Rhoda Gray started. She was conscious now that she had been leaning

forward, staring in a startled way at Pinkie as he talked; conscious now

that for a moment she had forgotten--that she was Gypsy Nan. But she was

mistress of herself on the instant, and she scowled blackly at the Pug.

“Mabbe it's me soft heart dat's touched!” she flung out acidly. “Youse

close yer trap, an' let Pinkie talk!”

“Yes, shut up!” said Pinkie. “What was I sayin'? Oh, yes! An' then the

old guy makes a strike. Can you beat it! I dunno nothing about the way

they pull them things, but he's off by his lonesome out somewhere, an'

he finds gold, an' stakes out his claim, but he takes sick again an'

can't work it, an' it's all he can do to get back alive to civilization.

He keeps his mouth shut for a while, figurin' he'll get strong again,

but it ain't no good, an' he gets a letter from the old woman tellin'

how bad she is, an' then he shows some of the stuff he'd found. After

that there's nothing to it! Everybody's beatin' it for the place; but,

at that, old Dainey comes out of it all right, an' goes crazy with joy

'cause some guy offers him twenty-five thousand bucks for his claim, an'

throws in the expenses home for good luck. He gets the money in cash,

twenty-five one-thousand-dollar bills, an' the chicken feed for the

expenses, an' starts for back here an' the old woman. But this time he

don't keep his mouth shut about it when he'd have been better off if he

had. See? He was tellin' about it on the train. I guess he was tellin'

about it all the way across. But, anyway, he tells about it comm' from

Philly this afternoon, an' French Pete an' Marny Day happens to be on

the train, an' they hears it, an' frames it up to annex the coin before

morning, 'cause he's got in too late to get the money into any bank

to-day.”

Pinkie Bonn paused, and stuck his tongue significantly in his cheek.

Shluker was rubbing his hands together now in a sort of unctuous way.

“It sounds pretty good,” he murmured; “only there's Danglar--”

“Youse leave Danglar to me!” broke in the Pug. “As soon as we hands one

to dem two boobs an' gets de cash, Pinkie can beat it back here wid de

coin an wait fer me while I finds Danglar an' squares it wid him. He

ain't goin' to put up no holler at dat. We ain't runnin' de gang into

nothin'. Dis is private business--see? So youse just take a sneak wid

yerself, an' fix a nice little alibi fer us so's we won't be takin' any

chances.”

Shluker frowned.

“But what's the good of that?” he demurred. “French Pete and Marny Day

'll see you anyway.”

“Will dey!” scoffed the Pug. “Guess once more! A coupla handkerchiefs

over our mugs is good enough fer dem, if youse holds yer end up. An' dey

wouldn't talk fer publication, anyway, would dey?”

Shluker smiled now-almost ingratiatingly.

“And how much is my end worth?” he inquired softly.

“One of dem thousand-dollar engravin's,” stated the Pug promptly. “An'

Pinkie'll run around an' slip it to youse before mornin'.”

“All right,” said Shluker, after a moment. “It's half past eight now.

From nine o'clock on, you can beat any jury in New York to it that you

were both at the same old place--as long as you keep decently under

cover. That'll do, won't it? I'll fix it. But I don't see--”

Rhoda Gray, as Gypsy Nan, for the first time projected herself into the

discussion. She cackled suddenly in jeering mirth.

“I t'ought something was wrong wid her!” whispered the Pug with mock

anxiety. “Mabbe she ain't well! Tell us about it, Nan!”

“When I do,” she said complacently, “mabbe youse'll smile out of de

other corner of dat mouth of yers!” She turned to Shluker. “Youse

needn't lay awake waitin' fer dat thousand, Shluker, 'cause youse'll

never see it. De little game's all off--'cause it's already been pulled.

See? Dere was near a riot as I passes along a street goin' to yer place,

an' I gets piped off to wot's up, an' it's de same story dat Pinkie's

told, an' de crib's cracked, an' de money's gone--dat's all.”

Shluker's face fell.

“I said you were fools when I first came in here!” he burst out

suddenly, wheeling on Pinkie Bonn and the Pug. “I'm sure of it now. I

was wonderin a minute ago how you were goin' to keep your lamps on Pete

and Marny from here, or know when they were goin' to pull their stunt,

or where to find 'em.”

Pinkie Bonn, ignoring Shluker, leaned toward Rhoda Gray.

“Say, Nan, is that straight?” he inquired anxiously. “You sure?”

