HEAP GONE.

|ANOTHER land-mark of Laramie has gone. Another wreck has been strewn

upon the sands of time. Another gay bark has gone to pieces upon the

cruel rocks, and above the broken spars and jib-boom, and foretop

gallant royal mainbrace, and spanker-boom euchre deck, the cold, damp

tide is moaning.

We refer to L. W. Shroeder, who recently left this place incog., also in

debt, largely, to various people of this gay and festive metropolis.

Laramie has been the home, at various times, of some of the most

classical dead-beats of modern times; but Shroeder was the noblest, the

most grand and colossal of dead-beats that has ever visited our shores.

Born with unusual abilities in this direction, he early learned how to

enlarge and improve upon the talents thus bestowed upon him, and here

in Laramie, he soon won a place at the front as a man who purchased

everything and paid for nothing. He had a way of approaching the grocer

and the merchant that was well calculated to deceive, and he did, in

several instances, make representations, which we now learn, were false.

He was, by profession, a carpenter and joiner, having learned the art

while cutting cordwood on the Missouri bottoms, near Omaha, for the

Collins Brothers. Here he rapidly won his way to the front rank, by

erecting some of the most commanding architectural ruins of which modern

wood assassination can boast. He would take a hatchet and a buck-saw and

carve out his fortune anywhere in the world, and it wouldn't cost him a

cent. He filled this whole trans-Missouri country with his fame, and his

promissory notes, and then skinned out and left us here to mourn.

Good-bye, Shroeder. Wherever you go, we will remember you and hope that

you may succeed in piling up a monument of indebtedness as you did here.

You were industrious and untiring in your efforts to become a great

financial wreck, and success has crowned your efforts. We will not

grudge you the glory that coagulates about your massive brow.

Baled Hay: A Drier Book than Walt Whitman's "Leaves o' Grass" · 第 82 / 164 题