HYBRID TEA-ROSES, _R. indica odorata hybrida_
OF all gracious gifts that the patient science of hybridists has
bestowed on rose-lovers, the development of the Hybrid Tea is perhaps
the greatest. For here we have a rose with the substance and vigorous
constitution of the Hybrid Perpetual, one of its parents, and the varied
and delicate colours of its other parent, the Tea rose. Whether for the
garden, to keep it brilliant with blossom from early summer to latest
autumn, or to deck the exhibition bench with largest and most lovely
blooms, the Hybrid Tea stands unrivalled. And yet in 1867 there was but
one solitary specimen of the race in existence, and that one was not
recognized as being the forerunner of a new family, or distinct in any
way, except in its beauty. For the noble rose _La France_, which M.
Guillot sent out in that year, was classed then, and for many years
after, as a Hybrid Perpetual.
It was not until 1873 that Messrs. Paul & Son, of Cheshunt, sent out the
first so-called Hybrid Tea, the _Cheshunt Hybrid_. Though in the same
year Lacharme introduced that priceless rose _Captain Christy_: but
this, like _La France_, was for many years classed with the Hybrid
Perpetuals.
[Illustration: HYBRID TEA.
BARDOU JOB.]
Other new roses of this new race followed slowly--very slowly--till
1890. I have just gone carefully through the catalogues of the chief
English and foreign rose-growers; and find that in 1889 only twenty-four
Hybrid Teas were known. There were some truly admirable roses among
them. _Camoens_ came in 1881. _Lady Mary Fitzwilliam_, one of the most
valuable, 1882. Delightful _Papa Gontier_, 1883. _Grace Darling_ and
_Gloire Lyonnaise_, 1884--the latter a rose which is not as generally
cultivated as it should be; for grown as a bush it is the perfection of
an autumn rose. _Viscountess Folkestone_, 1886. _Bardou Job_, 1887--a
slightly capricious rose in some places: but so beautiful with its great
semi-double flowers of scarlet-crimson flaked with velvety-black, that
one bears with its little ways patiently, rejoicing when it condescends
to respond to one's care. In 1888 came Bennett's _The Meteor_. In 1889
_Augustine Guinoisseau_, invaluable for massing. And either that year or
the next, the gorgeous and thorny _Marquise de Salisbury_.
But the real development of the race began in 1890. And since then each
year has seen one superb rose after another produced in such numbers,
that it is as difficult to keep count of them as to determine which of
the magnificent novelties should be picked out for special mention.
It must be noted that there has been rather too great a tendency to
raise enormous roses of slightly pale colouring, and among them many are
merely fit for exhibition and of little use to the amateur for garden
purposes. But of late these faint shades have been successfully fought
against; and while size has been preserved the colours are growing
deeper and richer each year. So that we are surely drawing nearer the
not impossible day when we may get Hybrid Tea roses as brilliant a red
or yellow as _Duke of Edinburgh_ or _Marechal Niel_, as large as _Frau
Karl Druschki_, and as fragrant, let us hope, as _La France_. As it is,
it is difficult to imagine anything much more vivid than the orange,
deep salmon-pink, copper-red, and rosy-apricot of some of the novelties
of 1906-7-8. Among them may be noted Messrs. Alex. Dickson & Son's
_Dorothy Page-Roberts_, _Souvenir de Stella Gray_; Messrs. Wm. Paul's
_Warrior_; MM. Soupert et Notting's magnificent _Mme. Segond Weber_,
_Mme. J. W. Budde_, _Marichu Zayas_; M. Pernet-Ducher's _Mme. Maurice de
Luze_, and _Mrs. Aaron Ward_.
These roses, as I have said, are the result of crossings between the
Hybrid Perpetual and the Tea rose. And if we think for a moment how
these two families came into existence, we shall see what a curious and
interesting blending of many different strains has been needed to
develop this beautiful and valuable race. But the end has not come yet
to what may be accomplished. And there can be no doubt that many
remarkable developments in the history of rose-growing still lie before
us and succeeding generations, when the results of fresh experiments
with the Wichuraiana, the Rugosa, and other roses are made known.
[Illustration: SINGLE HYBRID TEA.
IRISH ELEGANCE.]
