There are marshmallows, gum-drops, and peppermint canes,

With stripings of scarlet or gold,

And you carry away of the treasure that rains

As much as your apron can hold!

So come, little child, cuddle closer to me

In your dainty white nightcap and gown,

And I'll rock you away to that Sugar-Plum Tree

In the garden of Shut-Eye Town.

RED.

ANY color, so long as it's red,

Is the color that suits me best,

Though I will allow there is much to be said

For yellow and green and the rest;

But the feeble tints which some affect

In the things they make or buy

Have never--I say it with all respect--

Appealed to my critical eye.

There's that in red that warmeth the blood,

And quickeneth a man within,

And bringeth to speedy and perfect bud

The germs of original sin;

So, though I'm properly born and bred,

I'll own, with a certain zest,

That any color, so long as it's red,

Is the color that suits me best.

For where is a color that can compare

With the blush of a buxom lass;

Or where such warmth as of the hair

Of the genuine white horse class?

And, lo! reflected within this cup

Of cheery Bordeaux I see

What inspiration girdeth me up,--

Yes, red is the color for me!

Through acres and acres of art I've strayed

In Italy, Germany, France;

On many a picture a master has made

I've squandered a passing glance:

Marines I hate, madonnas and

Those Dutch freaks I detest;

But the peerless daubs of my native land,--

They're red, and I like them best.

'Tis little I care how folk deride,--

I'm backed by the West, at least;

And we are free to say that we can't abide

The tastes that obtain down East;

And we're mighty proud to have it said

That here in the versatile West

Most any color, so long as it's red,

Is the color that suits us best.

JEWISH LULLABY.

MY harp is on the willow-tree,

Else would I sing, O love, to thee

A song of long ago,--

Perchance the song that Miriam sung

Ere yet Judæa's heart was wrung

By centuries of woe.

The shadow of those centuries lies

Deep in thy dark and mournful eyes;

But, hush! and close them now,

And in the dreams that thou shalt dream

The light of other days shall seem

To glorify thy brow.

I ate my crust in tears to-day,

As, scourged, I went upon my way,

And yet my darling smiled,--

Ay, beating at my breast, he laughed;

My anguish curdled not the draught,

'Twas sweet with love, my child.

Our harp is on the willow-tree:

I have no song to sing to thee,

As shadows round us roll;

But, hush! and sleep, and thou shalt hear

Jehovah's voice that speaks to cheer

Judæa's fainting soul.

AT CHEYENNE.

YOUNG Lochinvar came in from the west,

With fringe on his trousers and fur on his vest;

The width of his hat brim could nowhere be beat,

His No. 10 brogans were chock full of feet,

His girdle was horrent with pistols and things,

And he nourished a handful of aces on kings.

The fair Mariana sate watching a star,

When who should turn up but the young Lochinvar!

Her pulchritude gave him a pectoral glow,

And he reined up his hoss with stentorian "Whoa!"

Then turned on the maiden a rapturous grin,

And modestly asked if he mightn't step in.

With presence of mind that was marvellous quite,

The fair Mariana replied that he might;

So in through the portal rode young Lochinvar,

Pre-empted the claim, and cleaned out the bar.

Though the justice allowed he wa'n't wholly to blame,

He taxed him ten dollars and costs, just the same.

THE NAUGHTY DOLL.

MY dolly is a dreadful care,--

Her name is Miss Amandy;

I dress her up and curl her hair,

And feed her taffy candy.

Yet, heedless of the pleading voice

Of her devoted mother,

She will not wed her mother's choice,

But says she'll wed another.

I'd have her wed the china vase,--

There is no Dresden rarer;

You might go searching every place

And never find a fairer.

He is a gentle, pinkish youth,--

Of that there's no denying;

Yet when I speak of him, forsooth!

Amandy falls to crying.

She loves the drum,--that's very plain,--

And scorns the vase so clever,

And, weeping, vows she will remain

A spinster doll forever!

The protestations of the drum

I am convinced are hollow;

When once distressing times should come

How soon would ruin follow!

