CHAPTER IV.

WITH TITIAN TRESSES.

Mr. Weil deciphered the MSS. of Miss Fern with some difficulty. Not that

the handwriting was particularly illegible, though it did not in the

least resemble copperplate engraving; but, as Mr. Gouger had intimated,

the sentences were so badly constructed, and the punctuation so

different from that prescribed by the usual authorities, that he was

continually obliged to go back over his tracks and hunt for meanings.

Nevertheless, within an hour from the time when he sat down in his room

at the Hoffman House and opened the package he had brought, he had to

confess himself deeply interested.

Miss Fern had conceived some entertaining characters, and some very

unconventional situations. Her people were virile; her hero was strong

if not always grammatical; her heroine did and said things not common in

real life, and yet that were quite reasonable when her peculiar nature

and environment were considered.

Archie paused once in awhile to wonder how much of all this record was

within the direct knowledge of the young authoress; which expressions

conveyed her own ideas and which sentiments she would personally

endorse. Gouger might be right as to the exceeding purity of most of the

ladies who dealt in eroticism, but in this especial case Mr. Weil meant

to make an investigation on his own account before he accepted as a

universal rule the one his friend had laid down.

He did not go to sleep that night until he had finished his story. Had

it been arranged by a competent hand he could have read it in four

hours, but as it was he consumed eight in the work. With all its faults,

he liked it. There was something breezy about it, and it had a theme

that he did not remember had been treated exactly in the same way

before. Though, as he himself had said, without much talent for

composition, Archie had read a great many books. It is no proof because

a person cannot write that he would make a poor critic. Mr. Weil might

almost have filled Lawrence Gouger's place at Cutt & Slashem's. He had

written fugitive pieces in his time for the papers, in reference to his

travels, which had been extensive, and had even contributed occasional

book reviews to the magazines. His connection with Gouger enabled him to

keep in touch with what was going on in the literary world, and the

dozens of new volumes which passed through that office were always at

his disposal.

"She's not a fool, by any means," he remarked to himself, when he put

down the last sheet of Miss Fern's work. "A fellow who understood his

business might put that into such shape that it would be worth using. I

mean to find some one who can do it, and suggest the idea to her, when I

get to that stage in this affair. Let me see, who do I know that could

undertake it?"

He had begun to undress, and was in the act of taking off his collar as

he spoke. His mind ran over a list of struggling literary men. Something

seemed the matter with most of them. There was Hamlin, but he would be

too exacting, and would want to suggest alterations in the story itself,

which would never do. There was Insley, whose last three books had been

flat failures, and for whom Cutt & Slashem had positively refused to

print anything more; but Insley had gone into the country for the summer

and nobody knew his address. Then there was--

"_Roseleaf!_"

Archie received this thought like an inspiration. He threw his cravat on

the bureau and began tugging at his shoestrings to the imminent danger

of getting them into hard knots that no one could unravel. Roseleaf! Why

not? The boy would do almost anything he suggested, so great was his

confidence that a road to literary preferment could be staked out over

that path. Roseleaf would not undertake the work for the sake of

pecuniary compensation, but the thing could be presented to him in quite

another light. In Miss Fern's story there were living, breathing men and

women. In his own there were beautifully drawn marionettes. He could be

made to see that the study of the young lady's method was worth his

while. And then!

Mr. Weil's shoes lay on the floor, in the disorder of a bachelor who had

never in his life taken pains to put anything in the place where it

really belonged. He took out the studs of his shirt, pulled that garment

over his head, and then sat for some minutes wrapped in active thought.

"They must be introduced to each other!" he exclaimed, at last. "Between

them they have every qualification for success; apart they are like the

separated wheels of a watch. There is Shirley, with a style so sweetly

subtle, a grace so perfect, every line a gem; and with it all not a sign

of human emotion. There is Millicent, full of plot and daring and

breathing characters, and bold conceptions, and no more able to write

good English than an Esquimaux squaw. I have both these interesting

persons on my hands, and I must combine them, for their mutual good.

