“Yes, there's some pretty slick stuff there,” said Danglar, with an

appraising chuckle; “but there'll be something to-night that'll make all

that bunch look like chicken-feed. The boys are at work now, and we'll

have old Hayden-Bond's necklace in another hour. Skeeny's got the

Sparrow tied up in the old room behind Shluker's place, and once we're

sure there's no back-fire anywhere, the Sparrow will chirp his last

chirp.” He laughed out suddenly, and, leaning forward, clapped Rhoda

Gray exultantly on the shoulder. “It was like taking candy from

a kid! The Sparrow and the old man fell for the sick-mother,

needing-her-son-all-night stuff without batting a lid; but the Sparrow

hasn't been holding the old lady's hand at the bedside yet. We took care

of that.”

Again Rhoda Gray made no comment. She wondered, as she gripped at the

rings and brooches in hand, so fiercely that the settings pricked into

the flesh, if her face mirrored in any way the cold, sick misery that

had suddenly taken possession of her soul. The Sparrow! She knew the

Sparrow; she knew the Sparrow's sick mother. That part of it was true.

The Sparrow did have an old mother who was sick. A fine old lady--finer

than the son--Finch, her name was. Indirectly, she knew old Hayden-Bond,

the millionaire, and--Almost subconsciously she was aware that Danglar

was speaking again.

“I guess luck's breaking our way again,” he grinned. “The old boy paid

a hundred thousand cold for that necklace. You know how long we've been

waiting to get our hooks on it, and we've never had our eyes off his

house for two months. Well, it pays to wait, and it pays to do things

right. It broke our way at last to-night, all right, all right! To-day's

Saturday--and the safety deposit vaults aren't open on Sunday. Mrs.

Hayden-Bond's been away all week visiting, but she comes back to-morrow,

and there's some swell society fuss fixed for to-morrow night, and she

wants her necklace to make a splurge, so she writes Mr. H-hyphen-B, and

out it comes from the safety deposit vault, and into the library safe.

The old man isn't long on social stunts, and he's got pretty well set

in his habits; one of those must-have-nine-hours'-sleep bugs, and he's

always in bed by ten--when his wife'll let him. She being away to-night,

the boys were able to get to work early. They ought to be able to crack

that box without making any noise about it in an hour and a half at the

outside.” He pulled out his watch-and whistled low under his breath.

“It's a quarter after eleven now,” he said hurriedly, and moved abruptly

toward the door. “I can't stick around here any longer. I've got to be

on deck where they can slip me the 'white ones,' and then there's

Skeeny waiting for the word to bump off the Sparrow.” He jerked his hand

suddenly toward the jewels in her lap. “Salt those away before any more

adventurers blow in!” he said, half sharply, half jocularly. “And don't

let the White Moll slip you--at any cost. Remember! She's bound to come

to you again. Play her--and send out the call. You understand, don't

you? There's never been a yip out of the police. Our methods are too

good for that. Look at the Sparrow to-night. Where there's no chance

taken of suspicion going anywhere except where we lead it, there's

no chance of any trouble--for us! But this cursed she-fiend's another

story. We're not planting plum trees for her to pick any more of the

fruit. Understand?”

She answered him mechanically.

“Yes,” she said.

“All right, then; that end of it is up to you,” he said significantly.

“You're clever, clever as the devil, Bertha. Use your brains now--we

need 'em. Good-night, old girl. See you later.”

“Good-night,” said Rhoda Gray dully.

The door closed. The short, ladder-like steps to the hallway below

creaked once, and then all was still. Danglar did have on rubber-soled

shoes. She sat upright, her hands, clenched now, pressed hard against

her throbbing temples. It wasn't true! None of this was true--this

hovel of a place, those jewels glinting like evil eyes in her lap; her

existence itself wasn't true; it was only her brain now, sick like her

soul, that conjured up these ugly phantoms with horrible, plausible

ingenuity. And then an inner voice seemed to answer her with a calmness

that was hideous in its finality. It was true. All of it was true.

Those words of Danglar, and their bald meaning, were true. Men did such

things; men made in the image of their Maker did such things. They were

going to kill a man to-night--an innocent man whom they had made their

pawn.