“Sure, I'm sure!” Rhoda Gray asserted tersely. The one thought in her

head now was that her information would naturally deprive these men here

of any further interest in the matter, and that she would get away as

quickly as possible, and, in some way or other, see that the police were

tipped off to the fact that it was French Pete and Marny Day who had

taken the old couple's money. Those two old faces rose before her again

now--blotting out most curiously the face of Pinkie Bonn just in front

of her. She felt strangely glad--glad that she had heard all of old

Dainey's story, because she could see now an ending to it other than

the miserable, hopeless one of despair that she had read in the Daineys'

faces just a little while ago. “Sure, I'm sure!” she repeated with

finality.

“How long ago was it?” prodded Pinkie.

“I dunno,” she answered. “I just went to Shluker's, an' den we comes

over here. Youse can figure it fer yerself.”

And then Rhoda Gray stared at the other--with sudden misgiving. Pinkie

Bonn's face was suddenly wreathed in smiles.

“I'll answer you now, Shluk,” he grinned. “What do you think? That

we're nuts, me an' Pug? Well, forget it! We didn't have to stick around

watchin' Pete an' Marny; we just had to wait until they had collected

the dough. That was the most trouble we had--wonderin' when that

would be. Well, we don't have to wonder any more. We know now that the

cherries are ripe. See? An' now we'll go an' pick 'em! Where? Where d'ye

suppose? Down to Charlie's, of course! I hears 'em talkin' about that,

too. They ain't so foolish! They're out for an alibi themselves. Get the

idea? They was to sneak out of Charlie's without anybody seem' 'em,

an' if everything broke right for 'em, they was to sneak back again an'

spend the night there. No, they ain't so foolish--I guess they ain't!

There ain't no place in New York you can get in an' out of without

nobody knowin' it like Charlie's, if you know the way, an--”

“Aw, write de rest of it down in yer memoirs!” interposed the Pug

impatiently--and moved toward the door. “It's all right, Shluker--all

de way. Now, everybody beat it, an' get on de job. Nan, youse sticks wid

Pinkie an' me.”

Rhoda Gray, her mind in confusion, found herself being crowded hurriedly

through the doorway by the three men. Still in a mentally confused

condition, she found herself, a few minutes later--Shluker having parted

company with them--walking along the street between Pinkie Bonn and

the Pug. She was fighting desperately to obtain a rip upon herself. The

information she had volunteered had had an effect diametrically opposite

to that which she had intended. She seemed terribly impotent; as though

she were being swept from her feet and borne onward by some swift and

remorseless current, whether she would or no.

The Pug, in his curious whisper, was talking to her: “Pinkie knows de

way in. We don't want any row in dere, on account of Charlie. We ain't

fer puttin' his place on de rough, an' gettin' him raided by de bulls.

Charlie's all to de good. See? Well, dat's wot 'd likely happen if

me an' Pinkie busts in on Pete an' Marny widout sendin' in our

visitin'-cards first, polite-like. Dey would pull deir guns, an' though

we'd get de coin just de same, dere'd be hell to pay fer Charlie, an' de

whole place 'd go up in fireworks right off de bat. Well, dis is where

youse come in. Youse are de visitin'-card. Youse gets into deir bunk

room, pretendin' youse have made a mistake, an' youse leaves de door

open behind youse. Dey don't know youse, an', bein' a woman, dey won't

pull no gun on youse. An' den youse breaks it gently to dem dat dere's

a coupla gents outside, an' just about den dey looks up an' sees me an'

Pinkie an' our guns-an' I guess dat's all. Get it?”

“Sure!” mumbled Rhoda Gray.

The Pug talked on. She did not hear him. It seemed as though her brain

ached literally with an acute physical pain. What was she to do? What

could she do? She must do something! There must be some way to save

herself from being drawn into the very center of this vortex toward

which she was being swept closer with every second that passed. Those

two old faces, haggard in their despair and misery, rose before her

again. She felt her heart sink. She had counted, only a few moments

before, on getting their money back for them--through the police. The

police! How could she get any word to the police now, without first

getting away from these two men here? And suppose she did get away,

and found some means of communicating with the authorities, it would be

Pinkie Bonn here, and the Pug, who would fall into the meshes of the law

quite as much as would French Pete and Marny Day; and to have Pinkie and

the Pug apprehended now, just as they seemed to be opening the gateway

for her into the inner secrets of the gang, meant ruin to her own hopes

and plans. And to refuse to go on with them now, as one of them, would

certainly excite their suspicions--and suspicion of Gypsy Nan was the

end of everything for her.

