Charles XI. was one of the most despotic and, at the same time, one of

the ablest monarchs that ever ruled the destinies of Sweden. History

represents him as brave and enlightened, but of a harsh and inflexible

disposition; regulating his opinions by positive facts, and wholly

ungifted with imagination. At the period of which we are about to speak,

death had bereaved him of his Queen, Ulrica Eleonora. Notwithstanding

the harshness which had marked his conduct to the Princess during her

lifetime, and which, in the opinion of his subjects, had precipitated

her into the grave, Charles revered her memory, and appeared more

affected by her loss than might have been imagined from the natural

sternness of his character. Subsequently to this event, he became more

gloomy and taciturn than before, and devoted himself to study with an

intensity of application that evinced his anxiety to escape the tortures

of his own painful reflections. Towards the close of a dreary autumnal

evening, the king, in slippers and _robe de chambre_, was seated before

a large fire, in a private cabinet of his palace at Stockholm. Near him

were his grand chamberlain, the Count de Brahe, who was honoured with

the favourite estimation of his sovereign, and the principal state

physician, Baumgarten, a learned disciple of Hippocrates, who aimed at

the reputation of an _esprit fort_, and who would have pardoned a

disbelief in anything except in the efficacy of his own prescriptions.

The last-mentioned personage had on that evening been hastily summoned

to the presence of the monarch, who felt or fancied himself in need of

his professional skill. The evening was already far advanced, and the

king, contrary to his wont, delayed bidding the customary "goodnight to

all,"--the well-understood signal at which his guests always retired.

With his head bent down, and his eyes fixed upon the decaying embers,

that gradually withdrew even their mockery of warmth from the spacious

fireplace, he maintained a strict silence, evidently fatigued with his

company, yet dreading, though he scarcely knew why, to be left alone.

The grand chamberlain, who perceived that even his profound remarks

failed to excite the attention of the monarch, ventured to hint that his

majesty would do well to seek repose; a gesture of the king retained him

in his place. The physician, in his turn, hazarded a casual observation

on the injurious tendency of late hours. The significant innuendoes

were, however, thrown away on Charles, who replied to them by muttering

between his teeth, "You may remain; I have no wish to sleep." This

permission, with which the drowsy courtiers would willingly have

dispensed, but which was really equivalent to a command, was succeeded

by an attempt on their part to enliven his majesty with different

subjects of conversation. No topic, however, that they introduced could

outlive the second or third phrase. The king was in one of his gloomy

moods; for royalty, with reverence be it spoken, has its moments of

merriment and ill-humour, its mixture of sunshine and of cloud; and be

it known to thee, gentle reader, that ticklish is the position of a

courtier when majesty is in the dumps. To mend, or rather to mar the

matter, the grand chamberlain, imagining that the sadness which

overshadowed the royal brow came from regret, fixed his eyes upon a

portrait of the queen, hung up in the cabinet, and with a sigh of pathos

exclaimed, "How striking the resemblance! and who could not recognise

the expression of majesty and gentleness, that----" "Fudge!" cried the

king. Conscience had probably something to do with the abruptness of the

exclamation. The old chamberlain had unwittingly touched a tender chord;

every allusion to the queen appearing like a tacit reproach to the

august and widowed spouse. "That portrait," added the king, "is too

flattering, the queen was far from handsome"; then, as if inwardly

repentant of his harshness, he rose from his seat and paced the

apartment with hasty strides, to conceal the tears that had well-nigh

betrayed his emotion. He sat in the embrasure of a window which looked

upon the court; the moon was obscured by a thick veil of clouds; not

even a solitary star twinkled through the darkness. The palace at

present inhabited by the kings of Sweden was not at that time finished;

and Charles XI., in whose reign it had been commenced, usually resided

in an old-fashioned edifice, built something in the shape of a

horseshoe, and situated at the point of Ritterholm, commanding a view of

Lake Mader. The royal cabinet was at one of the extremities, nearly

opposite to the grand hall or council-chamber, in which the States were

accustomed to assemble when a message or communication from the crown

was expected. Just at this moment the windows of the council-chamber

appeared brilliantly illuminated. The king was lost in surprise. He at

first imagined the light to proceed from the torch of some domestic. Yet

what could occasion so unseasonable a visit to a place that for a

considerable time had been closed? Besides, the light was too vivid to

be produced by one single torch, it might have been attributed to a

conflagration; but no smoke was perceptible, no noise was heard, the

window glasses were not broken, everything in short seemed to indicate

an illumination, such as takes place on public and solemn occasions.