"I wonder what Gouger will say when I unfold my plan. Perhaps I had best

not tell him. He actually came near threatening, to-day, to send a line

to Miss Fern, warning her against me. He wouldn't have done it, though.

Lawrence has a bark that is worse than his bite by a great deal. Yes,

I'll bring these young folks together. I'll take them as Hermann does

the rabbits, and press them gently but firmly into one. And then sha'n't

we get a combination! And won't Mr. Lawrence Gouger hug himself when the

product of their joint endeavor comes to him for a reading!"

The muser finished disrobing and donned his night robes, but it was a

long time before he felt like slumber. He could think of nothing but his

scheme. As he revolved it over in his mind, it took many new forms. At

first Roseleaf was to be asked to rewrite the story that Miss Fern had

offered Cutt & Slashem. And afterwards there must be an entirely new

novel, conceived together and worked out slowly, using the best of what

was brightest in both of them.

The last idea Mr. Weil had before he relapsed into unconsciousness

contained two novels, worked out at the same time. Roseleaf was all

right, if he could only get a glimpse of realism into his work. Miss

Fern would have no trouble if her ideas could find a garb that suited

them.

There would be a way to make them of service to each other, and the time

to cross a bridge is always when you come to it. So thought Archie Weil,

as he fell asleep.

In the morning he laughed to think of the description he had given to

Shirley, in his offhand way, of "the perfect woman." It was a faithful

list of Miss Millicent's charms, so far as they were apparent to him.

Shirley had noted them down with great carefulness, and would be sure to

notice how fully the authoress met the ideal he now had in mind. It only

remained for the schemer to say something to Miss Fern that would

suggest Roseleaf to her, whenever they were made acquainted.

It must be plain to the reader that Mr. Weil's principal intention in

this whole matter was to dispose of the _ennui_ which idleness brings

even to its most adoring devotees. He had a fair fortune, accumulated

by a father who had denied himself every luxury to amass it. Drifting to

New York, he had found the vicinity of the Hoffman House very agreeable,

and his companions, with the exception of Mr. Gouger, were of about as

light views of life as himself. The critic was one of those strange

exceptions with which most of us come in contact, where persons of

entirely opposite tastes and inclinations become attached friends.

Breakfast was served so late to Mr. Weil that he had not finished that

repast when the young novelist made his appearance. Seating himself on

the side of the table that faced his friend, Mr. Roseleaf responded to

the latter's inquiries in regard to his health by saying that he was

quite well. Indeed, he looked it. His eye was bright, his cheek rosy.

His attire showed just enough of a negligent quality to be attractive.

There was an air about him such as is often associated with an artist of

the pencil and brush.

"Never better in health," he said, "but very anxious to begin something

definite in the way of work."

Mr. Weil smiled his most affable smile.

"What did I tell you to do, first?" he asked, playfully.

"To fall in love."

"Which you have not yet done!"

The young man shook his head.

"Good Heavens! And you have lost more than a week!"

Roseleaf colored more than ever.

"Isn't there something else--that I could--begin on?" he asked, humbly.

"I don't know of anything. Love is the alphabet of the novelist. You'd

best go straight. Aren't there any eligible young women at your lodging

house?"

The younger man thought a moment.

"No; only the chambermaid."

Mr. Weil sipped his coffee with a wise expression.

"It may come to that," he said, putting down the cup, "but we'll hope

not. We will hope not. What's the matter with Central Park? There are

five hundred nice girls there every afternoon."

"But I don't know them," said Roseleaf, desperately. "And--I have been

there. Yesterday one of them looked at me and smiled. I walked toward

her, and she slackened her speed. When I came within a few feet she

almost stopped. Then--I could think of nothing to say to her, and I

walked on, looking in the other direction."

Several breakfasters in the vicinity turned their heads to note the

couple at the table, from which a laugh that could be heard all over the

room came musically.

"Why didn't you say 'Good-morning?'"

"Yes! And she might have said 'Good-morning.' And then it would be my

turn, and what could I have done?"

Mr. Weil folded up his napkin and laid it by his plate.

