"The trewthe is," wrote the Muster-Master, in his report to the

Government--"after having vewed and trayned the nombers bothe of

foote and horse twyce since my coming into this countie--the

trewthe is, it is a most gallaunte contrey for the men, armor, and

rediness." The authorities were constantly furnished with

"Certyffycathes," showing the numbers of duly qualified pikemen

and archers. Again and again were the justices urged to keep

everything in readiness, since "the wings of man's life are plumed

with the feathers of death"; and to train their men to meet any

emergency, because "great dilatory wants are found upon all sudden

hurly-burlies." Early Orders in Council declared that any

able-bodied man between seventeen and fifty-nine who should be

found to "lacke a bowe and fower arrowes" was to be fined.

Later, in Elizabeth's reign, more attention was paid to the use of

firearms, and most minute instructions were issued from

headquarters as to the training of marksmen. The musket was to be

fired at first with priming only, then with half a charge, and

finally, when the men were ready for it, the full amount of powder

was to be used. This was with an eye to the right training of men

who, "by reason of the churlishness of their pieces, and not being

made acquainted therewith by degrees, are ever after so

discouraged as either they wincke or pull their heades from the

piece, whereby they take no perfect level, but shoot at random,

and so never prove good shottes."

Among the seaweed on the bank of shingle by the cottage all kinds

of strange things are found--palm wood, long bamboos, seeds from

the West Indies, sabots, children's toys. Once even a clock was

washed up on the beach. A few months since the sands were strewn

with parts of carriages from the wreck of a vessel that was

carrying railway plant to South America. As you stand in the

little garden, whose broad edges are none too good protection for

it against the wind, you will notice that everything about the

place has a touch of this sombre local colouring. Every piece of

woodwork is part of a wreck. There is not a hinge or a bolt,

hardly a nail even that did not come out of some ship's fittings.

The posts on which the garden gate is hung are pieces of a mast.

The gate itself is made of planks that have been picked up on the

sand. Mahogany panels from the saloon of some steamship have been

worked into the walling of the garden shed. No coal is ever needed

here. A little peat is all that is wanted. The sea brings an

endless store of firewood almost to the door.

Too often, alas! the ebbing tide leaves yet sadder jetsam on the

shore--white, still figures, lying face down on the yellow sand;

to be lifted reverently, perhaps, but yet by stranger hands, and

committed with brief rites to the corner of the ancient

burial-ground on the headland yonder, where "the little grey

church on the windy hill" stands among the green graves of

centuries, roofless, dismantled, and forlorn.

[Illustration: MOORLAND NEAR THE SEA.]

THE COUNTRY LIFE.

The man who can look back over thirty years of rural life, of life

spent among woods and meadows, has doubtless learnt something at

least of the ways of the wild creatures of his district, of its

beasts and birds, of its reptiles, and fish, and insects, even of

forms of life still lower in the scale. In the works of Nature,

her lovers find a never-failing charm. There is no book like hers,

as we read it in green field and country lane, in copse, and

stream, and hedge-row. There is no voice like hers, as we hear it

in the sounds of the wood, in the sounds of the sea, in the sounds

of the night. No poet ever breathed such songs. No writer of

romance has ever woven such tales of mystery and wonder.

There are few of us probably who, looking back on the country life

of our early days, would not be ready to admit that among its

pursuits and pleasures, many and various as they were, the art and

craft of birds'-nesting stood supreme. It is a pursuit that has a

charm peculiarly its own. It may be that, in the days of our

youth, the love of having and holding was one chief motive; a love

that some of us have not shaken off yet, though perhaps, it is

lavished on more useful things. Even the lust of plunder and

destruction may have had its weight with us, as we feel sure it

has with the village children. Not every nest-robber, it is true,

is really a lover of Nature. But the birds'-nester who is a

naturalist born soon wakens, not only to the beauty, but to the

significance, of his fragile treasures.

Perhaps few young collectors pay much conscious attention to the

construction of the nest, or notice how skilfully its materials

are made to harmonise with its surroundings, or see how

wonderfully some eggs are protected by their colouring. But his

would be a dull soul on whom these things did not, sooner or

later, make some impression. There are some birds'-nesters who are

no longer young--no longer able to climb a tree or ford a river,

to whom, year after year, the season of nests brings new delight;

to whom the exquisite workmanship of the chaffinch seems each year

more wonderful than ever, and in whose eyes the blue of a

song-thrush's egg will never lose its charm.

