Chapter I

CHRISTIE, THE KING'S SERVANT

A Sequel to 'Christie's Old Organ'

By MRS. O.F. WALTON

AUTHOR OF 'CHRISTIE'S OLD ORGAN'

'A PEEP BEHIND THE SCENES'

'THE KING'S CUPBEARER'

'SHADOWS' ETC ETC

[Illustration]

Contents

CHAPTER

I RUNSWICK BAY

II LITTLE JOHN

III STRANGE MUSIC

IV WHAT ARE YOU?

V THE RUNSWICK SPORTS

VI THE TUG OF WAR

VII OVER THE LINE

VIII A NIGHT OF STORM

IX ASK WHAT YE WILL

X WE KNOW

XI LITTLE JACK AND BIG JACK

XII WHERE ARE YOU GOING?

[Illustration]

Chapter I

RUNSWICK BAY

It was the yellow ragwort that did it! I have discovered the clue at

last. All night long I have been dreaming of Runswick Bay. I have been

climbing the rocks, talking to the fishermen, picking my way over the

masses of slippery seaweed, and breathing the fresh briny air. And all

the morning I have been saying to myself, 'What can have made me dream

of Runswick Bay? What can have brought the events of my short stay in

that quaint little place so vividly before me?' Yes, I am convinced of

it; it was that bunch of yellow ragwort on the mantelpiece in my

bedroom. My little Ella gathered it in the lane behind the house

yesterday morning, and brought it in triumphantly, and seized the best

china vase in the drawing-room, and filled it with water at the tap, and

thrust the great yellow bunch into it.

'Oh, Ella,' said Florence, her elder sister, 'what ugly common flowers!

How could you put them in mother's best vase, that Aunt Alice gave her

on her birthday! What a silly child you are!'

'I'm not a silly child,' aid Ella stoutly, 'and mother is sure to like

them; I know she will. _She_ won't call them common flowers. She

loves all yellow flowers. She said so when I brought her the daffodils;

and these are yellower, ever so much yellower.'

Her mother came in at this moment, and, taking our little girl on her

knee, she told her that she was quite right; they were very beautiful in

her eyes, and she would put them at once in her own room, where she

could have them all to herself.

And that is how it came about, that, as I lay in bed, the last thing my

eyes fell upon was Ella's bunch of yellow ragwort; and what could be

more natural than that I should go to sleep and dream of Runswick Bay?

It seems only yesterday that I was there, so clearly can I recall it,

and yet it must be twenty years ago. I think I must write an account of

my visit to Runswick Bay and give it to Ella, as it was her yellow

flowers which took me back to the picturesque little place. If she

cannot understand all I tell her now, she will learn to do so as she

grows older.

I was a young man then, just beginning to make my way as an artist. It

is slow work at first; until you have made a name, every one looks

critically at your work; when once you have been pronounced a rising

artist, every daub from your brush has a good market value. I had had

much uphill work, but I loved my profession for its own sake, and I

worked on patiently, and, at the time my story begins, several of my

pictures had sold for fair prices, and I was not without hope that I

might soon find a place in the Academy.

It was an unusually hot summer, and London was emptying fast. Every one

who could afford it was going either to the moors or to the sea, and I

felt very much inclined to follow their example. My father and mother

had died when I was quite a child, and the maiden aunt who had brought

me up had just passed away, and I had mourned her death very deeply, for

she had been both father and mother to me. I felt that I needed change

of scene, for I had been up for many nights with her during her last

illness, and I had had my rest broken for so long, that I found it very

difficult to sleep, and in many ways I was far from well. My aunt had

left all her little property to me, so that the means to leave London

and to take a suitable holiday were not wanting. The question was, where

should I go? I was anxious to combine, if possible, pleasure and

business--that is to say, I wished to choose some quiet place where I

could get bracing air and thorough change of scene, and where I could

also find studies for my new picture, which was (at least, so I fondly

dreamed) to find a place in the Academy the following spring.

