INTRODUCTORY

Back there in London--how many leagues and aeons distant!--I threw

down my pen and fled here to the ends of the earth, in pursuit of rest

and self-comprehending peace of mind. Here I now take up the pen again

and return in thought to London: that vast cockpit; still in pursuit

of rest and self-comprehending peace of mind.

That seems wasteful and not very hopeful. But, to be honest--and if

this final piece of pen-work be not honest to its core, it certainly

will prove the very acme of futility--I must add the expression of

opinion that most of the important actions of my life till now have

had the self-same goal in view: peace of mind. The surprising thing is

that, right up to this present, every one of my efforts has been

backed by a substantial if varying amount of solid conviction; of

belief that that particular action would bring the long-sought reward.

I suppose I thought this in coming here, in fleeing from London. Nay,

I know I did.

The latest, and I suppose the last, illusion bids me believe that if,

using the literary habit of a lifetime, I can set down in ordered

sequence the salient facts and events of that restless, struggling

pilgrimage I call my life, there is a likelihood that, seeing the

entire fabric in one piece, I may be able truly to understand it, and,

understanding it, to rest content before it ends. The ironical habit

makes me call it an illusion. In strict truth I listen to the call

with some confidence; not, to be sure, with the flaming ardour which

in bygone years has set me leaping into action in answer to such a

call; yet with real hope.

It is none so easy a task, this exact charting out of so complex a

matter as a man's life. And it may be that long practice of the

writer's art but serves to heighten its difficulties. For example,

since writing the sentence ending on that word 'hope,' I have covered

two whole pages with writing which has now been converted into ashes

among the logs upon my hearth. For the covering of those pages two

volumes had been fingered and referred to, if you please, and my

faulty memory drawn upon for yet a third quotation. So much for the

habit of literary allusiveness, engrained into one by years of

book-making, and yet more surely, I suspect, by labour for hire on the

newspaper press.

But, though I have detected and removed these two pages of

irrelevance, I foresee that unessential and therefore obscurantic

matter will creep in. Well, when I come to weigh the completed record,

I must allow for that; and, meanwhile, so far as time and my own

limitations as selector permit, I will prune and clear away from the

line of vision these weeds of errant fancy. For the record must of all

things be honest and comprehensive; rather than shapely, effective, or

literary. To be sure the pundits would say that this is to misuse and

play with words; to perpetrate a contradiction in terms. Well, we

shall see. Whatever the critics might say, your author by profession

would understand me well enough when I say: 'Honest, rather than

literary.'

How, to begin with, may I label and describe my present self? There,

immediately, I am faced with one of the difficulties of this task. One

can say of most men that they are this or that; of this class, order,

sect, party, or type; and, behold them neatly docketed! But in all

honesty I cannot say that I am of any special class, or that I

'belong' anywhere in particular. There is no circle in any community

which is indefeasibly my own by right of birth and training. I am

still a member of two London clubs, I believe. They were never more

than hotels for me. I am probably what most folk call a gentleman; but

how much does that signify in the twentieth century? Many simple

people would likely call me a person of education, even of learning,

belike, seeing a list of books under my name. A schoolman who examined

me would be pardoned (by me, at all events) for calling me an

ignoramus of no education whatever. For--and this I never reflected

upon until the present moment--I could not for the life of me

'analyse' the simplest sentence, in the rather odd scholastic sense of

that word. Inherited instinct and long practice make me aware, I

believe, of an error in syntax, when I chance upon one. But I could

only tell you that it was wrong, and never how or why. I know

something of literature, but less of mathematics than I assume to be

known by the modern ten-year-old schoolboy; something of three or four

languages, but nothing of their grammar. I have met and talked with

some of the most notable people of my time, but truly prefer cottage

life before that of the greatest houses. And so, in a score of other

ways, I feel it difficult informingly and justly to label myself.

But--let me have done with difficulties and definitions. My task shall

be the setting forth of facts, out of which definitions must shape

themselves. And, for a beginning, I must turn aside from my present

self, pass by a number of dead selves, each differing in a thousand

ways from every other, and bring my mind to bear for the moment upon

that infinitely remote self: the child, Nicholas Freydon. It may be

that curious and distant infant will help to explain the man.

The Record of Nicholas Freydon An Autobiography · 第 14 / 74 题