These two nightjars' eggs, for example, are exquisitely beautiful,

with their soft shades of brown and grey, veined like some rare

marble. But as you look at them you think less of their beauty

than of the moment when, in the corner of the old orchard, the

bird got up, almost under your feet, and you watched it sail away

to one of the fir-trees in the hedge-row, and crouch down on a low

branch to watch your movements. Then, looking down, you saw, on

the bare earth, these eggs, so near that another step would have

crushed them. This is only a magpie's egg, but the date on it

reminds you of that stiff climb up the giant fir-tree in the

coppice, when for want of a box to carry them in, you had to bring

your spoil down in your cap held between your teeth; while the

farmer below shouted encouragingly: "Bring 'em all, sir; doän't

'ee leave none on 'em. I doän't want none o' they varmint on my

ground."

Here is a kestrel's egg on which there is a date written, and a

name--the name of a once-familiar hill-top. As you look, the

scene of long ago comes back. It was an early morning in May. The

dew lay heavy on the bracken, whose stout young fronds joined

hands across the path. And as you paused on the hill slope and

looked back, you saw how all the upland pastures, and the broad

meadow lands below, were glistening in the light of the just risen

sun. Through the grey haze that veiled the distance showed,

faintly and more faint, range after range of low blue hills, with

white hamlets glimmering here and there. The light of sunrise had

just caught the windows of the old manor house on the slope, some

mile away, and they flashed and flamed like fire. The grey cliffs

above you had the flush of dawn upon their storm-worn steeps, and

the light air tossed the leaves of the wayfaring trees rooted in

the crannies, till they glittered like blades of silver. Among the

elms about the farmstead, on the knoll below, sounded the uneasy

chatter of a magpie. A crow was flying leisurely up to his

fastness in the clump of old Scotch firs on the low hill-top. From

a belt of coppice further down there rose at intervals, above the

low sweet notes of the warblers, the clear call of a cuckoo.

Overhead a woodlark drifted in vast circles, singing as he flew.

When at length you gained the hill crest, you heard the challenge

of a black-cock. Over the wide pasture the lapwings were calling.

Now they wheeled across the pale blue heaven, now they swooped

swiftly almost to the ground, turning over and over in the air.

Now one flew by, so near that you saw clearly the long plume upon

his glossy head, and heard the musical throb of his strong wings

sounding loud in the quiet morning air.

As you paused on the short turf close to the brow of the cliff,

and looking down once more, saw your shadow falling on the young

corn of the ploughed land far below, a hawk dashed out from the

cliff below you, and then, staying its swift course, hovered a

moment in mid air, while the sunshine lighted up its rich brown

plumage. As you peered over the brink of the cliff there were no

signs of a nest. But a tall sapling rooted in a ledge some ten

feet below looked safe to hold by. Cautiously you slid over the

edge, and dropped within reach of the branches, and so, from ledge

to ledge, you climbed slowly down, holding on by points of rock or

tufts of grass, or stems of ivy, until--yes, there, at your feet,

in an arched crevice of the cliff, on a little earth, with no sort

of nest, lay the four exquisite eggs, whose radiant beauty--so

much richer five-and-twenty years since--seemed to your enraptured

gaze to light up the little hollow. As you stooped to take one of

them in your hand--how warm it was--and clung there, gloating over

the beauty of your treasure, the old hawk hovered near, sounding

at times her wild cry of anger and alarm, answered far off by her

fierce mate, hurrying homeward on his swift, keen wings.

It is not given to all alike to be able to appreciate the true

pleasure of a country walk. It is a thing that many of us prize,

and that even more of us long for. And yet there are some people,

really fond of walking, to whom it seems to make little difference

whether their road goes evenly along the Queen's highway, and is

hemmed in by straight stone walls, or loiters through winding

by-ways, under banks crowned with straggling hedge-rows, overhung

with sheltering elms. There are those who take their weekly tramp,

and who say they like it best so, on Sunday, through the

monotonous dreariness of London streets. To them a country walk,

with its possible mud, and with its certain solitude and tameness,

is, at least in fancy, flat and stale and altogether profitless.