"You coward," he replied, affably, "you could have done a thousand

things. You could have remarked that the day was fair, or that you

wondered if it would rain. And you could have asked her to stroll over

to a restaurant and take a little refreshment. Once opposite to her, the

rest would have come fast enough."

The novelist took out a handkerchief and wiped the perspiration from his

forehead. It all seemed very easy the way Archie described it, but he

was sure it would be very different in practice. How could he know, he

demanded, that the young lady would go to the restaurant with him? She

might have declined, and then he would have been in a worse position

than ever.

"Declined!" echoed Archie. "Declined a lunch? Declined ice cream?

Declined champagne frappe! Well, you _are_ ignorant of the sex. My dear

boy, it is evident that I shall have to introduce you to the leading

lady of your company, and if you will be patient for a very few days, I

hope to be able to do so."

Rousing himself with a show of genuine interest, Roseleaf inquired for

further particulars.

"Listen," replied the other. "I expect, to-morrow evening, to spend a

few hours in the company of one of the most charming members of her sex.

She, like you, has an ambition to become a successful writer. Like you,

also, she lacks some of the prime qualities that are needed for that

end. It happens, however, that the things wanting are entirely different

in each of your cases--that you will, if you choose, be able to

supplement and perfect each other. I shall tell her that I know a young

man of literary taste who will give her advice on the points in which

she is deficient. With such an opening you will be at once on Easy

street, and if you cannot fall in love within forty-eight hours, I shall

regard you as a case too hopeless to merit further attention at my

hands."

The young man's cheek glowed with pleasure.

"That is more like it," he said. "When do you think I shall be able to

meet this young lady?"

"Within a week or two, at the latest. I must sound her before I trust

you with her, for she is nearly as much a stranger to me, so far, as to

you. Of course there is no objection--quite the contrary--to your

falling in love elsewhere in the meantime, if opportunity serves."

At this moment Mr. Weil called his companion's attention to a rather

corpulent gentleman who had just entered the breakfast room and was

stopping near the door to hold a brief conversation with some one he had

met there.

"You see that fellow?" he remarked. "Wait a minute, and I will get him

over here. If you ever want to put a real character into one of your

stories you will only need to take his photograph. In actual life he is

as dull as a rusty meat axe, but for literary purposes he would be a

godsend."

Catching the eye of the person of whom he was speaking, Mr. Weil

motioned to him to come to his part of the room, and as he approached

arranged a chair for him invitingly.

"Mr. Boggs, I want to present a young friend of mine to you," said

Archie, rising. "Mr. Walker Boggs--Mr. Shirley Roseleaf."

Mr. Boggs went through the usual ceremony, announcing that he was most

happy, etc., in the perfunctory style that a million other men follow

every day. Then he took the chair that was offered him, and gave an

order for his breakfast to a waiter.

"Are you a New Yorker, Mr. Roseleaf?" he asked, when this important

matter was disposed of.

"Mr. Roseleaf is staying here for the present," explained Mr. Weil. "He

is a novelist by profession, and I tell him there is no better place to

study the sensational than this vicinity."

The young man's color deepened. He doubted if it was right to introduce

the subject in exactly these terms. Mr. Boggs' next question did not

detract from his uneasiness.

"Excuse me--I am not altogether up in current literature, and I must ask

what Mr. Roseleaf has written."

Mr. Weil helped his young friend out of this dilemma as well as he

could.

"He has written nothing, as yet; at least nothing that has been

printed," he said. "He is wise, I think, in laying a deep foundation for

his romances, instead of rushing into print with the first thoughts that

enter his head, as so many do, to their own subsequent regret and the

distress of their readers. I want him to meet men and women who have

known what life is by their own experiences. You ought to be worth

something to a bright writer, Walker. You have had many an adventure in

your day."

Mr. Walker Boggs shrugged his shoulders.

"In my 'day,' yes," he assented. "Enough to fill the Astor and Lenox

libraries and leave enough for Charlie Dillingham and The American News

Company. But that is nothing but history now. My 'day' is over and it

will never return."

He paused and ran his right hand dejectedly across his vest in the

vicinity of the waist band. Though he knew perfectly what Mr. Boggs

referred to, Archie Weil wanted him to express it in his own words to

Shirley.

