EXPERIMENTS.

To adopt and practise in earnest any new system without sufficient

trials and proofs of its merit, may be called going wilfully

astray.--To avoid deceiving myself in the new system before us, I,

after having been convinced of its advantageous practicability, set

about to ascertain the other great point, the stability of the colours;

for this end, and to know more exactly how much every colour would vary

from its original hue in a certain space of time, as well in regard

to the same system as in opposition to oil-colours, I proceeded as

follows.

_Experiment the first and principal, 1757._

I had all the colours used in oil painting, mentioned in the foregoing

list, carefully ground with water, at Mr. Sandys’s, colour-merchant,

and from those colours I composed ninety various and sensibly differing

tints, for flesh, drapery and landscape; of each tint I had a quantity

of a two ounce gallipot full, tempered with water; so I left them

well screened from dust till they were become dry again; then I

divided each mass of tint in four equal parts; two of each I set by

for the comparative use, the other two parts of each I employed in the

following manner.

One part of each I tempered again with water, and painted with it over

a space of cloth of six inches wide and two inches high, the tints

close to each other, in the manner of copper-plate, _page 58_, and the

cloth waxed as directed _Art. IV. page 26_. The same I did with the

entire and unmixed colours.

The other parts of each tint I tempered with the finest nut-oil

according to custom, and painted-over with them such another space of

six inches by two, as the former, upon oil-cloth. The same I did with

the entire colours, and set them by to dry; when dry, I brought the

encaustic tints near the fire, and by melting the wax fixed them.

My tints thus ready, I cut each piece of cloth, encaustic and

oil-tints, in five equal parts, and disposed of a piece of each in the

following manner.

1. One piece of each I exposed in the open air to all the injuries of

sun, dew, wind and rain.

Encaustic: Or, Count Caylus's method of painting in the manner of the ancients. To which is added a sure and easy method for fixing of crayons · 第 37 / 51 题