Charles, without uttering a word, remained gazing at the windows of the

council-chamber. The Count Brahe, who had already grasped the bell-cord,

was on the point of summoning a page, in order to ascertain the cause of

this singular illumination, when the king suddenly prevented him. "I

will visit the chamber myself," said his majesty; the seriousness of his

deportment and the paleness of his countenance indicating a strange

mixture of determination and superstitious awe. He quitted the cabinet

with the unhesitating step of one resolved to obtain mastery over

himself; the legislator of etiquette, and the regulator of bodies, each

with a lighted taper, followed him with fear and trembling. The keeper

of the keys had already retired to rest; Baumgarten was despatched by

the king to awaken him, and to order him forthwith to open the doors of

the council-chamber. Unbounded was the worthy keeper's surprise at the

unexpected intimation. Benign Providence, however, has ordained monarchs

to command, and created keepers of keys to obey. The prudent Cerberus

yawned, dressed himself in haste, and presented himself before his

sovereign with the insignia of his office, a bunch of keys of various

dimensions suspended at his girdle. He commenced by opening the door of

a gallery, which served as a sort of ante-room to the council-chamber.

The king entered; but his astonishment may be conceived, on finding the

walls of the building entirely hung with black. "By whose order has this

been done?" demanded the king in a tone of anger. "Sire," replied the

trembling keeper of the keys, "I am ignorant; the last time the gallery

was opened it was wainscoted with oak, as usual, most assuredly these

hangings are not from your majesty's wardrobe." The king, however, had

by this time traversed at a rapid pace two-thirds of the gallery,

without stopping to avail himself of the worshipful warden's

conjectures. The latter personage and the grand chamberlain followed his

majesty, whilst the learned doctor lingered a little in the rear.

"Sire," cried the keeper of the keys, "I beseech your majesty to go no

farther. As I have a living soul, there is witchcraft in this matter. At

this hour ... and since the death of the queen, God be gracious to us!

It is said that her majesty walks every night in this gallery." "Hold,

Sire!" cried the Count in his turn, "do you not hear a strange noise

which seems to proceed from the council-chamber? Who can foresee the

danger to which your majesty may expose your sacred person?" "Forward!"

replied the resolute monarch in an imperative tone; and as he stopped

before the door of the council-chamber, "Quick! your keys!" said he to

the keeper. He pushed the door violently with his foot, and the noise,

repeated by the echoes of the vaulted roof, resounded through the

gallery like the report of a cannon. The old keeper trembled; he tried

one key, then another, but without success; his hand shook, his sight

was confused. "A soldier, and afraid?" cried Charles with a smile.