"You wouldn't think," continued Mr. Boggs, after a pause which seemed

filled with strange emotions, "that my figure was once the admiration of

every lady who saw it, that they used to stop and gaze at me with eyes

of positive envy. And now--look at this!"

He indicated his embonpoint again, and shook his head wrathfully.

"It is simply damnable," he continued, as neither of the others thought

best to interrupt him. "When I was twenty-four I had a reputation that

was as wide as the continent. When I walked down Broadway you would have

supposed a procession was passing, the crowds gathered in such numbers.

If it was mentioned that I would spend a week at Saratoga or Newport,

the hotels had not a room to spare while I remained. The next year I

married, and as one of the fashion journals put it, two thousand women

went into mourning. For a decade I devoted myself entirely to my wife

and to business. I made some money, and kept out of the public eye.

Then my wife died, and I retired from the firm with which I had been

connected. The next twelve months dragged terribly. I did not know what

to do. Finally I decided that there was but one course open to me. I

must resume again the position I had vacated as a leader of fashion."

Mr. Weil bowed, as if to say that this was a very natural and

praiseworthy conclusion; precisely as if he had not heard the story told

in substantially the same way a dozen times before. He was watching

Roseleaf's interested expression and had difficulty in repressing an

inclination to laugh aloud.

"I sought out the best tailor in the city," continued Mr. Boggs. "I went

to the most fashionable hair dresser. I spent considerable time in

selecting hats, cravats and gloves. When all was ready I took a stroll,

as I had done in the old days, from Fiftieth street, down Fifth Avenue

and Broadway to Union Square. I met a few acquaintances who stared at me

slightly, but did not act in the least impressed. The women merely

glanced up and glanced away again. What was the matter? I went home and

took a long survey of myself in the mirror, a cheval glass that showed

me from crown to toe. My costume was perfect. There was not a wrinkle in

my face--this was several years ago, remember. There was not a gray hair

in my head then--there are a few now, I admit. 'What is it?' I asked

myself a hundred times as I stood there, studying out the cursed

problem. My tie was all right, my shirt front of the latest cut, my

watch chain straight from Tiffany's, my--ah! I saw it all in a moment!"

Roseleaf, who did not see it even yet, wore such an astonished

expression that Mr. Weil had to stuff his napkin into his mouth to

prevent an explosion.

"It was this devilish abdomen!" said Mr. Boggs, slapping that portion of

his frame as if he had a special grudge against it and would be glad if

he could hit it hard enough to bring it to a realizing sense of its

turpitude. "My figure had gone to the devil! It was not as large as it

is now, but it was large enough to cook my gruel. My waist had increased

so gradually that I had never noticed it. I got a tape and took its

measure. Forty-two inches, sir! The jig was up. With a heart as young as

ever, with a face as good and a purse able to supply all reasonable

demands, I was knocked out of the race on the first round by this

adipose tissue that no ingenuity could hope to conceal!"

Mr. Weil could wait no longer. His musical laugh rang out over the room.

"Let this be a warning to you, Shirley," he said, "to wear corsets."

"It is no joke," was the indignant comment of Mr. Walker Boggs, as he

proceeded to add to his rotundity by devouring the hearty breakfast that

the waiter had just brought him. "I am left like a marooned sailor on

the sea of life. The only occupation that could have entertained me is

gone. It is no time to enter business again, I couldn't have selected a

wiser one to leave it. I don't want to marry, once was enough of that.

The only women I can attract are those commercially inclined females

that any other man could have as well as I. What is the result? My life

is ruined. I take no pleasure in anything. I eat, walk about, go to a

play, sleep. A _pig_ could do as much; and a pig would not have these

memories to haunt him, these recollections of a time so different that I

am almost driven wild."

Roseleaf felt a sincere pity for the unfortunate gentleman, and did not

see the slightest element of humor in his melancholy recital. But Archie

Weil could not be restrained.

"You're right about that pig business," he remarked. "You recall the

incident in Mother Goose, where--

'A little pig found a fifty dollar note,

And purchased a hat and a very fine coat.'