She swept the jewels from her lap to the blanket, and rising, seized the

candle, went to the door, looked out, and, holding the candle high above

her head, peered down the stairs. Yes, he was gone. There was no one

there.

She locked the door again, returned to the bed, set the candle down upon

the chair, and stood there, her face white and drawn, staring with wide,

tormented eyes about her. Murder. Danglar had spoken of it with inhuman

callousness--and had laughed at it. They were going to take a man's

life. And there was only herself, already driven to extremity, already

with her own back against the wall in an effort to save herself, only

herself to carry the burden of the responsibility of doing something-to

save a man's life.

It seemed to plumb the depths of irony and mockery. She could not make

a move as Gypsy Nan. It would only result in their turning upon her, of

the discovery that she was not Gypsy Nan at all, of the almost certainty

that it would cost her her own life without saving the Sparrow's. That

way was closed to her from the start. As the White Moll, then? Outside

there in the great city, every plain-clothes man, every policeman on

every beat, was staring into every woman's face he met--searching for

the White Moll.

She wrung her hands in cruel desperation. Even to her own problem she

had found no solution, though she had wrestled with it all last night,

and all through the day; no solution save the negative one of clinging

to this one refuge that remained to her, such as it was, temporarily.

She had found no solution to that; what solution was there to this! She

had thought of leaving the city as Gypsy Nan, and then somewhere far

away, of sloughing off the character of Gypsy Nan, and of resuming her

own personality again under an assumed name. But that would have meant

the loss of everything she had in life, her little patrimony, the

irredeemable stamp of shame upon the name she once had owned; and also

the constant fear and dread that at any moment the police net, wide as

the continent was wide, would close around her, as, sooner or later, it

was almost inevitable that it would close around her. It had seemed that

her only chance was to keep on striving to play the role of Gypsy Nan,

because it was these associates of Gypsy Nan who were at the bottom of

the crime of which she, Rhoda Gray, was held guilty, and because there

was always the hope that in this way, through confidences to a supposed

confederate, she could find the evidence that would convict those

actually guilty, and so prove her own innocence. But in holding to

the role of Gypsy Nan for the purpose of receiving those criminal

confidences, she had not thought of this--that upon her would rest the

moral responsibility of other crimes of which she would have knowledge,

and, least of all, that she should be faced with what lay before her

now, to-night, at the first contact with those who had been Gypsy Nan's

confederates.

What was she to do? Upon her, and upon her alone, depended a man's life,

and, adding to her distraction, she knew the man--the Sparrow, who had

already done time; that was the vile ingenuity of it all. And there

would le corroborative evidence, of course; they would have seen to

that. If the Sparrow disappeared and was never heard of again, even a

child would deduce the assumption that the proceeds of the robbery had

disappeared with him.

Her brain seemed to grow panicky. She was standing here helplessly. And

time, the one precious ally that she possessed, was slipping away from

her. She could not go to the police as Gypsy Nan--and, much less, as

the White Moll! She could not go to the police in any case, for the

“corroborative” evidence, that obviously must exist, unless Danglar and

those with him were fools, would indubitably damn the Sparrow to another

prison term, even supposing that through the intervention of the police

his life were saved. What was she to do?

And then, for a moment, her eyes lighted in relief. The Adventurer!

She thrust her hand into the pocket of her skirt, and drew out the torn

piece of paper, and studied the telephone number upon it--and slowly the

hurt and misery came back into her eyes again. Who was he? He had told

her. An adventurer. He had given her to understand that he, if she had

not been just a few minutes ahead of him, would have taken that money

from Skarbolov's escritoire last night. Therefore he was a crook.

Danglar had said that some one had been getting in ahead of them lately

and snatching the plunder from under their noses; and Danglar now

believed that it had been the White Moll. A wan smile came to her lips.

Instead of the White Moll, it appeared to be quite obvious that it was

the Adventurer. It therefore appeared to be quite as obvious that the

man was a professional thief, and an extremely clever one, at that. She

dared not trust him. To enlist his aid she would have to explain

the gang's plot; and while the Adventurer might go to the Sparrow's

assistance, he might also be very much more interested in the diamond

necklace that was involved, and not be entirely averse to Danglar's plan

of using the Sparrow as a pawn, who, in that case, would make a very

convenient scapegoat for the Adventurer--instead of Danglar! She dared

not trust the man. She could not absolve her conscience by staking

another's life on a hazard, on the supposition that the Adventurer might

do this or that. It was not good enough.