It is largely a matter of training. We may learn to love bricks

and mortar and the traffic of the town more than the quiet of

woods and meadows, and the companionship of the everlasting hills.

But there are others who cannot breathe amid the stir and noise

and money-grubbing fever of the city; to whom the air of the open

country is the Elixir of Life; who love its restful quietude, and

who, at each turn along the favourite path, look for some old

friend, some familiar bird, or flower, or insect.

With those who are really fond of rural life, other things have

weight besides the mere landscape, besides the beauty of the view

or the exhilaration of the keen air of the hill-tops. The charm of

woodland walk, of river path, of quiet lanes, or of lonely places

in the hills, is increased a hundredfold by some knowledge of

rural sights and sounds. A power to recognise the songs of birds,

some acquaintance with insect life, a little plant lore, a little

knowledge of rocks and fossils--in a word, some tincture of

Natural History--combine to make a ramble in the country one of

the best things that life can offer us.

This love of Nature is again largely a matter of training.

Schoolboys, as a race, are strangely slow at first to see plants,

or shells, or fossils. But the young birds'-nester, for instance,

whose first motive was, it may be, nothing nobler than the lust of

having and holding, the love of plunder, or even the savage

pleasure of destruction, may soon be trained to see the meaning of

the shape and tints and markings of the eggs; not only to

appreciate the beauty of the nest and the skill with which it was

put together, but to learn in time the song of the builder and to

know something of its habits. The butterfly hunter may be taught

to recognise not merely the beauty of his captives, but to see

something of those marvellous devices by which Nature hides

caterpillar and chrysalis, and even perfect insect, from prying

eyes.

The boy who has acquired a love for Natural History has something

to be thankful for, all the days of his life, a possession that

may be the means of bringing more comfort to his soul than all the

wisdom of the ancients. Of no man can it be so truly said as of

the naturalist that he

"Finds tongues in trees, books in the running brooks,

Sermons in stones, and good in everything."

It is true enough that, to most men, a knowledge of flowers or

fossils, of insect life or of the habits of birds, will bring no

return in hard cash. But there are other things in life besides a

balance at the banker's. And a love of art is not more lucrative,

or a taste for music or for books.

There are people who, if they would, might do much to aid the

study of Natural History; people whose avocations take them much

into the open air, and who have opportunities which some of us

long for in vain. The fisherman, the keeper, the shepherd, and the

farm labourer might, if they could be won over to take interest in

such things, contribute not a little to our knowledge of the life

history of even the most familiar of animals. Fishermen along the

coast see things sometimes the description of which rouses envy in

the breasts of less fortunate listeners. Not long since a man was

rowing out to his nets in the early morning just outside the bar

of a small tidal river in the West Country, when he saw a raven

sweeping slowly along the hill-slope near by--the grassy side of a

long promontory stretching far out into the sea, muttering to

itself at times with that deep voice that, happily, is still

familiar to the long-shore dwellers on that coast. Suddenly the

bird paused, and with swift descent swooped down among the brown

heather and the stunted bushes of the hill, seizing in its strong

claws a hare that had been lying crouched among the herbage. But

the bird was too late in using its beak or else missed its stroke

altogether, for in a moment the hare and the raven, locked fast

together, rolled over and over, kicking, struggling, flapping down

the rough slope below; until the bird, dismayed by such an

unwonted experience and the buffeting of the rocks and broken

ground, let go its hold. The hare was on its feet and had vanished

like a flash, while the baffled raven, rising slowly in the air,

sailed reluctantly away.

