I didn't say anything, I was so provoked.

"I don' b'lieve you know heow ter take the turns w'en yer mother a'n't

by to help," she continued. "Can't ye take up the heel? Widden ev'ry

fourth. Here, let me! You won't? Wal, I alluz knowed you wuz mighty

techy, Emerline Ruggles, but ye no need ter fling away in thet style.

Neow I'll advise ye ter let socks alone; they're tew intricate fur

sech ez you. Mitt'ns is jest abeout 'ithin the compass uv your

mind,--mitt'ns, men's single mitt'ns, put up on needles larger 'n them

o' yourn be, an' by this rule. Seventeen reounds in the wrist,--tew an'

one's the best seam"----

"Now, Miss Jemimy, just as if I didn't know how to knit mittens!"

"Wal, it seems you don't," said she, "though I don' deny but you may

know heow ter give 'em; an' ez I alluz like ter du w'at good I kin, I'm

gwine ter show ye."

"Show away," says I; "but I'll be bound, I've knit and sold and eaten up

more mittens than ever you put your hands in!"

"Du tell! I'm glad to ha' heern you've got sech a good digestion," says

she, hunting up a piece of paper to light her pipe. "Wal, ez I

wuz sayin'," says she, "tew an' one's the best seam, handiest an'

'lastickest; twenty stetches to a needle, cast up so loose thet the fust

one's ter one eend uv the needle an' the last ter t'other eend,--thet

gives a good pull."

"I guess your smoke will hurt Stephen's head," said I, thinking to

change her ideas.

"Oh, don't you bother abeout Stephen's head; ef it can't stan' thet,'t

a'n't good fur much. Wal, an' then you set yer thumb an' knit plain,

'xcept a seam-stetch each side uv yer thumb; an' you widden tew

stetches, one each side,--s'pose ye know heow ter widden? an'

narry?--ev'ry third reound, tell yer 've got nineteen stetches acrost

yer thumb; then ye knit, 'ithout widdenin', a matter uv seven or eight

reounds more,----you listenin', Emerline?"

"Lor', Miss Jemimy, don't you know better than to ask questions when I'm

counting? Now I've got to go and begin all over again."

"Highty-tighty, Miss! You're a weak sister, ef ye can't ceount an' chat,

tew. Wal, ter make a long matter short, then ye drop yer thumb onter

some thread an' cast up seven stetches an' knit reound fur yer hand, an'

every other time you narry them seven stetches away ter one, fur the

gore."

"Dear me, Aunt Mimy! do be quiet a minute! I believe mother's

a-calling."

"I'll see," said Aunt Mimy,--and she stepped to the door and listened.

"No," says she, coming back on tiptoe,--"an' you didn't think you heern

any one neither. It's ruther small work fur ter be foolin' an old woman.

Hows'ever, I don' cherish grudges; so, ez I wuz gwine ter say, ye knit

thirty-six reounds above wheer ye dropped yer thumb, an' then ye toe off

in ev'ry fifth stetch, an' du it reg'Iar, Emerline; an' then take up yer

thumb on tew needles, an' on t'other you pick up the stetches I told yer

ter cast up, an' knit twelve reounds, an' thumb off 'ith narryin' ev'ry

third"----

"Well, Miss Jemimy, I guess I shall know how to knit mittens, now!"

"Ef ye don't, 't a'n't my fault. When you've fastened off the eends, you

roll 'em up in a damp towel, an' press 'em 'ith a middlin' warm iron on

the wrong side. There!"

After this, Miss Mimy smoked awhile in silence, satisfied and gratified.

At last she knocked the ashes out of her pipe.

"Wal," says she, "I must be onter my feet. I'd liked ter seen yer ma,

but I won't disturb her, an' you can du ez well. Yer ma promised me a

mess o' tea, an' I guess I may ez well take it neow ez any day."

"Why, Miss Mimy," said I, "there a'n't above four or five messes left,

and we can't get any more till I sell my socks."

"Wal, never mind, then, you can le' me take one, an' mebbe I kin make up

the rest at Miss Smilers's."

So I went into the pantry to get it, and Aunt Mimy followed me, of

course.

"Them's nice-lookin' apples," said she. "Come from Stephen's place? Poor

young man, he won't never want 'em! S'pose he won't hev no objection

ter my tryin' a dozen,"--and she dropped that number into her great

pocket.

"Nice-lookin' butter, tew," said she. "Own churnin'? Wal, you _kin_

du sunthin', Emerline. W'en I wuz a heousekeeper, I used ter keep the

femily in butter an' sell enough to Miss Smith--she thet wuz Mary

Breown--ter buy our shoes, all off uv one ceow. S'pose I take this pat?"

I was kind of dumfoundered at first; I forgot Aunt Mimy was the biggest

beggar in Rockingham County.

"No," says I, as soon as I got my breath, "I sha'n't suppose any such

thing. You're as well able to make your butter as I am to make it for

you."

"Wal, Emerline Ruggles! I alluz knowed you wuz close ez the bark uv a

tree; it's jest yer father's narrer-contracted sperrit; you don' favor

yer ma a speck. She's ez free ez water."

"If mother's a mind to give away her eye-teeth, it don't follow that I

should," said I; "and I won't give you another atom; and you just clear

out!"

"Wal, you kin keep yer butter, sence you're so sot on it, an' I'll take

a leetle dust o' pork instead."

"Let's see you take it!" said I.

"I guess I'll speak 'ith yer ma. I shall git a consider'ble bigger

piece, though I don't like ter add t' 'er steps."

"Now look here, Miss Mimy," says I,--"if you'll promise not to ask for

another thing, and to go right away, I'll get you a piece of pork."

So I went down cellar, and fished round in the pork-barrel and found

quite a respectable piece. Coming up, just as my head got level with the

floor, what should I see but Miss Jemimy pour all the sugar into her

bag and whip the bowl back on the shelf, and turn round and face me as

innocent as Moses in the bulrushes. After she had taken the pork, she

looked round a minute and said,--

"Wal, arter all, I nigh upon forgot my arrant. Here's a letter they giv'

me fur Lurindy, at the post-office; ev'rybody else's afeard ter come up

here";--and by-and-by she brought it up from under all she'd stowed away

there. "Thet jest leaves room," says she.

"For what?" says I.

"Fur tew or three uv them eggs."

The Atlantic Monthly, Volume 07, No. 40, February, 1861 A Magazine of Literature, Art, and Politics · 第 7 / 30 题