inward look. He hoped her headache had not got worse. She did not look
at all pretty now. She seemed a frail little creature with a sad
thoughtful face and an air of being alone in the midst of a merry
company. Poor little thing! He felt as if he had known her for years.
She seemed curiously out of harmony with all these people. He doubted
even his own capacity to commune with her inmost soul. He wished he
could be of service to her, could do anything for her that might lighten
her gloom and turn her morbid thoughts in healthier directions.
The butler brought in some claret negus. It was the break-up signal.
Raphael drank his negus with a pleasant sense of arming himself against
the cold air. He wanted to walk home smoking his pipe, which he always
carried in his overcoat. He clasped Esther's hand with a cordial smile
of farewell.
"We shall meet again soon, I trust," he said.
"I hope so," said Esther; "put me down as a subscriber to that paper."
"Thank you," he said; "I won't forget."
"What's that?" said Sidney, pricking up his ears; "doubled your
circulation already?"
Sidney put his cousin Addie into a hansom, as she did not care to walk,
and got in beside her.
"My feet are tired," she said; "I danced a lot last night, and was out a
lot this afternoon. It's all very well for Raphael, who doesn't know
whether he's walking on his head or his heels. Here, put your collar up,
Raphael, not like that, it's all crumpled. Haven't you got a
handkerchief to put round your throat? Where's that one I gave you? Lend
him yours, Sidney."
"You don't mind if _I_ catch my death of cold; I've got to go on a
Christmas dance when I deposit you on your doorstep," grumbled Sidney.
"Catch! There, you duffer! It's gone into the mud. Sure you won't jump
in? Plenty of room. Addie can sit on my knee. Well, ta, ta! Merry
Christmas."
Raphael lit his pipe and strode off with long ungainly strides. It was a
clear frosty night, and the moonlight glistened on the silent spaces of
street and square.
"Go to bed, my dear," said Mrs. Goldsmith, returning to the lounge where
Esther still sat brooding. "You look quite worn out."
Left alone, Mrs. Goldsmith smiled pleasantly at Mr. Goldsmith, who,
uncertain of how he had behaved himself, always waited anxiously for the
verdict. He was pleased to find it was "not guilty" this time.
"I think that went off very well," she said. She was looking very lovely
to-night, the low bodice emphasizing the voluptuous outlines of the
bust.
"Splendidly," he returned. He stood with his coat-tails to the fire, his
coarse-grained face beaming like an extra lamp. "The people and those
croquettes were A1. The way Mary's picked up French cookery is
wonderful."
"Yes, especially considering she denies herself butter. But I'm not
thinking of that nor of our guests." He looked at her wonderingly.
"Henry," she continued impressively, "how would you like to get into
Parliament?"
"Eh, Parliament? Me?" he stammered.
"Yes, why not? I've always had it in my eye."
His face grew gloomy. "It is not practicable," he said, shaking the head
with the prominent teeth and ears.
"Not practicable?" she echoed sharply. "Just think of what you've
achieved already, and don't tell me you're going to stop now. Not
practicable, indeed! Why, that's the very word you used years ago in the
provinces when I said you ought to be President. You said old
Winkelstein had been in the position too long to be ousted. And yet I
felt certain your superior English would tell in the long run in such a
miserable congregation of foreigners, and when Winkelstein had made that
delicious blunder about the 'university' of the Exodus instead of the
'anniversary,' and I went about laughing over it in all the best
circles, the poor man's day was over. And when we came to London, and
seemed to fall again to the bottom of the ladder because our greatness
was swallowed up in the vastness, didn't you despair then? Didn't you
tell me that we should never rise to the surface?"
"It didn't seem probable, did it?" he murmured in self-defence.
"Of course not. That's just my point. Your getting into the House of
Commons doesn't seem probable now. But in those days your getting merely
to know M.P.'s was equally improbable. The synagogal dignities were all
filled up by old hands, there was no way of getting on the Council and
meeting our magnates."
"Yes, but your solution of that difficulty won't do here. I had not much
difficulty in persuading the United Synagogue that a new synagogue was a
crying want in Kensington, but I could hardly persuade the government
that a new constituency is a crying want in London." He spoke pettishly;
his ambition always required rousing and was easily daunted.
"No, but somebody's going to start a new something else, Henry," said
Mrs. Goldsmith with enigmatic cheerfulness. "Trust in me; think of what
we have done in less than a dozen years at comparatively trifling costs,
thanks to that happy idea of a new synagogue--you the representative of
the Kensington synagogue, with a 'Sir' for a colleague and a
congregation that from exceptionally small beginnings has sprung up to
be the most fashionable in London; likewise a member of the Council of
the Anglo-Jewish Association and an honorary officer of the _Shechitah_
Board; I, connected with several first-class charities, on the Committee
of our leading school, and the acknowledged discoverer of a girl who
gives promise of doing something notable in literature or music. We have
a reputation for wealth, culture and hospitality, and it is quite two
years since we shook off the last of the Maida Vale lot, who are so
graphically painted in that novel of Mr. Armitage's. Who are our guests
now? Take to-night's! A celebrated artist, a brilliant young Oxford man,
both scions of the same wealthy and well-considered family, an
authoress of repute who dedicates her books (by permission) to the very
first families of the community; and lastly the Montagu Samuels with the
brother, Percy Saville, who both go only to the best houses. Is there
any other house, where the company is so exclusively Jewish, that could
boast of a better gathering?"
"I don't say anything against the company," said her husband awkwardly,
"it's better than we got in the Provinces. But your company isn't your
constituency. What constituency would have me?"
"Certainly, no ordinary constituency would have you," admitted his wife
frankly. "I am thinking of Whitechapel."
"But Gideon represents Whitechapel."
"Certainly; as Sidney Graham says, he represents it very well. But he
has made himself unpopular, his name has appeared in print as a guest at
City banquets, where the food can't be _kosher_. He has alienated a
goodly proportion of the Jewish vote."
"Well?" said Mr. Goldsmith, still wonderingly.
"Now is the time to bid for his shoes. Raphael Leon is about to
establish a new Jewish paper. I was mistaken about that young man. You
remember my telling you I had heard he was eccentric and despite his
brilliant career a little touched on religious matters. I naturally
supposed his case was like that of one or two other Jewish young men we
know and that he yearned for spirituality, and his remarks at table
rather confirmed the impression. But he is worse than that--and I nearly
put my foot in it--his craziness is on the score of orthodoxy! Fancy
that! A man who has been to Harrow and Oxford longing for a gaberdine
and side curls! Well, well, live and learn. What a sad trial for his
parents!" She paused, musing.
"But, Rosetta, what has Raphael Leon to do with my getting into
Parliament?"
"Don't be stupid, Henry. Haven't I explained to you that Leon is going
to start an orthodox paper which will be circulated among your future
constituents. It's extremely fortunate that we have always kept our
religion. We have a widespread reputation for orthodoxy. We are friends
with Leon, and we can get Esther to write for the paper (I could see he
was rather struck by her). Through this paper we can keep you and your
orthodoxy constantly before the constituency. The poor people are quite
fascinated by the idea of rich Jews like us keeping a strictly _kosher_
table; but the image of a Member of Parliament with phylacteries on his
forehead will simply intoxicate them." She smiled, herself, at the
image; the smile that always intoxicated Percy Saville.
"You're a wonderful woman, Rosetta," said Henry, smiling in response
with admiring affection and making his incisors more prominent. He drew
her head down to him and kissed her lips. She returned his kiss
lingeringly and they had a flash of that happiness which is born of
mutual fidelity and trust.
"Can I do anything for you, mum, afore I go to bed?" said stout old Mary
O'Reilly, appearing at the door. Mary was a privileged person,
unappalled even by the butler. Having no relatives, she never took a
holiday and never went out except to Chapel.
"No, Mary, thank you. The dinner was excellent. Good night and merry
Christmas."
"Same to you, mum," and as the unconscious instrument of Henry
Goldsmith's candidature turned away, the Christmas bells broke merrily
upon the night. The peals fell upon the ears of Raphael Leon, still
striding along, casting a gaunt shadow on the hoar-frosted pavement, but
he marked them not; upon Addie sitting by her bedroom mirror thinking of
Sidney speeding to the Christmas dance; upon Esther turning restlessly
on the luxurious eider-down, oppressed by panoramic pictures of the
martyrdom of her race. Lying between sleep and waking, especially when
her brain had been excited, she had the faculty of seeing wonderful
vivid visions, indistinguishable from realities. The martyrs who mounted
the scaffold and the stake all had the face of Raphael.
"The mission of Israel" buzzed through her brain. Oh, the irony of
history! Here was another life going to be wasted on an illusory dream.
The figures of Raphael and her father suddenly came into grotesque
juxtaposition. A bitter smile passed across her face.
The Christmas bells rang on, proclaiming Peace in the name of Him who
came to bring a sword into the world.
"Surely," she thought, "the people of Christ has been the Christ of
peoples."
And then she sobbed meaninglessly in the darkness
CHAPTER III.
"THE FLAG OF JUDAH."
The call to edit the new Jewish paper seemed to Raphael the voice of
Providence. It came just when he was hesitating about his future,
divided between the attractions of the ministry, pure Hebrew scholarship
and philanthropy. The idea of a paper destroyed these conflicting claims
by comprehending them all. A paper would be at once a pulpit, a medium
for organizing effective human service, and an incentive to serious
study in the preparation of scholarly articles.
The paper was to be the property of the Co-operative Kosher Society, an
association originally founded to supply unimpeachable Passover cakes.
It was suspected by the pious that there was a taint of heresy in the
flour used by the ordinary bakers, and it was remarked that the
Rabbinate itself imported its _Matzoth_ from abroad. Successful in its
first object, the Co-operative Kosher Society extended its operations to
more perennial commodities, and sought to save Judaism from dubious
cheese and butter, as well as to provide public baths for women in
accordance with the precepts of Leviticus. But these ideals were not so
easy to achieve, and so gradually the idea of a paper to preach them to
a godless age formed itself. The members of the Society met in Aaron
Schlesinger's back office to consider them. Schlesinger was a cigar
merchant, and the discussions of the Society were invariably obscured by
gratuitous smoke Schlesinger's junior partner, Lewis De Haan, who also
had a separate business as a surveyor, was the soul of the Society, and
talked a great deal. He was a stalwart old man, with a fine imagination
and figure, boundless optimism, a big biceps, a long venerable white
beard, a keen sense of humor, and a versatility which enabled him to
turn from the price of real estate to the elucidation of a Talmudical
difficulty, and from the consignment of cigars to the organization of
apostolic movements. Among the leading spirits were our old friends,
Karlkammer the red-haired zealot, Sugarman the _Shadchan_, and Guedalyah
the greengrocer, together with Gradkoski the scholar, fancy goods
merchant and man of the world. A furniture-dealer, who was always
failing, was also an important personage, while Ebenezer Sugarman, a
young man who had once translated a romance from the Dutch, acted as
secretary. Melchitsedek Pinchas invariably turned up at the meetings and
smoked Schlesinger's cigars. He was not a member; he had not qualified
himself by taking ten pound shares (far from fully paid up), but nobody
liked to eject him, and no hint less strong than a physical would have
moved the poet.