[Illustration: SINGLE HYBRID TEA.
IRISH GLORY.]
One most interesting and valuable development of the race has already
been made, and must not be passed over in silence. I mean the single
Irish roses of Messrs. Alex. Dickson & Sons, which form a little class
to themselves. These roses are most attractive, as they are densely
covered through the whole season with flowers of varied and vivid
colours, pure white, coral pink, brilliant crimson, bronzy-scarlet,
old-gold and rose, saffron and rose. And when we add to these beautiful
shades their fragrance, their handsome glossy foliage, their bushy
growth, and their vigorous hardy constitution, it is not surprising that
since their first appearance in 1900 they have rushed into favour, and
received many cards of commendation from the N. R. S.
With such a wealth of fine varieties to choose from, it is a little
difficult to make a selection of the very best. But the surest guide is
the judges' verdict at recent shows for exhibition roses and those of
the decorative class, as shown in the admirable analysis drawn up by Mr.
Edward Mawley, the distinguished honorary secretary of the National Rose
Society. To this analysis I have added a few of my own favourites, and
some of the very newest roses which have hardly yet found their place in
English shows.
[Illustration: HYBRID TEA.
CAROLINE TESTOUT.]
PINK AND ROSE HYBRID TEAS.--I rejoice to see that my own selection
almost heads the list--the beautiful _Caroline Testout_; for this is a
rose suited to every purpose, whether for exhibition, massing in the
garden, or growing as a noble standard. _Mrs. W. J. Grant_ (_syn._ Belle
Siebrecht) stands next; followed by _La France_, _Lady Ashtown_,
_Killarney_--but let this be grown quite by itself, as it is one of the
worst roses for mildew--_Gustave Gruenerwald_, a rose I have not yet
grown, but one of the most satisfactory; _Countess of Caledon_, _Mrs.
Theodore Roosevelt_, _Gladys Harkness_, _William Shean_, _Mme. Abel
Chatenay_, _Mme. Jules Grolez_, one of the most useful of rose colour,
_Papa Lambert_, _Robert Scott_. Others of the newest pink roses are
_Celia_, _Gabrielle Pierrette_, _Hon. Ina Bingham_, _H. Armytage Moore_,
_Maria Girard_.
Among crimsons the best are the well known and beautiful _Liberty_,
_Marquise de Salisbury_, _Hugh Dickson_, _J. B. Clark_, _Richmond_, _C.
J. Grahame_, _Reine Olga de Wurtemburg_, _Etoile de France_, _Lady
Rossmore_, _Triumph_, _Gruss an Teplitz_, _Morgenrot_, _Bardou Job_,
_The Dandy_, _Warrior_, and two grand novelties, the American rose
_General Mac Arthur_, and _John Laing Paul_, little known as yet, but
certain to be widely grown, as is _Ecarlate_, said to be an even better
rose than _Liberty_ and _Richmond_.
[Illustration: HYBRID TEA.
MADAME RAVARY.]
In those remarkable shades of apricot, salmon, coppery-pink and carmine,
upon a yellow or orange base, the choice is very considerable. And
although it is as yet almost unknown in England, having only been sent
out this spring (1908), I venture to predict a leading position in the
near future for MM. Soupert et Notting's grand salmon-pink novelty,
_Mme. Segond Weber_, which, for shape, size, colour and delicious
fragrance is perhaps the finest rose I know. _Betty_ is one of those
vivid modern roses whose colour, coppery-rose shaded gold, is as hard to
describe as it is beautiful. While _Dorothy Page-Roberts_, _Souv. de
Stella Gray_, _Marquise de Sinety_, _Mme. Maurice de Luze_, _Edu Meyer_,
_Countess Annesley_, _Mrs. Harvey Thomas_, and _Souv. de Maria Zozaya_,
are all remarkable for their strong and brilliant colouring.