The naturalist is not now, even in country districts, looked upon

quite in the same light as he once was--but one degree removed

from the state of lunatic. The old order of things, the prejudice,

the bigotry, the superstition of half a century ago has to a great

degree disappeared. There are many English parishes still without

a railway; there is none probably without a newspaper. The

presence of a single naturalist, parson or village doctor, or what

not, has been known, like the little leaven that leaveneth the

whole lump, to rouse a real interest among the neighbours in birds

and beasts and even insects. A man's reputation for being fond of

strange creatures may perhaps be laughed at, at first, and

perhaps be always a little looked down on. But by degrees, very

slow it may be, the influence spreads. The keeper brings him a

strange bird, the labourer a nest of dormice found in stubbing up

a hedge-row, or a clutch of quails' eggs he has come upon among

the clover. The old mole catcher, too, is a very mine of stories

about the strange beasts he has seen in his sixty years'

experience. One of his most wonderful tales is about the great

snake--"more 'n _that_ long,"--a matter of five feet or so,--which

he killed as it was sucking the milk of a cow: "and" as he will

add triumphantly, "there were more 'n a pint of milk in him":--the

crushed eggs of the unfortunate reptile no doubt, but it is

altogether useless to suggest any such paltry explanation.

One autumn a boy at work among the potatoes turned up with his

spade something that instantly, so he declared, became a bird and

flew away. The boy ran home in horror. His parents would not

believe a word of the story, but the boy was too big to be flogged

as a mere liar. They were greatly relieved on learning that

something of the kind was at least possible, and regarded with no

little interest a Death's Head hawkmoth, for such no doubt the

apparition was, preserved in a collection.

[Illustration: A WEST COUNTRY MOLE CATCHER.]

The change from egg to caterpillar is a thing with which every

rustic is probably familiar; but in remote rural districts there

are still men who cannot believe that a caterpillar can ever

become a butterfly, and who still entertain strange superstitions

about toads and snakes and slow worms.

Perhaps in time the County Councils may do something for the

rustic enlightenment, by means of lectures and the limelight. The

rural population is, however, notoriously hard of belief; is the

most difficult of all populations to move from the faiths of their

fathers. There is many a farmer's wife even yet who will labour

with the churn from morning till night,--lamenting all the while

that the butter will not come,--rather than by the use of a

thermometer so regulate the temperature that the whole process

would be over in half-an-hour. A series of lectures lately given

in Somersetshire on the management of farm stock was, however,

well attended by the younger farmers at any rate. They were keenly

interested, and although they may, perhaps, have mostly adjourned

afterwards to discuss each discourse at the public-house, it was

not as sceptics; and the local ironmonger always found it

necessary to lay in a stock of thermometers as soon as the

lectures had begun. The older men mostly kept aloof. They had no

faith in any new-fangled ways. They are a stiff-necked generation.

As their fathers did, so do they. One burly, red-faced farmer of

the old school was lately heard to express his contempt for the

educational efforts of the County Council. "What be the use," said

he, "of wasting the public money sending round men to talk about a

dairy as don't know a cow from a elephant? And these yar cook'ry

classes. 'Tis my belief that if a man have got summat to cook,

he'll soon find out how to cook un."

With a few popular lectures and a little practical help and

guidance the farmer and the farm labourer might render untold

service to science, with all their long hours in the open air,

summer and winter, seedtime and harvest. They see some strange

things now, or think they see them. Snakes are the theme of many

marvellous tales. "I were walking along the path through the

wheat," said an old villager, "when I heard a rustling, like a

robbut: I thought 'twere a robbut. But a gurt viper come out of

the wheat and jumped across the path so high's my head."

A captive tortoise escaped one day into the road, and was soon the

centre of a knot of astonished villagers. After long debate they

concluded it was either "a tremendous gurt tooad, or some

wendimous warmint"; and they decided to kill it on the spot--a

task of no small difficulty, as may well be imagined.

[Illustration: A QUIET CORNER.]

HALE WELL: A QUIET CORNER.

On the south slope of an old West Country orchard there is a

sheltered corner lying open to the sun. Above it rises a broad,

unkempt, straggling hedge-row--holly and hawthorn, bramble and

sweetbriar--and behind this again the green slopes of the hill. On

the left, rising at intervals through the tangled thickets that

form the eastern limit of the orchard, is a line of old Scotch

firs, and beyond them, dimly seen through the haze that broods

over the landscape, are the grey ramparts of a range of limestone

cliffs. The wind of March is in the dark foliage of the firs,

tossing their gnarled arms against the pallid sky. But here the

golden blossoms of the gorse, the brown stems of last year's

bracken, stand unmoved. The dark firs are stirring with a sound as

of the sea, but here, on this sunlit slope, is the very air of

summer,

"... the grace,

The golden smile of June,

With bloom and sun in every place,

And all the world in tune."