All the members of the Council of the Co-operative Kosher Society spoke
English volubly and more or less grammatically, but none had sufficient
confidence in the others to propose one of them for editor, though it is
possible that none would have shrunk from having a shot. Diffidence is
not a mark of the Jew. The claims of Ebenezer Sugarman and of
Melchitsedek Pinchas were put forth most vehemently by Ebenezer and
Melchitsedek respectively, and their mutual accusations of incompetence
enlivened Mr. Schlesinger's back office.
"He ain't able to spell the commonest English words," said Ebenezer,
with a contemptuous guffaw that sounded like the croak of a raven.
The young littérateur, the sumptuousness of whose _Barmitzvah_-party was
still a memory with his father, had lank black hair, with a long nose
that supported blue spectacles.
"What does he know of the Holy Tongue?" croaked Melchitsedek
witheringly, adding in a confidential whisper to the cigar merchant: "I
and you, Schlesinger, are the only two men in England who can write the
Holy Tongue grammatically."
The little poet was as insinutive and volcanic (by turns) as ever. His
beard was, however, better trimmed and his complexion healthier, and he
looked younger than ten years ago. His clothes were quite spruce. For
several years he had travelled about the Continent, mainly at Raphael's
expense. He said his ideas came better in touring and at a distance from
the unappreciative English Jewry. It was a pity, for with his linguistic
genius his English would have been immaculate by this time. As it was,
there was a considerable improvement in his writing, if not so much in
his accent.
"What do I know of the Holy Tongue!" repeated Ebenezer scornfully. "Hold
yours!"
The Committee laughed, but Schlesinger, who was a serious man, said,
"Business, gentlemen, business."
"Come, then! I'll challenge you to translate a page of _Metatoron's
Flames_," said Pinchas, skipping about the office like a sprightly flea.
"You know no more than the Reverend Joseph Strelitski vith his vite tie
and his princely income."
De Haan seized the poet by the collar, swung him off his feet and tucked
him up in the coal-scuttle.
"Yah!" croaked Ebenezer. "Here's a fine editor. Ho! Ho! Ho!"
"We cannot have either of them. It's the only way to keep them quiet,"
said the furniture-dealer who was always failing.
Ebenezer's face fell and his voice rose.
"I don't see why I should be sacrificed to _'im_. There ain't a man in
England who can write English better than me. Why, everybody says so.
Look at the success of my book, _The Old Burgomaster_, the best Dutch
novel ever written. The _St. Pancras Press_ said it reminded them of
Lord Lytton, it did indeed. I can show you the paper. I can give you one
each if you like. And then it ain't as if I didn't know 'Ebrew, too.
Even if I was in doubt about anything, I could always go to my father.
You give me this paper to manage and I'll make your fortunes for you in
a twelvemonth; I will as sure as I stand here."
Pinchas had made spluttering interruptions as frequently as he could in
resistance of De Haan's brawny, hairy hand which was pressed against his
nose and mouth to keep him down in the coal-scuttle, but now he exploded
with a force that shook off the hand like a bottle of soda water
expelling its cork.
"You Man-of-the-Earth," he cried, sitting up in the coal-scuttle. "You
are not even orthodox. Here, my dear gentlemen, is the very position
created by Heaven for me--in this disgraceful country where genius
starves. Here at last you have the opportunity of covering yourselves
vid eternal glory. Have I not given you the idea of starting this paper?
And vas I not born to be a Rédacteur, a Editor, as you call it? Into the
paper I vill pour all the fires of my song--"
"Yes, burn it up," croaked Ebenezer.
"I vill lead the Freethinkers and the Reformers back into the fold. I
vill be Elijah and my vings shall be quill pens. I vill save Judaism."
He started up, swelling, but De Haan caught him by his waistcoat and
readjusted him in the coal-scuttle.
"Here, take another cigar, Pinchas," he said, passing Schlesinger's
private box, as if with a twinge of remorse for his treatment of one he
admired as a poet though he could not take him seriously as a man.
The discussion proceeded; the furniture-dealer's counsel was followed;
it was definitely decided to let the two candidates neutralize each
other.
"Vat vill you give me, if I find you a Rédacteur?" suddenly asked
Pinchas. "I give up my editorial seat--"
"Editorial coal-scuttle," growled Ebenezer.
"Pooh! I find you a first-class Rédacteur who vill not want a big
salary; perhaps he vill do it for nothing. How much commission vill you
give me?"
"Ten shillings on every pound if he does not want a big salary," said De
Haan instantly, "and twelve and sixpence on every pound if he does it
for nothing."
And Pinchas, who was easily bamboozled when finance became complex, went
out to find Raphael.
Thus at the next meeting the poet produced Raphael in triumph, and
Gradkoski, who loved a reputation for sagacity, turned a little green
with disgust at his own forgetfulness. Gradkoski was among those
founders of the Holy Land League with whom Raphael had kept up
relations, and he could not deny that the young enthusiast was the ideal
man for the post. De Haan, who was busy directing the clerks to write
out ten thousand wrappers for the first number, and who had never heard
of Raphael before, held a whispered confabulation with Gradkoski and
Schlesinger and in a few moments Raphael was rescued from obscurity and
appointed to the editorship of the _Flag of Judah_ at a salary of
nothing a year. De Haan immediately conceived a vast contemptuous
admiration of the man.
"You von't forget me," whispered Pinchas, buttonholing the editor at the
first opportunity, and placing his forefinger insinuatingly alongside
his nose. "You vill remember that I expect a commission on your salary."
Raphael smiled good-naturedly and, turning to De Haan, said: "But do you
think there is any hope of a circulation?"
"A circulation, sir, a circulation!" repeated De Haan. "Why, we shall
not be able to print fast enough. There are seventy-thousand orthodox
Jews in London alone."
"And besides," added Gradkoski, in a corroboration strongly like a
contradiction, "we shall not have to rely on the circulation. Newspapers
depend on their advertisements."
"Do they?" said Raphael, helplessly.
"Of course," said Gradkoski with his air of worldly wisdom, "And don't
you see, being a religious paper we are bound to get all the communal
advertisements. Why, we get the Co-operative Kosher Society to start
with."
"Yes, but we ain't: going to pay for that,"' said Sugarman the
_Shadchan_.
"That doesn't matter," said De Haan. "It'll look well--we can fill up a
whole page with it. You know what Jews are--they won't ask 'is this
paper wanted?' they'll balance it in their hand, as if weighing up the
value of the advertisements, and ask 'does it pay?' But it _will_ pay,
it must pay; with you at the head of it, Mr. Leon, a man whose fame and
piety are known and respected wherever a _Mezuzah_ adorns a door-post,
a man who is in sympathy with the East End, and has the ear of the West,
a man who will preach the purest Judaism in the best English, with such
a man at the head of it, we shall be able to ask bigger prices for
advertisements than the existing Jewish papers."
Raphael left the office in a transport of enthusiasm, full of Messianic
emotions. At the next meeting he announced that he was afraid he could
not undertake the charge of the paper. Amid universal consternation,
tempered by the exultation of Ebenezer, he explained that he had been
thinking it over and did not see how it could be done. He said he had
been carefully studying the existing communal organs, and saw that they
dealt with many matters of which he knew nothing; whilst he might be
competent to form the taste of the community in religious and literary
matters, it appeared that the community was chiefly excited about
elections and charities. "Moreover," said he, "I noticed that it is
expected of these papers to publish obituaries of communal celebrities,
for whose biographies no adequate materials are anywhere extant. It
would scarcely be decent to obtrude upon the sacred grief of the
bereaved relatives with a request for particulars."
"Oh, that's all right," laughed De Haan. "I'm sure _my_ wife would be
glad to give you any information."
"Of course, of course," said Gradkoski, soothingly. "You will get the
obituaries sent in of themselves by the relatives."
Raphael's brow expressed surprise and incredulity.
"And besides, we are not going to crack up the same people as the other
papers," said De Haan; "otherwise we should not supply a want. We must
dole out our praise and blame quite differently, and we must be very
scrupulous to give only a little praise so that it shall be valued the
more." He stroked his white, beard tranquilly.
"But how about meetings?" urged Raphael. "I find that sometimes two take
place at once. I can go to one, but I can't be at both."
"Oh, that will be all right," said De Haan airily. "We will leave out
one and people will think it is unimportant. We are bringing out a
paper for our own ends, not to report the speeches of busybodies."
Raphael was already exhibiting a conscientiousness which must be nipped
in the bud. Seeing him silenced, Ebenezer burst forth anxiously:
"But Mr. Leon is right. There must be a sub-editor."
"Certainly there must be a sub-editor," cried Pinchas eagerly.
"Very well, then," said De Haan, struck with a sudden thought. "It is
true Mr. Leon cannot do all the work. I know a young fellow who'll be
just the very thing. He'll come for a pound a week."
"But I'll come for a pound a week," said Ebenezer.
"Yes, but you won't get it," said Schlesinger impatiently.
"_Sha_, Ebenezer," said old Sugarman imperiously.
De Haan thereupon hunted up a young gentleman, who dwelt in his mind as
"Little Sampson," and straightway secured him at the price named. He was
a lively young Bohemian born in Australia, who had served an
apprenticeship on the Anglo-Jewish press, worked his way up into the
larger journalistic world without, and was now engaged in organizing a
comic-opera touring company, and in drifting back again into Jewish
journalism. This young gentleman, who always wore long curling locks, an
eye-glass and a romantic cloak which covered a multitude of
shabbinesses, fully allayed Raphael's fears as to the difficulties of
editorship.
"Obituaries!" he said scornfully. "You rely on me for that! The people
who are worth chronicling are sure to have lived in the back numbers of
our contemporaries, and I can always hunt them up in the Museum. As for
the people who are not, their families will send them in, and your only
trouble will be to conciliate the families of those you ignore."
"But about all those meetings?" said Raphael.
"I'll go to some," said the sub-editor good-naturedly, "whenever they
don't interfere with the rehearsals of my opera. You know of course I am
bringing out a comic-opera, composed by myself, some lovely tunes in it;
one goes like this: Ta ra ra ta, ta dee dum dee--that'll knock 'em.
Well, as I was saying, I'll help you as much as I can find time for.
You rely on me for that."
"Yes," said poor Raphael with a sickly smile, "but suppose neither of us
goes to some important meeting."
"No harm done. God bless you, I know the styles of all our chief
speakers--ahem--ha!--pauperization of the East End, ha!--I would
emphatically say that this scheme--ahem!--his lordship's untiring zeal
for hum!--the welfare of--and so on. Ta dee dum da, ta, ra, rum dee.
