Madame added:

"But I shall put you in another room, a splendid apartment on the

ground floor. You will like it. It will cost you only five dollars a

day, tout compris. Do you speak French?" Easter nodded. She was so

appalled at the price that she was speechless.

"But--but--" she stammered.

"Yes, I know," continued Madame in her native tongue and more

pleasantly, "yes, I know, but it is only for one week and if Mlle.

Brandès could see our waiting list!" That settled the matter. She

bowed her head and soon a maid had her handbag open in a small

bedroom adjoining a large well-furnished room, containing a grand

pianoforte. There were three windows at the side. "The piano, it is

the property of Monsieur Invern. He is away till next week," said the

too confidential gossip. Easter handed her a tip and she bowed herself

out. The chandelier gave plenty of light. There were bookcases. Much

music. On the walls hung photographs of composers. Evidently the

apartment of a musical person. She looked out of a window. An extension

with skylights, and a noise of clattering dishes coupled with certain

odours, not disagreeable to her nostrils, told her that the cuisine

of the establishment was beneath. What she saw was the roof of the

dining-room. Maison Felicé was one of those semi-hotels with table

d'hôtes so popular in New York two or three decades ago. The cookery

was French and notoriously good. Its fame spread to Virginia, where

a friend of her mother's had secured, after the funeral of the poor

woman, a letter of introduction to Madame Felicé. It was not easy to

get into the hotel as a permanent guest.

Easter should have accounted herself lucky. She didn't. She was too

miserably homesick for a home that no longer existed to bother about

the exclusiveness of an hotel. Her glance traversed the lighted roof of

the dining-room, and through the fast dropping snow it was arrested by

a gloomy wall. Again her heart sank.

"My God!" she cried. "What a dismal prospect!" Without parents and in

her wallet a hundred dollars she was alone in New York. The situation

was almost melodramatic. That snowstorm viewed in the aperture between

two buildings, and from the windows of a hired apartment, made an

ineradicable impression. For the first time in her life she felt

absolutely friendless.

Madame had told her the hour for dinner--7 till 8 p.m.; the luncheon

was till 2 o'clock; and breakfast eaten in the room. A foreign

atmosphere permeated the house. She turned away from the depressing

night, lighted all the gas-burners, pulled down the shades and

proceeded to make a modest toilette. Her trunk hadn't arrived, so

she must eat her first meal in street clothes. No gong had sounded.

Summoning courage she pressed a button. No answer, but from the sounds

of talking and general bustle she knew that dinner was served. Another

embarrassment. How to enter a dining-room full of strangers? Easter was

a well-bred young woman, but not accustomed to the world; above all,

to a Bohemian world. At the Maison Felicé, she had been informed, that

the guests were celebrated. Singers, painters, actors, musicians there

congregated. A perfect Bohemia where she would rub elbows, even speak

to the people she most admired--artistic folk. She crossed a parlour,

and found herself on a landing from which she could see a long table in

the middle of the room, with little tables ranged along the walls. A

numerous company was assembled, gabbling, eating, drinking, seemingly

happy. An old chap with a bald head and grizzled moustaches saluted

her rather markedly. His eyes were bloodshot. He looked prosperous and

authoritative.

"I wish you the good-evening and a welcome, Mademoiselle," he said.

"You must be tired and hungry. I am Monsieur Felicé. Come with me. I

give you a table to yourself with only one other guest. But--a nice

young man, I assure you, quite an old friend of the house." His speech

was voluble, accompanied by many gestures. He was Provençal, his wife

Swiss. He stared at the girl. She was pretty, though not to his taste.

He preferred blondes. She sat herself at a table near the short flight

of steps that led from the foyer to the salle-à-manger. She was alone.

Soon her soup was served. It was like wine to her faded spirits.

Easter felt more cheerful. Decidedly a full stomach is an obstacle to

melancholy. She sipped a glass of red wine. Her humour began to mellow.

The soup was excellent, the fish promising--and then there stood before

her, slightly bowing, a small, slender young man who introduced himself:

"Papa Felicé tells me I am to have the honour of sitting at dinner with

you. My name is Stone, Alfred Stone, at your service." His manner was a

trifle formal. He looked about forty and was barely thirty. A young-old

man, worn, though not precisely dissipated looking. Easter didn't know

whether she liked or disliked him. She resented his presence because he

disturbed her dreams. But when he asked her name she became interested.

"Papa Felicé says you are a singer, Miss Brandès. Brandès! That must be

a Jewish name?"

"No, I am not Jewish. And my first name Esther! My father was born in

Virginia. So was I. He may have had Jewish blood in his veins. I don't

know. He said his father was a Dane--"

"Aha!" cried Stone. "Georg Brandes the Danish writer is a Jew, and

there is Marthe Brandès of Paris, you know, the beautiful actress--"

"I've never been to Paris," interrupted Easter. "Is she a great actress

this Marthe Brandès?"

"Not so great as alluring. Yes, she is great if compared with any

English or American actress." His dark eyes glowed. He almost became

animated. Easter listened with curiosity. A man who spoke with such

surety was somebody. Who was this Mr. Stone? She tried him with a touch

of flattery.

"You must have seen a lot of actresses to pass such a judgment." He

became quite languid.

"Miss Brandès, I am a critic of the theatre and music." She eagerly

responded:

"A critic of music. How nice." His depression increased.

"What's nice about it?" he asked in a sullen tone.

"Oh, to hear all the great singers and players."

"You mean, to be forced to hear a lot of mediocrities. Even the great

ones, Lilli Lehmann, Brandt, the De Reszkes, get on my nerves. You can

have too much of a good thing my dear young lady." She became still

more absorbed.

"Now, tell me. What are you after?" he demanded in kindly fashion.

"I mean to be a great dramatic soprano," she confidently asserted.