Among the yellow shades from palest lemon to deep orange, the choice is
not so great; but there are many good roses to choose from, beginning
with the two novelties, of 1907--Pernet-Ducher's great Indian yellow
rose, _Mrs. Aaron Ward_, which promises well, and Alex. Dickson & Son's
brilliant yellow _Harry Kirk_. Of older roses few are better than the
noble _Madame Ravary_, _Ferdinand Batel_, the delightful _Gustave
Regis_, _Gloire Lyonnaise_, _Duchess of Portland_, and _Kaiserin Augusta
Victoria_. _Mrs. Peter Blair_, 1906, is one of the most effective
yellows for the garden; and I cannot speak too highly of that little
known but very beautiful rose _Peace_, raised by Piper in 1903, its pale
lemon yellow flowers borne on long upright stalks are invaluable for
cutting throughout the whole season.
White and blush hybrid Teas are many. And the famous _Bessie Brown_,
_Alice Grahame_, _Mildred Grant_, _Florence Pemberton_, _Alice Lindsell_
and _White Lady_ are to be seen at every show: but they are all
exhibition roses except _Florence Pemberton_.
_Augustine Guinoisseau_, however, is as good a white garden rose as
heart can desire; so is _Lady Quartus Ewart_; and as _Kaiserin Augusta
Victoria_ and _Peace_ are so faintly lemon as to be nearly white, there
is no difficulty in making a bed of white Hybrid Teas.
HYBRID TEA ROSES
PINK AND ROSE.
Aimee Cochet. _Soupert et Notting_, 1902. Flesh,
with rosy peach centre.
Angel Peluffo. _Soupert et Notting_, 1905.
Interior of petals rosy flesh, centre rose.
Baronin Armgard von Biel. _Welter_, 1906. Satin
pink; a brighter La France.
Belle Siebrecht. (See Mrs. W. J. Grant.)
Camoens. _Schwartz_, 1882. Bright rich China rose.
Captain Christy. _Lacharme_, 1873. Flesh colour,
deeper pink centre.
Caroline Testout. _Pernet-Ducher_, 1890. Bright
clear rose.
Celia. _Wm. Paul & Son_, 1906. Bright satin pink,
darker centre.
Countess of Caledon. _Alex. Dickson_, 1897.
Carmine rose.
Denmark. _Ziener Lassen_, 1890. Colour of La
France.
David Harum. _E. G. Hill & Co._, 1904. Rose peach
pink.
Daisy. _Alex. Dickson_, 1898. Rosy pink, suffused
silvery pink.
Duchess of Albany. _Wm. Paul & Son_, 1888. Fine
deep pink.
England's Glory. _J. Wood & Son_, 1902. Flesh,
satin pink centre.
Farbenkoenigen. _Hinner_, 1901. Imperial pink.
Frau Peter Lambert. _Walter_, 1902. Rose, marbled
pink.
Gladys Harkness. _Alex. Dickson_, 1900. Deep
salmon pink, silvery reverse.
Gustave Gruenerwald. _P. Lambert_, 1903. Carmine
pink.
H. Armytage Moore. _Hugh Dickson_, 1907. Petals
rosy pink outside, silvery inside.
Helene Welter. _Guillot_, 1903. Brilliant rose.
Hon. Ina Bingham. _Alex. Dickson_, 1905. Pure
pink.
Johanna Sebus. _Dr. Mueller_, 1900. Rosy cerise.
John Ruskin. _Alex. Dickson_, 1902. Rosy carmine.
Killarney. _Alex. Dickson_, 1898. Flesh, suffused
shell pink.
Koenigin Carola. _Turke_, 1904. Rose pink.
Lady Ashtown. _Alex. Dickson_, 1904. Deep pink.
Lady Moyra Beauclerk. _Alex. Dickson_, 1901.
Madder rose, with silvery reflexes.
Lady Mary Fitzwilliam. _Bennett_, 1882. Rosy
flesh.
Lady Helen Vincent. _Alex. Dickson_, 1907. Shell
pink, base peach yellow.
Lady Wenlock. _Bernaix_, 1905. Pink, shaded fawn.
La France. _Guillot_, 1867. Bright rose pink.
La Tosca. _Vve. Schwartz_, 1901. Silvery pink,
deeper centre.
Laure Watinne. _Soupert et Notting_, 1902. Bright
rose.
Lina Schmidt-Michel. _Lambert_, 1905. Madder pink,
reverse of petals carmine.
Lohengrin. _Schmidt_, 1903. Silvery pink, deeper
centre.