Her hands, under her shawl, clenched until the nails bit into her palms.

Couldn't she do anything? And there was the money, too, for those two

old people. Wasn't there any--She caught her breath. Yes, yes! Perhaps

there was a way to save the money; yes, and at the same time to place

herself on a firmer footing of intimacy with these two men here--if she

went on with this. But--She shook her head. She could not afford “buts”

now; they must take care of themselves afterwards. She would play Gypsy

Nan now without reservation. These two men here, like Shluker, were

obviously ignorant that Gypsy Nan was Danglar's wife; so she was--Pinkie

Bonn's hand was on her arm. She had stumbled.

“Look out for yourself!” he cautioned under his breath. “Don't make a

sound!”

They had drawn into a very dark and narrow area way between two

buildings, and now Pinkie kept his touch upon her as he led the way

along. What was this “Charlie's”? She did not know, except that,

from what had been said, it was a drug dive of some kind, patronized

extensively by the denizens of the underworld. She did not know where

she was now, save that she had suddenly left one of the out-of-the--way

East Side streets.

Pinkie halted suddenly, and, bending down, lifted up what was evidently

a half section of the folding trapdoor to a cellar entrance.

“There's only a few of us regulars wise to this,” whispered Pinkie.

“Watch yourself! There's five steps. Count 'em, so's you won't trip.

Keep hold of me all the way. An' nix on the noise, or we won't get away

with it inside. Leave the trap open, Pug, for our getaway. We ain't

goin' to be long. Come on!”

It was horribly dark. Rhoda Gray, with her hand on Pinkie Bonn's

shoulder, descended the five steps. She felt the Pug keeping touch

behind by holding the corner of her shawl. They went forward softly,

slowly, stealthily. She felt her knees shake a little, and suddenly

panic seized her, and she wanted to scream out. What was she doing?

Where was she going? Was she mad, that she had ventured into this trap

of blackness? Blackness! It was hideously black. She looked behind her.

She could not see the Pug, close as he was to her; and dark as she had

thought it outside there at the cellar entrance, it appeared by contrast

to have been light, for she could even distinguish now the opening

through which they had come.

They were in a cellar that was damp underfoot, and the soft earth

deadened all sound as they walked upon it--and they seemed to be walking

on interminably. It was too far--much too far! She felt her nerve

failing her. She looked behind her again. That opening, still

discernible to her straining eyes, beckoned her, lured her. Better to...

Pinkie had halted again. She bumped into him. And then she felt his lips

press against her ear.

“Here we are!” he breathed. “They got the end room on the right, so's

they could get in an' out with out bein' seen, an so's even Charlie'd

swear they was here all the time. You're too old a bird to fall down,

Nan. If the door's locked, knock--an' give 'em any old kind of a song

an' dance till you gets 'em off their guard. The Pug an' me 'll see you

through. Go it!”

Before Rhoda Gray could reply, Pinkie had stepped suddenly to one

side. A door in front of her, a sliding door it seemed to be, opened

noiselessly, and she could see a faintly lighted, narrow, and very short

passage ahead of her. It appeared to make a right-angled turn just a few

yards in, and what light there was seemed to filter in from around the

corner. And on each side of the passage, before it made the turn, there

was a door, and from the one on the right, through a cracked panel, a

tiny thread of light seeped out.

Her lips moved silently. After all, it was not so perilous. Nobody would

be hurt. Pinkie and the Pug would cover those two men in there--and take

the money--and run for it--and...

The Pug gave her an encouraging push from behind.

She moved forward mechanically. There were many sounds now, but they

came muffled and indeterminate from around that corner ahead--all save

a low murmuring of voices from the door with the cracked panel on the

right.

It was only a few feet. She found herself crouched before the door--but

she did not knock upon it. Instead, her blood seemed suddenly to run

cold in her veins, and she beckoned frantically to her two companions.