They always send on the agenda beforehand. That's all I want, and I'll
lay you twenty to one I'll turn out as good a report as any of our
rivals. You rely on me for _that_! I know exactly how debates go. At the
worst I can always swop with another reporter--a prize distribution for
an obituary, or a funeral for a concert."
"And do you really think we two between us can fill up the paper every
week?" said Raphael doubtfully.
Little Sampson broke into a shriek of laughter, dropped his eyeglass and
collapsed helplessly into the coal-scuttle. The Committeemen looked up
from their confabulations in astonishment.
"Fill up the paper! Ho! Ho! Ho!" roared little Sampson, still doubled
up. "Evidently _you've_ never had anything to do with papers. Why, the
reports of London and provincial sermons alone would fill three papers a
week."
"Yes, but how are we to get these reports, especially from the
provinces?"
"How? Ho! Ho! Ho!" And for some time little Sampson was physically
incapable of speech. "Don't you know," he gasped, "that the ministers
always send up their own sermons, pages upon pages of foolscap?"
"Indeed?" murmured Raphael.
"What, haven't you noticed all Jewish sermons are eloquent?".
"They write that themselves?"
"Of course; sometimes they put 'able,' and sometimes 'learned,' but, as
a rule, they prefer to be 'eloquent.' The run on that epithet is
tremendous. Ta dee dum da. In holiday seasons they are also very fond of
'enthralling the audience,' and of 'melting them to tears,' but this is
chiefly during the Ten Days of Repentance, or when a boy is
_Barmitzvah_. Then, think of the people who send in accounts of the
oranges they gave away to distressed widows, or of the prizes won by
their children at fourth-rate schools, or of the silver pointers they
present to the synagogue. Whenever a reader sends a letter to an evening
paper, he will want you to quote it; and, if he writes a paragraph in
the obscurest leaflet, he will want you to note it as 'Literary
Intelligence.' Why, my dear fellow, your chief task will be to cut down.
Ta, ra, ra, ta! Any Jewish paper could be entirely supported by
voluntary contributions--as, for the matter of that, could any newspaper
in the world." He got up and shook the coal-dust languidly from his
cloak.
"Besides, we shall all be helping you with articles," said De Haan,
encouragingly.
"Yes, we shall all be helping you," said Ebenezer.
"I vill give you from the Pierian spring--bucketsful," said Pinchas in a
flush of generosity.
"Thank you, I shall be much obliged," said Raphael, heartily, "for I
don't quite see the use of a paper filled up as Mr. Sampson suggests."
He flung his arms out and drew them in again. It was a way he had when
in earnest. "Then, I should like to have some foreign news. Where's that
to come from?"
"You rely on me for _that_," said little Sampson, cheerfully. "I will
write at once to all the chief Jewish papers in the world, French,
German, Dutch, Italian, Hebrew, and American, asking them to exchange
with us. There is never any dearth of foreign news. I translate a thing
from the Italian _Vessillo Israelitico_, and the _Israelitische
Nieuwsbode_ copies it from us; _Der Israelit_ then translates it into
German, whence it gets into Hebrew, in _Hamagid_, thence into _L'Univers
Israélite_, of Paris, and thence into the _American Hebrew_. When I see
it in American, not having to translate it, it strikes me as fresh, and
so I transfer it bodily to our columns, whence it gets translated into
Italian, and so the merry-go-round goes eternally on. Ta dee rum day.
You rely on me for your foreign news. Why, I can get you foreign
telegrams if you'll only allow me to stick 'Trieste, December 21,' or
things of that sort at the top. Ti, tum, tee ti." He went on humming a
sprightly air, then, suddenly interrupting himself, he said, "but have
you got an advertisement canvasser, Mr. De Haan?"
"No, not yet," said De Haan, turning around. The committee had resolved
itself into animated groups, dotted about the office, each group marked
by a smoke-drift. The clerks were still writing the ten thousand
wrappers, swearing inaudibly.
"Well, when are you going to get him?"
"Oh, we shall have advertisements rolling in of themselves," said De
Haan, with a magnificent sweep of the arm. "And we shall all assist in
that department! Help yourself to another cigar, Sampson." And he passed
Schlesinger's box. Raphael and Karlkammer were the only two men in the
room not smoking cigars--Raphael, because he preferred his pipe, and
Karlkammer for some more mystic reason.
"We must not ignore Cabalah," the zealot's voice was heard to observe.
"You can't get advertisements by Cabalah," drily interrupted Guedalyah,
the greengrocer, a practical man, as everybody knew.
"No, indeed," protested Sampson. "The advertisement canvasser is a more
important man than the editor."
Ebenezer pricked up his ears.
"I thought _you_ undertook to do some canvassing for your money," said
De Haan.
"So I will, so I will; rely on me for that. I shouldn't be surprised if
I get the capitalists who are backing up my opera to give you the
advertisements of the tour, and I'll do all I can in my spare time. But
I feel sure you'll want another man--only, you must pay him well and
give him a good commission. It'll pay best in the long run to have a
good man, there are so many seedy duffers about," said little Sampson,
drawing his faded cloak loftily around him. "You want an eloquent,
persuasive man, with a gift of the gab--"
"Didn't I tell you so?" interrupted Pinchas, putting his finger to his
nose. "I vill go to the advertisers and speak burning words to them. I
vill--"
"Garn! They'd kick you out!" croaked Ebenezer. "They'll only listen to
an Englishman." His coarse-featured face glistened with spite.
"My Ebenezer has a good appearance," said old Sugarman, "and his English
is fine, and dat is half de battle."
Schlesinger, appealed to, intimated that Ebenezer might try, but that
they could not well spare him any percentage at the start. After much
haggling, Ebenezer consented to waive his commission, if the committee
would consent to allow an original tale of his to appear in the paper.
The stipulation having been agreed to, he capered joyously about the
office and winked periodically at Pinchas from behind the battery of his
blue spectacles. The poet was, however, rapt in a discussion as to the
best printer. The Committee were for having Gluck, who had done odd jobs
for most of them, but Pinchas launched into a narrative of how, when he
edited a great organ in Buda-Pesth, he had effected vast economies by
starting a little printing-office of his own in connection with the
paper.
"You vill set up a little establishment," he said. "I vill manage it for
a few pounds a veek. Then I vill not only print your paper, I vill get
you large profits from extra printing. Vith a man of great business
talent at the head of it--"
De Haan made a threatening movement, and Pinchas edged away from the
proximity of the coal-scuttle.
"Gluck's our printer!" said De Haan peremptorily. "He has Hebrew type.
We shall want a lot of that. We must have a lot of Hebrew
quotations--not spell Hebrew words in English like the other papers. And
the Hebrew date must come before the English. The public must see at
once that our principles are superior. Besides, Gluck's a Jew, which
will save us from the danger of having any of the printing done on
Saturdays."
"But shan't we want a publisher?" asked Sampson.
"That's vat I say," cried Pinchas. "If I set up this office, I can be
your publisher too. Ve must do things business-like."
"Nonsense, nonsense! We are our own publishers," said De Haan. "Our
clerks will send out the invoices and the subscription copies, and an
extra office-boy can sell the papers across the counter."
Sampson smiled in his sleeve.
"All right. That will do--for the first number," he said cordially. "Ta
ra ra ta."
"Now then, Mr. Leon, everything is settled," said De Haan, stroking his
beard briskly. "I think I'll ask you to help us to draw up the posters.
We shall cover all London, sir, all London."
"But wouldn't that be wasting money?" said Raphael.
"Oh, we're going to do the thing properly. I don't believe in meanness."
"It'll be enough if we cover the East End," said Schlesinger, drily.
"Quite so. The East End _is_ London as far as we're concerned," said De
Haan readily.
Raphael took the pen and the paper which De Haan tendered him and wrote
_The Flag of Judah_, the title having been fixed at their first
interview.
"The only orthodox paper!" dictated De Haan. "Largest circulation of any
Jewish paper in the world!"
"No, how can we say that?" said Raphael, pausing.
"No, of course not," said De Haan. "I was thinking of the subsequent
posters. Look out for the first number--on Friday, January 1st. The best
Jewish writers! The truest Jewish teachings! Latest Jewish news and
finest Jewish stories. Every Friday. Twopence."
"Twopence?" echoed Raphael, looking up. "I thought you wanted to appeal
to the masses. I should say it must be a penny."
"It _will_ be a penny," said De Haan oracularly.
"We have thought it all over," interposed Gradkoski. "The first number
will be bought up out of curiosity, whether at a penny or at twopence.
The second will go almost as well, for people will be anxious to see how
it compares with the first. In that number we shall announce that owing
to the enormous success we have been able to reduce it to a penny;
meantime we make all the extra pennies."
"I see," said Raphael dubiously.
"We must have _Chochma_" said De Haan. "Our sages recommend that."
Raphael still had his doubts, but he had also a painful sense of his
lack of the "practical wisdom" recommended by the sages cited. He
thought these men were probably in the right. Even religion could not be
pushed on the masses without business methods, and so long as they were
in earnest about the doctrines to be preached, he could even feel a dim
admiration for their superior shrewdness in executing a task in which he
himself would have hopelessly broken down. Raphael's mind was large; and
larger by being conscious of its cloistral limitations. And the men were
in earnest; not even their most intimate friends could call this into
question.
"We are going to save London," De Haan put it in one of his dithyrambic
moments. "Orthodoxy has too long been voiceless, and yet it is
five-sixths of Judaea. A small minority has had all the say. We must
redress the balance. We must plead the cause of the People against the
Few."
Raphael's breast throbbed with similar hopes. His Messianic emotions
resurged. Sugarman's solicitous request that he should buy a Hamburg
Lottery Ticket scarcely penetrated his consciousness. Carrying the copy
of the poster, he accompanied De Haan to Gluck's. It was a small shop in
a back street with jargon-papers and hand-bills in the window and a
pervasive heavy oleaginous odor. A hand-press occupied the centre of the
interior, the back of which was partitioned of and marked "Private."
Gluck came forward, grinning welcome. He wore an unkempt beard and a
dusky apron.
"Can you undertake to print an eight-page paper?" inquired De Haan.
"If I can print at all, I can print anything," responded Gluck
reproachfully. "How many shall you want?"
"It's the orthodox paper we've been planning so long," said De Haan
evasively.
Gluck nodded his head.
"There are seventy thousand orthodox Jews in London alone," said De
Haan, with rotund enunciation. "So you see what you may have to print.
It'll be worth your while to do it extra cheap."
Gluck agreed readily, naming a low figure. After half an hour's
discussion it was reduced by ten per cent.
"Good-bye, then," said De Haan. "So let it stand. We shall start with a
thousand copies of the first number, but where we shall end, the Holy
One, blessed be He, alone knows. I will now leave you and the editor to
talk over the rest. To-day's Monday. We must have the first number out
by Friday week. Can you do that, Mr. Leon?"
"Oh, that will be ample," said Raphael, shooting out his arms.