Mme. Abel Chatenay. _Pernet-Ducher_, 1895. Carmine
rose, shaded salmon.
Mme. Edmee Metz. _Soupert et Notting_, 1901. Rosy
carmine, shaded salmon.
Mme. Jules Grolez. _Guillot_, 1897. Beautiful
China rose.
Mme. Eugene Jombart. _Schwartz_, 1905. Pale pink,
centre carmine.
Mme. Leonie Moissy. _Vilin_, 1907. Pale rosy
salmon, deeper centre.
Marichu Zayas. _Soupert et Notting_, 1907.
Strawberry and cream, shaded rose.
Maimie. _Alex. Dickson_, 1901. Rose carmine,
yellow base.
Marianne Pfitzer. _Jacobs_, 1903. Rosy flesh,
tinted red.
Max Hesdorffer. _Jacobs_, 1903. Deep rose,
bordered silvery rose.
Monsieur Paul Lede. _Pernet-Ducher_, 1903.
Cinnamon pink, passing lighter.
Mrs. E. G. Hill. _Soupert et Notting_, 1906. Coral
red, white centre.
Mrs. G. W. Kershaw. _Alex. Dickson_, 1906. Deep
rose pink.
Mrs. W. J. Grant (_syn._ Belle Siebrecht). _Alex.
Dickson_, 1895. Imperial pink.
Nance Christy. _B. R. Cant_, 1906. Delicate salmon
pink, semi-double.
Olympiada. _Soupert et Notting_, 1904. Satiny
rose.
Papa Lambert. _P. Lambert_, 1899. Rose pink,
deeper centre.
Princesse Charles de Ligne. _Soupert et Notting_,
1903. Silvery pink, carmine centre.
Reine Carola de Saxe. _Gamon_, 1903. Flesh pink.
Robert Scott. _Robert Scott & Son_, 1901. Clear
rosy pink, shading to flesh on outer petals.
Rosel Klemm. _Hinner_, 1905. Rose, with silvery
reflex.
Shandon. _Alex. Dickson_, 1899. Bright rose.
Sheila. _Alex. Dickson_, 1895. Bright rose.
Souvenir de Maria de Zayas. _Soupert et Notting_,
1906. Vivid carmine, with deeper shading.
Souvenir de Maria Zozaya. _Soupert et Notting_,
1904. Petals coral red outside, silvery rose
inside.
William Askew. _Guillot_, 1902. Bright pink,
shaded delicate pink.
William Notting. _Soupert et Notting_, 1904.
Salmon pink, reverse of petals coral.
William Shean. _Alex. Dickson_, 1906. Pure pink,
veined ochre; a grand rose.
SALMON AND COPPER PINK.
Antoine Rivoire. _Pernet-Ducher_, 1896. Rosy flesh
on yellow ground.
Betty. _Alex. Dickson & Sons_, 1905. Coppery rose,
shaded yellow.
Countess Annesley. _Alex. Dickson_, 1905. Rosy
salmon, suffused old gold.
Dean Hole. _Alex. Dickson_, 1904. Silvery carmine,
shaded salmon.
Dr. J. Campbell Hall. _Alex. Dickson_, 1904. Coral
rose, suffused white.
Dorothy Page-Roberts. _Alex. Dickson_, 1907.
Coppery pink.
Earl of Warwick. _Paul & Son_, 1904. Salmon pink,
shaded vermilion.
Edu Meyer. _Lambert_, 1904. Copper red and yellow,
with orange shading.
Elizabeth Barnes. _Alex. Dickson_, 1907. Salmon
rose, fawn centre, outside of petals deep rose.
Frau Burgermeister Kirchstein. _Jacob_, 1907.
Carmine, shaded salmon.
Frau Ernst Borsig. _P. Lambert_, 1907. Rosy
yellowish carmine.
Frau Otto Evertz. _N. Welter_, 1907. Salmon pink
and yellow.
Friedrich Schroeder. _Hinner_, 1904. Rose, suffused
yellow.
Herman Rane. _Lambert_, 1905. Varying from salmon
rose to yellowish red.
Herzog Friedrich von Anhalt. _Welter_, 1907.
Salmon carmine, centre copper red.
