ACT IV

_A few weeks later. The new music room in the Palace of

Mantua. Windows on both sides admitting a view of the lake, so

that the hall looks like a galley surrounded by water.

Outside, morning: the lake, the sky, and the lines of poplars

on the banks, are all made of various textures of luminous

blue. From the gardens below, bay trees raise their flowering

branches against the windows. In every window an antique

statue: the Mantuan Muse, the Mantuan Apollo, etc. In the

walls between the windows are framed panels representing

allegorical triumphs: those nearest the spectator are the

triumphs of Chastity and of Fortitude. At the end of the room,

steps and a balustrade, with a harpsichord and double basses

on a dais. The roof of the room is blue and gold; a deep blue

ground, constellated with a gold labyrinth in relief. Round

the cornice, blue and gold also, the inscription_: "RECTAS

PETO," _and the name_ Ferdinandus Mantuae Dux.

_The_ PRINCESS HIPPOLYTA _of Mirandola, cousin to the_ DUKE;

_and_ DIEGO. HIPPOLYTA _is very young, but with the strength

and grace, and the candour, rather of a beautiful boy than of

a woman. She is dazzlingly fair; and her hair, arranged in

waves like an antique amazon's, is stiff and lustrous, as if

made of threads of gold. The brows are wide and straight,

like a man's; the glance fearless, but virginal and almost

childlike_. HIPPOLYTA _is dressed in black and gold,

particoloured, like Mantegna's Duchess. An old man, in

scholar's gown, the_ Princess's Greek Tutor, _has just

introduced_ DIEGO _and retired_.

DIEGO

The Duke your cousin's greeting and service, illustrious

damsel. His Highness bids me ask how you are rested after your

journey hither.

PRINCESS

Tell my cousin, good Signor Diego, that I am touched at his

concern for me. And tell him, such is the virtuous air of his

abode, that a whole night's rest sufficed to right me from the

fatigue of two hours' journey in a litter; for I am new to

that exercise, being accustomed to follow my poor father's

hounds and falcons only on horseback. You shall thank the Duke

my cousin for his civility. (PRINCESS _laughs_.)

DIEGO

(_bowing, and keeping his eyes on the_ PRINCESS _as he

speaks_)

His Highness wished to make his fair cousin smile. He has told

me often how your illustrious father, the late Lord of

Mirandola, brought his only daughter up in such a wise as

scarcely to lack a son, with manly disciplines of mind and

body; and that he named you fittingly after Hippolyta, who was

Queen of the Amazons, virgins unlike their vain and weakly

sex.

PRINCESS

She was; and wife of Theseus. But it seems that the poets care

but little for the like of her; they tell us nothing of her,

compared with her poor predecessor, Cretan Ariadne, she who

had given Theseus the clue of the labyrinth. Methinks that

maze must have been mazier than this blue and gold one

overhead. What say you, Signor Diego?

DIEGO (_who has started slightly_)

Ariadne? Was she the predecessor of Hippolyta? I did not know

it. I am but a poor scholar, Madam; knowing the names and

stories of gods and heroes only from songs and masques. The

Duke should have selected some fitter messenger to hold

converse with his fair learned cousin.

PRINCESS (_gravely_)

Speak not like that, Signor Diego. You may not be a scholar,

as you say; but surely you are a philosopher. Nay, conceive

my meaning: the fame of your virtuous equanimity has spread

further than from this city to my small dominions. Your

precocious wisdom--for you seem younger than I, and youths do

not delight in being very wise--your moderation in the use of

sudden greatness, your magnanimous treatment of enemies and

detractors; and the manner in which, disdainful of all

personal advantage, you have surrounded the Duke my cousin

with wisest counsellors and men expert in office--such are the

results men seek from the study of philosophy.

DIEGO

(_at first astonished, then amused, a little sadly_)

You are mistaken, noble maiden. 'Tis not philosophy to refrain

from things that do not tempt one. Riches or power are useless

to me. As for the rest, you are mistaken also. The Duke is

wise and valiant, and chooses therefore wise and valiant

counsellors.

