Here it might well be thought that, were these last conjectures as to

the foundling’s secrets not erroneous, then must he have been hopelessly

infected with the craziest chimeras of his age, far outgoing Albert Magus

and Cornelius Agrippa. But the contrary was averred. However marvellous

his design, however apparently transcending not alone the bounds of human

invention, but those of divine creation, yet the proposed means to be

employed were alleged to have been confined within the sober forms of

sober reason. It was affirmed that, to a degree of more than sceptic

scorn, Bannadonna had been without sympathy for any of the vainglorious

irrationalities of his time. For example, he had not concluded, with the

visionaries among the metaphysicians, that between the finer mechanic

forces and the ruder animal vitality some germ of correspondence might

prove discoverable. As little did his scheme partake of the enthusiasm

of some natural philosophers, who hoped, by physiological and chemical

inductions, to arrive at a knowledge of the source of life, and so

qualify themselves to manufacture and improve upon it. Much less had he

aught in common with the tribe of alchemists, who sought, by a species

of incantations, to evoke some surprising vitality from the laboratory.

Neither had he imagined, with certain sanguine theosophists, that, by

faithful adoration of the Highest, unheard-of powers would be vouchsafed

to man. A practical materialist, what Bannadonna had aimed at was to have

been reached, not by logic, not by crucible, not by conjuration, not by

altars; but by plain vice-bench and hammer. In short, to solve Nature,

to steal into her, to intrigue beyond her, to procure some one else to

bind her to his hand,—these, one and all, had not been his objects; but,

asking no favors from any element or any being, of himself to rival her,

outstrip her, and rule her. He stooped to conquer. With him, common-sense

was theurgy; machinery, miracle; Prometheus, the heroic name for

machinist; man, the true God.

Nevertheless, in his initial step, so far as the experimental automaton

for the belfry was concerned, he allowed fancy some little play; or,

perhaps, what seemed his fancifulness was but his utilitarian ambition

collaterally extended. In figure, the creature for the belfry should

not be likened after the human pattern, nor any animal one, nor after

the ideals, however wild, of ancient fable, but equally in aspect as in

organism be an original production; the more terrible to behold, the

better.

Such, then, were the suppositions as to the present scheme, and

the reserved intent. How, at the very threshold, so unlooked-for a

catastrophe overturned all, or rather, what was the conjecture here, is

now to be set forth.

It was thought that on the day preceding the fatality, his visitors

having left him, Bannadonna had unpacked the belfry image, adjusted it,

and placed it in the retreat provided,—a sort of sentry-box in one corner

of the belfry; in short, throughout the night, and for some part of the

ensuing morning, he had been engaged in arranging everything connected

with the domino: the issuing from the sentry-box each sixty minutes;

sliding along a grooved way, like a railway; advancing to the clock-bell,

with uplifted manacles; striking it at one of the twelve junctions of the

four-and-twenty hands; then wheeling, circling the bell, and retiring to

its post, there to bide for another sixty minutes, when the same process

was to be repeated; the bell, by a cunning mechanism, meantime turning on

its vertical axis, so as to present, to the descending mace, the clasped

hands of the next two figures, when it would strike two, three, and so

on, to the end. The musical metal in this time-bell was so managed in

the fusion, by some art, perishing with its originator, that each of the

clasps of the four-and-twenty hands should give forth its own peculiar

resonance when parted.

But on the magic metal, the magic and metallic stranger never struck but

that one stroke, drove but that one nail, severed but that one clasp,

by which Bannadonna clung to his ambitious life. For, after winding up

the creature in the sentry-box, so that, for the present, skipping the

intervening hours, it should not emerge till the hour of one, but should

then infallibly emerge, and, after deftly oiling the grooves whereon it

was to slide, it was surmised that the mechanician must then have hurried

to the bell, to give his final touches to its sculpture. True artist, he

here became absorbed,—an absorption still further intensified, it may be,

by his striving to abate that strange look of Una; which, though before

others he had treated it with such unconcern, might not, in secret, have

been without its thorn.

And so, for the interval, he was oblivious of his creature; which, not

oblivious of him, and true to its creation, and true to its heedful

winding up, left its post precisely at the given moment; along its

well-oiled route, slid noiselessly toward its mark; and, aiming at the

hand of Una, to ring one clangorous note, dully smote the intervening

brain of Bannadonna, turned backward to it; the manacled arms then

instantly upspringing to their hovering poise. The falling body clogged

the thing’s return; so there it stood, still impending over Bannadonna,

as if whispering some post-mortem terror. The chisel lay dropped from the

hand, but beside the hand; the oil-flask spilled across the iron track.