"Come, Count, you must be our usher: open that door." "Sire," replied

the grand chamberlain stepping backwards, "if your majesty command me to

walk up to the mouth of a Danish cannon, I will obey on the instant; but

you will not order me to combat with the devil and his imps?" The

monarch snatched the keys from the palsied hands of the infirm old

keeper. "I see," said his majesty in a tone of contempt, "that I must

finish this adventure"; and before his terrified suite could prevent his

design, he had already opened the massy oaken door, and penetrated into

the council-chamber, first pronouncing the usual formula, "with the help

of God." The companions of his midnight excursion entered along with

him, prompted by a sentiment of curiosity, stronger on this occasion

even than terror; their courage too was reinforced by a feeling of

shame, which forbade them to abandon their sovereign in the hour of

peril. The council-chamber was illuminated with an immense number of

torches. The ancient figured tapestry had been replaced by a black

drapery suspended on the walls, along which were ranged, in regular

order, and according to the custom of those days, German, Danish, and

Muscovite banners, trophies of the victories won by the soldiers of

Gustavus Adolphus. In the middle were distinguished the banners of

Sweden, covered with black crape. A numerous assemblage was seated on

the benches of the hall. The four orders of the state--the nobility, the

clergy, the citizens, and the peasants,--were ranged according to the

respective disposition assigned to each. All were clothed in black; and

the multitude of human faces, that shone like so many luminous rays upon

a dark ground, dazzled the sight to such a degree that, of the four

individuals who witnessed this extraordinary scene, not one could

discern amidst the crowd a countenance with which he was familiar; the

position of the four spectators might have been compared to that of

actors, who, in presence of a numerous audience, were incapable of

distinguishing a single face among the confused mass. On the elevated

throne whence the monarch habitually harangued the assembly of the

States, was seated a bleeding corpse, invested with the emblems of

royalty. On the right of this apparition stood a child, a crown upon his

head and the sceptre in his hand; on the left an aged man, or rather

another phantom, leaned upon the throne, opposite to which were several

personages of austere and solemn demeanour, clothed in long black robes,

and seated before a table covered with thick folios and parchments; from

the gravity of their deportment the latter seemed to be judges. Between

the throne and the portion of the council-chamber above which it was

elevated, were placed an axe and a block covered with black crape. In

this unearthly assembly none seemed at all conscious of the presence of

Charles, or of the three individuals by whom he was accompanied. At last

the oldest of the judges in black robes--he who appeared to discharge

the functions of president--rising with dignity, struck three times with

his hand upon an open folio. Profound silence immediately succeeded;

some youths of distinguished appearance, richly dressed, and with their

hands fettered behind their backs, were led into the council-chamber by

a door opposite to that which Charles had opened. Behind them a man of

vigrous mould held the extremity of the cord with which their hands were

pinioned. The prisoner who marched in the foremost rank, and whose air

was more imposing than that of the others, stopped in the midst of the

council-chamber before the block which he seemed to contemplate with

haughty disdain. At the same instant the corse seated on the throne was

agitated by a convulsive tremor, and the purple tide flowed afresh from

his wounds. The youthful prisoner knelt upon the ground, and laid his

head upon the block; the fatal axe glittering in the air descended

swiftly; a stream of blood forced its way even to the platform of the

throne, and mingled with that of the royal corse; whilst the head of the

victim, rebounding from the crimson pavement, rolled to the feet of

Charles, and stained them with blood. Hitherto, astonishment had

rendered the monarch dumb; but at this horrid spectacle his tongue was

unloosed. He advanced a few steps towards the platform, and addressing

himself to the apparition on the left of the corse, boldly pronounced

the customary abjuration, "If thou art of God, speak; if of the Evil

One, depart in peace." The phantom replied in slow and emphatic accents,

"Charles, not under thy reign shall this blood be shed [here the voice

became indistinct]; five monarchs succeeding thee shall first sit on the

throne of Sweden. Woe, woe, woe to the blood of Wasa!" Upon this the

numerous figures composing this extraordinary assemblage became less

distinct, till at last they resembled a mass of coloured shadows, soon

after which they disappeared altogether. The fantastic torches were

extinguished of themselves, and those of Charles and his suite cast

their dim, flickering light upon the old-fashioned tapestry with which

the chamber was usually hung, and which was now slightly moved by the

wind. During some minutes longer a strange sort of melody was heard, a

harmony compared by one of the eye-witnesses of this unparalleled scene

to the murmur of the breeze agitating the foliage, and by another to the

sound emitted by the breaking of a harp-string. All agreed upon one

point, the duration of the apparition, which they stated to have lasted

about ten minutes. The black drapery, the decapitated victim, the stream

of blood which had inundated the platform, all had disappeared with the

phantoms; every trace had vanished except a crimson spot, which still

stained the slipper of Charles, and which alone would have sufficed to

remind him of the horrid vision, had it been possible for any effort to

erase it from his memory. Returning to his private cabinet, the king

committed to paper an exact relation of what he had seen, signed it, and

ordered his companions to do the same. Spite of the precautions taken to

conceal the contents of this statement from the public, they soon

transpired, and were generally known, even during the lifetime of

Charles XI. The original document is still in existence, and its

authenticity has never been questioned; it concludes with the following

remarkable words:--"If," says the king, "all that I have just declared

is not the exact truth, I renounce my hopes of a happier existence which

I may have merited by some good actions, and by my zeal for the welfare

of my people and for the maintenance of the religion of my fathers." If

the reader will call to mind the death of Gustavus III., and the trial

of his assassin, Ankarstroem, he will observe the intimate connection

between these events and the circumstances of the extraordinary

prediction which we have just detailed. The apparition of the young man

beheaded in the presence of the assembled States prognosticated the

execution of Ankarstroem. The crowned corse represented Gustavus III.,

the child, his son and successor, Gustavus Adolphus IV.; and lastly, by

the old man was designated the uncle of Gustavus IV., the Duke of

Sudermania, regent of the kingdom and afterwards king, upon the

deposition of his nephew.