She could see through the crack in the panel. There were two men in

there, French Pete and Marny Day undoubtedly, and they sat on opposite

sides of a table, and a lamp burned on the table, and one of the men

was counting out a sheaf of crisp yellow-back banknotes--but the other,

while apparently engrossed in the first man's occupation, and while he

leaned forward in apparent eagerness, was edging one hand stealthily

toward the lamp, and his other hand, hidden from his companion's view

by the table, was just drawing a revolver from his pocket. There was no

mistaking the man's murderous intentions. A dull horror, that numbed her

brain, seized upon Rhoda Gray; the low-type brutal faces under the rays

of the lamp seemed to assume the aspect of two monstrous gargoyles, and

to spin around and around before her vision; and then--it could only

have been but the fraction of a second since she had begun to beckon to

Pinkie and the Pug--she felt herself pulled unceremoniously away from

the door, and the Pug leaned forward in her place, his eyes to the crack

in the panel.

She heard a low, quick-muttered exclamation from the Pug; and then

suddenly, as the lamp was obviously extinguished, that crack of light

in the panel had vanished. But in an instant, curiously like a jagged

lightning flash, light showed through the crack again--and vanished

again. It was the flash of a revolver shot from within, and the roar of

the report came now like the roll of thunder on its heels.

Rhoda Gray was back against the opposite wall. She saw the Pug fling

himself against the door. It was a flimsy affair. It crashed inward. She

heard him call to Pinkie:

“Shoot yer flash on de table, an' grab de coin! I'll fix de other guy!”

Were eternities passing? Her eyes were fascinated by the interior beyond

that broken door. It was utterly dark inside there, save that the ray

of a flashlight played now on the table, and a hand reached out and

snatched up a scattered sheaf of banknotes; and on the outer edge of the

ray two shadowy forms struggled and one went down. Then the flashlight

went out She heard the Pug speak:

“Beat it!”

Commotion came now; cries and footsteps from around that corner in the

passage. The Pug grasped her by the shoulders, and rushed her back into

the cellar. She was conscious, it seemed, only in a dazed and mechanical

way. There were men in the passage running toward them--and then the

passage had disappeared. Pinkie Bonn had shut the connecting door.

“Hop it like blazes!” whispered the Pug, as they ran for the faint

glimmer of light that located the cellar exit. “Separate de minute we're

outside!” he ordered. “Dere's murder in dere. Pete shot Marny. I put

Pete to sleep wid a punch on de jaw; but de bunch knows now some one

else was dere, an' Pete'll swear it was us, though he don't know who we

was dat did de shootin'. I gotta make dis straight right off de bat wid

Danglar.” His whispering voice was labored, panting; they were climbing

up the steps now. “Youse take de money to my room, Pinkie, an' wait

fer me. I won't be much more'n half an hour. Nan, youse beat it fer yer

garret, an' stay dere!”

They were outside. The Pug had disappeared in the darkness. Pinkie was

closing, and evidently fastening, the trap-door.

“The other way, Nan!” he flung out, as she started to run. “That takes

you to the other street, an' they can't get around that way without

goin' around the whole block. Me for a fence I knows about, an' we gives

'em the merry laugh! Go on!”

She ran--ran breathlessly, stumbling, half falling, her hands stretched

out before her to serve almost in lieu of eyes, for she could make out

scarcely anything in front of her. She emerged upon a street. It seemed

abnormal, the quiet, the lack of commotion, the laughter, the unconcern

in the voices of the passers-by among whom she suddenly found herself.

She hurried from the neighborhood.

XIII. THE DOOR ACROSS THE HALL

It was many blocks away before calmness came again to Rhoda Gray,

and before it seemed, even, that her brain would resume its normal

functions; but with the numbed horror once gone, there came in its

place, like some surging tide, a fierce virility that would not be

denied. The money! The old couple on that doorstep, stripped of their

all! Wasn't that one reason why she had gone on with Pinkie Bonn and

the Pug? Hadn't she seen a way, or at least a chance, to get that money

back?

