CHAPTER XIV

TWO SOUL-SIDES

"Thanks to God, the meanest of his creatures

Boasts two soul-sides--one to face the world with,

One to show a woman when he loves her."

A man's character is like the body of a child,--it grows unequally and

in sections. Certain qualities in Flint had lain throughout these

thirty-three years wholly undeveloped and unaffected by the culture of

other characteristics. In his case the dormancy of the sympathetic

side of his nature was no doubt largely due to the absence of those

close family ties which call out in most of us our first sense of the

kinship of the race.

Flint had no recollection of either father or mother, and he was an

only child. On his mother's death, he was sent to the home of an uncle

and aunt in Syracuse. They received him without enthusiasm, and only

because it was inevitable that the child should be cared for, and

there was no one else to undertake the task. Flint sometimes recalled,

with a feeling of bitterness against Fate, those early years of

repression, when silence and self-obliteration were the only merits or

attractions asked for in the orphan boy.

Those formative years might have proved a much drearier period but for

the circumstance that his uncle's house was provided with a library,

made up of books of all grades and qualities. To these volumes young

Jonathan was at liberty to help himself without let or hindrance,

provided he handled them with care.

Mr. Mullett Flint was a collector of books, but not a reader. Elzevirs

and Aldines and first editions bound by Rivière pleased him as so much

pottery might have pleased him, and he took great pride in relating

how the value of his purchases had increased on his hands. His

guidance in the paths of literature would not have been of great

benefit to his nephew had he been disposed to offer it; but, in fact,

he wasted little thought either on the contents of books or on his

nephew's mental progress. His tastes, interests, and ambitions lay

wholly in the business world, in the making of money, and the handling

of mercantile affairs of magnitude. Had Jonathan, as he grew older,

shown more sharpness and sagacity, some bond of sympathy, if not

attachment, might have formed itself between the two. As it was, they

drifted farther and farther apart. The uncle looked with a shrug of

his shoulders at the boy curled up in one of the library arm-chairs on

a Saturday morning, poring over a volume of the Waverley Novels, when

he himself was briskly making ready to betake himself to business.

"I wish that boy had any enterprise. I'd rather see him breaking

windows or shooting cats out the back door than dawdling like that,"

he said once to his wife.

"Yes," answered that worthy lady,--"and he wears out the furniture

so!"

Mrs. Mullett Flint was one of those heavy, apathetic women who seem to

have a special attraction for brisk, energetic men of Mr. Flint's

type. If he ever made the discovery that apathy and amiability are not

identical, he never revealed his disappointment to the world,--perhaps

for the same reason that he kept silence over the failure of other

investments, lest the rumor should injure his reputation for

shrewdness as a business-man.

From the beginning Mrs. Mullett Flint had taken one of her apathetic

dislikes to the little Jonathan. He was no kindred of hers, and she

thought it rather hard at her time of life to have her housekeeping

put about by a boy whose feet were always muddy and who had a

reprehensible habit of tucking them under him when he sat down, as he

did with utter lack of discrimination in the matter of relative values

in furniture. Her manner toward the child was not intentionally

unkind, but it was wholly devoid of the tenderness which is as

necessary to the growth of a child as air and sunshine to a plant. She

always called him by his full name, which sounded strangely prim and

formal applied to the little kilted figure with its thatch of black

hair. He recalled distinctly once going up to the long pier-glass

between the two windows and stroking his own hair as he had seen a

mother across the street do for her boy at the window opposite, and

then saying softly, in imitation of supposed maternal tones, "Johnny!

Dear little Johnny!"

Such moods of sentiment were exceedingly rare in Flint's earliest

infancy, and grew rarer as he advanced in life. At twelve he was sent

to boarding-school, and thence to college, with scarcely an interval

of home life. In college he formed several friendships; but in each he

was and felt himself the superior, whereby he lost the inestimable

privilege of looking up.

There had been a decided difference of opinion between Mr. Mullett

Flint and his nephew in regard to the choice of a college. Mr. Flint

strongly urged that the family traditions should be preserved, and

that Jonathan should pursue his education under the shadow of old

Nassau, "where giant Edwards stamped his iron heel." The nephew was as

strongly prejudiced against Princeton as the uncle in its favor. He

declared that the educative effect of living for four years within

sight of his venerated ancestor's grave in President's Row was more

than offset by other considerations, and that if the influence of the

departed still lingered about the college halls he was as likely to

fall under the spell of Aaron Burr as under that of Jonathan Edwards.

With all the headstrong will of youth he determined to go to Harvard,

and carried his point, though not without a degree of friction, which

alienated him still farther from his uncle.