"There are strange parallels in history."

Mr. Boggs would have replied to this remark in the terms it deserved had

he not been too much engaged at the moment in masticating a particularly

fine chop. As it was he growled over the meat like a mastiff in bad

humor.

"Are there no remedies for excessive accumulation of fat in the

abdominal region?" asked Weil, taking his advantage. "It seems to me I

have read advertisements of them in the newspapers."

"Remedies!" retorted the other, having swallowed the food and

supplemented it with a glass of ale. "There are a thousand, and I have

tried them all. I have taken things by the gross. I have paid money to

every quack I could find. For awhile I starved myself so nearly to death

that I went to making my will. And every day I grew stouter. I don't

know what I measure now, and I don't care. A few fathoms more or less,

doesn't count, when one falls from a steamer in midocean."

Mr. Weil took occasion to say that there was no need for this extreme

discouragement. A little coin in the hand, or a new diamond ring, would

still bring youth and beauty to his disconsolate friend.

"That's just it," retorted Boggs. "It's the contrast that's killing me.

The only women who would look at me to-day are mercenary ones that

wouldn't care if I was black as Othello or big as George IV. Why, I

could show you a trunkful of letters, written me by the finest women in

this country, when I was at my best. They breathe but one thing--love,

love, love! I lived on it! It was the air that kept my lungs in motion.

And I thought to go back to it so easily! _Ah!_"

Mr. Boggs commenced upon his fourth chop and emptied the last of the

quart bottle into his glass.

"Well, I'm sorry for you," said Weil. "I think the times must have

changed, as well as yourself, though. Now, here's a young fellow, with

all the qualifications of face, figure and address that you once had,

and he claims to be unable to make the acquaintance of a single

interesting woman between Brooklyn Bridge and Spuyten Duyvil."

The heavy eyes of Mr. Walker Boggs rested upon the youthful face

opposite to him. Under the scrutiny to which he was subjected Roseleaf

reddened, in the way he had. He had never looked more handsome.

"This is evidently a jest of yours," said Boggs, turning to Mr. Weil.

"Not in the least, I assure you."

"Then I say he can do what he likes, and I know it," replied the stout

man. "If I had his form I'd have to ask the police to clear the way for

me. I have seen circulation impeded in front of this very hotel because

I was coming out to take my carriage. If he won't look at them, why, of

course, the women can't do it all, but it lies with him."

Roseleaf's eyes glistened with a strange mixture of hope and fear. He

did not think he would care to be in such great demand as that, but he

dearly wished to break through the iron bars that enclosed him. He

glanced in a glass that paneled the wall near by. He was good-looking

enough, it was no vanity to say so. What he lacked was confidence.

"He is afraid of them, that's his trouble," smiled Weil. "We will cure

him of that, and when he gets to know women as they are he will give us

a novel that will set all creation by the ears. Gouger--you know

Gouger--says he writes the purest English. All he needs is a taste of

life."

To this Mr. Boggs gave his unqualified assent. And he added that if he

could be of any service in the matter he would only be too glad.

"We thank you for the offer, and may be able later to make use of it,"

said Mr. Weil. "And now good-morning, for we have important business to

attend to."

Roseleaf looked long and earnestly at the person they were leaving. He

seemed to him a very ordinary individual. If such a man had won the

love of scores of beautiful women, surely he himself could gain the

affections of one. When he stood with Weil in front of the hotel, by

which an unrivaled procession of ladies and gentleman was already

beginning to pass, though it was only eleven o'clock, he felt much

encouraged.

"They are looking at you," whispered Archie, "plenty of them. Did you

see those two girls in pink in that landau? Why, they nearly broke their

necks to get the last glimpse of you. There is another lady who would

stop if you asked her, pretty as any of them, though she must be nearly

thirty. Your eyes are not open. Ah, here is something better! In that

carriage, with the Titian tresses!"

It was Miss Millicent Fern, and she bowed to Mr. Weil. Then her bright

eyes lit up with a new lustre as they fell upon his companion.

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