DAMASKED LINEN.

(Vol. ii., p. 199.; Vol. iii., pp. 13. 229.)

In the subjoined account of some old patterns, I have, for the sake of

brevity, enclosed in brackets the descriptions of the several objects

represented, beginning with the highest and most distant. The words

enclosed within inverted commas are the inscriptions.

No. I.

[Two horsemen, with steel-caps, riding away at speed.]

[Crown.]

"PVRSV'D BY MEN. PRESERV'D BY GOD."

[Crown.] [Crown.]

[Oak branches surrounding a head surmounted

with a low-crowned hat and flowing wig.]

I may mention that this bears the mark of an ancestor of its present

possessor, who was about forty years of age at the time of the

Restoration, and died in 1707.

No. II.

"SISTE SOL IN GIBEON ET LVNA IN VALLE IAALON."

[Sun] "RIS" [Moon] "SEL."

[Fortified town.]

[Mortars throwing shells into the town.]

[Tents and cannon.]

[Trophy] "EGENIVS." [Trophy.]

[Equestrian figure holding a baton.]

Can any of your readers be so good as to explain the allusion of the

above ungainly and somewhat profane compliment to Prince Eugene?

No. III.

"STAD ANT

WERPEN."

[City gate.]

[Water with ships.]

"DER HERTZOG VON MARLBORVK."

[Equestrian figure in the proper costume, holding a baton.]

The above probably commemorates the surrender of Antwerp to the allied

armies soon after the battle of Ramillies, May 27, 1706.

No. IV.

"CAROLVS KÖNIG IN SPANIGEN."

[Equestrian figure.]

[Trophy of arms and banners.]

"MADRIED."

[City and gates.]

[Batteries with cannon planted.]

I presume this must refer to the short-lived triumph of Charles

(afterwards Emperor of Germany), who was crowned King of Spain at Vienna

in 1703, and entered Madrid in 1706.

No. V.

[City.]

[River with boats.]

[Cannon and mortars.]

[Tents and halberdiers, and arms strewn about on the ground.]

"KÖNIG GEORGE."

[Crown.] [Crown.]

[Harp.] [Harp.]

[Equestrian figure holding a sceptre.]

Will some one be so kind as to explain the meaning of this design?

I may mention that there is little doubt that this cloth, as well as the

others, belonged to the son of the gentleman before mentioned, and that

it is very unlikely that it ever belonged to the royal household. This

may perhaps affect the inference of your correspondent H. W. D. from the

inscription "Der König Georg II." (Vol. iii., p. 229.).

No. VI.

[A group of figures:--On the right an eastern

monarch standing, and in an attitude of command

towards a female figure on the left, who

is stooping down to put something into the

gaping mouth of a dragon, while with her left

hand she points towards the king. Behind the

woman are three men turning towards the king

in attitudes of entreaty.]

"BABYLON."

[A man and woman kneeling down, with hands

raised as in supplication or astonishment.]

"DANIEL, XIIII."

[A tree with two birds in it. In front of the tree

an angel flying downwards; and underneath, a

man in the same attitude, holding a vessel

shaped like a pitch-kettle in the left hand, and

what appears to be a small loaf or cake in the

right.]

All the above figures are in oriental costume. The date of this cloth

_cannot_ be later than about 1720. In each case the pattern is repeated

in rows; the alternate rows being reversed so that on whichever side the

cloth is turned, half of the patterns have the inscriptions legible.

Notes and Queries, Vol. IV, Number 110, December 6, 1851 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. · 第 92 / 195 题