In his unhappy end, not unmindful of the rare genius of the mechanician,

the republic decreed him a stately funeral. It was resolved that the

great bell—the one whose casting had been jeopardized through the

timidity of the ill-starred workman—should be rung upon the entrance of

the bier into the cathedral. The most robust man of the country round was

assigned the office of bell-ringer.

But as the pall-bearers entered the cathedral porch, naught but a broken

and disastrous sound, like that of some lone Alpine land-slide, fell

from the tower upon their ears. And then, all was hushed.

Glancing backward, they saw the groined belfry crushed sidewise in. It

afterward appeared that the powerful peasant who had the bell-rope in

charge, wishing to test at once the full glory of the bell, had swayed

down upon the rope with one concentrate jerk. The mass of quaking metal,

too ponderous for its frame, and strangely feeble somewhere at its top,

loosed from its fastening, tore sidewise down, and tumbling in one sheer

fall, three hundred feet to the soft sward below, buried itself inverted

and half out of sight.

Upon its disinterment, the main fracture was found to have started

from a small spot in the ear; which, being scraped, revealed a defect,

deceptively minute, in the casting; which defect must subsequently have

been pasted over with some unknown compound.

The re-molten metal soon reassumed its place in the tower’s repaired

superstructure. For one year the metallic choir of birds sang musically

in its belfry-boughwork of sculptured blinds and traceries. But on the

first anniversary of the tower’s completion,—at early dawn, before the

concourse had surrounded it,—an earthquake came; one loud crash was

heard. The stone-pine, with all its bower of songsters, lay overthrown

upon the plain.

So the blind slave obeyed its blinder lord; but, in obedience, slew him.

So the creator was killed by the creature. So the bell was too heavy for

the tower. So the bell’s main weakness was where man’s blood had flawed

it. And so pride went before the fall.

[Illustration]

THE KATHAYAN SLAVE.

BY EMILY C. JUDSON.

At the commencement of the English and Burmese war of 1824, all the

Christians (called “hat-wearers,” in contradistinction from the turbaned

heads of the Orientals) residing at Ava were thrown unceremoniously into

the death-prison. Among them were both Protestant and Roman Catholic

missionaries; some few reputable European traders; and criminals shadowed

from the laws of Christendom “under the sole of the golden foot.” These,

Americans, English, Spanish, Portuguese, Greek, and Armenian, were

all huddled together in one prison, with villains of every grade,—the

thief, the assassin, the bandit, or all three in one; constituting, in

connection with countless other crimes, a blacker character than the

inhabitant of a civilized land can picture. Sometimes stript of their

clothing, sometimes nearly starved, loaded with heavy irons, thrust

into a hot, filthy, noisome apartment, with criminals for companions

and criminals for guards, compelled to see the daily torture, to hear

the shriek of anguish from writhing victims, with death, death in some

terribly detestable form, always before them, a severer state of

suffering can scarcely be imagined.

The Burmese had never been known to spare the lives of their

war-captives; and though the little band of foreigners could scarcely be

called prisoners of war, yet this well-known custom, together with their

having been thrust into the death-prison, from which there was no escape,

except by a pardon from the king, cut off nearly every reasonable hope

of rescue. But (quite a new thing in the annals of Burmese history),

although some died from the intensity of their sufferings, no foreigner

was wantonly put to death. Of those who were claimed by the English at

the close of the war, some one or two are yet living, with anklets and

bracelets which they will carry to the grave with them, wrought in their

flesh by the heavy iron. It may well be imagined that these men might

unfold to us scenes of horror, incidents daily occurring under their own

shuddering gaze, in comparison with which the hair-elevating legends of

Ann Radcliff would become simple fairy tales.