XLIII

BEN JONSON'S PREVISION

DRUMMOND'S "Conversations"

Ben Jonson told Drummond of Hawthornden that "when the king came to

England, about the time that plague was in London, he being in the

country, at Sir Robert Cotton's house with old Cambden, he saw in a

vision his eldest son, then a young child and at London, appear unto him

with the mark of a bloody cross on his forehead, as if it had been cut

with a sword, at which amazed he prayed unto God, and in the morning he

came unto Mr Cambden's chamber to tell him, who persuaded him it was but

an apprehension, at which he should not be dejected. In the meantime

there came letters from his wife of the death of that boy in the plague.

He appeared to him, he said, of a manly shape, and of that growth he

thinks he shall be at the resurrection."

XLIV

QUEEN ULRICA AND THE COUNTESS STEENBOCK

"Court Records"

When Queen Ulrica was dead, her corpse was placed in the usual way in an

open coffin, in a room hung with black and lighted with numerous wax

candles; a company of the king's guards did duty in the ante-room. One

afternoon, the carriage of the Countess Steenbock, first lady of the

palace, and a particular favourite of the queen's, drove up from

Stockholm. The officers commanding the guard of honour went to meet the

countess, and conducted her from the carriage to the door of the room

where the dead queen lay, which she closed after her.

The long stay of the lady in the death-chamber caused some uneasiness;

but it was ascribed to the vehemence of her grief; and the officers on

duty, fearful of disturbing the further effusion of it by their

presence, left her alone with the corpse. At length, finding that she

did not return, they began to apprehend that some accident had befallen

her, and the captain of the guard opened the door. He instantly started

back, with a face of the utmost dismay. The other officers ran up, and

plainly perceived, through the half-open door, the deceased queen

standing upright in her coffin, and ardently embracing the countess. The

apparition seemed to move, and soon after became enveloped in a dense

smoke or vapour. When this had cleared away, the body of the queen lay

in the same position as before, but the countess was nowhere to be

found. In vain did they search that and the adjoining apartments, while

some of the party hastened to the door, thinking she must have passed

unobserved to her carriage; but neither carriage, horses, driver, or

footmen were to be seen. A messenger was quickly despatched with a

statement of this extraordinary circumstance to Stockholm, and there he

learnt that the Countess Steenbock had never quitted the capital, and

that she died at the very moment when she was seen in the arms of the

deceased queen.

XLV

DENIS MISANGER

"The Phantom World"

On Friday, the first day of May 1705, about five o'clock in the evening,

Denis Misanger de la Richardiere, eighteen years of age, was attacked

with an extraordinary malady, which began by a sort of lethargy. They

gave him every assistance that medicine and surgery could afford. He

fell afterwards into a kind of furor or convulsion, and they were

obliged to hold him, and have five or six persons to keep watch over

him, for fear that he should throw himself out of the windows, or break

his head against the wall. The emetic which they gave him made him throw

up a quantity of bile, and for four or five days he remained pretty

quiet.

At the end of the month of May, they sent him into the country, to take

the air; and some other circumstances occurred, so unusual, that they

judged he must be bewitched. And what confirmed this conjecture was,

that he never had any fever, and retained all his strength,

notwithstanding all the pains and violent remedies which he had been

made to take. They asked him if he had not had some dispute with a

shepherd or some other person suspected of sorcery, or malpractices.

He declared that on the 18th of April preceding, when he was going

through the village of Noysi on horseback for a ride, his horse stopped

short in the midst of the _Rue Feret_, opposite the chapel, and he could

not make him go forward, though he touched him several times with the

spur. There was a shepherd standing leaning against the chapel, with his

crook in his hand, and two black dogs at his side. This man said to him,

"Sir, I advise you to return home, for your horse will not go forward."