He did not remain of that opinion. Never had he gone through such an
awful, anxious time, not even in his preparations for the stiffest
exams. He worked sixteen hours a day at the paper. The only evening he
allowed himself off was when he dined with Mrs. Henry Goldsmith and met
Esther. First numbers invariably take twice as long to produce as second
numbers, even in the best regulated establishments. All sorts of
mysterious sticks and leads, and fonts and forms, are found wanting at
the eleventh hour. As a substitute for gray hair-dye there is nothing in
the market to compete with the production of first numbers. But in
Gluck's establishment, these difficulties were multiplied by a hundred.
Gluck spent a great deal of time in going round the corner to get
something from a brother printer. It took an enormous time to get a
proof of any article out of Gluck.
"My men are so careful," Gluck explained. "They don't like to pass
anything till it's free from typos."
The men must have been highly disappointed, for the proofs were
invariably returned bristling with corrections and having a highly
hieroglyphic appearance. Then Gluck would go in and slang his men. He
kept them behind the partition painted "Private."
The fatal Friday drew nearer and nearer. By Thursday not a single page
had been made up. Still Gluck pointed out that there were only eight,
and the day was long. Raphael had not the least idea in the world how to
make up a paper, but about eleven little Sampson kindly strolled into
Gluck's, and explained to his editor his own method of pasting the
proofs on sheets of paper of the size of the pages. He even made up one
page himself to a blithe vocal accompaniment. When the busy composer and
acting-manager hurried off to conduct a rehearsal, Raphael expressed his
gratitude warmly. The hours flew; the paper evolved as by geologic
stages. As the fateful day wore on, Gluck was scarcely visible for a
moment. Raphael was left alone eating his heart out in the shop, and
solacing himself with huge whiffs of smoke. At immense intervals Gluck
appeared from behind the partition bearing a page or a galley slip. He
said his men could not be trusted to do their work unless he was
present. Raphael replied that he had not seen the compositors come
through the shop to get their dinners, and he hoped Gluck would not find
it necessary to cut off their meal-times. Gluck reassured him on this
point; he said his men were so loyal that they preferred to bring their
food with them rather than have the paper delayed. Later on he casually
mentioned that there was a back entrance. He would not allow Raphael to
talk to his workmen personally, arguing that it spoiled their
discipline. By eleven o'clock at night seven pages had been pulled and
corrected: but the eighth page was not forthcoming. The _Flag_ had to be
machined, dried, folded, and a number of copies put into wrappers and
posted by three in the morning. The situation looked desperate. At a
quarter to twelve, Gluck explained that a column of matter already set
up had been "pied" by a careless compositor. It happened to be the
column containing the latest news and Raphael had not even seen a proof
of it. Still, Gluck conjured him not to trouble further: he would give
his reader strict injunctions not to miss the slightest error. Raphael
had already seen and passed the first column of this page, let him leave
it to Gluck to attend to this second column; all would be well without
his remaining later, and he would receive a copy of the _Flag_ by the
first post. The poor editor, whose head was splitting, weakly yielded;
he just caught the midnight train to the West End and he went to bed
feeling happy and hopeful.
At seven o'clock the next morning the whole Leon household was roused by
a thunderous double rat-tat at the door. Addie was even heard to scream.
A housemaid knocked at Raphael's door and pushed a telegram under it.
Raphael jumped out of bed and read: "Third of column more matter wanted.
Come at once. Gluck."
"How can that be?" he asked himself in consternation. "If the latest
news made a column when it was first set up before the accident, how can
it make less now?"
He dashed up to Gluck's office in a hansom and put the conundrum to him.
"You see we had no time to distribute the 'pie,' and we had no more type
of that kind, so we had to reset it smaller," answered Gluck glibly. His
eyes were blood-shot, his face was haggard. The door of the private
compartment stood open.
"Your men are not come yet, I suppose," said Raphael.
"No," said Gluck. "They didn't go away till two, poor fellows. Is that
the copy?" he asked, as Raphael handed him a couple of slips he had
distractedly scribbled in the cab under the heading of "Talmudic Tales."
"Thank you, it's just about the size. I shall have to set it myself."
"But won't we be terribly late?" said poor Raphael.
"We shall be out to-day," responded Gluck cheerfully. "We shall be in
time for the Sabbath, and that's the important thing. Don't you see
they're half-printed already?" He indicated a huge pile of sheets.
Raphael examined them with beating heart. "We've only got to print 'em
on the other side and the thing's done," said Gluck.
"Where are your machines?"
"There," said Gluck, pointing.
"That hand-press!" cried Raphael, astonished. "Do you mean to say you
print them all with your own hand?"
"Why not?" said the dauntless Gluck. "I shall wrap them up for the
post, too." And he shut himself up with the last of the "copy."
Raphael having exhausted his interest in the half-paper, fell to
striding about the little shop, when who should come in but Pinchas,
smoking a cigar of the Schlesinger brand.
"Ah, my Prince of Rédacteurs," said Pinchas, darting at Raphael's hand
and kissing it. "Did I not say you vould produce the finest paper in the
kingdom? But vy have I not my copy by post? You must not listen to
Ebenezer ven he says I must not be on the free list, the blackguard."
Raphael explained to the incredulous poet that Ebenezer had not said
anything of the kind. Suddenly Pinchas's eye caught sight of the sheets.
He swooped down upon them like a hawk. Then he uttered a shriek of
grief.
"Vere's my poem, my great poesie?"
Raphael looked embarrassed.
"This is only half the paper," he said evasively.
"Ha, then it vill appear in the other half, _hein_?" he said with hope
tempered by a terrible suspicion.
"N--n--o," stammered Raphael timidly.
"No?" shrieked Pinchas.
"You see--the--fact is, it wouldn't scan. Your Hebrew poetry is perfect,
but English poetry is made rather differently and I've been too busy to
correct it."
"But it is exactly like Lord Byron's!" shrieked Pinchas. "Mein Gott! All
night I lie avake--vaiting for the post. At eight o'clock the post
comes--but _The Flag of Judah_ she vaves not! I rush round here--and now
my beautiful poem vill not appear." He seized the sheet again, then
cried fiercely: "You have a tale, 'The Waters of Babylon,' by Ebenezer
the fool-boy, but my poesie have you not. _Gott in Himmel_!" He tore the
sheet frantically across and rushed from the shop. In five minutes he
reappeared. Raphael was absorbed in reading the last proof. Pinchas
plucked timidly at his coat-tails.
"You vill put it in next veek?" he said winningly.
"I dare say," said Raphael gently.
"Ah, promise me. I vill love you like a brother, I vill be grateful to
you for ever and ever. I vill never ask another favor of you in all my
life. Ve are already like brothers--_hein_? I and you, the only two
men--"
"Yes, yes," interrupted Raphael, "it shall appear next week."
"God bless you!" said Pinchas, kissing Raphael's coat-tails passionately
and rushing without.
Looking up accidentally some minutes afterwards, Raphael was astonished
to see the poet's carneying head thrust through the half-open door with
a finger laid insinuatingly on the side of the nose. The head was fixed
there as if petrified, waiting to catch the editor's eye.
The first number of _The Flag of Judah_ appeared early in the afternoon.
CHAPTER IV.
THE TROUBLES OF AN EDITOR.
The new organ did not create a profound impression. By the rival party
it was mildly derided, though many fair-minded persons were impressed by
the rather unusual combination of rigid orthodoxy with a high spiritual
tone and Raphael's conception of Judaism as outlined in his first
leader, his view of it as a happy human compromise between an empty
unpractical spiritualism and a choked-up over-practical formalism,
avoiding the opposite extremes of its offshoots, Christianity and
Mohammedanism, was novel to many of his readers, unaccustomed to think
about their faith. Dissatisfied as Raphael was with the number, he felt
he had fluttered some of the dove-cotes at least. Several people of
taste congratulated him during Saturday and Sunday, and it was with a
continuance of Messianic emotions and with agreeable anticipations that
he repaired on Monday morning to the little den which had been
inexpensively fitted up for him above the offices of Messrs. Schlesinger
and De Haan. To his surprise he found it crammed with the committee; all
gathered round little Sampson, who, with flushed face and cloak
tragically folded, was expostulating at the top of his voice. Pinchas
stood at the back in silent amusement. As Raphael entered jauntily,
from a dozen lips, the lowering faces turned quickly towards him.
Involuntarily Raphael started back in alarm, then stood rooted to the
threshold. There was a dread ominous silence. Then the storm burst.
"_Du Shegetz! Du Pasha Yisroile!_" came from all quarters of the
compass.
To be called a graceless Gentile and a sinner in Israel is not pleasant
to a pious Jew: but all Raphael's minor sensations were swallowed up in
a great wonderment.
"We are ruined!" moaned the furniture-dealer, who was always failing.
"You have ruined us!" came the chorus from the thick, sensuous lips, and
swarthy fists were shaken threateningly. Sugarman's hairy paw was almost
against his face. Raphael turned cold, then a rush of red-hot blood
flooded his veins. He put out his good right hand and smote the nearest
fist aside. Sugarman blenched and skipped back and the line of fists
wavered.
"Don't be fools, gentlemen," said De Haan, his keen sense of humor
asserting itself. "Let Mr. Leon sit down."
Raphael, still dazed, took his seat on the editorial chair. "Now, what
can I do for you?" he said courteously. The fists dropped at his calm.
"Do for us," said Schlesinger drily. "You've done for the paper. It's
not worth twopence."
"Well, bring it out at a penny at once then," laughed little Sampson,
reinforced by the arrival of his editor.
Guedalyah the greengrocer glowered at him.
"I am very sorry, gentlemen, I have not been able to satisfy you," said
Raphael. "But in a first number one can't do much."
"Can't they?" said De Haan. "You've done so much damage to orthodoxy
that we don't know whether to go on with the paper."
"You're joking," murmured Raphael.
"I wish I was," laughed De Haan bitterly.
"But you astonish me." persisted Raphael. "Would you be so good as to
point out where I have gone wrong?"
"With pleasure. Or rather with pain," said De Haan. Each of the
committee drew a tattered copy from his pocket, and followed De Haan's
demonstration with a murmured accompaniment of lamentation.
"The paper was founded to inculcate the inspection of cheese, the better
supervision of the sale of meat, the construction of ladies' baths, and
all the principles of true Judaism," said De Haan gloomily, "and there's
not one word about these things, but a great deal about spirituality and
the significance of the ritual. But I will begin at the beginning. Page
1--"
"But that's advertisements," muttered Raphael.
"The part surest to be read! The very first line of the paper is simply
shocking. It reads:
"Death: On the 59th ult., at 22 Buckley St., the Rev. Abraham Barnett,
in his fifty-fourth--"
"But death is always shocking; what's wrong about that?" interposed
little Sampson.
"Wrong!" repeated De Haan, witheringly. "Where did you get that from?
That was never sent in."
"No, of course not," said the sub-editor. "But we had to have at least
one advertisement of that kind; just to show we should be pleased to
advertise our readers' deaths. I looked in the daily papers to see if
there were any births or marriages with Jewish names, but I couldn't
find any, and that was the only Jewish-sounding death I could see."