The death-prison at Ava was at that time a single large room, built

of rough boards, without either window or door, and with but a thinly

thatched roof to protect the wretched inmates from the blaze of a

tropical sun. It was entered by slipping aside a single board, which

constituted a sort of sliding-door. Around the prison, inside the yard,

were ranged the huts of the under-jailers, or Children of the Prison,

and outside of the yard, close at hand, that of the head-jailer. These

jailers must necessarily be condemned criminals, with a ring, the sign of

outlawry, traced in the skin of the cheek, and the name of their crime

engraved in the same manner upon the breast. The head-jailer was a tall,

bony man, with sinews of iron; wearing, when speaking, a malicious smirk,

and given at times to a most revolting kind of jocoseness. When silent

and quiet, he had a jaded, careworn look; but it was at the torture

that he was in his proper element. Then his face lighted up,—became

glad, furious, demoniac. His small black eyes glittered like those of

a serpent; his thin lips rolled back, displaying his toothless gums

in front, with a long, protruding tusk on either side, stained black

as ebony; his hollow, ringed cheeks seemed to contract more and more,

and his breast heaved with convulsive delight beneath the fearful word

MAN-KILLER. The prisoners called him _father_, when he was present to

enforce this expression of affectionate familiarity; but among themselves

he was irreverently christened the Tiger-cat.

One of the most active of the Children of the Prison was a short,

broad-faced man, labelled THIEF, who, as well as the Tiger, had a

peculiar talent in the way of torturing; and so fond was he of the use

of the whip, that he often missed his count, and zealously exceeded the

number of lashes ordered by the city governor. The wife of this man was

a most odious creature, filthy, bold, impudent, cruel, and, like her

husband, delighting in torture. Her face was not only deeply pitted with

smallpox, but so deformed with leprosy, that the white cartilage of the

nose was laid entirely bare; from her large mouth shone rows of irregular

teeth, black as ink; her hair, which was left entirely to the care of

nature, was matted in large black masses about her head; and her manner,

under all this hideous ugliness, was insolent and vicious. They had two

children,—little vipers, well loaded with venom; and by their vexatious

mode of annoyance, trying the tempers of the prisoners more than was in

the power of the mature torturers.

As will readily be perceived, the security of this prison was not in the

strength of the structure, but in the heavy manacles, and the living

wall. The lives of the jailers depended entirely on their fidelity;

and fidelity involved strict obedience to orders, however ferocious.

As for themselves, they could not escape; they had nowhere to go;

certain death awaited them everywhere, for they bore on cheek and

breast the ineffaceable proof of their outlawry. Their only safety was

at their post; and there was no safety there in humanity, even if it

were possible for such degraded creatures to have a spark of humanity

left. So inclination united with interest to make them what they really

were,—demons.

The arrival of a new prisoner was an incident calculated to excite but

little interest in the hat-wearers, provided he came in turban and

waistcloth. But one morning there was brought in a young man, speaking

the Burmese brokenly, and with the soft accent of the North, who at

once attracted universal attention. He was tall and erect, with a

mild, handsome face, bearing the impress of inexpressible suffering; a

complexion slightly tinted with the rich brown of the East; a fine, manly

carriage, and a manner which, even there, was both graceful and dignified.

“Who is he?” was the interpretation of the inquiring glances exchanged

among those who had no liberty to speak; and then eye asked of eye,

“What can he have done?—he, so gentle, so mild, so manly, that even these

wretches, who scarcely know the name of pity and respect, seem to feel

both for him?” There was, in truth, something in the countenance of the

new prisoner which, without asking for sympathy, involuntarily enforced

it. It was not amiability, though his dark, soft, beautiful eye was

full of a noble sweetness; it was not resignation; it was not apathy;

it was hopelessness, deep, utter, immovable, suffering hopelessness.

Very young, and apparently not ambitious or revengeful, what crime could

this interesting stranger have committed to draw down “the golden foot”

with such crushing weight upon his devoted head? He seemed utterly

friendless, and without even the means of obtaining food; for, as the day

advanced, no one came to see him; and the officer who brought him had

left no directions. He did not, however, suffer from this neglect, for

Madam Thief (most wonderful to relate!) actually shared so deeply in the

universal sympathy, as to bring him a small quantity of boiled rice and

water.

Toward evening, the Woon-bai, a governor, or rather Mayor of the city,

entered the prison, his bold, lion-like face as open and unconcerned as

ever, but with something of unusual bustling in his manner.

“Where is he?” he cried sternly,—“where is he? this son of Kathay? this

dog, villain, traitor! where is he? Aha! only one pair of irons? Put on

five! do you hear? five!”

The Woon-bai remained till his orders were executed, and the poor

Kathayan was loaded with five pairs of fetters; and then he went out,

frowning on one and smiling on another; while the Children of the Prison

watched his countenance and manner, as significant of what was expected

of them. The prisoners looked at each other, and shook their heads in

commiseration.

