BY AMALIA SMITH.

_Materials_--Corticelli Filo Silk: 2 skeins each 501, 502, 503,

616, 616.5, 678, 679, 680, 681, 725, 726, 727, 729, 757, 780, 781,

782, 783, 784. Dealers can furnish hemstitched stamped linen of

this design, 36 × 36 inches. See page 92.

Sweet peas grow in such a variety of exquisite colorings that the

utmost license is available in selecting the colors for each flower.

However, be careful to avoid startling combinations. The following

suggestions for a color scheme will be found to give a very pretty

effect.

Flowers.--Work solid, being careful to start the stitches in the

right direction. Begin the edge of the petal with a dark shade, shade

gradually lighter to the stem. The stitches should be taken in a

downward curve to the stem. Make some flowers pink on the edge and

yellow near the stem; make others shade from pink to violet; still

another flower violet and yellow, and again working some all of one

color, shading from dark on edge to light near the stem. Work the calyx

in Green, 781, 782, the darker shade near the stem.

Leaves.--Work solid, using Green, 781, 782, 783, 784, making the points

of the leaves light and shading darker near the center, using two

shades in a leaf. Make the larger leaves near the base of the spray in

the darker shades of green. Use 757 for the stems. For tendrils choose

780 and 781.

Carefully examine Colored Plate XXVII. This shows the proper stitch

direction and the shading of the flowers and leaves. Unless you

thoroughly understand "long and short" stitch and "feather stitch,"

make a study of the article on "Embroidery Stitches--Described and

Illustrated," especially of pages 11 and 12. (Difficult.)

[Illustration: CORTICELLI SWEET PEA DESIGN NO. 407 G.

Corticelli Home Needlework, 1898: A Manual of Art, Embroidery and Knitting · 第 121 / 143 题