"But the Rev. Abraham Barnett was a _Meshumad_," shrieked Sugarman the
_Shadchan_. Raphael turned pale. To have inserted an advertisement about
an apostate missionary was indeed terrible. But little Sampson's
audacity did not desert him.
"I thought the orthodox party would be pleased to hear of the death of a
_Meshumad_," he said suavely, screwing his eyeglass more tightly into
its orbit, "on the same principle that anti-Semites take in the Jewish
papers to hear of the death of Jews."
For a moment De Haan was staggered. "That would be all very well," he
said; "let him be an atonement for us all, but then you've gone and put
'May his soul he bound up in the bundle of life.'"
It was true. The stock Hebrew equivalent for R.I.P. glared from the
page.
"Fortunately, that taking advertisement of _kosher_ trousers comes just
underneath," said De Haan, "and that may draw off the attention. On page
2 you actually say in a note that Rabbenu Bachja's great poem on
repentance should be incorporated in the ritual and might advantageously
replace the obscure _Piyut_ by Kalir. But this is rank Reform--it's
worse than the papers we come to supersede."
"But surely you know it is only the Printing Press that has stereotyped
our liturgy, that for Maimonides and Ibn Ezra, for David Kimchi and
Joseph Albo, the contents were fluid, that--"
"We don't deny that," interrupted Schlesinger drily. "But we can't have
any more alterations now-a-days. Who is there worthy to alter them?
You?"
"Certainly not. I merely suggest."
"You are playing into the hands of our enemies," said De Haan, shaking
his head. "We must not let our readers even imagine that the prayer-book
can be tampered with. It's the thin end of the wedge. To trim our
liturgy is like trimming living flesh; wherever you cut, the blood
oozes. The four cubits of the _Halacha_--that is what is wanted, not
changes in the liturgy. Once touch anything, and where are you to stop?
Our religion becomes a flux. Our old Judaism is like an old family
mansion, where each generation has left a memorial and where every room
is hallowed with traditions of merrymaking and mourning. We do not want
our fathers' home decorated in the latest style; the next step will be
removal to a new dwelling altogether. On page 3 you refer to the second
Isaiah."
"But I deny that there were two Isaiahs."
"So you do; but it is better for our readers not to hear of such impious
theories. The space would be much better occupied in explaining the
Portion for the week. The next leaderette has a flippant tone, which has
excited unfavorable comment among some of the most important members of
the Dalston Synagogue. They object to humor in a religious paper. On
page 4 you have deliberately missed an opportunity of puffing the Kosher
Co-operative Society. Indeed, there is not a word throughout about our
Society. But I like Mr. Henry Goldsmith's letter on this page, though;
he is a good orthodox man and he writes from a good address. It will
show we are not only read in the East End. Pity he's such a
Man-of-the-Earth, though. Yes, and that's good--the communication from
the Rev. Joseph Strelitski. I think he's a bit of an _Epikouros_ but it
looks as if the whole of the Kensington Synagogue was with us. I
understand he is a friend of yours: it will be as well for you to
continue friendly. Several of us here knew him well in _Olov Hasholom_
times, but he is become so grand and rarely shows himself at the Holy
Land League Meetings. He can help us a lot if he will."
"Oh, I'm sure he will," said Raphael.
"That's good," said De Haan, caressing his white beard. Then growing
gloomy again, he went on, "On page 5 you have a little article by
Gabriel Hamburg, a well-known _Epikouros_."
"Oh, but he's one of the greatest scholars in Europe!" broke in Raphael.
"I thought you'd be extra pleased to have it. He sent it to me from
Stockholm as a special favor." He did not mention he had secretly paid
for it. "I know some of his views are heterodox, and I don't agree with
half he says, but this article is perfectly harmless."
"Well, let it pass--very few of our readers have ever heard of him. But
on the same page you have a Latin quotation. I don't say there's
anything wrong in that, but it smacks of Reform. Our readers don't
understand it and it looks as if our Hebrew were poor. The Mishna
contains texts suited for all purposes. We are in no need of Roman
writers. On page 6 you speak of the Reform _Shool_, as if it were to be
reasoned with. Sir, if we mention these freethinkers at all, it must be
in the strongest language. By worshipping bare-headed and by seating the
sexes together they have denied Judaism."
"Stop a minute!" interrupted Raphael warmly. "Who told you the Reformers
do this?"
"Who told me, indeed? Why, it's common knowledge. That's how they've
been going on for the last fifty years." "Everybody knows it," said the
Committee in chorus.
"Has one of you ever been there?" said Raphael, rising in excitement.
"God forbid!" said the chorus.
"Well, I have, and it's a lie," said Raphael. His arms whirled round to
the discomfort of the Committee.
"You ought not to have gone there," said Schlesinger severely. "Besides,
will you deny they have the organ in their Sabbath services?"
"No, I won't!"
"Well, then!" said De Haan, triumphantly. "If they are capable of that,
they are capable of any wickedness. Orthodox people can have nothing to
do with them."
"But orthodox immigrants take their money," said Raphael.
"Their money is _kosher_', they are _tripha_," said De Haan
sententiously. "Page 7, now we get to the most dreadful thing of all!" A
solemn silence fell on the room, Pinchas sniggered unobtrusively.
"You have a little article headed, 'Talmudic Tales.' Why in heaven's
name you couldn't have finished the column with bits of news I don't
know. Satan himself must have put the thought into your head. Just at
the end of the paper, too! For I can't reckon page 8, which is simply
our own advertisement."
"I thought it would be amusing," said Raphael.
"Amusing! If you had simply told the tales, it might have been. But look
how you introduce them! 'These amusing tales occur in the fifth chapter
of Baba Bathra, and are related by Rabbi Bar Bar Channah. Our readers
will see that they are parables or allegories rather than actual
facts.'"
"But do you mean to say you look upon them as facts?" cried Raphael,
sawing the air wildly and pacing about on the toes of the Committee.
"Surely!" said De Haan, while a low growl at his blasphemous doubts ran
along the lips of the Committee.
"Was it treacherously to undermine Judaism that you so eagerly offered
to edit for nothing?" said the furniture-dealer who was always failing.
"But listen here!" cried Raphael, exasperated. "Harmez, the son of
Lilith, a demon, saddled two mules and made them stand on opposite sides
of the River Doneg. He then jumped from the back of one to that of the
other. He had, at the time, a cup of wine in each hand, and as he
jumped, he threw the wine from each cup into the other without spilling
a drop, although a hurricane was blowing at the time. When the King of
demons heard that Harmez had been thus showing off to mortals, he slew
him. Does any of you believe that?"
"Vould our Sages (their memories for a blessing) put anything into the
Talmud that vasn't true?" queried Sugarman. "Ve know there are demons
because it stands that Solomon knew their language."
"But then, what about this?" pursued Raphael. "'I saw a frog which was
as big as the district of Akra Hagronia. A sea-monster came and
swallowed the frog, and a raven came and ate the sea-monster. The raven
then went and perched on a tree' Consider how strong that tree must have
been. R. Papa ben Samuel remarks, 'Had I not been present, I should not
have believed it.' Doesn't this appendix about ben Samuel show that it
was never meant to be taken seriously?"
"It has some high meaning we do not understand in these degenerate
times," said Guedalyah the greengrocer. "It is not for our paper to
weaken faith in the Talmud."
"Hear, hear!" said De Haan, while "_Epikouros_" rumbled through the air,
like distant thunder.
"Didn't I say an Englishman could never master the Talmud?" Sugarman
asked in triumph.
This reminder of Raphael's congenital incompetence softened their minds
towards him, so that when he straightway resigned his editorship, their
self-constituted spokesman besought him to remain. Perhaps they
remembered, too, that he was cheap.
"But we must all edit the paper," said De Haan enthusiastically, when
peace was re-established. "We must have meetings every day and every
article must he read aloud before it is printed."
Little Sampson winked cynically, passing his hand pensively through his
thick tangled locks, but Raphael saw no objection to the arrangement. As
before, he felt his own impracticability borne in upon him, and he
decided to sacrifice himself for the Cause as far as conscience
permitted. Excessive as it was the zeal of these men, it was after all
in the true groove. His annoyance returned for a while, however, when
Sugarman the _Shadchan_ seized the auspicious moment of restored amity
to inquire insinuatingly if his sister was engaged. Pinchas and little
Sampson went down the stairs, quivering with noiseless laughter, which
became boisterous when they reached the street. Pinchas was in high
feather.
"The fool-men!" he said, as he led the sub-editor into a public-house
and regaled him on stout and sandwiches. "They believe any
_Narrischkeit_. I and you are the only two sensible Jews in England. You
vill see that my poesie goes in next week--promise me that! To your
life!" here they touched glasses. "Ah, it is beautiful poesie. Such high
tragic ideas! You vill kiss me when you read them!" He laughed in
childish light-heartedness. "Perhaps I write you a comic opera for your
company--_hein_? Already I love you like a brother. Another glass stout?
Bring us two more, thou Hebe of the hops-nectar. You have seen my comedy
'The Hornet of Judah'--No?--Ah, she vas a great comedy, Sampson. All
London talked of her. She has been translated into every tongue. Perhaps
I play in your company. I am a great actor--_hein_? You know not my
forte is voman's parts--I make myself so lovely complexion vith red
paint, I fall in love vith me." He sniggered over his stout. "The
Rédacteur vill not redact long, _hein_?" he said presently. "He is a
fool-man. If he work for nothing they think that is what he is worth.
They are orthodox, he, he!"
"But he is orthodox too," said little Sampson.
"Yes," replied Pinchas musingly. "It is strange. It is very strange. I
cannot understand him. Never in all my experience have I met another
such man. There vas an Italian exile I talked vith once in the island
of Chios, his eyes were like Leon's, soft vith a shining splendor like
the stars vich are the eyes of the angels of love. Ah, he is a good man,
and he writes sharp; he has ideas, not like an English Jew at all. I
could throw my arms round him sometimes. I love him like a brother." His
voice softened. "Another glass stout; ve vill drink to him."
Raphael did not find the editing by Committee feasible. The friction was
incessant, the waste of time monstrous. The second number cost him even
more headaches than the first, and this, although the gallant Gluck
abandoning his single-handed emprise fortified himself with a real live
compositor and had arranged for the paper to be printed by machinery.
The position was intolerable. It put a touch of acid into his
dulciferous mildness! Just before going to press he was positively rude
to Pinchas. It would seem that little Sampson sheltering himself behind
his capitalists had refused to give the poet a commission for a comic
opera, and Pinchas raved at Gideon, M.P., who he was sure was Sampson's
financial backer, and threatened to shoot him and danced maniacally
about the office.
"I have written an attack on the Member for Vitechapel," he said,
growing calmer, "to hand him down to the execration of posterity, and I
have brought it to the _Flag_. It must go in this veek."