The next day the feet of the young Kathayan, in obedience to some new

order, were placed in the stocks, which raised them about eighteen inches

from the ground; and the five pairs of fetters were all disposed on

the outer side of the plank, so that their entire weight fell upon the

ankles. The position was so painful that each prisoner, some from memory,

some from sympathetic apprehension, shared in the pain when he looked at

the sufferer.

During this day, one of the missionaries, who had been honored with an

invitation, which it was never prudent to refuse, to the hut of the

Thief, learned something of the history of the young man, and his crime.

His home, it was told him, was among the rich hills of Kathay, as they

range far northward, where the tropic sun loses the intense fierceness of

his blaze, and makes the atmosphere soft and luxurious, as though it were

mellowing beneath the same amber sky which ripens the fruits, and gives

their glow to the flowers. What had been his rank in his own land, the

jailer’s wife did not know. Perhaps he had been a prince, chief of the

brave band conquered by the superior force of the Burmans; or a hunter

among the spicy groves and deep-wooded jungles, lithe as the tiger which

he pursued from lair to lair, and free as the flame-winged bird of the

sun that circled above him; or perhaps his destiny had been a humbler

one, and he had but followed his goats as they bounded fearlessly from

ledge to ledge, and plucked for food the herbs upon his native hills.

He had been brought away by a marauding party, and presented as a slave

to the brother of the queen. This Men-thah-gyee, the Great Prince, as

he was called, by way of pre-eminence, had risen, through the influence

of his sister, from the humble condition of a fishmonger, to be the

Richelieu of the nation. Unpopular from his mean origin, and still more

unpopular from the acts of brutality to which the intoxication of power

had given rise, the sympathy excited by the poor Kathayan in the breasts

of these wretches may easily be accounted for. It was not pity or mercy,

but hatred. Anywhere else, the sufferer’s sad, handsome face, and mild,

uncomplaining manner, would have enlisted sympathy; but here, they would

scarcely have seen the sadness, or beauty, or mildness, except through

the medium of a passion congenial to their own natures.

Among the other slaves of Men-thah-gyee was a young Kathay girl of

singular beauty. She was, so said Madam the Thief, a bundle of roses,

set round with the fragrant blossoms of the champac-tree; her breath was

like that of the breezes when they come up from their dalliance with

the spicy daughters of the islands of the south; her voice had caught

its rich cadence from the musical gush of the silver fountain, which

wakes among the green of her native hills; her hair had been braided

from the glossy raven plumage of the royal edolius; her eyes were twin

stars looking out from cool springs, all fringed with the long, tremulous

reeds of the jungle; and her step was as the free, graceful bound of

the wild antelope. On the subject of her grace, her beauty, and her

wondrous daring, the jailer’s wife could not be sufficiently eloquent.

And so this poor, proud, simple-souled maiden, this diamond from the

rich hills of Kathay, destined to glitter for an hour or two on a

prince’s bosom, unsubdued even in her desolation, had dared to bestow her

affections with the uncalculating lavishness of conscious heart-freedom.

And the poor wretch, lying upon his back in the death-prison, his feet

fast in the stocks and swelling and purpling beneath the heavy irons,

had participated in her crime; had lured her on, by tender glances

and by loving words, inexpressibly sweet in their mutual bondage, to

irretrievable destruction. What fears, what hopes winged by fears,

what tremulous joys, still hedged in by that same crowd of fears, what

despondency, what revulsions of impotent anger and daring, what weeping,

what despair, must have been theirs! Their tremblings and rejoicings,

their mad projects, growing each day wilder and more dangerous,—since

madness alone could have given rise to anything like hope,—are things

left to imagination; for there was none to relate the heart-history of

the two slaves of Men-thah-gyee. Yet there were some hints of a first

accidental meeting under the shadow of the mango and tamarind trees,

where the sun lighted up, by irregular gushes, the waters of the little

lake in the centre of the garden, and the rustle of leaves seemed

sufficient to drown the accents of their native tongues. So they looked,

spoke, their hearts bounded, paused, trembled with soft home-memories:

they whispered on, and they were lost. Poor slaves!

Then at evening, when the dark-browed maidens of the golden city

gathered, with their earthen vessels, about the well,—there, shaded by

the thick clumps of bamboo, with the free sky overhead, the green earth

beneath, and the songs and laughter of the merry girls ringing in their

ears, so like their own home, the home which they had lost forever,—O,

what a rare, sweet, dangerous meeting-place for those who should not, and

yet must be lovers!