The young La Richardiere, continuing to spur his horse, said to the

shepherd, "I do not understand what you say." The shepherd replied, in a

low tone, "I will make you understand." In effect, the young man was

obliged to get down from his horse, and lead it back by the bridle to

his father's dwelling in the same village. Then the shepherd cast a

spell upon him, which was to take effect on the 1st of May, as was

afterwards known.

During this malady, they caused several masses to be said in different

places, especially at St Maur des Fosses, at St Amable, and at St

Esprit. Young La Richardiere was present at some of these masses which

were said at St Maur; but he declared that he should not be cured till

Friday, 26th June, on his return from St Maur. On entering his chamber,

the key of which he had in his pocket, he found there that shepherd,

seated in his armchair, with his crook, and his two black dogs. He was

the only person who saw him; none other in the house could perceive him.

He said even that this man was called Damis, although he did not

remember that anyone had before this revealed his name to him. He beheld

him all that day, and all the succeeding night. Towards six o'clock in

the evening, as he felt his usual sufferings, he fell on the ground,

exclaiming that the shepherd was upon him, and crushing him; at the same

time he drew his knife, and aimed five blows at the shepherd's face, of

which he retained the marks. The invalid told those who were watching

over him that he was going to be very faint at five different times, and

begged of them to help him, and move him violently. The thing happened

as he had predicted.

On Friday, the 26th June, M. de la Richardiere, having gone to the mass

at St Maur, asserted that he should be cured on that day. After mass,

the priest put the stole upon his head, and recited the Gospel of St

John, during which prayer the young man saw St Maur standing, and the

unhappy shepherd at his left, with his face bleeding from the five

knife-wounds which he had given him. At that moment the youth cried out,

unintentionally, "A miracle! a miracle!" and asserted that he was cured,

as in fact he was.

On the 29th of June, the same M. de la Richardiere returned to Noysi,

and amused himself with shooting. As he was shooting in the vineyards,

the shepherd presented himself before him; he hit him on the head with

the butt-end of his gun. The shepherd cried out, "Sir, you are killing

me!" and fled. The next day this man presented himself again before him,

and asked his pardon, saying, "I am called Damis; it was I who cast a

spell over you which was to have lasted a year. By the aid of masses and

prayers which have been said for you, you have been cured at the end of

eight weeks. But the charm has fallen back upon myself, and I can be

cured of it only by a miracle. I implore you then to pray for me."

During all these reports, the _maréchaussée_ had set off in pursuit of

the shepherd; but he escaped them, having killed his two dogs and thrown

away his crook. On Sunday, the 13th of September, he came to M. de la

Richardiere, and related to him his adventure; that after having passed

twenty years without approaching the sacraments, God had given him grace

to confess himself at Troyes; and that after divers delays he had been

admitted to the holy communion. Eight days after, M. de la Richardiere

received a letter from a woman who said she was a relation of the

shepherd's, informing him of his death, and begging him to cause a

requiem mass to be said for him, which was done.

XLVI

THE PIED PIPER

"The Phantom World"

The following instance is so extraordinary, that I should not repeat it

if the account were not attested by more than one writer, and also

preserved in the public monuments of a considerable town of Upper

Saxony; this town is Hamelin in the principality of Kalenberg, at the

confluence of the rivers Hamel and Weser.

In the year 1384, this town was infested by such a prodigious multitude

of rats, that they ravaged all the corn which was laid up in the

granaries; everything was employed that art and experience could invent

to chase them away, and whatever is usually employed against this kind

of animals. At that time there came to the town an unknown person, of

taller stature than ordinary, dressed in a robe of divers colours, who

engaged to deliver them from that scourge, for a certain recompense

which was agreed upon.

Then he drew from his sleeve a flute, at the sound of which all the rats

came out of their holes and followed him; he led them straight to the

river, into which they ran and were drowned. On his return he asked for

the promised reward, which was refused him, apparently on account of the

facility with which he had exterminated the rats. The next day, which

was a fête day, he chose the moment when the older inhabitants were at

church, and by means of another flute which he began to play, all the

boys in the town above the age of fourteen, to the number of a hundred

and thirty, assembled round him; he led them to the neighbouring

mountain, named Kopfelberg, under which is a sewer for the town, and

where criminals are executed; these boys disappeared and were never seen

afterwards.