She was quick in her movements now. Subconsciously her decision had been

made. There was only one way--only one. She gathered up the jewels from

the bed and thrust them, with the Adventurer's torn piece of paper, into

her pocket. And now she reached for the little notebook that she had

hidden under the blanket. It contained the gang's secret code, and she

had found it in the cash box in Gypsy Nan's strange hiding place that

evening. Half running now, carrying the candle, she started toward the

lower end of the attic, where the roof sloped down to little more

than shoulder high. “Seven-Three-Nine!” Danglar had almost decoded the

message word for word in the course of his conversation. In the little

notebook, set against the figures, were the words: “Danger. The game

is off. Make no further move.” It was only one of many, that arbitrary

arrangement of figures, each combination having its own special

significance; but, besides these, there was the key to a complete

cipher into which any message might be coded, and--But why was her brain

swerving off at inconsequential tangents? What did a coder or code book,

matter at the present moment?

She was standing under the narrow trap-door in the low ceiling now, and

now she pushed it up, and lifting the candle through the opening, set it

down on the inner surface of the ceiling, which, like some vast shelf,

Gypsy Nan had metamorphosed into that exhaustive storehouse of edibles,

of plunder--a curious and sinister collection that was eloquent of a

gauntlet long flung down against the law. She emptied the pocket of her

skirt, retaining only the revolver, and substituted the articles she had

removed with the tin box that contained the dark compound Gypsy Nan, and

she herself, as Gypsy Nan, had used to rob her face of youthfulness, and

give it the grimy, dissolute and haggard aspect which was so simple and

yet so efficient a disguise.

She worked rapidly now, changing her clothes. She could not go, or act,

as Gypsy Nan; and so she must go in her own character, go as the White

Moll--because that was the lesser danger, the one that held the only

promise of success. There wasn't any other way. She could not very well

refuse to risk her capture by the police, could she, when by so doing

she might save another's life? She could not balance in cowardly

selfishness the possibility of a prison term for herself, hideous as

that might be, against the penalty of death that the Sparrow would pay

if she remained inactive. But she could not leave here as the White

Moll. Somewhere, somewhere out in the night, somewhere away from this

garret where all connection with it was severed, she must complete the

transformation from Gypsy Nan to the White Moll. She could only prepare

for that now as best she could.

And there was not a moment to lose. The thought made her frantic. Over

her own clothes she put on again Gypsy Nan's greasy skirt, and drew on

again, over her own silk ones, Gypsy Nan's coarse stockings. She put on

Gypsy Nan's heavy and disreputable boots, and threw the old shawl again

over her head and shoulders. And then, with her hat--for the small shape

of which she breathed a prayer of thankfulness!--and her own shoes under

her arm and covered by the shawl, she took the candle again, closed the

trap-door, and stepped over to the washstand. Here, she dampened a

rag, that did duty as a facecloth, and thrust it into her pocket; then,

blowing out the candle, she groped her way to the door, locked it behind

her, and without any attempt at secrecy made her way downstairs.

VI. THE RENDEZVOUS

Rhoda Gray's movements were a little unsteady as she stepped out on

the sidewalk. Gypsy Nan's accepted inebriety was not without its

compensation. It enabled her, as she swayed for a moment, to scrutinize

the street in all directions. Were any of Rough Rorke's men watching the

house? She did not know; she only knew that as far as she had been

able to discover, she had not been followed when she had gone out that

afternoon. Up the street, to her right, there were a few pedestrians; to

her left, as far as the corner, the block was clear. She turned in the

latter direction. She had noticed that afternoon that there was a lane

between Gypsy Nan's house and the corner; she gained this and slipped

into it unobserved.

And now, in the comparative darkness, she hurried her steps. Somewhere

here in the lane she would make the transformation from Gypsy Nan to the

White Moll complete; it required only some place in which she could with

safety leave the garments that she discarded, and--Yes, this would do! A

tumble-down old shed, its battered door half open, ample proof that the

place was in disuse, intersected the line of high board fence on her

right.

She stole inside. It was utterly dark, but she had no need for light.