Jeanne Bariaz. _Pierre Guillot_, 1907. Pale
salmon, centre vivid salmon on yellow.
Joseph Hill. _Pernet-Ducher_, 1904. Pink, shaded
salmon copper.
Kathleen. _Alex. Dickson_, 1895. Coral-pink
suffused rose, yellow base.
Mme. Cadeau-Ramey. _Pernet-Ducher_, 1897. Rosy
flesh, shaded yellow, carmine edges.
Mme. Eugene Boullet. _Pernet-Ducher_, 1898.
Yellow, shaded carmine.
Mme. Leon Pain. _Guillot_, 1904. Silvery salmon,
centre orange, petals outside salmon pink.
Mme. Melanie Soupert. _Pernet-Ducher_, 1906.
Salmon yellow, suffused carmine.
Mme. Paul Olivier. _Pernet-Ducher_, 1903. Deep
salmon yellow, shaded rosy carmine.
Mme. Segond Weber. _Soupert et Notting_, 1908.
Rich salmon pink, very fine and distinct.
Marguerite Poiret. _Soupert et Notting_, 1902.
Bright china rose, yellow reflexes.
Marquise de Sinety. _Pernet-Ducher_, 1906. Orange
yellow, shaded fiery red.
Monsieur Joseph Hill. _Pernet-Ducher_, 1903.
Salmon pink, shaded yellow.
Mrs. Harvey Thomas. _Bernaix_, 1906. Carmine,
shaded copper red and yellow.
Mrs. John Bateman. _Alex. Dickson_, 1905. Deep
china rose, yellow base.
Peggy. _Alex. Dickson_, 1905. Claret, smeared
saffron yellow and primrose, semi-double.
Pierre Wattinne. _Soupert et Notting_, 1902.
Cerise, shaded yellow and salmon.
Pribislav. _O. Jacobs_, 1902. Orange carmine,
pencilled scarlet.
Prince de Bulgarie. _Pernet-Ducher_, 1902. Deep
rosy flesh, shaded salmon.
Professor Fritz Rober. _Welter_, 1906. Salmon,
shaded yellow and rose.
Renee Wilmart-Urban. _Pernet-Ducher_, 1907. Salmon
flesh, bordered carmine.
Rosalind Orr-English. _E. G. Hill & Co._, 1905.
Bright salmon pink.
Senateur Belle. _Pernet-Ducher_, 1903. Salmon
pink, yellow centre.
Senateur Saint Romme. _Schwartz_, 1905. Rosy
salmon, shaded yellow.
CRIMSON AND CARMINE.
Avoca. _Alex. Dickson_, 1907. Crimson scarlet.
Anne Marie Soupert. _Soupert et Notting_, 1904.
Reddish carmine.
Baldwin. _Lambert_, 1898. Pure carmine.
Baron Lade. _Welter_, 1904. Bright carmine.
Charles. J. Grahame. _Alex. Dickson_, 1905. Very
bright scarlet crimson.
Cherry Ripe. _Paul & Son_, 1905. Light cherry
crimson.
Comtesse Icy Hardegg. _Soupert et Notting_, 1908.
Deep red.
Crimson Crown. _Alex. Dickson_, 1905. Glowing dark
crimson, flowers in clusters.
Ecarlate. _Boytard_, 1907. Scarlet crimson,
brighter than Liberty.
Etoile de France. _Pernet-Ducher_, 1905. Velvety
crimson, centre cerise.
Exquisite. _Paul & Son_, 1899. Bright crimson,
shaded magenta.
General MacArthur. _Hill_, 1905. Bright crimson.
George Laing Paul. _Soupert et Notting_, 1904.
Reddish crimson.
Grossherzog von Oldenburg. _Welter_, 1904. Dark
poppy, red.
Gruss an Sangerhausen. _Dr. Mueller_, 1905.
Brilliant scarlet, centre crimson.
Herzogin Victoria Adelheid. _Welter_, 1906. Clear
brilliant red.
J. B. Clark. _Hugh Dickson_, 1905. Deep scarlet,
heavily shaded black crimson.
Lady Battersea. _Paul & Son_, 1901. Fine cherry
crimson.
Lady Rossmore. _Dr. Campbell Hall_, 1906. Reddish
crimson, claret shading.
