CHAPTER XVII

LA MONTAGNE STE-GENEVIÈVE

Rue de la Montagne Ste-Geneviève, leading to the hill-top from Boulevard

St-Germain, went in twelfth-century days by the unæsthetic name Rue des

Boucheries. Nearly every wall, every stone is ancient. In past ages

three colleges at different positions stood on its incline. The sign at

No. 40 dates from the time of the Directoire. A statuette of the saint

there in Revolution days was labelled, “A la ci-devant Geneviève;

Rendez-vous des Sans-Culottes.” And now we have before us the beautiful

old church St-Etienne-du-Mont. The _place_, in very early times a

graveyard, was laid out as a square in the fourteenth century and the

church burial ground was on the north-western side. The present church

dates as a whole from the early years of the seventeenth century, built

on the site of a thirteenth-century chapel dedicated to St-Etienne. The

_abside_ and the choir were built in early sixteenth-century years,

close up against the old basilic of the abbey Ste-Geneviève. Among the

people the church is still often referred to as l’Église Ste-Geneviève,

chiefly, no doubt, because the tomb of the patron saint of Paris is

there. The original _châsse_--a richly jewel-studded shrine--was

destroyed at the Revolution, melted down, its gems confiscated, the

bones of the Saint burnt. The stone coffin cast aside as valueless was

recovered, filled with such relics of Ste-Geneviève as could be

collected from far and near, and is now in the sumptuous shrine to which

pilgrimages are continually made. A smaller _châsse_ is solemnly carried

round the aisles of the church each year during the “neuvaine” following

January 3rd, the revered Saint’s fête day, when services are held all

day long, while on the _place_ without a religious fair goes on ...

souvenirs of Ste-Geneviève and objects of piety of every description are

offered for sale on the stalls set up upon the _place_ from end to end.

The church, showing three distinct styles of architecture, Romanesque,

Gothic, Renaissance, is especially remarkable for its rood-screen--the

only one left in a Paris church. It is rich, too, in exquisite stained

glass, beautiful woodwork, fine statuary. We see inscriptions and

epitaphs referring to Pascal, Rollin and many other men of note, buried

in the church crypt or in the graveyard of past days.

[Illustration: ST-ÉTIENNE-DU-MONT]

The Panthéon, the most conspicuous if not the most ancient or most

seductive building of this hill-top, was begun as a new church

Ste-Geneviève. Louis XV, lying dangerously ill at Metz, made a vow to

build on his recovery a church dedicated to the patron saint of Paris.

It was not begun till 1755, not solidly constructed then; slips followed

the erection of its walls, threatening collapse, and Soufflot, the

architect, died of grief thereat. The catastrophe feared did not happen;

the building was consolidated. Instead, however, of remaining a church

it was declared, in the Revolutionary year 1791, the Panthéon, with the

inscription, “Aux Grands Hommes de France, la Patrie reconnaissante.”

Napoléon restored it to the ecclesiastical authorities at the Concordat.

In 1830 it became again the Panthéon; was once more a church in

1851--then the Panthéon for good--so far--in 1885, when the body of

Victor Hugo was carried there in great state. Its façade is copied from

the Panthéon of Agrippa at Rome. It is noted for its frescoes

illustrative of the life of Ste-Geneviève, by Gros, Chavannes, Laurens

and other nineteenth-century artists. Rodin’s “Penseur” below the

peristyle was put there in 1906.

[Illustration: INTERIOR OF ST-ÉTIENNE-DU-MONT (JUBÉ)]

The Faculté de Droit, No. 10, is Soufflot’s work (1772-1823). The

Bibliothèque Ste-Geneviève, quite modern (1884), covers the site of the

demolished Collège Montaigu, founded in 1314. Ignatius Loyola, Erasmus

and Calvin were pupils there. All the surrounding streets stretch along

the site of ancient buildings, convents, monasteries, etc., swept away

but leaving here and there interesting traces. In Rue Lhomond débris of

the potteries once there have been unearthed. Michelet lived for a time

at the ancient hôtel de Flavacourt. No. 10, incorporated later in the

École Ste-Geneviève, of which the chief entrance door is a vestige of

the hôtel de Juigné, was the private abode of the Archbishop of Paris in

pre-Revolution days. Another part of the school was the home of Abbé

Edgeworth, confessor to Louis XVI in his last days. Yet another was the

Séminaire des Anglais, founded under Louis XIV. We find a fine façade

and balconies in the courtyard at No. 29, once the abode of a religious

community, now the lay “Institution Lhomond.”

The Séminaire des Missions des Colonies Françaises at No. 30 dates from

the time of Louis XIV. Fine staircase and chapel. The cellars of the

modern houses from No. 48 to No. 54 are those of the convent which

erewhile stood above them.

In Rue des Irlandais we see the college founded in 1755 for Irish,

Scottish and English priest-students. In Rue Rataud, once Rue des

Vignes, which led to a cemetery for persons who had died of the plague,

is, at No. 3, the orphanage of l’Enfant Jésus, formerly “Les Cent

Filles,” where the duchesse d’Angoulême, daughter of Louis XVI, had

fifty young orphan girls educated yearly at her own expense.

Historic Paris · 第 17 / 52 章