XVII

Towards six o'clock the company began to thin out somewhat, and within

the hour I found myself once more alone with Mr. Rawlence.

'Well, and what do you think of these few representatives of Sydney's

Bohemia?' asked my host. 'They are not, perhaps, leading pillars of

our official society, as one may say--the Government House set, you

know--but my Sunday afternoon visitors are apt to be pretty fairly

representative of our best literary and artistic circles, I think.

Interesting fellows, are they not? I was glad to notice you had a few

words with Foster, the editor of the _Chronicle_. If you still have

literary or journalistic ambitions, and have not been entirely

captivated by the pundits of commerce and money-making, Foster might

be of material assistance to you.'

Just then Ah Lun passed before us (still smiling), carrying a tray

full of used glasses.

'We'll have a bit of dinner here, Ah Lun. I won't go out to-night. I

dare say you have something we can pick over. Let us know when it's

ready.'

Really, as I look back upon it, I see even more clearly than at the

time that the artist was extraordinarily kind to me; to an obscure and

friendless youth, none too presentable, and little likely just then to

do him credit. I would prefer to set down here only that which I

understood and felt at the time. Perhaps that is not quite possible,

in the light of subsequently acquired knowledge and experience. This

much I can say: there was no hint at this time of any wavering or

diminution in the almost worshipful regard I felt for Mr. Rawlence.

Seen in his own chosen setting, he was the most magnificent person I

had met. Aestheticism of a pronounced sort was becoming the fashion of

the day in London; and, as I presently found, Mr. Rawlence followed

the fashions of London and Paris closely. Indeed, I gathered that at

one time he had settled down, determined to live and to end his days

in one or other of those Old World capitals. But after a year divided

between them, he had returned to Sydney, and gradually formed his

Macquarie Street home and social connections. No doubt he was a more

important figure there than he would have been in Europe. His private

income made him easily independent of earnings artistic or otherwise.

I apprehend he lived at the rate of about a thousand pounds a year, or

a little more, which meant a good deal in Sydney in those days. I

remember being told at one time that he did not earn fifty pounds in a

year as a painter; but, of course, I could not answer for that.

I think he derived his greatest satisfactions from the society of

young aspirants in art, literature, and journalism; and I incline to

think it was more to please and interest, to serve and to impress

these neophytes, than from any inclination of his own, that he also

assiduously cultivated the society of a few maturer men who were

definitely placed in the Sydney world as artists, writers, editors,

and so forth. But such conclusions came to me gradually, of course. I

had not thought of them during that delightfully exciting experience--my

first visit to the Macquarie Street studio.

The simple little dinner was for me a thrilling episode. The deft-handed

Chinaman hovering behind our chairs, the softly shaded table-lights, the

wine in tall, fantastically shaped Bohemian glasses, the

very food--all unfamiliar, and therefore fascinating: olives, smoked

salmon--to which I helped myself largely, believing it to be sliced

tomato--a cold bird of sorts, no slices of bread but little rolls in

place of them, no tea, and no dishes ever seen in Mrs. Gabbitas's

kitchen, or at my North Shore lodging. And then the figure of my host,

lounging at table in the rosy light, a cigarette between the shapely

fingers of his right hand--I had not before seen any one smoke at the

dinner-table--his brown velvet coat, his languidly graceful gestures,

the delicate hue of his flowing neck-tie, the costly sort of

negligence of his whole dress and deportment--all these trifling

matters were alike rare and exquisite in my eyes.

After their fashion the day, and in particular the evening, were an

education for me. I spent a couple of hours over the short homeward

journey to Mill Street, the better to savour and consider my

impressions. The previous day belonged to my remote past. I had

travelled through ages of experience since then. For example, I quite

definitely was no longer proud of being a clerk in an office. As I

realised this I smiled down as from a great height upon a recollection

of the chorus of a Scots ditty sung by a sailor on board the

_Ariadne_. I have no notion of how to spell the words, but they ran

somewhat in this wise:

'Wi' a Hi heu honal, an' a honal heu hi,

Comelachie, Ecclefechan, Ochtermochty an' Mulgye,

Wi' a Hi heu honal, an' a honal heu hi,

It's a braw thing a clairk in an orfiss.'

Well, it was no such a braw thing to me that night, as it had seemed

on the previous day. I had heard the word 'commercial' spoken with an

intonation which I fancied Mr. Smith would greatly resent. But I did

not resent it. And that was another of the fruits of my immense

experience: Mr. Smith would never again hold first place as my mentor.

How could he? Why, even some of my own innocent notions of the past--of

pre-Macquarie Street days--seemed nearer the real thing than one or

two of poor Mr. Smith's obiter dicta. I had noted the hats of that

elect assemblage, and there had not been a billycock among them. Not a

single example of the headgear which Mr. Smith held necessary for the

self-respecting man in Sydney! But, on the contrary, there had been

quite a number of a kind which approximated more or less to the soft

brown hat purchased by me in Dursley, and discarded upon Mr. Smith's

urgent recommendation in favour of the more rigid and precise

billycock. I reflected upon this significant fact for quite a long

while.

Certainly, the world was a very wonderful place. Was it possible that

a week ago I had been a handy lad, dressed merely in shirt and

trousers, and engaged in planting out tomatoes? I arrived at the

corner of Mill Street, and turning on my heel walked away from it. I

wanted to try over, out loud, one or two such phrases as these:

'I've been dining with an artist friend in Macquarie Street!'--'I was

saying this afternoon to the editor of the _Chronicle_'--'I met some

delightful people at my friend Mr. Rawlence's studio this afternoon!'

But, upon the whole, there was a more subtle joy in the enunciation of

certain other remarks, supposed to come from somebody else:

'I met Mr. Freydon, Mr. Nicholas Freydon, you know, this afternoon. He

had looked in at Rawlence's studio in Macquarie Street. In fact, I

believe he stayed there to dinner before going on to his rooms at

North Shore. Rawlence certainly does get all the most interesting

people at his place. Landon, the painter, was deep in conversation

with Mr. Freydon. No, I don't know what Mr. Freydon does--some

secretarial appointment, I fancy. He's evidently a great friend of

Rawlence's.'

It is surprising that I can set these things down with no particular

sense of shame. I distinctly remember striding along the deserted

roads, speaking these absurdities aloud, in an only slightly subdued

conversational voice. My mood was one of remarkable exaltation. I

wonder if other young men have been equally mad!

'How d'ye do, Foster?' I would murmur airily as I swung round a

corner. 'Have you seen my new book?'; or, 'I noticed you published

that article of mine yesterday!' Presently I found myself in open,

scrub-covered country, and singing, quite loudly, the old sailor's

doggerel about its being a braw thing to be a 'clairk in an orfiss';

my real thought being that it was a braw thing to be Nicholas Freydon,

a clerk in an office, who was very soon to be something quite

otherwise.

I am not quite sure if this mood was typical of the happy madness of

youth. There may have been a lamentable kind of snobbery about it; I

dare say. I only know this was my mood; these were my apparently crazy

actions on that remote Sunday night. And, too, before getting into bed

that night--fortunately for himself, perhaps, poor Mr. Smith was

already asleep, and so safe from my loquacity--I carefully folded the

two magnificent rainbow-hued silk handkerchiefs which good Mrs.

Gabbitas had given me, and stowed them away at the very bottom of my

ancient carpet-bag.

The sort of remarks which I had been addressing to the moon were not

remarks which I ever should have dreamed of addressing to any human

being. I think in justice I might add that. But I had greatly enjoyed

hearing myself say them to the silent night.

The Record of Nicholas Freydon An Autobiography · 第 40 / 74 题