A young girl, who had followed at a distance, was witness of the matter,

and brought the news of it to the town.

XLVII

JEANNE D'ARC

FERRIER'S "Apparitions"

Upon her trial, as it is repeated by Chartier, she spoke with the utmost

simplicity and firmness of her visions: "Que souvent alloit a une belle

fontaine au pays de Lorraine, laquelle elle nommoit bonne fontaine aux

Feés Nostre Seigneur, at en icelluy lieu tous ceulx de pays quand ils

avoient fiebvre ils alloient pour recouvrer garison; et la alloit

souvent ladite Jehanne la Pucelle sous un grand arbre qui la fontaine

ombroit; et s'apparurent a elle Ste Katerine et Ste Marguerite qui lui

dirent qu'elle allast a ung Cappitaine qu'elles lui nommerent, laquelle

y alla sans prendre congé ni a pere ni a mere; lequel Cappitaine la

vestit en guise d'homme et l'armoit et lui ceint l'epeé, et luy bailla

un escuyer et quatre varlets; et en ce point fut monteé sur un bon

cheval; et en ce point vint aut Roy de France, et lui dit que du

Commandement de lui estoit venue a lui, et qu'elle le feroit le plus

grand Seigneur du Monde, et qu'il fut ordonné que tretou ceulx qui lui

desobeiroient fussent occis sans mercy, et que St Michel et plusieurs

anges lui avoient baillé une Couronne moult riche pour lui."

XLVIII

ANNE WALKER

Local Records

In the year 1680, at Lumley, a hamlet near Chester-le-Street in the

county of Durham, there lived one Walker, a man well to do in the world,

and a widower. A young relation of his, whose name was Anne Walker, kept

his house, to the great scandal of the neighbourhood, and that with but

too good cause. A few weeks before this young woman expected to become a

mother, Walker placed her with her aunt, one Dame Clare, in

Chester-le-Street, and promised to take care both of her and her future

child. One evening in the end of November, this man, in company with

Mark Sharp, an acquaintance of his, came to Dame Clare's door, and told

her that they had made arrangements for removing her niece to a place

where she could remain in safety till her confinement was over. They

would not say where it was; but as Walker bore, in most respects, an

excellent character, she was allowed to go with him; and he professed to

have sent her off with Sharp into Lancashire. Fourteen days after, one

Graeme, a fuller, who lived about six miles from Lumley, had been

engaged till past midnight in his mill; and on going downstairs to go

home, in the middle of the ground floor he saw a woman, with dishevelled

hair, covered with blood, and having five large wounds on her head.

Graeme, on recovering a little from his first terror, demanded what the

spectre wanted. "I," said the apparition, "am the spirit of Anne

Walker"; and proceeded accordingly to tell Graeme the particulars which

I have already related to you. "When I was sent away with Mark Sharp, he

slew me on such a moor," naming one that Graeme knew, "with a collier's

pick, threw my body into a coal-pit, and hid the pick under the bank;