Yet all in vain the Dresden boy

From yonder mantel woos her;

A mania for that vulgar toy,

The noisy drum, imbues her.

In vain I wheel her to and fro,

And reason with her mildly:

Her waxen tears in torrents flow,

Her sawdust heart beats wildly.

I'm sure that when I'm big and tall,

And wear long trailing dresses,

I sha'n't encourage beaux at all

Till mamma acquiesces;

Our choice will be a suitor then

As pretty as this vase is,--

Oh, how we'll hate the noisy men

With whiskers on their faces!

THE PNEUMOGASTRIC NERVE.

UPON an average, twice a week,

When anguish clouds my brow,

My good physician friend I seek

To know "what ails me now."

He taps me on the back and chest,

And scans my tongue for bile,

And lays an ear against my breast

And listens there awhile;

Then is he ready to admit

That all he can observe

Is something wrong inside, to wit:

My pneumogastric nerve!

Now, when these Latin names within

Dyspeptic hulks like mine

Go wrong, a fellow should begin

To draw what's called the line.

It seems, however, that this same,

Which in my hulk abounds,

Is not, despite its awful name,

So fatal as it sounds;

Yet of all torments known to me,

I'll say without reserve,

There is no torment like to thee,

Thou pneumogastric nerve!

This subtle, envious nerve appears

To be a patient foe,--

It waited nearly forty years

Its chance to lay me low;

Then, like some blithering blast of hell,

It struck this guileless bard,

And in that evil hour I fell

Prodigious far and hard.

Alas! what things I dearly love--

Pies, puddings, and preserves--

Are sure to rouse the vengeance of

All pneumogastric nerves!

Oh that I could remodel man!

I'd end these cruel pains

By hitting on a different plan

From that which now obtains.

The stomach, greatly amplified,

Anon should occupy

The all of that domain inside

Where heart and lungs now lie.

But, first of all, I should depose

That diabolic curve

And author of my thousand woes,

The pneumogastric nerve!

TEENY-WEENY.

EVERY evening, after tea,

Teeny-Weeny comes to me,

And, astride my willing knee,

Plies his lash and rides away;

Though that palfrey, all too spare,

Finds his burden hard to bear,

Teeny-Weeny doesn't care,--

He commands, and I obey!

First it's trot; and gallop then,--

Now it's back to trot again;

Teeny-Weeny likes it when

He is riding fierce and fast!

Then his dark eyes brighter grow

And his cheeks are all aglow,--

"More!" he cries, and never "Whoa!"

Till the horse breaks down at last!

Oh, the strange and lovely sights

Teeny-Weeny sees of nights,

As he makes those famous flights

On that wondrous horse of his!

Oftentimes, before he knows,

Wearylike his eyelids close,

And, still smiling, off he goes

Where the land of By-low is.

There he sees the folk of fay

Hard at ring-a-rosie play,

And he hears those fairies say,

"Come, let's chase him to and fro!"

But, with a defiant shout,

Teeny puts that host to rout,--

Of this tale I make no doubt,--

Every night he tells it so!

So I feel a tender pride

In my boy who dares to ride

(That fierce horse of his astride)

Off into those misty lands;

And as on my breast he lies,

Dreaming in that wondrous wise,

I caress his folded eyes,--

Pat his little dimpled hands.

On a time he went away,

Just a little while to stay,

And I'm not ashamed to say

I was very lonely then;

Life without him was so sad,

You can fancy I was glad

And made merry when I had

Teeny-Weeny back again!

So of evenings, after tea,

When he toddles up to me

And goes tugging at my knee,

You should hear his palfrey neigh!

You should see him prance and shy,

When, with an exulting cry,

Teeny-Weeny, vaulting high,

Plies his lash and rides away!

TELKA.

THROUGH those golden summer days

Our twin flocks were wont to graze

On the hillside, which the sun

Rested lovingly upon,--

Telka's flock and mine; and we

Sung our songs in rapturous glee,

Idling in the pleasant shade

Which the solemn Yew-tree made,

While the Brook anear us played,

And a white Rose, ghost-like, grew

In the shadow of the Yew.

Telka loved me passing well;

How I loved her none can tell!