PRINCESS (_impetuously_)

You are eloquent, Signor Diego, even as you are wise! But your

words do not deceive me. Ambition lurks in every one; and

power intoxicates all save those who have schooled themselves

to use it as a means to virtue.

DIEGO

The thought had never struck me; but men have told me what you

tell me now.

PRINCESS

Even Antiquity, which surpasses us so vastly in all manner of

wisdom and heroism, can boast of very few like you. The

noblest souls have grown tyrannical and rapacious and

foolhardy in sudden elevation. Remember Alcibiades, the

beloved pupil of the wisest of all mortals. Signor Diego, you

may have read but little; but you have meditated to much

profit, and must have wrestled like some great athlete with

all that baser self which the divine Plato has told us how to

master.

DIEGO (_shaking his head_)

Alas, Madam, your words make me ashamed, and yet they make me

smile, being so far of the mark! I have wrestled with nothing;

followed only my soul's blind impulses.

PRINCESS (_gravely_)

It must be, then, dear Signor Diego, as the Pythagoreans held:

the discipline of music is virtuous for the soul. There is a

power in numbered and measured sound very akin to wisdom;

mysterious and excellent; as indeed the Ancients fabled in the

tales of Orpheus and Amphion, musicians and great sages and

legislators of states. I have long desired your conversation,

admirable Diego.

DIEGO (_with secret contempt_)

Noble maiden, such words exceed my poor unscholarly

appreciation. The antique worthies whom you name are for me

merely figures in tapestries and frescoes, quaint greybeards

in laurel wreaths and helmets; and I can scarcely tell whether

the Ladies Fortitude and Rhetoric with whom they hold

converse, are real daughters of kings, or mere Arts and

Virtues. But the Duke, a learned and judicious prince, will

set due store by his youthful cousin's learning. As for me,

simpleton and ignoramus that I am, all I see is that Princess

Hippolyta is very beautiful and very young.

PRINCESS

(_sighing a little, but with great simplicity_)

I know it. I am young, and perhaps crude; although I study

hard to learn the rules of wisdom. You, Diego, seem to know

them without study.

DIEGO

I know somewhat of the world and of men, gracious Princess,

but that can scarce be called knowing wisdom. Say rather

knowing blindness, envy, cruelty, endless nameless folly in

others and oneself. But why should you seek to be wise? you

who are fair, young, a princess, and betrothed from your

cradle to a great prince? Be beautiful, be young, be what you

are, a woman.

Diego _has said this last word with emphasis, but the_

Princess _has not noticed the sarcasm in his voice_.

PRINCESS (_shaking her head_)

That is not my lot. I was destined, as you said, to be the

wife of a great prince; and my dear father trained me to fill

that office.

DIEGO

Well, and to be beautiful, young, radiant; to be a woman; is

not that the office of a wife?

PRINCESS

I have not much experience. But my father told me, and I have

gathered from books, that in the wives of princes, such gifts

are often thrown away; that other women, supplying them, seem

to supply them better. Look at my cousin's mother. I can

remember her still beautiful, young, and most tenderly loving.

Yet the Duke, my uncle, disdained her, and all she got was

loneliness and heartbreak. An honourable woman, a princess,

cannot compete with those who study to please and to please

only. She must either submit to being ousted from her

husband's love, or soar above it into other regions.

DIEGO (_interested_)

Other regions?

PRINCESS

Higher ones. She must be fit to be her husband's help, and to

nurse his sons to valour and wisdom.

DIEGO

I see. The Prince must know that besides all the knights that

he summons to battle, and all the wise men whom he hears in

council, there is another knight, in rather lighter armour and

quicker tired, another counsellor, less experienced and of

less steady temper, ready for use. Is this great gain?

PRINCESS

It is strange that being a man, you should conceive of women

from----

DIEGO

From a man's standpoint?

PRINCESS

Nay; methinks a woman's. For I observe that women, when they

wish to help men, think first of all of some transparent

masquerade, donning men's clothes, at all events in metaphor,

in order to be near their lovers when not wanted.

DIEGO (_hastily_)

Donning men's clothes? A masquerade? I fail to follow your

meaning, gracious maiden.

