WHY WE ARE NOT GAY.

|IT was the policy of this paper, from its inception, whatever that is,

to frown upon and discourage fraud wherever the latter has shown its

hideous front. In doing so, we have simply done our duty, and our reward

has been great, partially in the shape of money, and partially in the

shape of conscious rectitude and new subscribers.

We shall continue this course until we are able to take a trip to

Europe, or until some large man comes into the office with a masked

battery and blows us out through the window into the mellow haze of an

eternal summer time.

We have been waiting until the present time for about 100,000 shade

trees in this town to grow, and as they seem to be a little reluctant

about doing so, and the season being now far advanced, we feel safe in

saying that they are dead. They were purchased a year ago of a nursery

that purported to be O. K., and up to that time no one had ever breathed

a word against it. Now, however, unless those trees are replaced, we

shall be compelled to publish the name of that nursery in large, glaring

type, to the world. The trees looked a little under the weather when

they arrived, but we thought we could bring them out by nursing them.

They stood up in the spring breeze like a seed wart, however, and

refused to leave. They are still obstinate. The agent concluded to

leave, but the trees did not. We feel hurt about it, because people

come here from a distance and laugh at our hoe-handle forest. They speak

jeeringly of our wilderness of deceased elms, and sneer at our defunct

magnolias. We hate to cast a reflection on the house, but we also

dislike to be played for Chinamen when we are no such thing.

We prefer to sit in the shade of the luxuriant telegraph pole, and

stroll at set of sun amid the umbrageous shadows of the barbed wire

fence, through which the sunlight glints and glitters to and fro.

Nothing saddens us like death in any form, and 100,000 dead trees

scattered through the city, sticking their limbs up into the atmosphere

like a variety actress, bears down upon us with the leaden weight of an

ever-present gloom.

Baled Hay: A Drier Book than Walt Whitman's "Leaves o' Grass" · 第 93 / 164 题