Rhoda Gray looked quickly about her. On the corner ahead she saw a drug

store, and started briskly in that direction. Yes, there was a way! The

idea had first come to her from the Pug's remark to Shluker that, after

they had secured the money, Pinkie would return with it to the Pug's

room, while the Pug would go and square things with Danglar. And also,

at the same time, that same remark of the Pug's had given rise to a

hope that she might yet trace Danglar to night through the Pug--but the

circumstances and happenings of the last few minutes had shattered that

hope utterly. And so there remained the money. And, as she had walked

with Pinkie and the Pug a little while ago, knowing that Pinkie would,

if they were successful, carry the money back to the Pug's room, just

as was being done now precisely in accordance with the Pug's original

intentions, she had thought of the Adventurer. It had seemed the only

way then; it seemed the only way now--despite the fact that she would be

hard put to it to answer the Adventurer if he thought to ask her how, or

by what means, she was in possession of the information that enabled

her to communicate with him. But she must risk that--put him off, if

necessary, through the plea of haste, and on the ground that there was

not time to-night for an unnecessary word. He had given her, believing

her to be Gypsy Nan, his telephone number, which she, in turn, was to

transmit to the White Moll--in other words, herself! But the White

Moll, so he believed, had never received that message--and it must

of necessity be as the White Moll that she must communicate with him

to-night! It would be hard to explain--she meant to evade it. The one

vital point was that she remembered the telephone number he had given

her that night when he and Danglar had met in the garret. She was not

likely to have forgotten it!

Rhoda Gray, alias Gypsy Nan, scuffled along. Was she inconsistent? The

Adventurer would be in his element in going to the Pug's room, and in

relieving Pinkie Bonn of that money; but the Adventurer, too, was

a thief-wasn't he? Why, then, did she propose, for her mind was now

certainly made up as to her course of action, to trust a thief to

recover that money for her?

She smiled a little wearily as she reached the drug store, stepped into

the telephone booth, and gave central her call. Trust a thief! No, it

wasn't because her heart prompted her to believe in him; it was because

her head assured her she was safe in doing so. She could trust him in an

instance such as this because--well, because once before, for her sake

he had foregone the opportunity of appropriating a certain diamond

necklace worth a hundred times the sum that she would ask him--yes, if

necessary, for her sake--to recover to-night. There was no...

She was listening in a startled way now at the instrument. Central had

given her “information”; and “information” was informing her that the

number she had asked for had been disconnected.

She hung up the receiver, and went out again to the street in a dazed

and bewildered way. And then suddenly a smile of bitter self-derision

crossed her lips. She had been a fool! There was no softer word--a fool!

Why had she not stopped to think? She understood now! On the night the

Adventurer had confided that telephone number to her as Gypsy Nan, he

had had every reason to believe that Gypsy Nan would, as she had already

apparently done, befriend the White Moll even to the extent of accepting

no little personal risk in so doing. But since then things had taken a

very different turn. The White Moll was now held by the gang, of which

Gypsy Nan was supposed to be a member, to be the one who had of late

profited by the gang's plans to the gang's discomfiture; and the

Adventurer was ranked but little lower in the scale of hatred, since

they counted him to be the White Moll's accomplice. Knowing this,

therefore, the first thing the Adventurer would naturally do would be to

destroy the clew, in the shape of that telephone number, that would lead

to his whereabouts, and which he of course believed he had put into the

gang's hands when he had confided in Gypsy Nan. Had he not told her, no

later than last night, that Gypsy Nan was her worst enemy? He did not

know, did he, that Gypsy Nan and the White Moll were one! And so that

telephone had been disconnected--and to-night, now, just when she needed

help at a crucial moment, when she had counted upon the Adventurer to

supply it, there was no Adventurer, no means of reaching him, and no

means any more of knowing where he was!

Rhoda Gray walked on along the street, her lips tight, her face drawn

and hard. Failing the Adventurer, there remained--the police. If she

telephoned the police and sent them to the Pug's room, they would of a

certainty recover the money, and with equal certainty restore it to its

rightful owners. She had already thought of that when she had been with

Pinkie and the Pug, and had been loath even then to take such a step

because it seemed to spell ruin to her own personal plans; but now there

was another reason, and one far more cogent, why she should not do

so. There had been murder committed back there in that underground

drug-dive, and of that murder Pinkie Bonn was innocent; but if Pinkie

were found in possession of that money, and French Pete, to save his own

skin from the consequences of a greater crime, admitted to its original

theft, Pinkie would be convicted out of hand, for there were the others

in that dive, who had come running along the passage, to testify that

an attack had been made on the door of French Pete and Marny Day's

room, and that the thieves and murderers had fled through the cellar and

escaped.

Her lips pressed harder together. And so there was no Adventurer upon

whom she could call, and no police, and no one in all the millions in

this great pulsing city to whom she could appeal; and so there remained

only--herself.

Well, she could do it, couldn't she? Not as Gypsy Nan, of course--but as

the White Moll. It would be worth it, wouldn't it? If she were sincere,

and not a moral hypocrite in her sympathy for those two outraged old

people in the twilight of their lives, and if she were not a moral

coward, there remained no question as to what her decision should be.

The White Moll · 第 11 / 19 段