It was a matter of perhaps three minutes; and then, the revolver

transferred to the pocket of her jacket, the stains removed from her

face by the aid of the damp cloth, her hands neatly gloved in black

kid, the skirt, boots, stockings, shawl, spectacles and wig of Gypsy Nan

carefully piled together and hidden in a hole under the rotting boards

of the floor, behind the door, she emerged as the White Moll, and went

on again.

But at the end of the lane, where it met a cross street, and the street

lamp flung out an ominous challenge, and, dim though it was, seemed to

glare with the brightness of daylight, she faltered for a moment and

drew back. She knew where Shluker's place was, because she knew, as few

knew it, every nook and cranny in the East Side, and it was a long way

to that old junk shop, almost over to the East River, and--and there

would be lights like this one here that barred her exit from the lane,

thousands of them, lights all the way, and--and out there they were

searching everywhere, pitilessly, for the White Moll.

And then, with her lips tightened, the straight little shoulders thrown

resolutely back, she slipped from the lane to the sidewalk, and, hugging

the shadows of the buildings, started forward.

She was alert now in mind and body, every faculty strained and in

tension. It was a long way, and it would take a great while--by wide

detours, by lanes and alleyways, for only on those streets that were

relatively deserted and poorly lighted would she dare trust herself to

the open. And as she went along, now skirting the side of a street, now

through some black courtyard, now forced to take a fence, and taking it

with the agility born of the open, athletic life she had led with her

father in the mining camps of South America, now hiding at the mouth

of a lane waiting her chance to cross an intersecting street when

some receding footstep should have died away, the terror of delay

came gripping at her heart with an icy clutch, submerging the fear of

personal peril in the agony of dread that, with her progress so slow,

she would, after all, be too late. And at times she almost cried out in

her vexation and despair, as once, when crouched behind a door-stoop,

a policeman, not two yards from her, stood and twirled his night stick

under the street lamp while the minutes sped and raced themselves away.

When she could run, she ran until it seemed her lungs must burst, but

it was slow progress at best, and always the terror grew upon her. Had

Danglar met the men yet who had looted the millionaire's safe? Had he

already joined Skeeny in that old room behind Shluker's place? Had the

Sparrow--She would not let her mind frame that question in concrete

words. The Sparrow! His real name was Martin, Martin Finch--Marty,

for short. Times without number she had visited the sick and widowed

mother--while the Sparrow had served a two-years' sentence for his first

conviction in safe-breaking. The Sparrow, from a first-class chauffeur

mechanic, had showed signs of becoming a first-class cracksman, it was

true; but the Sparrow was young, and she had never believed that he was

inherently bad. Her opinion had been confirmed when, some six months

ago, on his release, listening both to her own pleadings and to those of

his mother, the Sparrow had sworn that he would stick to the “straight

and narrow.” And Hayden-Bond, the millionaire, referred to by a good

many people as eccentric, had further proved his claims to eccentricity

in the eyes of a good many people by giving a prison bird a chance to

make an honest living, and had engaged the Sparrow as his chauffeur. It

was a vile and an abominable thing that they were doing, even if they

had not planned to culminate it with murder. What chance would the

Sparrow have had!

It had taken a long time. She did not know how long, as, at last, she

stole unnoticed into a black and narrow driveway that led in, between

two blocks of down-at-the-heels tenements, to a courtyard in the rear.

Shluker had his junk shop here. Her lips pursed up as though defiant of

a tinge of perplexity that had suddenly taken possession of her. She did

not know Shluker, or anything about Shluker's place except its locality;

but surely “the old room behind Shluker's” was direction enough,

and--She had just emerged from the end of the driveway now, and now,

startled, she turned her head quickly, as she heard a brisk step turning

in from the street behind her. But in the darkness she could see no one,

and satisfied, therefore, that she in turn had not been seen, she moved

swiftly to one side, and crouched down against the rear wall of one of

the tenements. A long moment, that seemed an eternity, passed, and

then a man's form came out from the driveway, and started across the

courtyard.