Butterflies flit idly by--dark-winged peacocks, soft brown

tortoise-shells, pale yellow brimstones like flying gleams of

sunshine. The apple boughs are fretted all over with fine points

of green, the purple mist round the heads of the great elms

deepens in the warm air, the old hedge-row wears already the

bright garb of spring. The air is full of spring time, of the

breath of primroses and violets, full of pleasant sounds of

country life, of the wakening of the world, of the happy voices of

a hundred birds, whose glad hearts are revelling in the golden

weather.

The birds know well this sunny hollow. Here spring comes early,

and summer lingers late. While the fields without are white with

wintry rime,

"... here the glancing sunbeams throng,

And tasselled larches droop to hear

A grace of fleeting song."

To-day, on every side, the feathered woodlanders are stirring.

From an old Scotch fir that towers out of the hedge-row--its dark

shape showing like a shadow through the leafless boughs of the

apple-trees--falls the rich music of a blackbird's song, clear and

wild and flute-like. He is a noble singer; less great, indeed,

than the song-thrush, but yet a master of his art. And there are

those who hold that there is more beauty in the depth and

richness, in the power and passion, of his few brief bars, than in

all the magnificent anthem of his rival. Farther off, low down in

a leafless elm by the border of the orchard, is the thrush

himself, flooding the whole glade with his wonderful melody. Over

and over there sounds the polished lyric of the wren; over and

over again the metallic clink of a coaltit rings out above the

plaintive carol of the robin, the sober ditty of the

hedge-sparrow. Over all the fields the larks are singing. In the

hedges that skirt the orchard sounds the sweet cadence of the

chaffinch, the wild warble of the missel-thrush, at times the

ringing call of some light-hearted oxeye. From farther up the

hollow, from his sanctuary in the old, neglected wilderness of

unpruned, lichen-coated trees, floats down the soft laugh of a

woodpecker, a mellow sound, a note of peace and solitude, and

sylvan greenness. Is it only fancy that here, among these hills,

in this sweet country air, among these untarnished immemorial

elms, there is more melody in the skylark's song, that there is a

finer tone in the cool, clear singing of the robin, that there is

a touch of music in the chatter of the very sparrows? But hark, a

fainter note floats lightly down from the tree-tops; a note not

strong or musical, but heard through all the blended harmonies of

a score of singers. It is the call of the chiff-chaff, the first

returning wanderer from the warm south, fresh from the orange

groves of Sorrento, or the sunny slopes of the Sabine hills. When

his small figure shows presently against the dark foliage of a

Scotch fir, there is that about him which seems to suggest that he

is well content with his home-coming, even though woods are bare

and skies are cheerless. He flutters up and down among the

branches, never still for a moment. Even when he pauses,--looking

like a point of light against the sombre leaves behind him,--to

call his own name over and over, it is easy to see that his whole

small figure is trembling with the ardour of his eager little

soul.

A tiny figure, and a simple song. But there is more of meaning in

those few faint notes than in all the rest of the great chorus

that day by day is gathering strength in the woodland. For in the

chiff-chaff's call there is the Promise of Spring. It is said that

when the Siberian exiles hear for the first time, after their long

and bitter winter, the cry of the cuckoo, the familiar voice

rouses in their weary souls a resistless longing to taste once

more, if only for a day, the sweets of freedom; that there are

always some who, at the summons, elude the vigilance of their

guards, and take to the forest, lured by the magic of that

wandering voice. And so, in our hearts, this feeble note rouses a

longing for green fields and country lanes, for flowers and

sunshine, for summer and the coming of the swallows.

Somewhere in the elms a nuthatch sounds at intervals his

flute-like call--a wandering voice, now among the topmost

branches, whose sunlit purple holds so well against the pallid

blue, now near the ground, now in some mighty bough that leans

far out over the field. Now the bird's figure shows darkly on the

sky, and now, as he glides head foremost down, like the born

acrobat that he is, his grey plumage lights up for a moment in the

sunshine. And now he leaves the tree, still calling as he flies,

and sinks down among that grey fringe of orchard, where his mate

and he have, perhaps, already fixed on the hole in the old apple

tree in which they mean to take up their quarters for the season.

In the West Country · 第 5 / 11 段