"We have already your poem," said Raphael.
"I know, but I do not grudge my work, I am not like your money-making
English Jews."
"There is no room. The paper is full."
"Leave out Ebenezer's tale--with the blue spectacles."
"There is none. It was completed in one number."
"Well, must you put in your leader?"
"Absolutely; please go away. I have this page to read."
"But you can leave out some advertisements?"
"I must not. We have too few as it is."
The poet put his finger alongside his nose, but Raphael was adamant.
"Do me this one favor," he pleaded. "I love you like a brother; just
this one little thing. I vill never ask another favor of you all my
life."
"I would not put it in, even if there was room. Go away," said Raphael,
almost roughly.
The unaccustomed accents gave Pinchas a salutary shock. He borrowed two
shillings and left, and Raphael was afraid to look up lest he should see
his head wedged in the doorway. Soon after Gluck and his one compositor
carried out the forms to be machined. Little Sampson, arriving with a
gay air on his lips, met them at the door.
On the Friday, Raphael sat in the editorial chair, utterly dispirited, a
battered wreck. The Committee had just left him. A heresy had crept into
a bit of late news not inspected by them, and they declared that the
paper was not worth twopence and had better be stopped. The demand for
this second number was, moreover, rather poor, and each man felt his ten
pound share melting away, and resolved not to pay up the half yet
unpaid. It was Raphael's first real experience of men--after the
enchanted towers of Oxford, where he had foregathered with dreamers.
His pipe hung listless in his mouth; an extinct volcano. His first fit
of distrust in human nature, nay, even in the purifying powers of
orthodoxy, was racking him. Strangely enough this wave of scepticism
tossed up the thought of Esther Ansell, and stranger still on the top of
this thought, in walked Mr. Henry Goldsmith. Raphael jumped up and
welcomed his late host, whose leathery countenance shone with the polish
of a sweet smile. It appeared that the communal pillar had been passing
casually, and thought he'd look Raphael up.
"So you don't pull well together," he said, when he had elicited an
outline of the situation from the editor.
"No, not altogether," admitted Raphael.
"Do you think the paper'll live?"
"I can't say," said Raphael, dropping limply into his chair. "Even if it
does. I don't know whether it will do much good if run on their lines,
for although it is of great importance that we get _kosher_ food and
baths. I hardly think they go about it in the right spirit. I may be
wrong. They are older men than I and have seen more of actual life, and
know the class we appeal to better."
"No, no, you are not wrong," said Mr. Goldsmith vehemently. "I am
myself dissatisfied with some of the Committee's contributions to this
second number. It is a great opportunity to save English Judaism, but it
is being frittered away."
"I am afraid it is," said Raphael, removing his empty pipe from his
mouth, and staring at it blankly.
Mr. Goldsmith brought his fist down sharp on the soft litter that
covered the editorial table.
"It shall not be frittered away!" he cried. "No, not if I have to buy
the paper!"
Raphael looked up eagerly.
"What do you say?" said Goldsmith. "Shall I buy it up and let you work
it on your lines?"
"I shall be very glad," said Raphael, the Messianic look returning to
his face.
"How much will they want for it?"
"Oh, I think they'll be glad to let you take it over. They say it's not
worth twopence, and I'm sure they haven't got the funds to carry it on,"
replied Raphael, rising. "I'll go down about it at once. The Committee
have just been here, and I dare say they are still in Schlesinger's
office."
"No, no," said Goldsmith, pushing him down into his seat. "It will never
do if people know I'm the proprietor."
"Why not?"
"Oh, lots of reasons. I'm not a man to brag; if I want to do a good
thing for Judaism, there's no reason for all the world to know it. Then
again, from my position on all sorts of committees I shall be able to
influence the communal advertisements in a way I couldn't if people knew
I had any connection with the paper. So, too, I shall be able to
recommend it to my wealthy friends (as no doubt it will deserve to be
recommended) without my praise being discounted."
"Well, but then what am I to say to the Committee?"
"Can't you say you want to buy it for yourself? They know you can afford
it."
Raphael hesitated. "But why shouldn't I buy it for myself?"
"Pooh! Haven't you got better use for your money?"
It was true. Raphael had designs more tangibly philanthropic for the
five thousand pounds left him by his aunt. And he was business-like
enough to see that Mr. Goldsmith's money might as well be utilized for
the good of Judaism. He was not quite easy about the little fiction that
would he necessary for the transaction, but the combined assurances of
Mr. Goldsmith and his own common sense that there was no real deception
or harm involved in it, ultimately prevailed. Mr. Goldsmith left,
promising to call again in an hour, and Raphael, full of new hopes,
burst upon the Committee.
But his first experience of bargaining was no happier than the rest of
his worldly experience. When he professed his willingness to relieve
them of the burden of carrying on the paper they first stared, then
laughed, then shook their fists. As if they would leave him to corrupt
the Faith! When they understood he was willing to pay something, the
value of _The Flag of Judah_ went up from less than twopence to more
than two hundred pounds. Everybody was talking about it, its reputation
was made, they were going to print double next week.
"But it has not cost you forty pounds yet?" said the astonished Raphael.
"What are you saying? Look at the posters alone!" said Sugarman.
"But you don't look at it fairly," argued De Haan, whose Talmudical
studies had sharpened wits already super-subtle. "Whatever it has cost
us, it would have cost as much more if we had had to pay our editor, and
it is very unfair of you to leave that out of account."
Raphael was overwhelmed. "It's taking away with the left hand what you
gave us with the right," added De Haan, with infinite sadness. "I had
thought better of you, Mr. Leon."
"But you got a good many twopences back," murmured Raphael.
"It's the future profits that we're losing," explained Schlesinger.
In the end Raphael agreed to give a hundred pounds, which made the
members inwardly determine to pay up the residue on their shares at
once. De Haan also extorted a condition that the _Flag_ should continue
to be the organ of the Kosher Co-operative Society, for at least six
months, doubtless perceiving that should the paper live and thrive over
that period, it would not then pay the proprietor to alter its
principles. By which bargain the Society secured for itself a sum of
money together with an organ, gratis, for six months and, to all
seeming, in perpetuity, for at bottom they knew well that Raphael's
heart was sound. They were all on the free list, too, and they knew he
would not trouble to remove them.
Mr. Henry Goldsmith, returning, was rather annoyed at the price, but did
not care to repudiate his agent.
"Be economical," he said. "I will get you a better office and find a
proper publisher and canvasser. But cut it as close as you can."
Raphael's face beamed with joy. "Oh, depend upon me," he said.
"What is your own salary?" asked Goldsmith.
"Nothing," said Raphael.
A flash passed across Goldsmith's face, then he considered a moment.
"I wish you would let it be a guinea," he said. "Quite nominal, you
know. Only I like to have things in proper form. And if you ever want to
go, you know, you'll give me a month's notice and," here he laughed
genially, "I'll do ditto when I want to get rid of you. Ha! Ha! Ha! Is
that a bargain?"
Raphael smiled in reply and the two men's hands met in a hearty clasp.
"Miss Ansell will help you, I know," said Goldsmith cheerily. "That
girl's got it in her, I can tell you. She'll take the shine out of some
of our West Enders. Do you know I picked her out of the gutter, so to
speak?"
"Yes, I know," said Raphael. "It was very good and discriminating of
you. How is she?"
"She's all right. Come up and see her about doing something for you. She
goes to the Museum sometimes in the afternoons, but you'll always find
her in on Sundays, or most Sundays. Come up and dine with us again
soon, will you? Mrs. Goldsmith will be so pleased."
"I will," said Raphael fervently. And when the door closed upon the
communal pillar, he fell to striding feverishly about his little den.
His trust in human nature was restored and the receding wave of
scepticism bore off again the image of Esther Ansell. Now to work for
Judaism!
The sub-editor made his first appearance that day, carolling joyously.
"Sampson," said Raphael abruptly, "your salary is raised by a guinea a
week."
The joyous song died away on little Sampson's lips. His eyeglass
dropped. He let himself fall backwards, impinging noiselessly upon a
heap of "returns" of number one.
CHAPTER V.
A WOMAN'S GROWTH.
The sloppy Sunday afternoon, which was the first opportunity Raphael had
of profiting by Mr. Henry Goldsmith's general invitation to call and see
Esther, happened to be that selected by the worthy couple for a round of
formal visits. Esther was left at home with a headache, little expecting
pleasanter company. She hesitated about receiving Raphael, but on
hearing that he had come to see her rather than her patrons, she
smoothed her hair, put on a prettier frock, and went down into the
drawing-room, where she found him striding restlessly in bespattered
boots and moist overcoat. When he became aware of her presence, he went
towards her eagerly, and shook her hand with jerky awkwardness.
"How are you?" he said heartily.
"Very well, thank you," she replied automatically. Then a twinge, as of
reproach at the falsehood, darted across her brow, and she added, "A
trifle of the usual headache. I hope you are well."
"Quite, thank you," he rejoined.
His face rather contradicted him. It looked thin, pale, and weary.
Journalism writes lines on the healthiest countenance. Esther looked at
him disapprovingly; she had the woman's artistic instinct if not the
artist's, and Raphael, with his damp overcoat, everlastingly crumpled at
the collar, was not an aesthetic object. Whether in her pretty moods or
her plain, Esther was always neat and dainty. There was a bit of ruffled
lace at her throat, and the heliotrope of her gown contrasted agreeably
with the dark skin of the vivid face.
"Do take off your overcoat and dry yourself at the fire," she said.
While he was disposing of it, she poked the fire into a big cheerful
blaze, seating herself opposite him in a capacious arm-chair, where the
flame picked her out in bright tints upon the dusky background of the
great dim room.
"And how is _The Flag of Judah_?" she said.
"Still waving," he replied. "It is about that that I have come."
"About that?" she said wonderingly. "Oh, I see; you want to know if the
one person it is written at has read it. Well, make your mind easy. I
have. I have read it religiously--No, I don't mean that; yes, I do; it's
the appropriate word."
"Really?" He tried to penetrate behind the bantering tone.
"Yes, really. You put your side of the case eloquently and well. I look
forward to Friday with interest. I hope the paper is selling?"
"So, so," he said. "It is uphill work. The Jewish public looks on
journalism as a branch of philanthropy, I fear, and Sidney suggests
publishing our free-list as a 'Jewish Directory.'"
She smiled. "Mr. Graham is very amusing. Only, he is too well aware of
it. He has been here once since that dinner, and we discussed you. He
says he can't understand how you came to be a cousin of his, even a
second cousin. He says he is _L'Homme qui rit_, and you are _L'Homme qui
prie_."
"He has let that off on me already, supplemented by the explanation that
every extensive Jewish family embraces a genius and a lunatic. He
admits that he is the genius. The unfortunate part for me," ended
Raphael, laughing, "is, that he _is_ a genius."
"I saw two of his little things the other day at the Impressionist
Exhibition in Piccadilly. They are very clever and dashing."