Finally came a day fraught with illimitable consequences,—the day when

the young slave, not yet admitted to the royal harem, should become more

than ever the property of her master. And now deeper grew their agony,

more uncontrollable their madness, wilder and more daring their hopes,

with every passing moment. Not a man in Ava, but would have told them

that escape was impossible; and yet, goaded on by love and despair, they

attempted the impossibility. They had countrymen in the city, and, under

cover of night, they fled to them. Immediately the minister sent out his

myrmidons; they were tracked, captured, and brought back to the palace.

“And what became of the poor girl?” inquired the missionary with much

interest.

The woman shuddered, and beneath her scars and the swarthiness of her

skin she became deadly pale.

“There is a cellar, Tsayah,” at last she whispered, still shuddering,

“a deep cellar, that no one has seen, but horrible cries come from it

sometimes, and two nights ago, for three hours, three long hours—such

shrieks! Amai-ai! what shrieks! And they say that he was there, Tsayah,

and saw and heard it all. That is the reason that his eyes are blinded

and his ears benumbed. A great many go into that cellar, but none ever

come out again,—none but the doomed like him. It is—_it is like the

West Prison_,” she added, sinking her voice still lower, and casting an

eager, alarmed look about her. The missionary too shuddered, as much at

the mention of this prison, as at the recital of the woman; for it shut

within its walls deep mysteries, which even his jailers, accustomed as

they were to torture and death, shrank from babbling of.

The next day a cord was passed around the wrists of the young Kathayan,

his arms jerked up into a position perpendicular with his prostrate body,

and the end of the cord fastened to a beam overhead. Still, though faint

from the lack of food, parched with thirst, and racked with pain, for his

feet were swollen and livid, not a murmur of complaint escaped his lips.

And yet this patient endurance seemed scarcely the result of fortitude

or heroism; an observer would have said that the inner suffering was so

great as to render that of the mere physical frame unheeded. There was

the same expression of hopelessness, the same unvarying wretchedness, too

deep, too real, to think of giving itself utterance on the face as at his

first entrance into the prison; and except that he now and then fixed on

one of the hopeless beings who regarded him in silent pity a mournful,

half-beseeching, half-vacant stare, this was all.

That day passed away as others had passed; then came another night of

dreams, in which loved ones gathered around the hearth-stone of a dear,

distant home; dreams broken by the clanking of chains and the groans

of the suffering; and then morning broke. There still hung the poor

Kathayan; his face slightly distorted with the agony he was suffering,

his lips dry and parched, his cheek pallid and sunken, and his eyes wild

and glaring. His breast swelled and heaved, and now and then a sob-like

sigh burst forth involuntarily. When the Tiger entered, the eye of the

young man immediately fastened on him, and a shiver passed through his

frame. The old murderer went his usual rounds with great nonchalance;

gave an order here, a blow there, and cracked a malicious joke with a

third; smiling all the time that dark, sinister smile, which made him so

much more hideous in the midst of his wickedness. At last he approached

the Kathayan, who, with a convulsive movement, half raised himself from

the ground at his touch, and seemed to contract like a shrivelled leaf.

“Right! right, my son!” said the old man, chuckling. “You are expert at

helping yourself, to be sure; but then you need assistance. So,—so,—so!”

and giving the cord three successive jerks, he succeeded, by means of

his immense strength, in raising the Kathayan so that but the back of

his head, as it fell downward, could touch the floor. There was a quick,

short crackling of joints, and a groan escaped the prisoner. Another

groan followed, and then another,—and another,—a heaving of the chest, a

convulsive shiver, and for a moment he seemed lost. Human hearts glanced

heavenward. “God grant it! Father of mercies, spare him further agony!”

It could not be. Gaspingly came the lost breath back again, quiveringly

the soft eyes unclosed; and the young Kathayan captive was fully awake to

his misery.

“I cannot die so,—I cannot,—so slow,—so slow,—so slow!” Hunger gnawed,

thirst burned, fever revelled in his veins; the cord upon his wrists cut

to the bone; corruption had already commenced upon his swollen, livid

feet; the most frightful, torturing pains distorted his body, and wrung

from him groans and murmurings so pitiful, so harrowing, so full of

anguish, that the unwilling listeners could only turn away their heads,

or lift their eyes to each other’s faces in mute horror. Not a word was

exchanged among them,—not a lip had power to give it utterance.

“I cannot die so! I cannot die so! I cannot die so!” came the words, at

first moaningly, and then prolonged to a terrible howl. And so passed

another day, and another night, and still the wretch lived on.

Stories of Tragedy · 第 9 / 12 段