III.

Time passed. No longer could the Toledans say, on approaching the Tagus

across the rugged cliffs and solitary places where in former times stood

the Garden of Florinda, "Here once stood the bridge of San Martin."

Though the new bridge was still supported by solid scaffolding and

massive frames, yet the centre arch already rose to view, and the whole

was firmly planted on the ruins of the former.

The Archbishop, Don Pedro Tenorio, and the Toledans were heaping gifts

and praises on the fortunate architect whose skill had joined the

central arch, despite the furious power of the surging currents, and who

had completed the gigantic work with consummate daring.

It was the eve of the feast of San Ildefonso, the patron saint of the

city of Toledo. Juan de Arèvalo respectfully informed the Cardinal

Archbishop that nothing was now wanting to conclude the work, but to

remove the woodwork of the arches and the scaffolding. The joy of the

Cardinal and of the people was great. The removal of the scaffolding and

frames which supported the masonry was a work attended with considerable

danger; but the calmness and confidence of the architect who had pledged

himself to stand on the keystone and await the consequences of success

or lose his life, inspired all with perfect trust.

The solemn blessing and inauguration of the bridge of San Martin was

fixed to take place on the day following, and the bells of all the

churches of Toledo were joyously ringing in announcement of the grand

event appointed for the morrow. The Toledans contemplated with rejoicing

from the heights above the Tagus the lovely Cigarrales, which for many

years had remained solitary and silent--indeed, almost abandoned--but

which on the day following would be restored to life.

Towards nightfall Juan de Arèvalo mounted the central arch to see that

all was ready for the opening ceremony. He went humming to himself as he

inspected all the works and preparations. But, suddenly, an expression

of misgiving overspread his countenance. A thought had struck him--a

thought that froze his blood. He descended from the bridge and hastened

home.

At the door his wife received him with a joyous smile and a merry word

of congratulation. But on beholding his troubled face she turned deadly

pale.

"Good heavens!" she cried, affrighted, "are you ill, dear Juan?"

[Illustration: "ARE YOU ILL, DEAR JUAN?"]

"No, dear wife," he replied, striving to master his emotion.

"Do not deceive me! your face tells me that something ails you?"

"Oh! the evening is cold and the work has been excessive."

"Come in and sit down at the hearth and I will get the supper ready, and

when you have had something to eat and are rested you will be at ease

again!"

"At ease!" murmured Juan to himself, in agony of spirit, whilst his wife

busied herself in the preparation of the supper, placing the table close

to the hearth, upon which she threw a faggot.

Juan made a supreme effort to overcome his sadness, but it was futile.

His wife could not be deceived.

"For the first time in our married life," she said, "you hide a sorrow

from me. Am I no longer worthy of your love and confidence?"

"Catherine!" he exclaimed, "do not, for heaven's sake, grieve me further

by doubting my affection for you!"

"Where there is no trust," she rejoined in feeling tones, "there can be

no true love."

"Then respect, for your own good and mine, the secret I conceal from

you."

"Your secret is a sorrow, and I wish to know it and to lighten it."

"To lighten it? That is impossible!"

"To such a love as mine," she urged, "nothing is impossible."

"Very well: then hear me. To-morrow my life and honour will be lost. The

bridge must fall into the river, and I on the keystone shall perish with

the fabric which, with so much anxiety and so many hopes, I have

erected!"

"No, no!" cried Catherine, as she clasped her husband in her arms with

loving tenderness, smothering in her own heart the anguish of the

revelation.

"Yes, dear wife! When I was most confident of my triumph, I discovered

that, owing to an error in my calculations, the bridge must fall

to-morrow when the framework is removed. And with it perishes the

architect who projected and directed it."

"The bridge may sink into the waters, but not you, my loved one. On

bended knees I will beseech the noble Cardinal to release you from your

terrible engagement."

"What you ask will be in vain. Even should the Cardinal accede to your

entreaty, I refuse life destitute of honour."

"You shall have life and honour both, dear husband," replied Catherine.

The Strand Magazine, Vol. 01, No. 03, March 1891 An Illustrated Monthly · 第 6 / 49 题