How I love her none may know,--

Oh that man love woman so!

When she was not at my side,

Loud my heart in anguish cried,

And my lips, till she replied.

Yet they think to silence me,--

As if love could silenced be!

Fool were I, and fools were they!

Still I wend my lonely way,

"Telka," evermore I cry;

Answer me the woods and sky,

And the weary years go by.

Telka, she was passing fair;

And the glory of her hair

Was such glory as the sun

With his blessing casts upon

Yonder lonely mountain height,

Lifting up to bid good-night

To her sovereign in the west,

Sinking wearily to rest,

Drowsing in that golden sea

Where the realms of Dreamland be.

So our love to fulness grew,

Whilst beneath the solemn Yew

Ghost-like paled the Rose of white,

As it were some fancied sight

Blanched it with a dread affright.

Telka, she was passing fair;

And our peace was perfect there

Till, enchanted by her smile,

Lurked the South Wind there awhile,

Underneath that hillside tree

Where with singing idled we,

And I heard the South Wind say

Flattering words to her that day

Of a city far away.

But the Yew-tree crouched as though

It were like to whisper No

To the words the South Wind said

As he smoothed my Telka's head.

And the Brook, all pleading, cried

To the dear one at my side:

"Linger always where I am;

Stray not thence, O cosset lamb!

Wander not where shadows deep

On the treacherous quicksands sleep,

And the haunted waters leap;

Be thou ware the waves that flow

Toward the prison pool below,

Where, beguiled from yonder sky,

Captive moonbeams shivering lie,

And at dawn of morrow die."

So the Brook to Telka cried,

But my Telka naught replied;

And, as in a strange affright,

Paled the Rose a ghostlier white.

When anon the North Wind came,--

Rudely blustering Telka's name,

And he kissed the leaves that grew

Round about the trembling Yew,--

Kissed and romped till, blushing red,

All one day in terror fled,

And the white Rose hung her head;

Coming to our trysting spot,

Long I called; she answered not.

"Telka!" pleadingly I cried

Up and down the mountain-side

Where we twain were wont to bide.

There were those who thought that I

Could be silenced with a lie,

And they told me Telka's name

Should be spoken now with shame:

"She is lost to us and thee,"--

That is what they said to me.

"Is my Telka lost?" quoth I.

"On this hilltop shall I cry,

So that she may hear and then

Find her way to me again.

The South Wind spoke a lie that day;

All deceived, she lost her way

Yonder where the shadows sleep

'Mongst the haunted waves that leap

Over treacherous quicksands deep,

And where captive moonbeams lie

Doomed at morrow's dawn to die

She is lost, and that is all;

I will search for her, and call."

Summer comes and winter goes,

Buds the Yew and blooms the Rose;

All the others are anear,--

Only Telka is not here!

Gone the peace and love I knew

Sometime 'neath the hillside Yew;

And the Rose, that mocks me so,

I had crushed it long ago

But that Telka loved it then,

And shall soothe its terror when

She comes back to me again.

Call I, seek I everywhere

For my Telka, passing fair.

It is, oh, so many a year

I have called! She does not hear,

Yet nor feared nor worn am I;

For I know that if I cry

She shall sometime hear my call.

She is lost, and that is all,--

She is lost in some far spot;

I have searched, and found it not.

Could she hear me calling, then

Would she come to me again;

For she loved me passing well,--

How I love her none can tell!

That is why these years I've cried

"Telka!" on this mountain-side.

"Telka!" still I, pleading, cry;

Answer me the woods and sky,

And the lonely years go by.

On an evening dark and chill

Came a shadow up the hill,--

Came a spectre, grim and white

As a ghost that walks the night,

Grim and bowed, and with the cry

Of a wretch about to die,--

Came and fell and cried to me:

"It is Telka come!" said she.

So she fell and so she cried

On that lonely mountain-side

Where was Telka wont to bide.

"Who hath bribed those lips to lie?

Telka's face was fair," quoth I;

"Thine is furrowed with despair.

There is winter in thy hair;

But upon her beauteous head

Was there summer glory shed,--

Such a glory as the sun,

When his daily course is run,

Smiles upon this mountain height

As he kisses it good-night.