and his shoes and stockings, which were covered with blood, he left in a

stream." The apparition proceeded to tell Graeme that he must give

information of this to the nearest justice of peace, and that till this

was done, he must look to be continually haunted. Graeme went home very

sad; he dared not bring such a charge against a man of so unimpeachable

a character as Walker; and yet he as little dared to incur the anger of

the spirit that had appeared to him. So, as all weak minds will do, he

went on procrastinating; only he took care to leave his mill early, and

while in it never to be alone. Notwithstanding this caution on his part,

one night, just as it began to be dark, the apparition met him again in

a more terrible shape, and with every circumstance of indignation. Yet

he did not even then fulfil its injunction; till on St Thomas's eve, as

he was walking in his garden just after sunset, it threatened him so

effectually that in the morning he went to a magistrate and revealed the

whole thing. The place was examined; the body and the pickaxe found; and

a warrant was granted against Walker and Sharp. They were, however,

admitted to bail; but in August, 1681, their trial came on before Judge

Davenport at Durham. Meanwhile the whole circumstances were known over

all the north of England, and the greatest interest was excited by the

case. Against Sharp the fact was strong, that his shoes and stockings,

covered with blood, were found in the place where the murder had been

committed; but against Walker, except the account received from the

ghost, there seemed not a shadow of evidence. Nevertheless the judge

summed up strongly against the prisoners, the jury found them guilty,

and the judge pronounced sentence upon them that night, a thing which

was unknown in Durham, either before or after. The prisoners were

executed, and both died professing their innocence to the last. Judge

Davenport was much agitated during the trial; and it was believed, says

the historian, that the spirit had also appeared to him, as if to supply

in his mind the want of legal evidence. This case is certainly a solemn

illustration of the mal-administration of justice in an ancient court;

yet the circumstantial evidence, arising from the appearance of the

spirit, appears very strong--the finding of the body, and the boots and

stockings. Yet we need perhaps to live more immediately within the

circle of the circumstance to pronounce upon it. None of us, however,

reading this book, would like to take upon ourselves the responsibility

of those daring jurymen, who durst venture to throw away life upon

evidence which, strong as it appears to have been, did not come to them,

but only to one who had borne witness to them.

XLIX

THE HAND OF GLORY

HENDERSON'S "Folk Lore"

One evening, between the years 1790 and 1800, a traveller, dressed in

woman's clothes, arrived at the Old Spital Inn, the place where the mail

coach changed horses, in High Spital, on Bowes Moor. The traveller

begged to stay all night, but had to go away so early in the morning

that if a mouthful of food were set ready for breakfast there was no

need the family should be disturbed by her departure. The people of the

house, however, arranged that a servant maid should sit up till the

stranger was out of the premises, and then went to bed themselves. The

girl lay down for a nap on the longsettle by the fire, but before she

shut her eyes she took a good look at the traveller, who was sitting on

the opposite side of the hearth, and espied a pair of man's trousers

peeping out from under the gown. All inclination for sleep was now gone;

however, with great self-command, she feigned it, closed her eyes, and

even began to snore. On this the traveller got up, pulled out of his

pocket a dead man's hand, fitted a candle to it, lighted the candle, and

passed hand and candle several times before the servant girl's face,

saying as he did so: "Let those who are asleep be asleep, and let those

who are awake be awake." This done, he placed the light on the table,

opened the outer door, went down two or three of the steps which led

from the house to the road, and began to whistle for his companions. The

girl (who had hitherto had presence of mind enough to remain perfectly

quiet) now jumped up, rushed behind the ruffian, and pushed him down

the steps. She then shut the door, locked it, and ran upstairs to try

and wake the family, but without success: calling, shouting, and shaking

were alike in vain. The poor girl was in despair, for she heard the

traveller and his comrades outside the house. So she ran down again,

seized a bowl of blue (_i.e._ skimmed milk), and threw it over the hand

and candle; after which she went upstairs again, and awoke the sleepers

without any difficulty. The landlord's son went to the window, and asked

the men outside what they wanted. They answered that if the dead man's

hand were but given them, they would go away quietly, and do no harm to

anyone. This he refused, and fired among them, and the shot must have

taken effect, for in the morning stains of blood were traced to a

considerable distance.

These circumstances were related to my informant, Mr Charles Wastell, in

the spring of 1861, by an old woman named Bella Parkin, who resided

close to High Spital, and was actually the daughter of the courageous

servant-girl.

It is interesting to compare them with the following narrations,

communicated to me by the Rev. S. Baring Gould:--"Two magicians having

come to lodge in a public-house with a view to robbing it, asked

permission to pass the night by the fire, and obtained it. When the

house was quiet, the servant-girl, suspecting mischief, crept downstairs

and looked through the keyhole. She saw the men open a sack, and take

out a dry, withered hand. They anointed the fingers with some unguent,

and lighted them. Each finger flamed, but the thumb they could not

light; that was because one of the household was not asleep. The girl

hastened to her master, but found it impossible to arouse him. She tried

every other sleeper, but could not break the charmed sleep. At last,

stealing down into the kitchen, while the thieves were busy over her

master's strong box, she secured the hand, blew out the flames, and at

once the whole household was aroused."[14]

But the next story bears a closer resemblance to the Stainmore

narrative. One dark night, when all was shut up, there came a tap at the

door of a lone inn in the middle of a barren moor. The door was opened,

and there stood without, shivering and shaking, a poor beggar, his rags

soaked with rain, and his hands white with cold. He asked piteously for

a lodging, and it was cheerfully granted him; there was not a spare bed

in the house, but he could lie on the mat before the kitchen fire, and

welcome.