PRINCESS (_simply_)

So I have learned at least from our poets. Angelica, and

Bradamante and Fiordispina, scouring the country after their

lovers, who were busy enough without them. I prefer Penelope,

staying at home to save the lands and goods of Ulysses, and

bringing up his son to rescue and avenge him.

DIEGO (_reassured and indifferent_)

Did Ulysses love Penelope any better for it, Madam? better

than poor besotted Menelaus, after all his injuries, loved

Helen back in Sparta?

PRINCESS

That is not the question. A woman born to be a prince's wife

and prince's mother, does her work not for the sake of

something greater than love, whether much or little.

DIEGO

For what then?

PRINCESS

Does a well-bred horse or excellent falcon do its duty to

please its master? No; but because such is its nature.

Similarly, methinks, a woman bred to be a princess works with

her husband, for her husband, not for any reward, but because

he and she are of the same breed, and obey the same instincts.

DIEGO

Ah!----Then happiness, love,--all that a woman craves for?

PRINCESS

Are accidents. Are they not so in the life of a prince? Love

he may snatch; and she, being in woman's fashion not allowed

to snatch, may receive as a gift, or not. But received or

snatched, it is not either's business; not their nature's true

fulfilment.

DIEGO

You think so, Lady?

PRINCESS

I am bound to think so. I was born to it and taught it. You

know the Duke, my cousin,--well, I am his bride, not being

born his sister.

DIEGO

And you are satisfied? O beautiful Princess, you are of

illustrious lineage and mind, and learned. Your father brought

you up on Plutarch instead of Amadis; you know many things;

but there is one, methinks, no one can know the nature of it

until he has it.

PRINCESS

What is that, pray?

DIEGO

A heart. Because you have not got one yet, you make your plans

without it,--a negligible item in your life.

Princess

I am not a child.

DIEGO

But not yet a woman.

PRINCESS (_meditatively_)

You think, then----

DIEGO

I do not _think_; I _know_. And _you_ will know, some day. And

then----

PRINCESS

Then I shall suffer. Why, we must all suffer. Say that, having

a heart, a heart for husband or child, means certain

grief,--well, does not riding, walking down your stairs, mean

the chance of broken bones? Does not living mean old age,

disease, possible blindness or paralysis, and quite inevitable

aches? If, as you say, I must needs grow a heart, and if a

heart must needs give agony, why, I shall live through

heartbreak as through pain in any other limb.

DIEGO

Yes,--were your heart a limb like all the rest,--but 'tis the

very centre and fountain of all life.

PRINCESS

You think so? 'Tis, methinks, pushing analogy too far, and

metaphor. This necessary organ, diffusing life throughout us,

and, as physicians say, removing with its vigorous floods all

that has ceased to live, replacing it with new and living

tissue,--this great literal heart cannot be the seat of only

one small passion.

DIEGO

Yet I have known more women than one die of that small

passion's frustrating.

PRINCESS

But you have known also, I reckon, many a man in whom life,

what he had to live for, was stronger than all love. They say

the Duke my cousin's melancholy sickness was due to love which

he had outlived.

DIEGO They say so, Madam.

PRINCESS (_thoughtfully_)

I think it possible, from what I know of him. He was much with

my father when a lad; and I, a child, would listen to their

converse, not understanding its items, but seeming to

understand the general drift. My father often said my cousin

was romantic, favoured overmuch his tender mother, and would

suffer greatly, learning to live for valour and for wisdom.

DIEGO

Think you he has, Madam?

PRINCESS

If 'tis true that occasion has already come.

DIEGO

And--if that occasion came, for the first time or for the

second, perhaps, after your marriage? What would you do,

Madam?

PRINCESS

I cannot tell as yet. Help him, I trust, when help could come,

by the sympathy of a soul's strength and serenity. Stand

aside, most likely, waiting to be wanted. Or else----

DIEGO

Or else, illustrious maiden?

PRINCESS

Or else----I know not----perhaps, growing a heart, get some

use from it.

DIEGO

Your Highness surely does not mean use it to love with?

PRINCESS

Why not? It might be one way of help. And if I saw him

struggling with grief, seeking to live the life and think the

thought fit for his station; why, methinks I could love him.