It was, therefore, with immense surprise that, on Mr. Flint's death,

which occurred in Jonathan's junior year at college, the young man

learned that his uncle had left him his library and a substantial

share of his fortune. The terms of the will were not flattering. "To

my nephew, Jonathan Edwards Flint," so it ran, "I leave this amount,

realizing that the money left him by his father is inadequate for his

support, and that he will never have the energy to make a living for

himself."

The widow wrote a conventional note of combined self-condolence and

congratulation for Jonathan over his inheritance. Between the lines

Flint quite easily read that her latent aversion to him was augmented

by her husband's bequest.

"I have decided," she wrote, "to go at once to London, where I shall

probably reside for some years. I shall therefore strip my house of

furniture preparatory to renting. I will pack up the books which now

belong to you, and await your instructions as to the address to which

you would like them forwarded. Should we not meet again--and I presume

you will agree with me that it is hardly worth while to interrupt your

studies at Cambridge for a trip to New York before the steamer

sails--pray accept my best wishes for your future happiness and

prosperous career."

With this cool leave-taking Flint's association with his aunt had come

to an end. The books, which were his earliest friends, followed him

about from place to place, until at length they had found a home on

the walls of his study in "The Chancellor."

The work of his first solitary evening after his return from Nepaug

was to pull off the sheets and newspapers with which the caretaker of

his room had vainly striven to protect them against the all-pervading

dust of summer. He sat in his easy-chair, running over the titles with

the endeared eye of long familiarity.

There stood a set of Edwards's treatises, in eight ponderous volumes;

their leaves yellow with age, and cut only here and there at irregular

intervals. "Freedom of the Will" and "The Nature of Virtue" jostled

"Original Sin;" and "The History of Redemption" leaned up against

"God's Last End in the Creation of the World."

On the same shelf, as if with sarcastic attempt to mark the logical

sequence, Flint had placed a black-clad row of John Stuart Mill's

essays, while Hume and Hobbes looked out above and below. It amused

Flint, as he sat there alone, to fancy these polemical gentlemen

issuing from their bindings and sitting down together around his

evening lamp, to talk things over. "Probably," he mused, with that

idle pensiveness which is the lazy man's apology to himself for not

thinking, "the thing which would surprise them most would be to see

how much they held in common. If they could get rid of the cant of

theology and the jargon of metaphysics, they would find that they were

not so far apart after all. But I don't know that that would gratify

them so much,--certainly not the old parson, for he belonged to the

Church Militant if ever any one did, and dearly loved to belabor his

enemies with the spiritual weapons too heavy for any but him to

handle. Well, it _was_ a temptation to let something fly, be it Bible

or brickbat, at the head of the average dullard. How was it that some

people did not find the average man dull? There was Winifred Anstice,

for instance,--she seemed to find something interesting in every one

she met. Perhaps because she did not try to approach them on the

intellectual side at all, but took them into her sympathies and

soothed their troubles, as he remembered that mother across the way

from his uncle's house soothing the little son and wiping away his

tears."

_Perhaps, after all, she was right and he was wrong._ It was almost

the first time in Flint's life that he had ever definitely formulated

a confession that his attitude towards life in general was not what it

might be. Once formulated, it began to grow upon him curiously. He

found himself reviewing whole courses of conduct, and testing them by

new rules and standards.

At first these rules and standards were cold and rigid abstractions;

but gradually they took on a faint echo of personality, and he found

himself speculating on what Winifred Anstice would have done or said,

on occasions when he felt himself to have been harsh and hard. This

haunting influence was intensified by the presence of the portrait

which he had brought away from Nepaug; the picture of the gray-robed

Quakeress, with the soft dark eyes, and the white lace, and the point

of flame at her breast.

He had lost all appreciation of its artistic qualities. The mottled

softness of the curtained background against the folds of the woollen

stuff gave him no pleasure now,--at least, he never thought of it. His

whole attention was absorbed in that faint hint of resemblance to

Winifred Anstice which lay chiefly in the full eyelids and the subtle,

shadowy, evanescent smile which said at once so much and so little.

He could not tell how it fell out, but at last the time came when he

admitted the source of its charm. He recalled the time sharply long

after, and how he had risen hastily, and paced the floor with his

hands thrust deep into his pockets. That it should come to this--he,

Jonathan Flint, a man whose gray hairs--here he stepped before the

mirror and studied the tuft of prematurely white locks upon his

forehead--whose gray hairs ought to have brought with them wisdom, or

at least common sense,--that he should fall to sitting for hours in

front of a picture like any schoolboy of eighteen! Really, it was too

absurd!

