"PINKEY"
The train upon which Will Smith was expected was not due until
twelve-thirty, so, since he could not go swimming and still felt
rebellious over being forbidden, Wallie went upstairs to put the
finishing touches on a lemonade tray of japanned tin which he had
painted and intended presenting to Mr. Cone.
The design was his own, and very excellent it seemed to Wallie as he
stopped at intervals and held it from him. On a moss-green background of
rolling clouds a most artistic cluster of old-fashioned cabbage roses
was tossed carelessly, with a brown slug on a leaf as a touch of
realism.
The gods have a way of apportioning their gifts unevenly, for not only
did Wallie paint but he wrote poetry--free verse mostly; free chiefly in
the sense that his contributions to the smaller magazines were,
perforce, gratuitous. Also he sang--if not divinely, at least so
acceptably that his services were constantly asked for charity concerts.
In addition to these he had manlier accomplishments, playing good games
of tennis, golf, and shuffle-board. Besides, Mr. Appel was his only
dangerous opponent on the bowling alley, and he had learned to ride at
the riding academy.
Now, as he worked, he speculated as to whether he had imagined it or
"the girl from Wyoming" really had laughed at him. He could not dismiss
her from his mind and the incident rankled. He told himself that she had
not been there long enough to appreciate him; she knew nothing of his
talents or of his popularity. She would learn that to be singled out by
him for special attention meant something, and he did not consider
himself a conceited man either.
Yet Wallie continued to tingle each time that he thought of the laughter
in her eyes--actual derision he feared it was. Then he had an idea, a
very clever one it seemed to him. By this time she would have returned
from bathing and he would go down and exhibit the cabbage roses. They
would be praised and she would hear it. It was nearly time for Will
Smith to arrive, and he had to stop painting, anyhow.
Bearing the lemonade tray carefully in order not to smudge it, Wallie
stepped out of the elevator and stood in the wide doorway, agreeably
aware that he was a pleasing figure in his artist's smock and the
flowing scarf which he always put on when he painted.
No one noticed him, however, for everyone was discussing the return of
the "Smith boy," and the five dollars which Mr. Appel, the railway
magnate, had unexpectedly contributed to the purse that he was going to
present to him on behalf of the guests.
Miss Spenceley was on the veranda as he had surmised she would be, and
Wallie debated as to whether he should wait until discovered and urged
to show his roses, or frankly offer his work for criticism.
While he hesitated, the clatter of hoofs and what appeared to be a
serious runaway on the side avenue brought everyone up standing. The
swaying vehicle was a laundry wagon, and when it turned in at the
entrance to the grounds of The Colonial, the astonished guests saw that
not only had the horse a driver but a rider!
It was not a runaway. On the contrary, the person on the horse's back
was using his heels and his hat at every jump to get more speed out of
the amazed animal.
The wagon stopped in front of the hotel with the driver grinning
uncertainly, while a soldierly figure sprang over the wheel to wring the
hand of Smith, the gardener. Another on the horse's back replaced his
service cap at an extraordinary angle and waited nonchalantly for the
greetings to be over.
Before he went to the army "Willie" Smith had been a bashful boy who
blushed when the guests spoke to him, but he faced them now with the
assurance of a vaudeville entertainer as he introduced his "buddy":
"Pinkey Fripp, of Wyoming--a hero, ladies and gentlemen! The grittiest
little soldier in the A.E.F., with a medal to prove it!"
Followed an account of the deed of reckless courage for which Pinkey had
been decorated, and the Smith boy told it so well that everyone's eyes
had tears in them. Mrs. Appel, fumbling for her handkerchief, dropped
her ball of yarn over the railing, where the cat wound it among the rose
bushes so effectively that to disentangle it were an endless task.
The subject of the eulogy stared back unabashed at the guests, who
stared at him in admiration and curiosity. Unflattered, unmoved, he
sagged to one side of the bare-backed horse with the easy grace of one
accustomed to the saddle. No one just like him ever had come under the
observation of the august patrons of The Colonial.
Pinkey Fripp was about five feet four and square as a bulldog.
"Hard-boiled" is a word which might have been coined specially to
describe him. The cropped hair on his round head was sandy, his skin a
sun-blistered red, and his lips had deep cracks in them. His nose did
not add to his beauty any more than the knife-scar around his neck,
which looked as if someone had barely failed in an attempt to cut off
his head.
The feature that saved the young fellow's face from a look of
unmitigated "toughness" was his pale gray eyes, whose steady, fearless
look seemed to contend with a whimsical gleam of humour.
Pinkey listened, with the disciplined patience of the army, to the
recital of the exploit that had won the War Cross for him, but there was
a peculiar glint in his light eyes. As Smith drew to a conclusion,
Pinkey slowly lifted his leg, stiffened by a machine-gun bullet, over
the horse's neck and sat sideways.
The applause was so vociferous, so spontaneous and hearty, that nothing
approaching it ever had been heard at The Colonial. But it stopped as
suddenly, for in the middle of it Pinkey gathered himself and sprang
through the air like a flying-squirrel, to bowl the Smith boy over. "You
said you wouldn't tell about that 'Craw de gare,' ner call me a hero,
an' you've gone and done it!" he said, accusingly, as he sat astride of
him. "I got feelin's jest like grown-up folks, and I don't like to be
laughed at. Sorry, Big Boy, but you got this comin'!" Thereupon, with a
grin, Pinkey banged his host's head on the gravel.
The two were surrounded when this astonishing incident was over and it
was found that not only was the Smith boy not injured but seemed to be
used to it and bore no malice. The guests shook hands with the boys and
congratulated them; they examined the War Cross that Pinkey produced
reluctantly from the bottom of the flour-sack in which he carried his
clothing, and finally Mr. Appel presented the purse in a speech to which
nobody listened--and the Smith boy shocked everybody by his extravagance
when he gave five of it to the driver of the laundry wagon.
"I was shore pinin' to step in the middle of a horse," was Pinkey's
explanation of their eccentric arrival. "It kinda rests me."
While all this was happening Wallie stood holding his lemonade tray.
When he could get close, he welcomed the Smith boy and was introduced to
Pinkey, and stood around long enough to learn that the latter and Helene
Spenceley knew each other.
Nobody, however, was interested in seeing his roses. Even Miss Mattie
Gaskett, who always clung like a burr to woollen clothing with the
least encouragement, said carelessly when he showed her the lemonade
tray:
"As good as your best, Wallie," and edged over to hear what Pinkey was
saying.
There was nothing to do but withdraw unobtrusively, though Wallie
realized with chagrin that he could have gone upstairs on his hands and
knees without attracting the least attention. For the first time he
regretted deeply that his eyesight had kept him out of the army, for he,
too, might have been winning war crosses in the trenches instead of
rolling bandages and knitting socks and sweaters.
Wallie almost hated the lemonade tray as he slammed it on the table, for
in his utter disgust with everything and everybody the design seemed to
look more like cabbages than roses.