He seems lovable. Only love could have taught fidelity like

yours.

DIEGO

You forget, gracious Princess, that you attributed great power

of virtue to a habit of conduct, which is like the nature of

high-bred horses, needing no spur. But in truth you are right.

I am no high-bred creature. Quite the contrary. Like curs, I

love; love, and only love. For curs are known to love their

masters.

PRINCESS

Speak not thus, virtuous Diego. I have indeed talked in

magnanimous fashion, and believed, sincerely, that I felt high

resolves. But you have acted, lived, and done magnanimously.

What you have been and are to the Duke is better schooling for

me than all the Lives of Plutarch.

DIEGO.

You could not learn from me, Lady.

PRINCESS

But I would try, Diego.

DIEGO

Be not grasping, Madam. The generous coursers whom your father

taught you to break and harness have their set of virtues.

Those of curs are different. Do not grudge them those. Your

noble horses kick them enough, without even seeing their

presence. But I feel I am beyond my depth, not being

philosophical by nature or schooling. And I had forgotten to

give you part of his Highnesses message. Knowing your love of

music, and the attention you have given it, the Duke imagined

it might divert you, till he was at leisure to pay you homage,

to make trial of my poor powers. Will it please you to order

the other musicians, Madam?

PRINCESS

Nay, good Diego, humour me in this. I have studied music, and

would fain make trial of accompanying your voice. Have you

notes by you?

DIEGO

Here are some, Madam, left for the use of his Highness's band

this evening. Here is the pastoral of Phyllis by Ludovic of

the Lute; a hymn in four parts to the Virgin by Orlandus

Lassus; a madrigal by the Pope's Master, Signor Pierluigi of

Praeneste. Ah! Here is a dramatic scene between Medea and

Creusa, rivals in love, by the Florentine Octavio. Have you

knowledge of it, Madam?

PRINCESS

I have sung it with my master for exercise. But, good Diego,

find a song for yourself.

DIEGO

You shall humour me, now, gracious Lady. Think I am your

master. I desire to hear your voice. And who knows? In this

small matter I may really teach you something.

_The_ PRINCESS _sits to the harpsichord_, DIEGO _standing

beside her on the dais. They sing, the_ PRINCESS _taking the

treble_, DIEGO _the contralto part. The_ PRINCESS _enters

first--with a full-toned voice clear and high, singing very

carefully_. DIEGO _follows, singing in a whisper. His voice is

a little husky, and here and there broken, but ineffably

delicious and penetrating, and, as he sings, becomes, without

quitting the whisper, dominating and disquieting. The_

PRINCESS _plays a wrong chord, and breaks off suddenly._

DIEGO

(_having finished a cadence, rudely_)

What is it, Madam?

PRINCESS

I know not. I have lost my place----I----I feel bewildered.

When your voice rose up against mine, Diego, I lost my head.

And--I do not know how to express it--when our voices met in

that held dissonance, it seemed as if you hurt me----horribly.

DIEGO

(_smiling, with hypocritical apology_)

Forgive me, Madam. I sang too loud, perhaps. We theatre

singers are apt to strain things. I trust some day to hear you

sing alone. You have a lovely voice: more like a boy's than

like a maiden's still.

PRINCESS

And yours----'tis strange that at your age we should reverse

the parts,--yours, though deeper than mine, is like a

woman's.

DIEGO (_laughing_)

I have grown a heart, Madam; 'tis an organ grows quicker where

the breed is mixed and lowly, no nobler limbs retarding its

development by theirs.

PRINCESS

Speak not thus, excellent Diego. Why cause me pain by

disrespectful treatment of a person--your own admirable

self--whom I respect? You have experience, Diego, and shall

teach me many things, for I desire learning.

_The_ Princess _takes his hand in both hers, very kindly and

simply_. Diego, _disengaging his, bows very ceremoniously_.

DIEGO

Shall I teach you to sing as I do, gracious Madam?

PRINCESS (_after a moment_)

I think not, Diego.

Ariadne in Mantua: A Romance in Five Acts · 第 4 / 5 章