"Aha!" he vouchsafed. "Rather a modest programme."

"I mean to accomplish it," she retorted. He was visibly impressed.

"Of course, a great voice you must have to begin with; and then there

are such items as vocal technique and dramatic temperament, and

beauty--you are well supplied in that--" he gallantly bowed--"Thank

you," said the girl not in the least abashed; she knew she was

good-looking--"and how many other qualifications?" he interposed.

"I speak French. My mother was a Frenchwoman. I speak Italian,

without an accent, my teacher said--" "Without an Italian accent, he

meant?"--"No, with a Tuscan accent," the girl proudly replied; "and

I'm a trained musician, a solo pianist, and accompanist and read and

transpose at sight. I--" He wearily waved her words away.

"Yes, yes. I know all about you girls who play, sing, transpose and

compose. There's Yankee versatility, if you please. Universal genius.

And you couldn't compose a rôle any more than you could cook your

husband's dinner--if you were unlucky enough to have one." Easter

smiled and it was like sunrise. Something inexpressibly youthful came

into the world.

"At any rate I have a good dinner if I haven't the husband," she

challenged. He assented. "The cuisine here is famous. Not at Martin's,

or Delmonico's, or down on 14th Street at Moretti's is there better

flavoured food." They had not reached coffee. The sweets were

insignificant. Easter positively became buoyant. She must have had

Celtic in her, she went from the cellar to the clouds and the clouds to

the cellar with such facility. Her Avernus once achieved, the rebound

was sure to follow. Momentarily she forgot her poverty, loneliness,

strangeness, and Mr. Stone was like a friend in need. She played

confidential.

"All my life I've been at music. I was born near Warrenton on a farm.

Then we moved to Richmond. Papa was unfortunate. I appeared as a child

prodigy, later I taught little girls some older than myself. I began

singing, in the cradle, mother said. Poor dear mother. She was so

wrapped up in my musical career." (He thought: "They all say the same

things ... already, career!") "She died last Spring. Father has been

away for years"--Easter hesitated--"and here I am with lots of conceit

and no money--to speak of--and yet I mean to succeed."

He admired her, this tall black-haired girl with the broad shoulders

and steady eyes. Physical signs augured well. Her ears were small,

shapely, her throat a tower of strength. Her bust was undeveloped,

but the chest measurement unusual. He couldn't see her hips, but she

sat boldly upright and there was decision in every movement, every

attitude. Her eyes did not please his fastidious demands. They were

not full-orbed, rather small, deep-set, and he couldn't make up his

mind whether in colour they were dark-blue or dark-green; at times they

seemed both; but they went well with the blue-black hair coiled about

a wide low forehead. The nose was too large for canonic beauty; but

it was boldly jutting, not altogether aquiline, a good rudder for a

striking countenance, and one that might steer her little ship through

stormy weather. The ensemble promised. But Stone had witnessed so

many auspicious beginnings that the brilliant girl, whose speech was

streaked with an agreeable southern accent, did not altogether convince

him. Another! he commented, but inaudibly. He gravely inquired if she

had any letters to musical people.

"Yes, to Madame Fursch-Madi, for one. Also a letter from our U. S.

senator to the Director of the Metropolitan Opera House." She beamed.

Stone looked at her. "Madame Fursch-Madi is a great dramatic soprano,

but she hasn't much time for pupils, she is so busy with concert work.

But you may have a chance if your voice is as good as you believe

it to be. La Fursch has a class two afternoons in the week at the

Conservatoire Cosmopolitaine, and as I know Madame Mayerbeer the

director, I could give you a letter to her; better still, I could

take you to her and introduce you, that is if you care to go." He is

interested, without doubt, thought Easter. She was in a gleeful mood,

but held herself down. The effervescent kitten tricks might not please

this cynical critic. She gladly accepted his offer. They slowly moved

from the half-deserted room. Two hours had quickly passed. She was

surprised. Stone spoke:

"It's too soon after eating, yet I wish I could hear your voice. Then

I might judge. Perhaps Fursch-Madi won't bother with an amateur. Her

forte is not tone-production, but style. She is an operatic stylist.

To hear her deliver Pleurez, mes yeux from the Cid, or Printemps from

Samson et Dalila is something to remember. The true Gallic tradition,

broad and dramatic, with justesse in expression. Ah! Only Lilli is

her superior." Out of breath, he paused. He was seldom so expansive,

he loathed enthusiasm. His motto in life was Horatian. To this he

superadded Richelieu's injunction "point de zèle." And now he was

spilling over like a green provincial. Evil communications, he sighed.

Easter clapped her hands. As she felt herself to be the pivot of the

universe, visible and invisible, she spoke only of her own sensations:

"Teachers say that my voice is placed to perfection. I don't think

there will be much trouble about Madame Fursch. However, Mr. Stone,

if it is allowed in this hotel, I occupy a parlour and there is a

pianoforte." It was soon settled. Madame Felicé was gracious. So was

Monsieur. They were both poker-players and were only too glad to get to

the table in their private apartment.

"Hullo!" exclaimed Stone, "you have Invern's place, haven't you?" They

were in the girl's apartment.

"Who is Invern?" she mildly inquired.

"Ulick Invern, a writer, incidentally a critic. He has lived here ever

since he came from Paris. No, he isn't a Frenchman. Paris born, of New

York stock, but a confirmed Parisian. So am I, poor devil, that I am.

But he is rich, at least well-to-do, and I must make my salt writing

for the newspapers. Go ahead. Sing some scales mezzo-voce, at first, it

won't be such an effort at that." Easter sang. Two octaves she glided

through.

"Phew!" cried her listener. "Big, fruity, lots of colour, velvety. But

who placed your voice did you say?"

Painted Veils · 第 10 / 55 题