There was music in her tone,

Misery in thy voice alone.

They have bid thee lie to me.

Let me pass! Thou art not she!

Let my sorrow sacred be

Underneath this trysting tree!"

So in wrath I went my way,

And they came another day,--

Came another day, and said:

"Hush thy cry, for she is dead,

Yonder on the mountain-side

She is buried where she died,

Where you twain were wont to bide,

Where she came and fell and cried

Pardon that thy wrath denied;

And above her bosom grows

As in mockery the Rose:

It was white; but now 'tis red,

And in shame it bows its head

Over sinful Telka dead."

So they thought to silence me,--

As if love could silenced be!

Fool were I, and fools were they!

Scornfully I went my way,

And upon the mountain-side

"Telka!" evermore I cried.

"Telka!" evermore I cry;

Answer me the woods and sky:

So the lonely years go by.

She is lost, and that is all;

Sometime she shall hear my call,

Hear my pleading call, and then

Find her way to me again.

PLAINT OF THE MISSOURI 'COON IN THE BERLIN ZOÖLOGICAL GARDENS.

FRIEND, by the way you hump yourself you're from the States, I know,

And born in old Mizzoorah, where the 'coons in plenty grow.

I, too, am native of that clime; but harsh, relentless fate

Has doomed me to an exile far from that noble State;

And I, who used to climb around, and swing from tree to tree,

Now lead a life of ignominious ease, as you can see.

Have pity, O compatriot mine! and bide a season near,

While I unfurl a dismal tale to catch your friendly ear.

My pedigree is noble: they used my grandsire's skin

To piece a coat for Patterson to warm himself within,--

Tom Patterson, of Denver; no ermine can compare

With the grizzled robe that Democratic statesman loves to wear.

Of such a grandsire I am come; and in the County Cole

All up an ancient cottonwood our family had its hole.

We envied not the liveried pomp nor proud estate of kings,

As we hustled round from day to day in search of bugs and things.

And when the darkness fell around, a mocking-bird was nigh,

Inviting pleasant, soothing dreams with his sweet lullaby;

And sometimes came the yellow dog to brag around all night

That nary 'coon could wallop him in a stand-up barrel fight.

We simply smiled and let him howl, for all Mizzoorians know

That ary 'coon can best a dog, if the coon gets half a show;

But we'd nestle close and shiver when the mellow moon had ris'n,

And the hungry nigger sought our lair in hopes to make us his'n.

Raised as I was, it's hardly strange I pine for those old days;

I cannot get acclimated, or used to German ways.

The victuals that they give me here may all be very fine

For vulgar, common palates, but they will not do for mine.

The 'coon that's been accustomed to stanch democratic cheer

Will not put up with onion tarts and sausage steeped in beer!

No; let the rest, for meat and drink, accede to slavish terms,

But send _me_ back from whence I came, and let me grub for worms!

They come, these gaping Teutons do, on Sunday afternoons,

And wonder what I am,--alas, there are no German 'coons!

For if there were, I still might swing at home from tree to tree,

The symbol of democracy, that's woolly, blithe, and free.

And yet for what my captors are I would not change my lot,

For _I_ have tasted liberty, these others _they_ have not;

So, even caged, the democratic 'coon more glory feels

Than the conscript German puppets with their swords about their heels.

Well, give my love to Crittenden, to Clardy, and O'Neill,

To Jasper Burke and Col. Jones, and tell 'em how I feel;

My compliments to Cockrill, Stephens, Switzler, Francis, Vest,

Bill Nelson, J. West Goodwin, Jedge Broadhead, and the rest.

Bid them be steadfast in the faith, and pay no heed at all

To Joe McCullagh's badinage or Chauncey Filley's gall;

And urge them to retaliate for what I'm suffering here

By cinching all the alien class that wants its Sunday beer.

ARMENIAN LULLABY.

IF thou wilt close thy drowsy eyes,

My mulberry one, my golden son,

The rose shall sing thee lullabies,

My pretty cosset lambkin!