She drew in her breath sharply, a curious mingling of relief and a

sudden panic fear upon her. It was not so dark in the courtyard as it

had been in the driveway, and, unless she were strangely mistaken that

form out there was Danglar's. She watched him as he headed toward a

small building that loomed up like a black, irregular shadow across

the courtyard, and which was Shluker's shop--watched him in a tense,

fascinated way. She was in time, then--only--only somehow now her limbs

seemed to have become weak and powerless. It seemed suddenly as though

she craved with all her soul the protecting shadows of the tenement,

and that every impulse bade her cling there, flattened against the wall,

until she could make her escape. She was afraid now; she shrank from the

next step. It wasn't illogical. She had set out with a purpose in

view, and she had not been blind to the danger that she ran, but the

prospective and mental encounter with danger did not hold the terror

that the tangible, concrete and actual presence of that peril did--and

that was Danglar there.

She felt her face whiten, and she felt the tremor of her lips, tightly

as they were drawn together. Yes, she was afraid, afraid in every fiber

of her being, but there was a difference, wasn't there, between being

afraid and being a coward? Her small, gloved hands clenched, her lips

parted slightly. She laughed a little now, low, without mirth. Upon what

she did or did not do, upon the margin between fear and cowardice as

applied to herself, there hung a man's life. Danglar was disappearing

around the side of Shluker's shop. She moved out from the wall, and

swiftly, silently, crossed the courtyard, gained the side of the junk

shop in turn, skirted it, and halted, listening, peering around her,

as she reached the rear corner of the building. A door closed somewhere

ahead of her; from above, upstairs, faint streaks of light showed

through the interstices of a shuttered window.

She crept forward now, hugging the rear wall, reached a door-the one,

obviously, through which Danglar had disappeared, and which she

had heard as it was closed--tried the door, found it unlocked, and,

noiselessly, inch by inch, pushed it open; and a moment later, stepping

over the threshold, she closed it softly behind her. A dull glow of

light, emanating evidently from an open door above, disclosed the upper

portion of a stairway over on her left, but apart from that the place

was in blackness, and save that she knew, of course, she was in the rear

of Shluker's junk shop, she could form no idea of her surroundings.

But she could, at last, hear. Voices, one of which she recognized as

Danglar's, though she could not distinguish the words, reached her from

upstairs.

Slowly, with infinite care, she crossed to the stairs, and on hands and

knees now, lest she should make a sound, began to crawl upward. And a

little way up, panic fear seized upon her again, and her heart stood

still, and she turned a miserable face in the darkness back toward the

door below, and fought against the impulse to retreat again.

And then she heard Danglar speak, and from her new vantage point his

words came to her distinctly this time:

“Good work, Skeeny! You've got the Sparrow nicely trussed up, I see.

Well, he'll do as he is for a while there. I told the boys to hold off a

bit. It's safer to wait an hour or two yet, before moving him away from

here and bumping him off.”

“Two jobs instead of one!” a surly voice answered. “We might just as

well have finished him and slipped him away for keeps when we first got

our hooks on him.”

“Got a little sick of your wood-carving, while you stuck around by your

lonesome and watched him--eh?” Danglar's tones were jocularly facetious.

“Don't grouch, Skeeny! We're not killing for fun--it doesn't pay.

Supposing anything had broken wrong up the Avenue--eh? We wouldn't have

had our friend the Sparrow there for the next time we tried it!”

There was something abhorrently callous in the laugh that followed. It

seemed to fan into flame a smoldering fire of passionate anger in Rhoda

Gray's soul. And before it panic fled. Her hand felt upward for the next

stair-tread, and she crept on again, as a face seemed to rise before

her--not the Sparrow's face--a woman's face. It was a face that was

crowned with very thin white hair, and its eyes were the saddest she had

ever seen, and yet they were brave, steady old eyes that had not lost

their faith; nor had the old, care-lined face itself, in spite of

suffering, lost its gentleness and sweetness. And then suddenly it

seemed to change, that face, and become wreathed in smiles, and happy

tears to run coursing down the wrinkled cheeks. Yes, she remembered! It

had brought the tears to her own eyes. It was the night that the wayward

Sparrow, home from the penitentiary, on his knees, his head buried in

his mother's lap, had sworn that he would go straight.

Fear! It seemed as though she never had known, never could know

fear--that only a merciless, tigerish, unbridled fury had her in its

thrall. And she went on up, step after step, as Danglar spoke again:

The White Moll · 第 4 / 19 段