Liberty. _Alex. Dickson_, 1900. Brilliant velvety
crimson.
Ma Tulipe. _Bonnaire_, 1900. Deep crimson.
Mme. J. W. Budde. _Soupert et Notting_, 1907.
Brilliant carmine.
Marquise de Salisbury. _Pernet pere_, 1889. Bright
velvety red.
Marquise Litta. _Pernet-Ducher_, 1894. Carmine
rose, vermilion centre.
Mrs. A. M. Kirker. _Hugh Dickson_, 1906. Bright
cerise.
Reine Marguerite d'Italie. _Soupert et Notting_,
1905. Shining carmine, centre vermilion.
Rev. David R. Williamson. _Alex. Dickson_, 1904.
Dark crimson, shaded maroon.
Richmond. _Hill & Co._, 1905. Pure red scarlet.
Rosomane E. P. Roussel. _Guillot_, 1907. Brilliant
crimson.
Sarah Bernhardt. _Dubreuil_, 1907. Scarlet
crimson.
Stadtrat F. Kahler. _Geduldig_, 1907. Brilliant
fiery red.
The Dandy. _Paul & Son_, 1905. Glowing maroon
crimson, miniature flowers.
Triumph. _J. G. Hill & Co._, 1907. Deep carmine
and crimson.
Warrior. _Wm. Paul & Son_, 1906. Buds blood red,
opening vivid scarlet crimson.
[Illustration: HYBRID TEA.
MARQUISE LITTA.]
YELLOW.
Amateur Teyssier. _Gamon_, 1900. Dark saffron
yellow, changing to white.
Auguste van der Heede. _Welter_, 1901. Saffron
yellow.
Duchess of Portland. _Alex. Dickson_, 1901. Pale
sulphur yellow, with an occasional tinge of Eau de
Nil.
Ferdinand Batel. _Pernet-Ducher_, 1897. Varying
from pale rosy flesh on yellow nankeen, to yellow
nankeen orange.
Franz Deegen. _Hinner_, 1901. Pale yellow, centre
golden yellow.
[Illustration: HYBRID TEA.
MADAME PERNET DUCHER.]
Friedrich Harms. _Welter_, 1901. Pale yellow, with
deep yellow centre.
Gloire Lyonnaise. _Guillot_, 1884. Very pale
lemon.
Goldelse. _Hinner_, 1902. Pale yellow, with deeper
yellow centre.
Grossherzogin Alexandra. _Jacobs-Welter_, 1906.
Clear golden yellow.
Gustave Regis. _Pernet-Ducher_, 1891. Canary
yellow, with orange centre.
Gustave Sobry. _Welter_, 1902. Golden yellow,
passing to clear yellow.
Harry Kirk. _Alex. Dickson_, 1907. Deep sulphur
yellow, lighter edges.
Hofgarten-director Graebener. _P. Lambert_, 1900.
Rosy yellow and coppery yellow.
Instituteur Sirday. _Pernet-Ducher_, 1906. Deep
golden yellow.
Jakobs Perle. _Jakobs_, 1904. Canary yellow.
Kaiserin Augusta Victoria. _Lambert & Reiter_,
1891. Beautiful primrose.
Le Progres. _Pernet-Ducher_, 1904. Nankeen yellow,
lighter when fully expanded.
Madame Jenny Guillemot. _Pernet-Ducher_, 1905.
Deep saffron yellow.
Madame Pernet-Ducher. _Pernet-Ducher_, 1892.
Canary yellow.
Madame Philippe Rivoire. _Pernet-Ducher_, 1905.
Apricot yellow, with lighter centre.
Madame Ravary. _Pernet-Ducher_, 1900. Beautiful
orange yellow.
Mrs. David M'Kee. _Alex. Dickson_, 1904. Creamy
yellow.
Mrs. Peter Blair. _Alex. Dickson_, 1906. Lemon
chrome, with golden yellow centre.
Peace. _Piper_, 1903. Pale lemon yellow.
WHITE AND BLUSH.
Admiral Dewey. _Dingee & Conard_, 1899. Light
blush.
Alice Grahame. _Alex. Dickson_, 1903. Ivory white,
tinted salmon.