"I am told he draws ballet-girls," said Raphael, moodily.
"Yes, he is a disciple of Degas."
"You don't like that style of art?" he said, a shade of concern in his
voice.
"I do not," said Esther, emphatically. "I am a curious mixture. In art,
I have discovered in myself two conflicting tastes, and neither is for
the modern realism, which I yet admire in literature. I like poetic
pictures, impregnated with vague romantic melancholy; and I like the
white lucidity of classic statuary. I suppose the one taste is the
offspring of temperament, the other of thought; for intellectually, I
admire the Greek ideas, and was glad to hear you correct Sidney's
perversion of the adjective. I wonder," she added, reflectively, "if one
can worship the gods of the Greeks without believing in them."
"But you wouldn't make a cult of beauty?"
"Not if you take beauty in the narrow sense in which I should fancy your
cousin uses the word; but, in a higher and broader sense, is it not the
one fine thing in life which is a certainty, the one ideal which is not
illusion?"
"Nothing is illusion," said Raphael, earnestly. "At least, not in your
sense. Why should the Creator deceive us?"
"Oh well, don't let us get into metaphysics. We argue from different
platforms," she said. "Tell me what you really came about in connection
with the _Flag_."
"Mr. Goldsmith was kind enough to suggest that you might write for it."
"What!" exclaimed Esther, sitting upright in her arm-chair. "I? I write
for an orthodox paper?"
"Yes, why not?"
"Do you mean I'm to take part in my own conversion?"
"The paper is not entirely religious," he reminded her.
"No, there are the advertisements." she said slily.
"Pardon me," he said. "We don't insert any advertisements contrary to
the principles of orthodoxy. Not that we are much tempted."
"You advertise soap," she murmured.
"Oh, please! Don't you go in for those cheap sarcasms."
"Forgive me," she said. "Remember my conceptions of orthodoxy are drawn
mainly from the Ghetto, where cleanliness, so far from being next to
godliness, is nowhere in the vicinity. But what can I do for you?"
"I don't know. At present the staff, the _Flag_-staff as Sidney calls
it, consists of myself and a sub-editor, who take it in turn to
translate the only regular outside contributor's articles into English."
"Who's that?"
"Melchitsedek Pinchas, the poet I told you of."
"I suppose he writes in Hebrew."
"No, if he did the translation would be plain sailing enough. The
trouble is that he will write in English. I must admit, though, he
improves daily. Our correspondents, too, have the same weakness for the
vernacular, and I grieve to add that when they do introduce a Hebrew
word, they do not invariably spell it correctly."
She smiled; her smile was never so fascinating as by firelight.
Raphael rose and paced the room nervously, flinging out his arms in
uncouth fashion to emphasize his speech.
"I was thinking you might introduce a secular department of some sort
which would brighten up the paper. My articles are so plaguy dull."
"Not so dull, for religious articles," she assured him.
"Could you treat Jewish matters from a social standpoint--gossipy sort
of thing."
She shook her head. "I'm afraid to trust myself to write on Jewish
subjects. I should be sure to tread on somebody's corns."
"Oh, I have it!" he cried, bringing his arms in contact with a small
Venetian vase which Esther, with great presence of mind, just managed to
catch ere it reached the ground.
"No, I have it," she said, laughing. "Do sit down, else nobody can
answer for the consequences."
She half pushed him into his chair, where he fell to warming his hands
contemplatively.
"Well?" she said after a pause. "I thought you had an idea."
"Yes, yes," he said, rousing himself. "The subject we were just
discussing--Art."
"But there is nothing Jewish about art."
"All noble work has its religious aspects. Then there are Jewish
artists."
"Oh yes! your contemporaries do notice their exhibits, and there seem to
be more of them than the world ever hears of. But if I went to a
gathering for you how should I know which were Jews?"
"By their names, of course."
"By no means of course. Some artistic Jews have forgotten their own
names."
"That's a dig at Sidney."
"Really, I wasn't thinking of him for the moment," she said a little
sharply. "However, in any case there's nothing worth doing till May, and
that's some months ahead. I'll do the Academy for you if you like."
"Thank you. Won't Sidney stare if you pulverize him in _The Flag of
Judah_? Some of the pictures have also Jewish subjects, you know."
"Yes, but if I mistake not, they're invariably done by Christian
artists."
"Nearly always," he admitted pensively. "I wish we had a Jewish
allegorical painter to express the high conceptions of our sages."
"As he would probably not know what they are,"--she murmured. Then,
seeing him rise as if to go, she said: "Won't you have a cup of tea?"
"No, don't trouble," he answered.
"Oh yes, do!" she pleaded. "Or else I shall think you're angry with me
for not asking you before." And she rang the bell. She discovered, to
her amusement, that Raphael took two pieces of sugar per cup, but that
if they were not inserted, he did not notice their absence. Over tea,
too, Raphael had a new idea, this time fraught with peril to the Sèvres
tea-pot.
"Why couldn't you write us a Jewish serial story?" he said suddenly.
"That would be a novelty in communal journalism."
Esther looked startled by the proposition.
"How do you know I could?" she said after a silence.
"I don't know," he replied. "Only I fancy you could. Why not?" he said
encouragingly. "You don't know what you can do till you try. Besides you
write poetry."
"The Jewish public doesn't like the looking-glass," she answered him,
shaking her head.
"Oh, you can't say that. They've only objected as yet to the distorting
mirror. You're thinking of the row over that man Armitage's book. Now,
why not write an antidote to that book? There now, there's an idea for
you."
"It _is_ an idea!" said Esther with overt sarcasm. "You think art can be
degraded into an antidote."
"Art is not a fetish," he urged. "What degradation is there in art
teaching a noble lesson?"
"Ah, that is what you religious people will never understand," she said
scathingly. "You want everything to preach."
"Everything does preach something," he retorted. "Why not have the
sermon good?"
"I consider the original sermon _was_ good," she said defiantly. "It
doesn't need an antidote."
"How can you say that? Surely, merely as one who was born a Jewess, you
wouldn't care for the sombre picture drawn by this Armitage to stand as
a portrait of your people."
She shrugged her shoulders--the ungraceful shrug of the Ghetto. "Why
not? It is one-sided, but it is true."
"I don't deny that; probably the man was sincerely indignant at certain
aspects. I am ready to allow he did not even see he was one-sided. But
if _you_ see it, why not show the world the other side of the shield?"
She put her hand wearily to her brow.
"Do not ask me," she said. "To have my work appreciated merely because
the moral tickled the reader's vanity would be a mockery. The suffrages
of the Jewish public--I might have valued them once; now I despise
them." She sank further back on the chair, pale and silent.
"Why, what harm have they done you?" he asked.
"They are so stupid," she said, with a gesture of distaste.
"That is a new charge against the Jews."
"Look at the way they have denounced this Armitage, saying his book is
vulgar and wretched and written for gain, and all because it does not
flatter them."
"Can you wonder at it? To say 'you're another' may not be criticism, but
it is human nature."
Esther smiled sadly. "I cannot make you out at all," she said.
"Why? What is there strange about me?"
"You say such shrewd, humorous things sometimes; I wonder how you can
remain orthodox."
"Now I can't understand _you_," he said, puzzled.
"Oh well. Perhaps if you could, you wouldn't be orthodox. Let us remain
mutual enigmas. And will you do me a favor?"
"With pleasure," he said, his face lighting up.
"Don't mention Mr. Armitage's book to me again. I am sick of hearing
about it."
"So am I," he said, rather disappointed. "After that dinner I thought it
only fair to read it, and although I detect considerable crude power in
it, still I am very sorry it was ever published. The presentation of
Judaism is most ignorant. All the mystical yearnings of the heroine
might have found as much satisfaction in the faith of her own race as
they find expression in its poetry."
He rose to go. "Well, I am to take it for granted you will not write
that antidote?"
"I'm afraid it would be impossible for me to undertake it," she said
more mildly than before, and pressed her hand again to her brow.
"Pardon me," he said in much concern. "I am too selfish. I forgot you
are not well. How is your head feeling now?"
"About the same, thank you," she said, forcing a grateful smile. "You
may rely on me for art; yes, and music, too, if you like."
"Thank you," he said. "You read a great deal, don't you?"
She nodded her head. "Well, every week books are published of more or
less direct Jewish interest. I should be glad of notes about such to
brighten up the paper."
"For anything strictly unorthodox you may count on me. If that antidote
turns up, I shall not fail to cackle over it in your columns. By the by,
are you going to review the poison? Excuse so many mixed metaphors," she
added, with a rather forced laugh.
"No, I shan't say anything about it. Why give it an extra advertisement
by slating it?"
"Slating," she repeated with a faint smile. "I see you have mastered all
the slang of your profession."
"Ah, that's the influence of my sub-editor," he said, smiling in return.
"Well, good-bye."
"You're forgetting your overcoat," she said, and having smoothed out
that crumpled collar, she accompanied him down the wide soft-carpeted
staircase into the hall with its rich bronzes and glistening statues.
"How are your people in America?" he bethought himself to ask on the way
down.
"They are very well, thank you," she said. "I send my brother Solomon
_The Flag of Judah_. He is also, I am afraid, one of the unregenerate.
You see I am doing my best to enlarge your congregation."
He could not tell whether it was sarcasm or earnest.
"Well, good-bye," he said, holding out his hand. "Thank you for your
promise."
"Oh, that's not worth thanking me for," she said, touching his long
white fingers for an instant. "Look at the glory of seeing myself in
print. I hope you're not annoyed with me for refusing to contribute
fiction," she ended, growing suddenly remorseful at the moment of
parting.
"Of course not. How could I be?"
"Couldn't your sister Adelaide do you a story?"
"Addle?" he repeated laughing, "Fancy Addie writing stories! Addie has
no literary ability."
"That's always the way with brothers. Solomon says--" She paused
suddenly.
"I don't remember for the moment that Solomon has any proverb on the
subject," he said, still amused at the idea of Addie as an authoress.
"I was thinking of something else. Good-bye. Remember me to your sister,
please."
"Certainly," he said. Then he exclaimed, "Oh, what a block-head I am! I
forgot to remember her to you. She says she would be so pleased if you
would come and have tea and a chat with her some day. I should like you
and Addie to know each other."
"Thanks, I will. I will write to her some day. Good-bye, once more."
He shook hands with her and fumbled at the door.
"Allow me!" she said, and opened it upon the gray dulness of the
dripping street. "When may I hope for the honor of another visit from a
real live editor?"
"I don't know," he said, smiling. "I'm awfully busy, I have to read a
paper on Ibn Ezra at Jews' College to-day fortnight."
"Outsiders admitted?" she asked.
"The lectures _are_ for outsiders," he said. "To spread the knowledge of
our literature. Only they won't come. Have you never been to one?"
She shook her head.
"There!" he said. "You complain of our want of culture, and you don't
even know what's going on."
She tried to take the reproof with a smile, but the corners of her mouth
quivered. He raised his hat and went down the steps.