He would send off the portrait to the cleaner to-morrow, and then when

it was properly framed, it should be sent to Miss Anstice with his

compliments, and so an end of the whole matter. He would never see it

again.

_Nor the original?_

This query was so insistent that it seemed to come from outside his

consciousness, and to demand an answer. He stopped short in his walk

as it struck him. Then, alone as he was, he colored to the temples,

and gave a little gasp. Like an overwhelming tidal wave there swept

over him the realization that his will was mastered by a power above

it, mightier than itself; that his seeing Winifred Anstice again was

hardly a question of volition any longer, any more than breathing was

a matter of will--that he _must_ see her--that the chief question of

his future was whether she cared to see him.

This train of thought did not tend to anything very cheerful. One

after another he recalled their interviews, on the road, in the boat,

on the beach, and again at Flying Point. Her manner on each of these

occasions had been sufficiently pronounced to leave him in no doubt of

her opinion; and at the last two meetings her words had been even more

explicit. She had called him a man of ice. She had taxed him with the

narrow limits of his sympathies. "Well," said Reason, "did you not

give her cause for all she said and more? Weren't you an odious,

crabbed, supercilious cad?"

Flint took a savage satisfaction in admitting every accusation which

he could bring against himself, in recalling the light irony with

which Winifred Anstice had witnessed his blunders, and the direct,

downright anger with which she had dealt out her judgments there at

the Point. Only one drop of comfort could Flint extract from the

memory of that interview, and he smiled cynically as he remembered the

warmth which marked her description of her friend, the editor of the

"Trans-Continental." When the surprises of the sudden enlightenment

and the emotion of the moment had passed away, which feeling, he asked

himself, would remain in her mind,--the liking for the ideal or the

disliking of the experienced? For both there was not room, yet each

was intense. It was a curious psychological problem. At a further

remove it would have afforded him a keen intellectual pleasure to

speculate upon the probable working of a woman's heart under such

conditions. As it was, he found himself incapable either of solving

the problem or of letting it alone. His mind dwelt upon it

continuously. He was almost inclined, like Eugene Aram, to tell his

story disguised to strangers, and listen to their idle speculations.

Brady was a comfort at this time. He was so responsive in his

sympathies and so obtuse in his perceptions. It was possible to talk

all round a subject to him with no fear that his imagination would

travel a step farther than it was led. It needed no urging, either,

for he appeared to have a sentiment of his own for Nepaug and all its

associations, and drew towards it as naturally as a moth to a flame or

a woman to a mirror.

Indeed, Brady often dwelt spontaneously upon the various episodes of

the days at the beach,--the fireworks, the shipwreck, the evening at

Flying Point. He was a capital mimic, and loved to imitate Dr. Cricket

striding up and down the room, with his hands clasping his elbows

behind his back and his chin-whiskers thrust out before as a herald of

his approach. Then casting aside all the scruples which should have

been raised within him by ties of blood, he would give a burlesque of

Miss Standish peering out from beneath her little gray curls at the

world, and rapping out her opinion of those around her in good set

terms.

After her came Mr. Anstice, looking busily in every corner for the

book he had in his hand. This the mimic followed by a representation

of Ben Bradford, with hand propped on knee and chin on hand, glooming

from his corner upon Winifred Anstice, when she ventured to address

some one else.

"I cannot do Miss Anstice," Brady confessed one evening. It was

October then, and the two friends were sitting together in Flint's

room. "She has too much humor. The more humor there is in an original

poem, for instance, the harder it is to parody, and so with people.

The grand, gloomy, and peculiar are easy enough, let them be ever so

august; but the light, delicately ironical manner is a difficult thing

to exaggerate."

"Yes," assented Flint, "the heaviness of touch necessary to caricature

spoils the effect."

"Precisely," said Brady, "and it is as difficult to take off her looks

as her manner. Her expression is too changeable to leave any

characteristic fixed in the mind. The fact is, Miss Anstice is almost

a beauty at times."

"You think so?" responded Flint, with half-closed eyes.

"Yes, I do really--in a way--not like that Madonna-type of Nora

Costello."

"No, certainly not like her."

"But still she has a style of her own."

"Oh, yes, quite so--as you say, she has a style of her own."

"You are very cool on the subject; but you should have heard a man at

the club go on about her, when he heard that we had spent our vacation

at Nepaug."

"I should scarcely think," said Flint, opening and closing his

match-box with a quick, nervous movement, "that you would have allowed

her name to come up at the club."