It was whilst I was looking for a suitable spot that Tom Bernard, my

great friend and confidant, found one for me.

'Jack, old fellow,' he said, thrusting a torn newspaper into my hand,

'read that, old man.'

The newspaper was doubled down tightly, and a great red cross of Tom's

making showed me the part he wished me to read.

RUNSWICK BAY.

This charming seaside resort is not half so well known

as it deserves to be. For the lover of the beautiful,

for the man with an artistic eye, it possesses a charm

which words would fail to describe. The little bay is a

favourite resort for artists; they, at least, know how

to appreciate its beauties. It would be well for any who

may desire to visit this wonderfully picturesque and

enchanting spot to secure hotel or lodging-house

accommodation as early as possible, for the demand for

rooms is, in August and September, far greater than the

supply.

'Well, what do you think of it?' said Tom.

'It sounds just the thing,' I said; 'fresh air and plenty to paint.'

'Shall you go?'

'Yes, to-morrow,' I replied; 'the sooner the better.'

My bag was soon packed, my easel and painting materials were collected,

and the very next morning I was on my way into Yorkshire.

It was evening when I reached the end of my long, tiring railway

journey; and when, hot and dusty, I alighted at a village which lay

about two miles from my destination. I saw no sign of beauty as I walked

from the station; the country was slightly undulating in parts, but as a

rule nothing met my gaze but a long flat stretch of field after field,

covered, as the case might be, with grass or corn. Harebells and pink

campion grew on the banks, and the meadows were full of ox-eye daisies;

but I saw nothing besides that was in the least attractive, and

certainly nothing of which I could make a picture.

A family from York had come by the same train, and I had learnt from

their conversation that they had engaged lodgings for a month at

Runswick Bay. The children, two boys of ten and twelve, and a little

fair-haired girl a year or two younger, were full of excitement on their

arrival.

'Father, where is the sea?' they cried. 'Oh, we do want to see the sea!'

'Run on,' said their father, 'and you will soon see it.'

So we ran together, for I felt myself a child again as I watched them,

and if ever I lagged behind, one or other of them would turn round and

cry, 'Come on, come on; we shall soon see it.'

Then, suddenly, we came to the edge of the high cliff, and the sea in

all its beauty and loveliness burst upon us. The small bay was shut in

by rocks on either side, and on the descent of the steep cliff was built

the little fishing village. I think I have never seen a prettier place.

The children were already running down the steep, rocky path--I cannot

call it a road--which led down to the sea, and I followed more slowly

behind them. It was the most curiously built place. The fishermen's

cottages were perched on the rock, wherever a ledge or standing place

could be found. Steep, narrow paths, or small flights of rock-hewn

steps, led from one to another. There was no street in the whole place;

there could be none, for there were hardly two houses which stood on the

same level. To take a walk through this quaint village was to go up and

down stairs the whole time.

At last, after a long, downward scramble, I found myself on the shore,

and then I looked back at the cliff and at the irregular little town. I

did not wonder that artists were to be found there. I had counted four

as I came down the hill, perched on different platforms on the rock, and

all hard at work at their easels.

Yes, it was certainly a picturesque place, and I was glad that I had

come. The colouring was charming: there was red rock in the background,

here and there covered with grass, and ablaze with flowers. Wild roses

and poppies, pink-thrift and white daisies, all contributed to make the

old rock gay. But the yellow ragwort was all over; great patches of it

grew even on the margin of the sand, and its bright flowers gave the

whole place a golden colouring. There seemed to be yellow everywhere,

and the red-tiled cottages, and the fishermen in their blue jerseys, and

the countless flights of steps, all appeared to be framed in the

brightest gilt.

Yes, I felt sure I should find something to paint in Runswick Bay. I was

not disappointed in Tom's choice for me.

[Illustration]

Christie, the King's Servant A Sequel to "Christie's Old Organ" · 第 1 / 12 章