[Illustration: POLO ON SKATES, AND HOW THE GAME ENDED.]

* * * * *

A JOLLY OLD TAR.

A London newspaper tells an amusing sea tale which concerns the recent

experience of the Captain of a certain large sailing-vessel, who is

probably the most polite officer in the whole mercantile service. He

has, however, a great idea of his own importance, and loses no

opportunity of impressing this upon his crew, who, while good tars and

generally far from mutinous, do not always relish the Captain's airs, as

they call them.

In particular, for instance, he insists upon being addressed as "Sir" by

every one on board. One day a new hand joined the ship, and a short time

after leaving harbor, being a well-seasoned old salt, he was intrusted

with the wheel. The Captain came up and put the usual question, "How's

her head?"

"Nor'-by-east," answered the old tar, very gruffly, taking the customary

hitch in his trousers.

"My man," suavely answered the Captain, "on this craft, when one of the

crew speaks to me, he gives me a title of respect. Don't you think you

might do so, too? Now how's her head?"

"Nor'-by-east, I tell yer," shouted the tar, displaying not a little

irritation.

"I'm afraid you don't quite understand me," responded the Captain,

good-humoredly. "Let me relieve you at the wheel, and then do you take

my place and ask me the question. I will then show you how it should be

answered."

They accordingly changed places.

"'Ow's her 'ead?" roared the tar.

"Nor'-by-east, sir," replied the Captain, with gentle emphasis on the

"sir."

"Then keep her so, my man, whilst I goes forrard and has a smoke," was

the startling rejoinder from the old reprobate, who calmly commenced to

suit the action to the word, and disappeared up by the forecastle,

lighting a match as he went.

* * * * *

PAT'S RETORT.

Pat has turned up again in a collection of anecdotes. Here is a specimen

of his wit lately come to hand:

A one-legged Yankee orator, who had been very successfully chaffing an

Irishman, was finally asked,

"Oi say, soor, how did yez lose your leg?"

"Well," replied the Yankee, "I found, when I came to look up my

ancestry, that I had a little Irish blood in my veins, and becoming

convinced that it had all settled in my left leg, I had it cut off at

once."

"Bejabers!" cried Pat. "Phot a pity it hodn't shettled in your head!"

* * * * *

BOBBIE'S PLAN.

Whene'er at night I'd know the time

And cannot see the clocks,

I feel about beneath my crib

For those upon my socks.

* * * * *

"It is very naughty of you, Wilbur, to answer back to mamma in this way.

Where did you ever learn to do that?"

"Watchin' papa, I des, mamma," said Wilbur, "He most generally answers

back."

* * * * *

SINGULAR CLOCKS.

In an answer to a correspondent who asks, "What is the most curious

material out of which a time-piece has been made," a London journal

prints the following rather interesting item:

Bread, we think, is the most curious material out of which a clock has

ever been constructed. There was, and may still be, in Milan a clock

made of bread. The maker was a native of Milan, who devoted three years

of his time to the task. He was very poor, and being without means to

purchase the necessary metal for the making of a clock, he sat apart

regularly a portion of his bread each day, eating the crust and saving

the soft part. To solidify this he made use of a certain salt, and when

the various pieces were dry they became perfectly hard and insoluble in

water. The clock was of good size, and kept fair time.

Another strange clock was exhibited some years ago in Liverpool. It was

constructed of pins, buttons, and all sorts of odds and ends by a pauper

named Mercer. The maker of this extraordinary time-piece thus describes

it himself: The back and the front of the clock were made from iron

bed-laths, while the barrel was part of a large brass ferule, the ends

being brass buttons hammered out. The barrel arbor had originally been

the blade of a shoe-maker's awl; the main and several other wheels were

nothing more nor less than suspender buttons from the maker's own

trousers, while the cog teeth were portions of bygone knitting-needles.

The teeth of the centre wheels had been boot-rivets. In the dial there

were one hundred separate pieces.

* * * * *

A NONSENSE RHYME.

Oh, wouldn't it be splendid,

Oh, wouldn't it be grand,

If I could play the ear-drum

In an elastic band!

End of Project Gutenberg's Harper's Round Table, February 4, 1896, by Various

Harper's Round Table, February 4, 1896 · 第 6 / 6 段