Alice Lindsell. _Alex. Dickson_, 1902. Creamy
white, with pink centre.
Augustine Guinoisseau. _Guinoisseau_, 1889. White,
slightly tinted with flesh.
Bessie Brown. _Alex. Dickson_, 1899. Creamy white.
Comte de Torres. _Schwartz_, 1906. Salmon white,
with yellow salmon centre.
Direcktor W. Cordes. _P. Lambert_, 1904. Creamy
white, with yellowish centre.
Edelstein. _Welter_, 1904. Pure white.
Edmund Deshayes. _Bernaix_, 1902. Creamy white,
with flesh centre.
Ellen Willmot. _Bernaix_, 1899. Pale flesh white.
Florence Pemberton. _Alex. Dickson_, 1903. Creamy
white, suffused pink.
Frau Lilla Rautenstrauch. _P. Lambert_, 1903.
Silvery white, tinted rose.
Gardenia. _Soupert et Notting_, 1899. White,
suffused pale blush.
Grace Darling. _Bennett_, 1884. Creamy white,
shaded peach.
Helene Guillot. _J. B. Guillot_, 1902. Pure white
to salmon white, tinted carmine.
Irene. _Wm. Paul & Son_, 1904. Silvery white,
sometimes faintly touched with pink.
Lady Clanmorris. _Alex. Dickson_, 1900. Creamy
white, delicate salmon centre.
Lady Quartus Ewart. _Hugh Dickson_, 1904. Paper
white.
Ligne-Arenberg. _Soupert et Notting_, 1903. Creamy
white, pink edge.
L'Innocence. _Pernet-Ducher_, 1898. Pure white.
Madame Joseph Combet. _J. Bonnaire_, 1894. Creamy
white.
Madame Maria Capalet. _Schwartz_, 1905. Rosy
white, tinted salmon, centre rosy yellowish
salmon.
Mdlle. Pauline Bersez. _Pernet-Ducher_, 1900.
Creamy white, with yellow centre.
Mdlle. Alice Furon. White, shaded lemon.
Marjorie. _Alex. Dickson_, 1895. White, suffused
with salmon pink.
Marguerite Guillot. _P. Guillet_, 1903. Pure
white.
Marie Girard. _Buatois_, 1899. White, shaded
salmon yellow.
Marquise Jeanne de la Chataigneraye. _Soupert et
Notting_, 1902. Silvery white, centre yellow.
Mildred Grant. _Alex. Dickson_, 1901. Silvery
white, edge of petals shaded and bordered with
pink.
Mrs. Conway Jones. _Alex. Dickson_, 1904. Creamy
white, flushed salmon pink.
Mrs. Theodore Roosevelt. _Hill & Co._, 1903.
Creamy white, centre rose.
Pharisaeer. _W. Hinner_, 1903. Rosy white, shaded
salmon.
Pie X. _Soupert et Notting_, 1906. Creamy white,
suffused pale rose.
Robert Baessler. _Hinner_, 1904. White, edge of
petals tinted rose.
Rosomane Gravereux. _Soupert et Notting_, 1899.
White, with tinge of pink.
Souv. de Madame Eugenie Verdier. _Pernet-Ducher_,
1895. Electric white, shaded saffron yellow.
White Lady. _Wm. Paul & Son_, 1890. Creamy white.
Yvonne Vacherot. _Soupert et Notting_, 1906.
Porcelain white, suffused pink.
IRISH SINGLE ROSES.
Alex. Dickson & Sons.
Irish Beauty, 1900. Pure white, bright golden
anthers.
Irish Brightness, 1903. Vivid crimson, shading to
pink base.
Irish Elegance, 1905.[4] Buds bronzy
orange-scarlet, opening to apricot, a very
beautiful rose.
Irish Engineer, 1904. Bright scarlet, large
flowers.
Irish Glory, 1900. Petals silvery marbled pink,
flamed outside with crimson.
Irish Harmony, 1904. Variable, saffron-yellow
veined claret.
Irish Modesty, 1900. Coral pink, ecru base to
petals.
Irish Pride, 1903. Ecru, suffused old rose and
gold.
Irish Star, 1903. Rose du Barri, with lemon star
centre.
FOOTNOTE:
[4] See Illustration.