And thou shalt swing in an almond-tree,

With a flood of moonbeams rocking thee,--

A silver boat in a golden sea,--

My velvet love, my nestling dove,

My own pomegranate-blossom!

The stork shall guard thee passing well

All night, my sweet, my dimple-feet,

And bring thee myrrh and asphodel,

My gentle rain-of-springtime;

And for thy slumber-play shall twine

The diamond stars with an emerald vine,

To trail in the waves of ruby wine,

My hyacinth-bloom, my heart's perfume,

My cooing little turtle!

And when the morn wakes up to see

My apple-bright, my soul's delight,

The partridge shall come calling thee,

My jar of milk-and-honey!

Yes, thou shalt know what mystery lies

In the amethyst deep of the curtained skies,

If thou wilt fold thy onyx eyes,

You wakeful one, you naughty son,

You chirping little sparrow!

THE PARTRIDGE.

AS beats the sun from mountain crest,

With "Pretty, pretty,"

Cometh the partridge from her nest.

The flowers threw kisses sweet to her

(For all the flowers that bloomed knew her);

Yet hasteneth she to mine and me,--

Ah, pretty, pretty!

Ah, dear little partridge!

And when I hear the partridge cry

So pretty, pretty,

Upon the house-top breakfast I.

She comes a-chirping far and wide,

And swinging from the mountain-side

I see and hear the dainty dear,--

Ah, pretty, pretty!

Ah, dear little partridge!

Thy nest's inlaid with posies rare,

And pretty, pretty;

Bloom violet, rose, and lily there;

The place is full of balmy dew

(The tears of flowers in love with you!);

And one and all, impassioned, call,

"O pretty, pretty!

O dear little partridge!"

Thy feathers they are soft and sleek,--

So pretty, pretty!

Long is thy neck, and small thy beak,

The color of thy plumage far

More bright than rainbow colors are.

Sweeter than dove is she I love,--

My pretty, pretty!

My dear little partridge!

When comes the partridge from the tree,

So pretty, pretty,

And sings her little hymn to me,

Why, all the world is cheered thereby,

The heart leaps up into the eye,

And Echo then gives back again

Our "Pretty, pretty!"

Our "Dear little partridge!"

Admitting thee most blest of all,

And pretty, pretty,

The birds come with thee at thy call;

In flocks they come, and round thee play,

And this is what they seem to say,--

They say and sing, each feathered thing,

"Ah, pretty, pretty!

Ah, dear little partridge!"

CORINTHIAN HALL.

CORINTHIAN HALL is a tumble-down place,

Which some finical folks have pronounced a disgrace;

But once was a time when Corinthian Hall

Excited the rapture and plaudits of all,

With its carpeted stairs,

And its new yellow chairs,

And its stunning _ensemble_ of citified airs.

Why, the Atchison Champion said 'twas the best

Of Thespian temples extant in the West.

It was new, and was ours,--that was ages ago,

Before opry had spoiled the legitimate show,--

It was new, and was ours! We could toss back the jeers

Our rivals had launched at our city for years.

Corinthian Hall!

Why, it discounted all

Other halls in the Valley, and well I recall

The night of the opening; from near and afar

Came the crowd to see Toodles performed by De Bar.

Oh, those days they were palmy, and never again

Shall earth see such genius as gladdened us then;

For actors were actors, and each one knew how

To whoop up his art in the sweat of his brow.

He'd a tragedy air, and wore copious hair;

And when he ate victuals, he ordered 'em rare.

Dame Fortune ne'er feazed him,--in fact, never could

When liquor was handy and walking was good.

And the shows in those days! Ah, how well I recall

The shows that I saw in Corinthian Hall!

Maggie Mitchell and Lotty were then in their prime;

And as for Jane Coombs, she was simply sublime;

And I'm ready to swear there is none could compare

With Breslau in Borgia, supported by Fair;

While in passionate rôles it was patent to us

That the great John A. Stevens was _ne ultra plus_.

And was there demand for the tribute of tears,

We had sweet Charlotte Thompson those halcyon years,

And wee Katie Putnam. The savants allow

That the like of Kate Fisher ain't visible now.