"Oh, hang it, Flint, that is going pretty far! I don't know that Miss

Anstice's name is too sacred to be mentioned in general society; and

as for the club,--why, if it is not made up of gentlemen, what did you

put me up for?"

It was seldom that Brady got off so much of a speech, and he felt a

little elated by seeing his friend without an answer for the moment.

"Besides," he continued, "nothing was said, except about what a

stunning girl she was. 'Handsomer than ever,' Livingston said, 'since

she came home.'"

"So the Anstices are at home?"

"Yes, and Cousin Susan is coming down next week to visit them. She

wrote me to be sure to call."

"I shall try to go before Miss Standish arrives."

Brady laughed.

"You and Cousin Susan never did hit it off very well."

"Excuse me, I think she hit me off very well; the fact is, the _femme

sole_ after fifty becomes either pious or pugnacious. Miss Standish is

both."

"You are prejudiced, as usual, and malicious, too, under the guise of

impartiality. Miss Standish is a benevolent woman, with an

irresistible bent towards doing people good even against their will."

Flint groaned assent. "Alas, yes," he muttered.

"She is a fine woman," continued Brady, "and a fine-looking one too,

as Dr. Cricket will testify, for on my soul I think the old duffer

wants to marry her."

"I wish he would, and rid the world of an officious old maid."

"'Old maid' is an opprobrious term. Miss Standist is a well-preserved

single woman."

"Hold there, Brady! She is really not sugary enough for a preserve; I

should say rather well canned. But never mind, I can forgive her some

acidity toward myself, in consideration of her sweetness to Nora

Costello. She has really been good to that girl."

"Who could help it!" exclaimed Brady, unguardedly. Then he cleared his

throat with a nervous little cough, and began again with would-be

unconcern: "By the way, I don't know whether I told you, that the day

after you left Nepaug, Jimmy Anstice picked up a gold brooch on the

beach, just where you came ashore after the wreck. It was a homely,

old-fashioned thing, with a gold-stone centre big enough for a

tombstone; but Jim brought it to me with all the pride of a

discoverer. I turned it over, and on the back I saw engraved in the

gold, 'To Nora from her Mother, on her birthday, November tenth,' Of

course I knew in an instant that it belonged to Nora Costello. Then it

came to me how the girl spent most of the day while she was at Nepaug

wandering up and down on the beach. Of course she was looking for her

brooch; but she was afraid, if she said anything, it would look like

accusing somebody; and besides, very likely with her queer ideas she

felt that she ought not to have kept any piece of jewelry, even if it

was her mother's."

"You seem to have studied her feelings rather closely."

"Why, of course, when one meets a pretty girl like that--and really

you know she is the prettiest I ever saw--"

"How long is it since you said the same of Miss Anstice?"

"Ah! that was before I met Nora Costello. 'Time's noblest offspring is

his last.' But if you will keep still and listen, instead of

interrupting all the time, you will hear something about the little

plot which Miss Anstice and Cousin Susan and I have laid among us."

"Well--"

"I should say it was well. Just you wait and see. Cousin Susan is to

write to Nora."

"Nora?" commented Flint, with raised eyebrows.

"Yes, Nora," repeated Brady, somewhat defiantly. "If I said Captain

Costello you would not know whether I was talking of her or her

brother."

"Oh, yes, I should," said Flint, "for you never talk of him at all;

but never mind that--go on with your revelations of this deep

conspiracy."

"You don't deserve to hear; but as it gives me pleasure to tell you, I

will. Cousin Susan writes to the Costellos to come to the Anstices'

house on the evening of November tenth. They arrive. We are there

already. Tableau--old Nepaug minus Dr. Cricket and Ben Bradford--and a

bouquet for Mistress Nora, with her brooch hanging from it in a little

bag which Miss Standish was manufacturing when I came away. Now isn't

that a scheme?"

"The tenth of November," responded Flint, as though the latter part of

the sentence had escaped him--"and am I to be invited?"

"Why, of course!" exclaimed Brady, impatiently. "Weren't you the one

to save her life? Worse luck to you for having the honor fall to your

share!"

"Then," said Flint, with that curious obliviousness of the important

parts of his companion's remarks,--"then in common civility I ought to

call there beforehand."

"Ah! Flint, I'm glad to see you waking up to some decent sense of

social observances."

"What time is it?" asked his friend, absently, oblivious of the watch

in his pocket.

"Quarter before eight," Brady answered.

"Then out of my room with you, for I have just time to dress and get

down there. If one must do these things, the sooner they are out of

the way the better."

Flint: His Faults, His Friendships and His Fortunes · 第 14 / 22 章