So this was settled, and everyone in the house went to bed except the

cook, who from the back kitchen could see into the large room through a

pane of glass let into the door. She watched the beggar, and saw him, as

soon as he was left alone, draw himself up from the floor, seat himself

at the table, extract from his pocket a brown withered human hand, and

set it upright in the candlestick. He then anointed the fingers, and

applying a match to them, they began to flame. Filled with horror, the

cook rushed up the back stairs, and endeavoured to arouse her master and

the men of the house. But all was in vain--they slept a charmed sleep;

so in despair she hastened down again, and placed herself at her post of

observation.

She saw the fingers of the hand flaming, but the thumb remained

unlighted, because one inmate of the house was awake. The beggar was

busy collecting the valuables around him into a large sack, and having

taken all he cared for in the large room, he entered another. On this

the woman ran in, and, seizing the light, tried to extinguish the

flames. But this was not so easy. She blew at them, but they burnt on as

before. She poured the dregs of a beer-jug over them, but they blazed

up the brighter. As a last resource, she caught up a jug of milk, and

dashed it over the four lambent flames, and they died out at once.

Uttering a loud cry, she rushed to the door of the apartment the beggar

had entered, and locked it. The whole family was aroused, and the thief

easily secured and hanged. This tale is told in Northumberland.

FOOTNOTES:

[Footnote 14: Delrio. See also Thorpe's _Mythology_, vol. iii. p. 274.]

L

THE BLOODY FOOTSTEP

Local Records

On the threshold of one of the doors of Smithills Hall there is a bloody

footstep impressed into the door-step, and ruddy as if the bloody foot

had just trodden there; and it is averred that, on a certain night of

the year, and at a certain hour of the night, if you go and look at the

door-step you will see the mark wet with fresh blood. Some have

pretended to say that this appearance of blood was but dew; but can dew

redden a cambric handkerchief? Will it crimson the finger-tips when you

touch it? And that is what the bloody footstep will surely do when the

appointed night and hour come round....

It is needless to tell you all the strange stories that have survived to

this day about the old Hall, and how it is believed that the master of

it, owing to his ancient science, has still a sort of residence there

and control of the place, and how in one of the chambers there is still

his antique table, and his chair, and some rude old instruments and

machinery, and a book, and everything in readiness, just as if he might

still come back to finish some experiment.... One of the chief things to

which the old lord applied himself was to discover the means of

prolonging his own life, so that its duration should be indefinite, if

not infinite; and such was his science that he was believed to have

attained this magnificent and awful purpose....

The object of the Lord of Smithills Hall was to take a life from the

course of Nature, and Nature did not choose to be defrauded; so that,

great as was the power of this scientific man over her, she would not

consent that he should escape the necessity of dying at his proper time,

except upon condition of sacrificing some other life for his; and this

was to be done once for every thirty years that he chose to live, thirty

years being the account of a generation of man; and if in any way, in

that time, this lord could be the death of a human being, that satisfied

the requisition, and he might live on....

There was but one human being whom he cared for--that was a beautiful

kinswoman, an orphan, whom his father had brought up, and dying, left to

his care.... He saw that she, if anyone, was to be the person whom the

sacrifice demanded, and that he might kill twenty others without effect,

but if he took the life of this one it would make the charm strong and

good.... He did slay this pure young girl; he took her into the wood

near the house, an old wood that is standing yet, with some of its

magnificent oaks, and there he plunged a dagger into her heart....

He buried her in the wood, and returned to the house; and, as it

happened, he had set his right foot in her blood, and his shoe was wet

in it, and by some miraculous fate it left a track all along the

wood-path, and into the house, and on the stone steps of the threshold,

and up into his chamber. The servants saw it the next day, and wondered,

and whispered, and missed the fair young girl, and looked askance at

their lord's right foot, and turned pale, all of them....

The Haunters & The Haunted Ghost Stories And Tales Of The Supernatural · 第 24 / 26 段