She followed him a little way along the Terrace, with eyes growing dim
with tears she could not account for. She went back to the drawing-room
and threw herself into the arm-chair where he had sat, and made her
headache worse by thinking of all her unhappiness. The great room was
filling with dusk, and in the twilight pictures gathered and dissolved.
What girlish dreams and revolts had gone to make that unfortunate book,
which after endless boomerang-like returns from the publishers, had
appeared, only to be denounced by Jewry, ignored by its journals and
scantily noticed by outside criticisms. _Mordecai Josephs_ had fallen
almost still-born from the press; the sweet secret she had hoped to tell
her patroness had turned bitter like that other secret of her dead love
for Sidney, in the reaction from which she had written most of her book.
How fortunate at least that her love had flickered out, had proved but
the ephemeral sentiment of a romantic girl for the first brilliant man
she had met. Sidney had fascinated her by his verbal audacities in a
world of narrow conventions; he had for the moment laughed away
spiritual aspirations and yearnings with a raillery that was almost like
ozone to a young woman avid of martyrdom for the happiness of the world.
How, indeed, could she have expected the handsome young artist to feel
the magic that hovered about her talks with him, to know the thrill that
lay in the formal hand-clasp, to be aware that he interpreted for her
poems and pictures, and incarnated the undefined ideal of girlish
day-dreams? How could he ever have had other than an intellectual
thought of her; how could any man, even the religious Raphael? Sickly,
ugly little thing that she was! She got up and looked in the glass now
to see herself thus, but the shadows had gathered too thickly. She
snatched up a newspaper that lay on a couch, lit it, and held it before
the glass; it flared up threateningly and she beat it out, laughing
hysterically and asking herself if she was mad. But she had seen the
ugly little face; its expression frightened her. Yes, love was not for
her; she could only love a man of brilliancy and culture, and she was
nothing but a Petticoat Lane girl, after all. Its coarseness, its
vulgarity underlay all her veneer. They had got into her book; everybody
said so. Raphael said so. How dared she write disdainfully of Raphael's
people? She an upstart, an outsider? She went to the library, lit the
gas, got down a volume of Graetz's history of the Jews, which she had
latterly taken to reading, and turned over its wonderful pages. Then she
wandered restlessly back to the great dim drawing-room and played
amateurish fantasias on the melancholy Polish melodies of her childhood
till Mr. and Mrs. Henry Goldsmith returned. They had captured the Rev.
Joseph Strelitski and brought him back to dinner, Esther would have
excused herself from the meal, but Mrs. Goldsmith insisted the minister
would think her absence intentionally discourteous. In point of fact,
Mrs. Goldsmith, like all Jewesses a born match-maker, was not
disinclined to think of the popular preacher as a sort of adopted
son-in-law. She did not tell herself so, but she instinctively resented
the idea of Esther marrying into the station of her patroness.
Strelitski, though his position was one of distinction for a Jewish
clergyman, was, like Esther, of humble origin; it would be a match which
she could bless from her pedestal in genuine good-will towards both
parties.
The fashionable minister was looking careworn and troubled. He had aged
twice ten years since his outburst at the Holy Land League. The black
curl hung disconsolately on his forehead. He sat at Esther's side, but
rarely looking at her, or addressing her, so that her taciturnity and
scarcely-veiled dislike did not noticeably increase his gloom. He
rallied now and again out of politeness to his hostess, flashing out a
pregnant phrase or two. But prosperity did not seem to have brought
happiness to the whilom, poor Russian student, even though he had fought
his way to it unaided.
CHAPTER VI.
COMEDY OR TRAGEDY?
The weeks went on and Passover drew nigh. The recurrence of the feast
brought no thrill to Esther now. It was no longer a charmed time, with
strange things to eat and drink, and a comparative plenty of
them--stranger still. Lack of appetite was the chief dietary want now.
Nobody had any best clothes to put on in a world where everything was
for the best in the way of clothes. Except for the speckled Passover
cakes, there was hardly any external symptom of the sacred Festival.
While the Ghetto was turning itself inside out, the Kensington Terrace
was calm in the dignity of continuous cleanliness. Nor did Henry
Goldsmith himself go prowling about the house in quest of vagrant
crumbs. Mary O'Reilly attended to all that, and the Goldsmiths had
implicit confidence in her fidelity to the traditions of their faith.
Wherefore, the evening of the day before Passover, instead of being
devoted to frying fish and provisioning, was free for more secular
occupations; Esther, for example, had arranged to go to see the _début_
of a new Hamlet with Addie. Addie had asked her to go, mentioned that
Raphael, who was taking her, had suggested that she should bring her
friend. For they had become great friends, had Addie and Esther, ever
since Esther had gone to take that cup of tea, with the chat that is
more essential than milk or sugar.
The girls met or wrote every week. Raphael, Esther never met nor heard
from directly. She found Addie a sweet, lovable girl, full of frank
simplicity and unquestioning piety. Though dazzlingly beautiful, she had
none of the coquetry which Esther, with a touch of jealousy, had been
accustomed to associate with beauty, and she had little of the petty
malice of girlish gossip. Esther summed her up as Raphael's heart
without his head. It was unfair, for Addie's own head was by no means
despicable. But Esther was not alone in taking eccentric opinions as the
touchstone of intellectual vigor. Anyhow, she was distinctly happier
since Addie had come into her life, and she admired her as a mountain
torrent might admire a crystal pool--half envying her happier
temperament.
The Goldsmiths were just finishing dinner, when the expected ring came.
To their surprise, the ringer was Sidney. He was shown into the
dining-room.
"Good evening, all," he said. "I've come as a substitute for Raphael."
Esther grew white. "Why, what has happened to him?" she asked.
"Nothing, I had a telegram to say he was unexpectedly detained in the
city, and asking me to take Addie and to call for you."
Esther turned from white to red. How rude of Raphael! How disappointing
not to meet him, after all! And did he think she could thus
unceremoniously be handed over to somebody else? She was about to beg to
be excused, when it struck her a refusal would look too pointed.
Besides, she did not fear Sidney now. It would be a test of her
indifference. So she murmured instead, "What can detain him?"
"Charity, doubtless. Do you know, that after he is fagged out with
upholding the _Flag_ from early morning till late eve, he devotes the
later eve to gratuitous tuition, lecturing and the like."
"No," said Esther, softened. "I knew he came home late, but I thought he
had to report communal meetings."
"That, too. But Addie tells me he never came home at all one night last
week. He was sitting up with some wretched dying pauper."
"He'll kill himself," said Esther, anxiously.
"People are right about him. He is quite hopeless," said Percy Saville,
the solitary guest, tapping his forehead significantly.
"Perhaps it is we who are hopeless," said Esther, sharply.
"I wish we were all as sensible," said Mrs. Henry Goldsmith, turning on
the unhappy stockbroker with her most superior air. "Mr. Leon always
reminds me of Judas Maccabaeus."
He shrank before the blaze of her mature beauty, the fulness of her
charms revealed by her rich evening dress, her hair radiating strange,
subtle perfume. His eye sought Mr. Goldsmith's for refuge and
consolation.
"That is so," said Mr. Goldsmith, rubbing his red chin. "He is an
excellent young man."
"May I trouble you to put on your things at once, Miss Ansell?" said
Sidney. "I have left Addie in the carriage, and we are rather late. I
believe it is usual for ladies to put on 'things,' even when in evening
dress. I may mention that there is a bouquet for you in the carriage,
and, however unworthy a substitute I may be for Raphael, I may at least
claim he would have forgotten to bring you that."
Esther smiled despite herself as she left the room to get her cloak. She
was chagrined and disappointed, but she resolved not to inflict her
ill-humor on her companions.
She had long since got used to carriages, and when they arrived at the
theatre, she took her seat in the box without heart-fluttering. It was
an old discovery now that boxes had no connection with oranges nor
stalls with costers' barrows.
The house was brilliant. The orchestra was playing the overture.
"I wish Mr. Shakspeare would write a new play," grumbled Sidney. "All
these revivals make him lazy. Heavens! what his fees must tot up to! If
I were not sustained by the presence of you two girls, I should no more
survive the fifth act than most of the characters. Why don't they
brighten the piece up with ballet-girls?"
"Yes, I suppose you blessed Mr. Leon when you got his telegram," said
Esther. "What a bore it must be to you to be saddled with his duties!"
"Awful!" admitted Sidney gravely. "Besides, it interferes with my work."
"Work?" said Addie. "You know you only work by sunlight."
"Yes, that's the best of my profession--in England. It gives you such
opportunities of working--at other professions."
"Why, what do you work at?" inquired Esther, laughing.
"Well, there's amusement, the most difficult of all things to achieve!
Then there's poetry. You don't know what a dab I am at rondeaux and
barcarolles. And I write music, too, lovely little serenades to my
lady-loves and reveries that are like dainty pastels."
"All the talents!" said Addie, looking at him with a fond smile. "But if
you have any time to spare from the curling of your lovely silken
moustache, which is entirely like a delicate pastel, will you kindly
tell me what celebrities are present?"
"Yes, do," added Esther, "I have only been to two first nights, and then
I had nobody to point out the lions."
"Well, first of all I see a very celebrated painter in a box--a man who
has improved considerably on the weak draughtsmanship displayed by
Nature in her human figures, and the amateurishness of her glaring
sunsets."
"Who's that?" inquired Addie and Esther eagerly.
"I think he calls himself Sidney Graham--but that of course is only a
_nom de pinceau_."
"Oh!" said, the girls, with a reproachful smile.
"Do be serious!" said Esther. "Who is that stout gentleman with the bald
head?" She peered down curiously at the stalls through her opera-glass.
"What, the lion without the mane? That's Tom Day, the dramatic critic of
a dozen papers. A terrible Philistine. Lucky for Shakspeare he didn't
flourish in Elizabethan times."
He rattled on till the curtain rose and the hushed audience settled down
to the enjoyment of the tragedy.
"This looks as if it is going to be the true Hamlet," said Esther, after
the first act.
"What do you mean by the true Hamlet?" queried Sidney cynically.
"The Hamlet for whom life is at once too big and too little," said
Esther.
"And who was at once mad and sane," laughed Sidney. "The plain truth is
that Shakspeare followed the old tale, and what you take for subtlety is
but the blur of uncertain handling. Aha! You look shocked. Have I found
your religion at last?"
"No; my reverence for our national bard is based on reason," rejoined
Esther seriously. "To conceive Hamlet, the typical nineteenth-century
intellect, in that bustling picturesque Elizabethan time was a creative
feat bordering on the miraculous. And then, look at the solemn
inexorable march of destiny in his tragedies, awful as its advance in
the Greek dramas. Just as the marvels of the old fairy-tales were an
instinctive prevision of the miracles of modern science, so this idea
of destiny seems to me an instinctive anticipation of the formulas of
modern science. What we want to-day is a dramatist who shall show us the
great natural silent forces, working the weal and woe of human life
through the illusions of consciousness and free will."