What artist to-day have we equal to Rae,

Or to sturdy Jack Langrishe? God rest 'em, I say!

And when died Buchanan, the "St. Joe Gazette"

Opined that the sun of our drama had set.

Corinthian Hall was devoted to song

When the Barnabee concert troupe happened along,

Or Ossian E. Dodge, or the Comical Brown,

Or the Holmans with William H. Crane struck our town;

But the one special card

That hit us all hard

Was Caroline Richings and Peter Bernard;

And the bells of the Bergers still ring in my ears;

And, oh, how I laughed at Sol Russell those years!

The Haverly Minstrels were boss in those days,

And our critics accorded them columns of praise;

They'd handsome mustaches and big cluster rings,

And their shirt fronts were blazing with diamonds and things;

They gave a parade, and sweet music they made

Every evening in front of the house where they played.

'Twixt posters and hand-bills the town was agog

For Primrose and West in their great statue clog.

Many years intervene, yet I'm free to maintain

That I doted on Chanfrau, McWade, and Frank Frayne;

Tom Stivers, the local, declared for a truth

That Mayo as Hamlet was better than Booth:

While in rôles that were thrillin', involving much killin',

Jim Wallick loomed up our ideal of a villain;

Mrs. Bowers, Alvin Joslin, Frank Aiken,--they all

Earned their titles to fame in Corinthian Hall.

But Time, as begrudging the glory that fell

On the spot I revere and remember so well,

Spent his spite on the timbers, the plaster, and paint,

And breathed on them all his morbiferous taint;

So the trappings of gold and the gear manifold

Got gangrened with rust and rheumatic with mould,

And we saw dank decay and oblivion fall,

Like vapors of night, on Corinthian Hall.

When the gas is ablaze in the opry at night,

And the music goes floating on billows of light,

Why, I often regret that I'm grown to a man,

And I pine to be back where my mission began,

And I'm fain to recall

Reminiscences all

That come with the thought of Corinthian Hall,--

To hear and to see what delighted me then,

And to revel in raptures of boyhood again.

Though Corinthian Hall is a tumble-down place,

Which some finical folks have pronounced a disgrace,

There is one young old boy, quite as worthy as they,

Who, aweary of art as expounded to-day,

Would surrender what gold

He's amassed to behold

A tithe of the wonderful doings of old,

A glimpse of the glories that used to enthrall

Our _crême de la crême_ in Corinthian Hall.

THE RED, RED WEST.

I'VE travelled in heaps of countries, and studied all kinds of art,

Till there isn't a critic or connoisseur who's properly deemed so

smart;

And I'm free to say that the grand results of my explorations show

That somehow paint gets redder the farther out West I go.

I've sipped the voluptuous sherbet that the Orientals serve,

And I've felt the glow of red Bordeaux tingling each separate nerve;

I've sampled your classic Massic under an arbor green,

And I've reeked with song a whole night long over a brown poteen.

The stalwart brew of the land o' cakes, the schnapps of the frugal

Dutch,

The much-praised wine of the distant Rhine, and the beer praised

overmuch,

The ale of dear old London, and the port of Southern climes,--

All, _ad infin._, have I taken in a hundred thousand times.

Yet, as I afore-mentioned, these other charms are naught

Compared with the paramount gorgeousness with which the West is

fraught;

For Art and Nature are just the same in the land where the porker

grows,

And the paint keeps getting redder the farther out West one goes.

Our savants have never discovered the reason why this is so,

And ninety per cent of the laymen care less than the savants know;

It answers every purpose that this is manifest:

The paint keeps getting redder the farther you go out West.

Give me no home 'neath the pale pink dome of European skies,

No cot for me by the salmon sea that far to the southward lies;

But away out West I would build my nest on top of a carmine hill,

Where I can paint, without restraint, creation redder still!

THE THREE KINGS OF COLOGNE.

FROM out Cologne there came three kings

To worship Jesus Christ, their King.

To Him they sought fine herbs they brought,

And many a beauteous golden thing;

They brought their gifts to Bethlehem town,

And in that manger set them down.

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